media

When we see individuals holding cardboard signs and asking for spare change wearing camouflage, homelessness among veterans can seem like an epidemic. Recently, however, government efforts to reduce veteran homelessness have had great success. In response to a federal strategy known as Opening Doors, since 2010 veteran homelessness has declined by almost 50%. And in that time period some cities, such as New Orleans, have reported veteran homelessness at functional zero. 

You would never know it from social media. As the world has grappled with the Syrian civil war, political memes have emerged in the U.S. that make the case that we should prioritize homeless veterans over Syrian refugees. These memes foreground a competition between homeless veterans and Syrian refugees in order to make a misleading, emotionally-appealing argument against the resettlement of Syrian refugees.

Deliberately or not, the online images are similar to propaganda. Actors create emotionally-charged illustrations with biased and one-sided evidence to encourage a political point. The memes push a narrative of homeless veterans as overlooked by the government, while this goes against the facts. They also suggest a fallacious argument that the Department of Veterans Affairs will lose funds because of the refugee resettlement program. This is not the case.

At the same time the memes appeal to our sentiments. Features writer for Mashable, Rebecca Ruiz, contends that memes like these pose the emotional question, “If people in the U.S. are suffering, why are we helping refugees?” What if veterans are those slighted? This is a powerful idea because Americans revere veterans.

In Coming Home: Attitudes toward U.S. Veterans Returning from Iraq, sociologists Alair MacLean and Meredith Kleykamp argue that male veterans involved in recent military-related combat are still supported by the general public, even in light of the idea that those exposed to combat have mental health issues and substance abuse problems. They add that veterans are privileged by symbolic capital, or prestige related to their service. A meme that presents veterans as treated unfairly is likely to produce an emotional reaction, something that is known to simplify our thinking and decision-making.

While the digital messages premised on helping veterans are compelling, they are false and a strategic exploitation of our feelings, one with xenophobic, white nationalist, and anti-immigrant goals. They urge us to advocate against Syrian resettlement to solve an unrelated problem that is already diminishing.

Ian Nahan has a Bachelor’s of Arts degree in both sociology and social work. He plans on working with veterans once he obtains a master’s degree in social work at the University of Pennsylvania.

The term “inspiration porn” was coined by disability activist Stella Young. Aimed at able-bodied viewers, inspiration porn features people with disabilities who appear happy or are doing things, alongside an encouraging message. She explains:

Inspiration porn is an image of a person with a disability, often a kid, doing something completely ordinary — like playing, or talking, or running, or drawing a picture, or hitting a tennis ball — carrying a caption like “your excuse is invalid” or “before you quit, try.”

Or, the famous one: “The only disability is a bad attitude.”

She called it porn quite deliberately, arguing that inspiration porn is like sexual porn in that the images “objectify one group of people for the benefit of another group of people.”

And, as with sexual porn, it sometimes involves animals.

At Disability Intersections, Anna Hamilton suggests that inspiration porn involving animals is another step removed from recognizing the full humanity of people with disabilities. These “inspiring” stories, she argues, “provide a way for nondisabled people to talk about and engage with disability in a facile way.”

Disability isn’t just othered; it’s cute, adorable, fuzzy.

Hamilton continues:

If one is constantly gawking and aww-ing over pictures and stories about animals with disabilities, then they don’t have to spend time thinking about actual disabled people, or the ableism against disabled humans that still exists.

When featuring animals, accommodation is no longer the least a society can do: a basic acknowledgement that human beings in all forms deserve access to their societies. Instead, it’s over-the-top, idiosyncratic and rare, even excessive in its generosity. To find inspiration in a turtle who has been fitted with a tiny skateboard, for example, is to frame accommodation as something one does out of the goodness of one’s heart, not a human and civil right.

Inspiration porn others and objectifies people with disabilities. When featuring animals, it dehumanizes them, too.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

“Fake news” has emerged as a substantial problem for democracy. The circulation of false narratives, lies, and conspiracy theories on self-described “alternative news” sites undercuts the knowledge voters rely on to make political decisions. Sometimes the spread of this misinformation is deliberate, spread by hate groups, foreign governments, or individuals bent on harming the US.

A new study offers information as to the content, connectedness, and use of these websites. Information scholar Kate Starbird performed a network analysis of twitter users responding to mass shootings. These users denied the mainstream narrative about the shooting (arguing, for example, that the real story was being hidden from the public or that the shooting never happened at all). Since most of the fake news sites cross-promote conspiracy theories across the board, focusing on this one type of story was sufficient for mapping the networks. Here is some of what she found:

• The sites do not share a political point of view. They are dominated by the far right, but they also include the far left, hate groups, nationalists, and Russian propaganda sites. They did strongly overlap in being anti-globalist, anti-science, and anti-mainstream media.

• Fake news sites are highly repetitive, spreading the same conspiracies and lies, often re-posting identical content on multiple sites.

• Users, then, aren’t necessarily being careless or undisciplined in their information gathering. They often tweet overlapping content from several different fake news sites, suggesting that they are obeying a hallmark of media literacy: seeking out multiple sources. You can see the dense network created by this use of multiple data sources in the upper left.

• One of the main conspiracy stories promulgated by fake news sites is that the real news is fake.

• Believing this, Twitter users who share links to fake news sites often also share links to traditional news outlets (see the connections in the network to the Washington Post, for example), but they do so primarily as evidence that their false belief was true. When the New York Times reports the mainstream story about the mass shooting, for instance, it is argued to be proof of a cover up. This is consistent with the backfire effect: exposure to facts tends to strengthen belief in misinformation rather than undermine it.

In an interview with the Seattle Times, Starbird expresses distress at her findings. “I used to be a techno-utopian,” she explained, but she is now deeply worried about the “menace of unreality.” Emerging research suggests that believing in one conspiracy theory is a risk factor for believing in another. Individuals drawn to these sites out of a concern with the safety of vaccines, for example, may come out with a belief in a Clinton-backed pedophilia ring, a global order controlled by Jews, and an aversion to the only cure for misinformation: truth. “There really is an information war for your mind,” Starbird concluded. “And we’re losing it.”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Why is “La La Land” so popular among Mormons?

The New York Times (here) has maps (chloropleths, if you want to show off your vocabulary) showing the popularity of the nominees for best picture. The maps look like different countries. “Fences,” for example, did best in the Southern swath from Louisiana to North Carolina but nowhere else except for Allegheny County, PA (it was filmed in Pittsburgh, where the story is set). In those same areas, “Arrival” and “Manchester by the Sea” basically don’t exist. The maps of “Fences” and “Arrival” look like direct opposites.

The map that puzzled me was “La La Land.” It’s big in LA, of course (like “Fences” in Pittsburgh). But its other strongholds are counties with a high proportion of Mormons: Utah plus Mormonic counties in neighboring states – Idaho, Wyoming, New Mexico, Colorado, and Nevada.

The maps match even for distant counties in Missouri and Virginia, where those dark spots on the map might indicate only 5-10% of the population. Most counties in the US are below 3%.

How to explain the “La La Land” – Latter Day Saints connection? The movie is rated PG-13, but so are “Fences,” “Arrival,” and “Lion.” And “Hidden Figures” is PG. But then, the cast of “La La Land” has very few non-Whites and zero aliens. That might have something to do with it.

Or maybe it’s just because Ryan Gosling grew up with seriously Mormon parents. He is no longer a Mormon and says he never really identified as one. He has long since left the church. He is neither a singer nor a dancer but has to sing and dance in this film. His character is supposed to be a jazz purist, but the music he plays is what you might call Utah jazz (one of the great oxymorons of our time). But those minor quibbles mean little compared with the fact the for the first years of his life, he was raised as a Mormon.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

The 2020 Summer Olympics will be held in Japan.  And when the prime minister of Japan, Shinzo Abe, made this public at the 2016 Olympics in Rio de Janeiro, Brazil, he did so in an interesting way.   He was standing atop a giant “warp pipe” dressed as Super Mario.  I’m trying to imagine the U.S. equivalent.  Can you imagine the president of the United States standing atop the golden arches, dressed as Ronald McDonald, telling the world that we’d be hosting some international event?

Prime minister Abe was able to do this because Mario is a cultural icon recognized around the world.  That Italian-American plumber from Brooklyn created in Japan is truly a global citizen. The Economist recently published an essay on how Mario became known around the world.

Mario is a great example of a process sociologists call cultural globalization.  This is a more general social process whereby ideas, meanings, and values are shared on a global level in a way that intensifies social relations.  And Japan’s prime minister knew this.  Shinzo Abe didn’t dress as Mario to simply sell more Nintendo games.  I’m sure it didn’t hurt sales.  In fact, in the past decade alone, Super Mario may account for up to one third of the software sales by Nintendo.  More than 500 million copies of games in which Mario is featured circulate worldwide.  But, Japan selected Mario because he’s an illustration of technological and artistic innovations for which the Japanese economy is internationally known.  And beyond this, Mario is also an identity known around the world because of his simple association with the same human sentiment—joy.  He intensifies our connections to one another.  You can imagine people at the ceremony in Rio de Janeiro laughing along with audience members from different countries who might not speak the same language, but were able to point, smile, and share a moment together during the prime minister’s performance.  A short, pudgy, mustached, working-class, Italian-American character is a small representation of that shared sentiment and pursuit.  This intensification of human connection, however, comes at a cost.

We may be more connected through Mario, but that connection takes place within a global capitalist economy.  In fact, Wisecrack produced a great short animation using Mario to explain Marxism and the inequalities Marx saw as inherent within capitalist economies.  Cultural globalization has more sinister sides as well, as it also has to do with global cultural hegemony.  Local culture is increasingly swallowed up.  We may very well be more internationally connected.  But the objects and ideas that get disseminated are not disseminated on an equal playing field.  And while the smiles we all share when we connect with Mario and his antics are similar, the political and economic benefits associated with those shared smirks are not equally distributed around the world.  Indeed, the character of Mario is partially so well-known because he happened to be created in a nation with a dominant capitalist economy.  Add to that that the character himself hails from another globally dominant nation–the U.S.  The culture in which he emerged made his a story we’d all be much more likely to hear.

Tristan Bridges, PhD is a professor at the University of California, Santa Barbara. He is the co-editor of Exploring Masculinities: Identity, Inequality, Inequality, and Change with C.J. Pascoe and studies gender and sexual identity and inequality. You can follow him on Twitter here. Tristan also blogs regularly at Inequality by (Interior) Design.

Late last year Covergirl announced a new spokesmodel, a 17-year-old named James Charles. Their Instagram announcement currently boasts over 53,000 likes, though the comments on the post were decidedly mixed. They ranged from “I will never buy another (coverGIRL) because of this” to  “love love love” and “the world is coming to equality and acceptingness.”

Meet @JamesCharles: makeup artist, boundary breaker, and the newest COVERGIRL! Spread the word by regramming using #COVERGIRLJames.

A photo posted by COVERGIRL (@covergirl) on Oct 11, 2016 at 7:03am PDT

In my circles, the overwhelming response was enthusiasm. Charles’ ascendance to Covergirl status was evidence that gender flexibility was going mainstream. And, I suppose it is.

I am always suspicious, though, of corporate motives. Covergirl’s decision to feature Charles does serve to break down the gender binary, but it does other things, too. Most notably, if makeup companies could convince boys and men that their product is as essential for them as it is for girls and women, it would literally double the size of their market.

That this hasn’t happened yet, in fact, is evidence of the triumph of gender ideology over capitalism. Either companies have decided that there’s (almost) no market in men or men have resisted what marketing has been applied. It’s an impressive resistance to what seems like an obvious expansion. There’s just no money in men thinking their faces look just fine as they are; the fact that we’ve allowed them to do so thus far is actually pretty surprising when you think about it.

If Covergirl had its way, though, I have no doubt that it would make every 17-year-old boy in America into a James Charles. Such a change would contribute to breaking down the gender binary, at least as we know it (though no doubt there are more and less feminist ways of doing this). Of course, if it was advantageous to do so, Covergirl would claim that it had something to do with feminism. But, I wouldn’t buy it.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

To Post Secret, a project that collects personal secrets written artistically onto postcards, someone recently sent in the following bombshell: “Ever since we started getting married and buying houses,” she writes, “my girlfriends and I don’t laugh much anymore.”

Her personal secret is, in fact, a national one.  It’s part of what has been called the “paradox of declining female happiness.” Women have more rights and opportunities than they have had in decades and yet they are less happy than ever in both absolute terms and relative to men.

Marriage is part of why. Heterosexual marriage is an unequal institution. Women on average do more of the unpaid and undervalued work of households, they work more each day, and they are more aware of this inequality than their husbands. They are more likely to sacrifice their individual leisure and career goals for marriage. Marriage is a moment of subordination and women, more so than men, subordinate themselves and their careers to their relationship, their children, and the careers of their husbands.

Compared to being single, marriage is a bum deal for many woman. Accordingly, married women are less happy than single women and less happy than their husbands, they are less eager than men to marry, they’re more likely to file for divorce and, when they do, they are happier as divorcees than they were when married (the opposite is true for men) and they are more likely than men to prefer never to remarry.

The only reason this is surprising is because of the torrent of propaganda we get that tells us otherwise. We are told by books, sitcoms, reality shows, and romantic comedies that single women are wetting their pants to get hitched. Men are metaphorically or literally drug to the altar in television commercials and wedding comedies, an idea invented by Hugh Hefner in the 1950s (before the “playboy,” men who resisted marriage were suspected of being gay). Not to mention the wedding-themed toys aimed at girls and the ubiquitous wedding magazines aimed solely at women. Why, it’s almost as if they were trying very hard to convince us of something that isn’t true.

But if women didn’t get married to men, what would happen? Marriage reduces men’s violence and conflict in a society by giving men something to lose. It increases men’s efforts at work, which is good for capitalists and the economy. It often leads to children, which exacerbate cycles of earning and spending, makes workers more reliable and dependent on employers, reduces mobility, and creates a next generation of workers and social security investors. Marriage inserts us into the machine. And if it benefits women substantially less than men, then it’s no surprise that so many of our marriage promotion messages are aimed squarely at them.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Originally posted at Montclair Socioblog.

A girl takes a selfie, posts it to Instagram, and waits. She doesn’t have to wait long – a minute or two – before the likes and comments start rolling in. “Gorgeous,” “So pretty OMG,” “Stunning,” “Cutest.”

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You can see why people might look at this and think: narcissism. You can see why they might think that new technologies – Instagram, cell phones (self-phones?) – have made kids today the most narcissistic generation in history.  In an earlier post, I expressed my skepticism about that claim. And, if we can generalize from an episode of This American Life last November, the selfie-Instagram-comments syndrome is not about narcissism – seeing yourself as standing shiningly above everyone else. It’s about fitting in – reading the social map, finding where you stand, and maybe changing that place.

Here is a slightly edited-down excerpt of the first part of the show. As Ira Glass says, if you have teenage girls in your life, you’re probably familiar with this. I don’t and I’m not, so I found it fascinating listening. (When the girls were reading their comments, I thought one of the girls, Jane, was saying “Hard eyes,” and I couldn’t imagine why that was a compliment. Turns out, she was saying “Heart eyes.”) Here’s Ira Glass’s distillation:

They want comments from other girls. This is not about sex. It’s not about boys. It’s about girls, and friendship. And it’s very repetitive – the same phrases, over and over.

All these moves – the posting, the commenting and liking – have a meaning that girls know intuitively but that must be decoded for outsiders like me and Ira.

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Transcript:

Ira Glass: These comments are a very specific language that tells the girls all kinds of things.  And a lot of the meaning in the comments has nothing to do with the actual words. . .  It’s about who is doing the commenting . . .  Liking a photo means something totally different from commenting. You comment with someone you’re close to or someone you want to get close to.

Ella: It’s definitely a social obligation, because you want to let them know, and also let people who are seeing those, that I have a close relationship with this person, so close that I can comment on their pictures, like, this is so cute, or, you look so great here.

Jane:  Especially because we, like, just started high school, so we’re meeting a lot of new people. So you would comment on someone’s photo who you’re not really super close with or that you don’t know really well. And it’s sort of a statement, like, I want to be friends with you, or I want to get to know you, or like, I think you’re cool.

If someone that you don’t know very well commented on your photo, you – it’s sort of like an unspoken agreement that you have to comment back on their photo. Like when you’re making new friends, if they comment on your photo, you comment on their photo.

It’s hard to find narcissism or vanity in any of this. The girls are not preening, not basking in their triumphs, not nursing an ego wounded from some social slight. They are reading a constantly changing sociogram or network model of their world.

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Transcript:

Ira Glass:  They’re only three months into high school, so there is a lot at stake right now.

Julia:  One of my, like, best friends posts a selfie. Maybe this isn’t, like, healthy. But I might go through the comments and see who she’s, like, really good friends with, just ’cause we’re in high school and there’’s that sense of jealousy between everyone.

Ira Glass:  Do you have people who you’re jealous of?

Jane: Yeah.

Julia:  Yeah. I definitely would. I go through, like, the comments that people see– like that people say, and like, I see what other people have said to other people.

Jane:  Yeah.

Julia:  Just to see, like, the whole– like, the whole social like map.

Jane:  Looking, mapping out your social world, seeing who’s with who, who’s hanging out with who, who is best friends with who.

Julia:  If you didn’t have it, like, I feel like I’d be missing so much. And it would just –

Jane:    Because you wouldn’t see what other people were saying. A lot goes on.

Ira Glass:  Well, no, that’s, I feel like, the thing that I’m understanding from this conversation, is like – it’s actually like, you’re getting a picture of your entire social world and who’s up and who’s down and who’s close to who, and it’s like you’re getting a diagram of where everybody stands with everybody else.

Jane:  Yeah.

Ella:  Yeah.

Jane:  Definitely. Definitely.

Ira Glass: As it changes in real time, every day, every 10 minutes.

Ella: Yeah.

Jane:  Yeah. Everyone can see it.

Julia:  It’s crazy.

If you look at the individual –a girl posting a selfie and reading the laudatory comments – you see a personality trait, narcissism. But the behavior that looks like narcissism is really an aspect of the social structure (girls’ friendships networks) and the institution those networks are embedded in (school).

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.