Tag Archives: media

On Playboy’s New Feminism

I’m going to start this post even though I don’t have an ending.

About a year ago I was asked to start writing for Playboy. The editor said that he was helping to transform the magazine’s website into one that “was a destination for smart writing on sex.” I said that I’d keep the offer in mind but, between you and me, the answer was no.

Around the same time, I heard of some other high-profile feminist writers being invited as well. “Huh,” I thought, “they may actually be serious about this.”

Since then, I’ve ended up on the Playboy website a couple of times, following links by like-minded people who found material they thought was valuable. I’ve been surprised and tentatively impressed. Then, this week there was a flurry of links to a piece by Noah Berlatsky, deftly and smartly analyzing feminist responses to trans woman Laverne Cox’s decision to pose nude for Allure.

The article began with a cropped screenshot of Cox’s photograph featuring her face and de-emphasizing her body and a quote from Cox about the widespread belief that black women and trans women, and especially black trans women, can’t be beautiful.

12

Berlatsky then goes on to discuss the challenges intersectionality poses to feminism, conflicts within feminism about whether trans women count as women, debates over cosmetic surgery and the problem with trying to live up to patriarchal standards of beauty, and whether Cox’s decision to pose naked is degrading. You don’t have to agree with all Berlatsky says to notice that he is no stranger to feminist theory.

Moreover, he seems to look upon Cox’s photograph with a delicate and sensitive gaze, describing what he sees like this:

Cox is not fashion-model-thin. She’s not fashion-model-petite or willowy, either. She has very large hands, which are not hidden, boldly displayed. In the photo, Cox lies on a blanket; her body taut rather than relaxed, her head in one big, strong hand, eyes closed, a slight smile on her face — like she’s a little embarrassed and amused at being embarrassed. She’s voluptuous and awkward and sweet all at once. In her simultaneous enjoyment of and discomfort before the camera, she seems, in the frankly staged pose, startlingly natural — and beautiful.

As I reached the end of the article, I was considering sharing a post from Playboy for the very first time. Then, this happened:

11

That’s a screenshot of a pop-up that arrived on my screen when I reached the end of Berlatsky’s thoughtful, feminist essay. It says: “Enter your email to see a 45-year-old with an amazing booty.” In other words, “Click right now to see a woman still fuckable after 40!” (And here I’m going to just go with the idea that this is sexist, but not engage with the extensive feminist theorizing about pornography.)

This is where I’m at a loss.

Is this what change looks like? Is this what change looks like, specifically, when it comes from inside of an organization? A slow, stuttering shift from misogyny to feminism, replete with missteps and contradictions?

Who’s in charge over there? What is their strategic plan? Are they trying to appropriate feminism? It’s not like they haven’t done it before. What role do they see this feminist discourse playing in a space that’s still so misogynist?

Or is the right hand just not paying attention to what the left hand is doing? Maybe Berlatsky was as surprised by the pop-up as I was, thinking “Come on, guys!” Or do they not think that their pop-up was sexist at all?

And, from a feminist perspective, does this do anyone any good? I don’t mean this rhetorically. I honestly don’t know how to answer that question. And, on the flipside, could this hurt feminist activism?

What say you?

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

How to Drive Him Crazy in Bed

1By Gemma Correll. Visit her tumblr or buy stuff here.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Racial Bias and Media Coverage of Violent Crime

Studies of Americans’ unconscious beliefs shows that most people — white and black — think black people are dangerous and both average folks and police are quicker to shoot black than white people.

Where does the cognitive belief that black people are dangerous come from?

Partly, it comes from the media. A new study by Color of Change found that, while 51% of the people arrested for violent crime in New York City are black, 75% of the news reports about such arrests highlighted black alleged perpetrators.

2

Meanwhile, when people of color are arrested, they are more likely to be portrayed in ways that make them seem threatening than white people. This happened this week:

1a

See also, portrayals of Mark Duggan and Mike Brown.

Each time we see a black person on TV who is linked with a violent crime or portrayed as a criminal, the neurons in our brain that link blackness with criminality fire. The same for people of other races. The more often a link is triggered, the stronger it becomes. Disproportionate reporting like the kind captured in this study make the neural links in our brain — it’s actual physical structure — reflect the racism inherent in the reporting itself.

These associations, unfortunately, are pre-conscious. Those neurons fire faster than we can suppress them with our conscious mind. So, even if we believe in our heart-of-hearts that these connections are unfair or untrue, our unconscious is busy making the associations anyway. Biased reporting, in other words, changes the minds of viewers, literally.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Power and the Gaze: What Does Resistance Look Like?

In 1975, Mulvey conceptualized the gaze as the power derived by the viewer when they cast their glance upon a hierarchized, usually female, body. This idea perfectly captures the way a subject on film is both frozen in a time and space, and consumed. I want to turn that around, in a more kyriarchal and postmodern fashion, and allot power to the subject.

Refinery 29 has a series of photographs by Blaise Cepis. Through them, women discuss and display their body hair.  In a beautifully hued array, these women speak of personal choice, empowerment and acceptance in ways that act as a counternarrative to the Brazilian-plucked-chicken-prepubescent-non-mammal-landscaping construct that is currently in vogue.

And yet. Yet. Among this abundance of hairy joy – there is no direct gaze. Among the 21 slides there are faces in profile, lower portions of faces, averted glances with pupils looking away. There is only one woman directly glancing at the viewer, and even as her defiant brows dominate her face she is neither fully seen nor subsequently fully known.

5

Also, nowhere in the 21 slides does the women’s whole body occupy the visual frame. The pictures show a bushy underarm with barely a chest wall or breast, a lushly forested pudenda without whole legs or torso, or a lightly furred arm without a hand attached.

Counter this power and gaze conundrum with Kim Kardashian’s photoessay for Paper’s Winter issue where she appears, full frontal, body hair free, and fully faced. With the hashtag #breaktheinternet, the intent of the shoot is clear. Neither during the photoshoot’s extended video interview or the accompanying print piece does Kardashian invoke feminism’s ideals of choice, power or acceptance. Yet, in her direct gaze and whole body there is a definitive power of being fully present in the visual medium.

Censored to be safe for work, but you can see the original here:5

In his classic Disidentifications, Munoz interrogates the intersections between queer theory and life as performance to illustrate the ways hegemony is constructed. All the women in the photoessay above are performing: to disrupt a gaze by capturing the consumer; to deliver through visual imagery a counternarrative to normed assumptions; to shine a spotlight upon their bodies so that other stories can be told about them that subsequently reflect the world. These are all photos of “naked women”, but they are not equal in power.

Make no mistake, Kardashian’s photoshoot does not aspire to be anything but  performance – a denuded spectacle that we can believe – illustrating her power to create reverberating social narratives. But the theme of empowered, hirsuit women who embrace the social, sexual, and personal repercussions of their decision is undercut by the disembodied visual presentation. The power of these women has no whole body in which to reside. They are intended to be read as both brave and everyday, but they are visually reduced to decontextualized hair clumps; the performances of pride do not ring true because the viewer does not witness the incorporation of their body pride into a fully human landscape. Frankly, if women are going to “grow hair there” – we need to fully embody it.

Cross-posted at Pacific Standard.

Kerrita K. Mayfield, PhD is an experienced social justice oriented educator and teacher trainer, with over 20 years working in urban and rural classrooms and alternative educational settings. Currently teaching ESL at UMass Amherst to liminal non-benefitted workers, she was the first student to earn a graduate minor in Women’s Studies at the University of Wyoming.

Where Do Young People Get Knowledge About the Clitoris?

Flashback Friday.

The D.C. Council’s Committee on Health released a report after surveying high school students about sex education. One of their questions was about the source of sexual health information. The pie chart below shows that students name, in order, their parents or guardians, health workers, teachers, friends, and boyfriends or girlfriends as the most common sources of information.

Capture

I asked a similar question in a study I did with college students (full text). The students in my sample rated their friends, secondary school teachers, books, their sexual partners, and the media as their most important sources. Men also included pornography. Very few students counted parents among their most valued sources. (Significance indicators are for sex difference.)

Capture1

My co-authors and I were interested in how those sources correlated with actual knowledge, specifically knowledge about the clitoris. And so we gave them a “cliteracy test,” we had them answer a set of true/false questions about the clitoris and find it on a diagram of the vulva.

We then compared their scores on the test to their reported sources of knowledge. The table below is a regression showing which sources of knowledge were most predictive of a high score. The findings were interesting: only two sources predicted significantly higher scores on the test: media (for men and women) and self-exploration (for women).

Capture2

So, only one of the most frequently used sources of information, media, actually translated into real knowledge. And, ironically, the best source of information for women, their own bodies, was among the least often cited source of information for women, beating out only pornography and parents.

In other words, the best source of information about the clitoris is probably the… clitoris, but female college students would rather read books to learn about it.

This puts the D.C. study into some perspective.  The high school students in that study reported that their parents or guardians, health workers, teachers, friends, and boyfriends or girlfriends were sources of sexual information, but that doesn’t mean that they are good sources. It could be that they’re giving them misinformation or good information only about certain things.

Originally posted in 2009. You can see a summary of our findings on the correlation (or lack thereof) between knowledge about the clitoris and orgasm for women here.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

The Rise of the Strawberry

Strawberry shortcake, chocolate covered strawberries, strawberry daiquiris, strawberry ice cream, and strawberries in your cereal. Just delicious combinations of strawberries and things? Of course not.

According to an investigative report at The Guardian, in the first half of the 1900s, Americans didn’t eat nearly as many strawberries as they do now. There weren’t actually as many strawberries to eat. They’re a fragile crop, more prone than others to insects and unpredictable weather.

In the mid-1950s, though, scientists at the University of California began experimenting with a poison called chloropicrin. Originally used as a toxic gas in World War I, scientists had learned that it was quite toxic to fungus, weeds, parasites, bacteria, and insects. By the 1960s, they were soaking the soil underneath strawberries with the stuff. Nearly every strawberry field in California — a state that produces 80% of our strawberries — was being treated with chloropicrin or a related chemical, methyl bromide.

In the meantime, a major grower had collaborated with the University, creating heartier varieties of strawberries and ones that could be grown throughout the year. These developments doubled the strawberry crop. This was more strawberries than California — and the country — had ever seen. The supply now outpaced the demand.

Enter: Strawberry Shortcake.

1a

Strawberry Shortcake was invented by American Greetings, the greeting card company. She was created in cahoots with the strawberry growers association. They made a deal, just one part of a massive marketing campaign to raise the profile of the strawberry.

The head of the association at the time, Dave Riggs, aggressively marketed tie-ins with other products, too: Bisquick, Jello, Corn Flakes, and Cheerios. Cool Whip still has a strawberry on its container and its website is absolutely dotted with the fruit.

1b

Riggs went to the most popular women’s magazines, too — Ladies’ Home Journal, Redbook, and Good Housekeeping — and provided them with recipe ideas. It was an all out strawberry assault on America.

It worked. “Today,” according to The Guardian, “Americans eat four times as many fresh strawberries as they did in the 1970s.” We think it’s because we like them, but is it?

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Chart of the Week: Big Pharma Spends More on Marketing than Research

Pharmaceutical companies say that they need long patents that keep the price of their drugs high so that they can invest in research. But that’s not actually what they’re spending most of their money on. Instead, they’re spending more — sometimes twice as much — on advertising directly to doctors and consumers.

Data from the BBC, visualized by León Markovitz:

2“When do you cross the line from essential profits to profiteering?,” asked Dr Brian Druker, one of a group of physicians asking for price reductions.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Designing for Profit: On “Instructions for Use”

Flashback Friday.

When companies offer instructions as to how much of their product to use, what do you think drives their decisions as to what advice to give?

Theory 1:  They give the best advice.

Theory 2:  They give reasonably good advice, erring on the side of you using more product versus less.

I’m with Theory 2.  The quicker you go through their product, the more frequently you have to purchase it, and the richer they get.  So they have an interest in your over-using their product.

Dan Myers agrees.   He put up a great example of this on his website, Blue Monster. He writes:

When you buy laundry detergent these days, the cap usually serves as a handy measuring cup… Now, if you were a company that wanted to get people to use it up as fast a possible (read: waste as much of it as possible) so you could get some more out of them, what would you do? Well, having a devious mind myself, I’d make the cup bigger that it needs to be hoping people would consistently use more than they need. Especially given that people are more likely than not to fill the cup up to the top.

And that is exactly what you get on with the TIDE packaging. The cap, shown here, has three measuring lines in it: 1, 2, and 3. All of these are significantly lower than the top of the cap.

P8290627

Furthermore, if one actually takes the time to read the instructions on the bottle, the 1 line is for “medium” loads, the 2 line is for large loads, and the 3 line is not even mentioned!!!

tide

Why is it there if it isn’t mentioned? I say that it’s because for those who actually look at the cup instead of just filling it up, they want to give you the impression that 1 is small, 2 is medium, and 3 is large–thereby getting you to use more than necessary every time you launder. Scam Masters!!!

In another illustration, Myers videos himself brushing his teeth with the liberal swirl of toothpaste seen in your average advertisement. The result is a hilarious excessive frothing. A blob of toothpaste the size of a pea is likely sufficient for most of us, but toothpaste companies would probably prefer that you overdo it.

Relatedly, I’ve always been suspicious of how gas stations order the gas by quality/expense. Sometimes it goes cheaper on the left to expensive on the right, which is what you’d expect because we read left to right, but sometimes it’s reverse. Do people sometimes hit the far left button, assuming it’s the cheap gas, and accidentally spend more than they have to? I bet they do.

There must be hundreds of examples of this kind of trick.

This post originally appeared in 2009.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.