Tag Archives: media

Julie Chen Explains Why She Underwent “Westernizing” Surgery

Eyelid surgery is the third most common cosmetic procedure in the world.  Some are necessary for drooping eyelids that interfere with vision, others are undertaken in order to enable people to look younger, but many people choose these surgeries to make their eyes look more Western or whiter, a characteristic often conflated with attractiveness.

Recently Julie Chen — a TV personality and news anchor — revealed that she had undergone eyelid and other surgeries almost 20 years ago in order to comply with the standards of beauty and “relatability” demanded of her bosses.  She released these photos in tandem with the story:

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Chen said that she was torn about whether to get the surgeries.  Her entire family got involved in the conversation and they split, too, arguing about whether the surgeries represented a rejection of her Chinese ancestry.

Ultimately, though, Chen was under a lot of pressure from her bosses.  One told her “you will never be on this anchor desk, because you’re Chinese.” He went on:

Let’s face it, Julie, how relatable are you to our community? How big of an Asian community do we have in Dayton? ‘On top of that, because of your heritage, because of your Asian eyes, sometimes I’ve noticed when you’re on camera and you’re interviewing someone, you look disinterested, you look bored.

Another man, a “big time agent,” told her: “I cannot represent you unless you get plastic surgery to make your eyes look bigger.”

While cosmetic surgeries are often portrayed as vanity projects, Chen’s story reveals that they are also often about looking “right” in a competitive industry. Whether it’s erotic dancers getting breast implants, waitresses getting facelifts, or aspiring news anchors getting eyelid surgery, often economic pressures — mixed with racism and sexism — drive these decisions.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Skirting Ochobo: Big Business Finds a Way around Local Customs

Ten women marched in defiance of the stigma against women smoking cigarettes as part of the New York Easter Day Parade in 1929.  The interesting thing was, however, it was all a sham. The tobacco industry had set the whole thing up with the help of public relations mastermind, Edward Bernays.  American Tobacco Company President George Hill  knew cigarette sales would skyrocket if more U.S. women smoked, a behavior reserved for men in the 1920s that had closed off the female market.

Within one year of Bernay’s stint, women were smoking.

Today, similarly, Japanese fast-food has found a way to bypass the cultural stigmas that impede their profits. One food chain noticed many women would not buy their biggest-sized burgers.  The culprit was ochobo, a Japanese custom that prevents women from opening their mouth widely in public.  Small mouths are considered beautiful and opening them widely is considered “ugly” and “rude.”  The restaurant concluded that it would get into the business of “freeing women from the spell of ‘ochobo.’”

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The burger chain invented a wrapper that would allow women to open their mouths larger, but not be seen: the liberation wrapper. It is a profitable tactic touted as a cultural solution.

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You can watch them introduce the wrapper in this short video:

The liberation wrapper was welcomed in Japanese media and social networks, spreading its popularity.  Similarly, Bernay’s public relation’s stint in 1929 garnered much of its success from the media hype that ensued then.

The approach has produced results. Sales of the Japanese chain’s biggest burgers jumped 213% after the wrappers were made because they allowed the burgers to become “socially available” to women.

Of course, the irony is that the burger chain’s “solution” isn’t actually liberating women.  By hiding the deviation behind a paper mask, it is actually reinforcing Ochobo. After all, the social reality remains — it is not acceptable for Japanese women to display an open mouth in public.

Michael Lozano is a graduate of CSULB’s Sociology Honors program and frequent contributor to NewAmericaMedia.org and VoiceWaves.org, a hyper-local news site based in Long Beach, CA.

Wealth or Good Parenting? Framing the Privileges of the Rich

“What is it that I want?”

Jane Van Galen asked herself this question after reading a gushing profile of an “island cabin” in The Seattle Times.   It begins: “Lots of folks have lots of reasons for wanting their own piece of land out of town” and quotes one of the new cabin’s owners who, when pregnant, came to realize: “I can’t raise a child just in the city … I wanted woods, salamanders and pileated woodpeckers.”

So, she and her husband “went right out,” bought nine acres on an island, and built this:

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Writing at her site, Education and Class, Van Galen processed her reaction to this article. She added up the costs, figuring that the owners spent close to a million dollars.  “I knew that my unease,” she wrote, “was not just straightforward jealously.”  So, what did she want?

She knew what she did not want:

Narratives in which the wealthy are held up as model parents who upon hearing of the dangers of the modern world, “go right out” to provide acres of weekend woods for their children; narratives that invite us to admire their paint colors and beautiful windows and solid black granite bathtub without asking too many questions about how it is that relatively young parents can ensure that their child has access to acres of his own private salamanders, and especially not to ask too many questions about how all children might have room to grow and thrive...

She wanted, “for once,” to hear wealthy people just admit they’re rich — for whatever reason — instead of framing their decision to build a vacation home as simply what any good parent would do.

“I love having this for my son,” the owner is quoted.  But Van Galen wants to know: What about everyone else’s children?

Cross-posted at Global Policy TV.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Children Seeking Refuge Have Hardened Americans Against Undocumented Immigrants

This year tens of thousands of Central American children, fleeing violence and poverty, have been arriving in the U.S. seeking refuge.  It’s a stunning story that has been covered widely in the media and Americans’ opinions about immigration have taken a hit.

The Pew Research Center collected data regarding American leniency toward undocumented immigrants in February and July, before and after media coverage of this crisis began.  The results show that members of all political parties, on average, are less inclined to allow “immigrants living in U.S. who meet certain requirements” to stay legally (see far right column).

The strongest opponents are Republicans and members of the Tea Party.  These groups were more opposed to enabling undocumented immigrants to stay legally to begin with and they showed the greatest change in response to this new crisis.

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Republicans and Independents are also more likely than Democrats to think that we should speed up the deportation process, even if it means deporting children who are eligible for asylum.

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Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Banal Nationalism

Flashback Friday.  

In his book by the same name, Michael Billig coined the term “banal nationalism” to draw attention to the ways in which nationalism was not only a quality of gun-toting, flag-waving “extremists,” but was quietly and rather invisibly reproduced by all of us in our daily lives.

That we live in a world of nations was not inevitable; that the United States, or Sweden or India, exist was not inevitable.  I was born in Southern California.  If I had been born at another time in history I would have been Mexican or Spanish or something else altogether.  The nation is a social construction.

The nation, then, must be reproduced. We must be reminded, constantly, that we are part of this thing called a “nation.”  Even more, that we belong to it and it belongs to us.  Banal nationalism is how the idea of the nation and our membership in it is reproduced daily.  It occurs not only with celebrations, parades, or patriotic war, but in “mundane,” “routine,” and “unnoticed” ways.

The American flag, for example, casually hanging around in yards and in front of buildings everywhere:

american_flag_on_deck

References to the nation on our money:

800px-united_states_one_dollar_bill_obverse

The way that the news is usually split into us and everyone else:

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The naming of clubs and franchises, such as the National Football League, as specific to our country:

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The performance of the pledge of allegiance in schools and sports arenas:

Pledge of Allegiance

So, what?  What could possibly be the problem?

Sociologists have critiqued nationalism for being the source of an irrational commitment and loyalty to one’s nation, a commitment that makes one willing to both die and kill.  Billig argues that, while it appears harmless on the surface, “banal nationalism can be mobilized and turned into frenzied nationalism.”  The profound sense of national pride required for war, for example, depends on this sense of nationhood internalized over a lifetime.  So banal nationalism isn’t “nationalism-lite,” it’s the very foundation upon which more dangerous nationalisms are built.

You can download a more polished two-page version of this argument, forthcoming in Contexts magazine, here.  Images found here, here, here, here, here, here, and here.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

The Sexual Politics of Full Frontal on HBO (NSFW)

In the wake of Elliot Rodger’s misogynistic killing spree, the media’s role in male entitlement and violence against women has brought commentators to virtual blows.  One right hook came from Ann Hornaday, who argues in the Washington Post that male entitlement fantasies are part of a climate in which women are displayed as objects for the sexual fulfillment of men.  This post is about how full frontal nudity in True Blood, Hung, and Game of Thrones contributes to this climate.

True Blood.

While there are dozens of examples of full frontal female nudity in True Blood’s six-season run, from lead actors to extras, there are only two instances of full frontal male nudity.

A striking example of the exploitation of women as sex objects is in the appearance and figure of Lillith, a vampire goddess who is featured rising from a pool of blood, walking around fully nude for extended scenes. Her minions do the same and are also shown full frontal.

When a male character drinks Lillith’s blood and effectively becomes her, he too rises out of the pool of blood. But unlike the actresses associated with Lilith before, the camera cuts away before reaching his waist.

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In another stark example, vampires hold several dozen humans captive. While all the humans are naked, men in one cage and women in another, it is only the women who are displayed fully frontally nude.

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When the werewolf packs in True Blood disrobe to turn into wolves, again it is only the females who are demonstrated fully frontal.

Hung.

Hung is a program about a down-on-his-luck teacher who, because of his large penis, became a prostitute. Though the entire show is about Ray Drecker’s member, we only get one brief glimpse of it — and not even the whole — yet his clients and sexual partners are often shown fully frontal.

Even when a show is about the sexual objectification of a man and his sexual organ, it’s still women who are the default sex objects.

Game of Thrones.

Game of Thrones has come under fire for its sexism, misogyny, gratuitous nudity, and violence against women.  As usual, women are portrayed fully frontally nude in most Game of Thrones episodes, even when their male sexual partners are not. This is especially striking in the many brothel scenes (unnecessarily) scattered about the seasons; even when there are both male and female prostitutes, only the women are shown full monty.

To date there has been only one full frontal male on Game of Thrones: Theon Greyjoy. Through a horrific series of events, Theon is tortured and castrated. In episode six of season four — “The Laws of Gods and Men” — we are offered once again a gratuitous display of naked women in a bathhouse. In the same episode Theon is also offered a bath and while his full frontal, for once, would have actually been part of the plot, we do not see it.

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In episode eight — “The Mountain and the Viper” — we are given another bathing scene in which members of the Unsullied, an army of castrated men, bathe in the vicinity of women in the same convoy. Surprise, surprise, the women are fully frontal and the men are not. Even sans one particular physical marker of male sexuality, these castrated men are deemed unseeable.

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Neil Marshall, who directed the Blackwater Bay siege episode in Game of Thrones‘ 2nd season, recently spoke about how he was urged by a producer to include more full frontal female nudity.  The producer explained that he was “not on the drama side of things,” meaning that he didn’t care about the story. Instead, he said, he was on the “perv side of the audience.”  This is concrete evidence that orders for the systematic sexual objectification of women comes from upper management.

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Ultimately, nudity is rarely necessary to further a storyline.  Women’s nudity isn’t about plot, it’s about treating women as objects and men as human beings.  The problem is systemic. Women’s bodies exist in many of HBO’s varied worlds to serve men, circling us back to a culture of male entitlement that, in the case of Rodgers at least, led directly to violence.

Sezin Koehler is an informal ethnographer and novelist living in Florida. You can find her on Twitter and Facebook.

Cross-posted at Pacific Standard.

Reimagining Barbie: Villain or Victim?

Earlier this year, Barbie posed for Sports Illustrated, triggering a round of eye-rolling and exasperation among those who care about the self-esteem and overall mental health of girls and women.

Barbie replied with the hashtag #unapologetic, arguing in an — I’m gonna guess, ghostwritten — essay that posing in the notoriously sexist swimsuit issue was her way of proving that girls could do anything they wanted to do.  It was a bizarre appropriation of feminist logic alongside a skewering of a feminist strawwoman that went something along the lines of “don’t hate me ’cause I’m beautiful.”

Barbie is so often condemned as the problem and Mattel, perhaps tired of playing her endless defender, finally just went with: “How dare you judge her.”  It was a bold and bizarre marketing move.  The company had her embrace her villain persona, while simultaneously shaming the feminists who judged her.  It gave us all a little bit of whiplash and I thought it quite obnoxious.

But then I came across Tiffany Gholar’s new illustrated book, The Doll Project.  Gholar’s work suggests that perhaps we’ve been too quick to portray Barbie as simply a source of young women’s self-esteem issues and disordered eating.  We imagine, after all, that she gleefully flaunts her physical perfection in the face of us lesser women.  In this way, Mattel may be onto something; it isn’t just her appearance, but her seemingly endless confidence and, yes, failure to apologize, that sets us off.

But, maybe we’re wrong about Barbie?

What if Barbie is just as insecure as the rest of us?  This is the possibility explored in The Doll Project.  Using a mini diet book and scale actually sold by Mattel in the 1960s, Gholar re-imagines fashion dolls as victims of the media imperative to be thin.  What if  Barbie is a victim, too?

Excerpted with permission:

14 1a 53Forgive me for joining Mattel and Gholar in personifying this doll, but I enjoyed thinking through this reimagining of Barbie. It reminded me that even those among us who are privileged to be able to conform to conventions of attractiveness are often suffering.  Sometimes even the most “perfect” of us look in the mirror and see nothing but imperfection.  We’re all in this together.

Cross-posted at Pacific Standard and Adios Barbie.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Gender at the NY Times: The Most Comprehensive Analysis Ever

In this post I present the most comprehensive analysis ever reported of the gender of New York Times writers (I think), with a sample of almost 30,000 articles.

This subject has been in the news, with a good piece the other day by Liza Mundy — in the New York Times — who wrote on the media’s Woman Problem, prompted by the latest report from the Women’s Media Center. The WMC checked newspapers’ female byline representation from the last quarter of 2013, and found levels ranging from a low of 31% female at the NYT to a high of 46% at the Chicago Sun-Times. That’s a broad study that covers a lot of other media, and worth reading. But we can go deeper on the NYTimes, thanks to the awesome data collecting powers of my colleague Neal Caren.

Here are the results based on 21,440 articles published online from October 23, 2013 to February 25, 2014.

Women’s authorship

1. Women were the first author on 34% of the articles. This is a little higher than the WMC got with their A-section analysis, which is not surprising given the distribution of writers across sections.

2. Women wrote the majority of stories in five out of 21 major sections, from Fashion (52% women), to Dining, Home, Travel, and Health (76% women). Those five sections account for 11% of the total.

3. Men wrote the majority of stories in the seven largest sections. Two sections were more than three-fourths male (Sports, 89%; and Opinion, 76%). U.S., World, and Business were between 66% and 73% male.

Here is the breakdown by section (click to enlarge):

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Gender words

Since we have all this text, we can go a little beyond the section headers served up by the NYTimes‘ API. What are men and women writing about? Using the words in the headlines, I compiled a list of those headline words with the biggest gender difference in rates of appearance.

For example, “Children” occurred 36 times in women’s headlines, and 24 times in men’s headlines. Since men used more than twice as many headline words as women, this produced a very big gender spread in favor of women for the word “Children.”  On the other hand, women’s headlines had 10 instances of “Iran,” versus 85 for men. Repeating this comparison zillions of times, I generated these lists:

NYTimes headline words used disproportionately in stories by

WOMEN MEN
Scene US
Israel Deal
London Business
Hotel Iran
Her Game
Beauty Knicks
Children Court
Home NFL
Women Billion
Holiday Nets
Food Music
Sales Case
Wedding Test
Museum His
Cover Games
Quiz Bitcoin
Work Jets
Christie Chief
German Firm
Menu Nuclear
Commercial Talks
Fall Egypt
Shoe Bowl
Israeli Broadway
Family Oil
Restaurant Shows
Variety Super
Cancer Football
Artists Hits
Shopping UN
Breakfast Face
Loans Russia
Google Ukraine
Living Yankees
Party Milan
Vows Mets
Clothes Kerry
Life Gas
Child Investors
Credit Plans
Health Calls
Chinese Fans
India Model
France Fed
Park Protesters
Doctors Team
Hunting Texas
Christmas Play

Here is the same table arranged as a word cloud, with pink for women and blue for men (sue me), and the more disproportionate words larger (click to enlarge):

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What does it mean?

It’s just one newspaper but it matters a lot. According to Alexa, NYTimes.com is the 34th most popular website in the U.S., and the 119th most popular in the world — and the most popular website of a printed newspaper in the U.S. In the JSTOR database of academic scholarship, “New York Times” appeared almost four-times more frequently than the next most-commonly mentioned newspaper, the Washington Post.

Research shows that when women are charge, they tend to produce better outcomes for women below them in the organizational hierarchy. Jill Abramson, the NYTimes‘ executive editor, is aware of this issue, and proudly told the Women’s Media Center that she had reached the “significant milestone” of having a half-female news masthead (which is significant). So why are women underrepresented in such prominent sections?  I’m really wondering. The NYTimes doesn’t even do as well as the national average: 41% of the 55,000 “News Analysts, Reporters and Correspondents” working full-time, year-round in 2012 were women.

Organizational research finds that large companies are less likely to discriminate against women, and we suspect three main reasons: greater visibility to the public, which may complain about bias; greater visibility to the government, which may enforce anti-discrimination laws; and greater use of formal personnel procedures, which limits managerial discretion and is supposed to weaken old-boy networks. Among writers, however, an informal, back-channel norm still apparently prevails — at least according to a recent essay by Ann Friedman. Maybe NYTimes‘ big-company, formalized practices apply more to departments other than those that select and hire writers.

A more in-depth discussion of these findings, with details on Cohen and Caren’s research methods, can be found at Family Inequality. Cross-posted at Pacific Standard.

Philip N. Cohen is a professor of sociology at the University of Maryland, College Park, and writes the blog Family Inequality. You can follow him on Twitter or Facebook.