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It’s that time of year again!  We are about to embark on ten straight days of Sociological Halloween Images.  In the meantime, enjoy our collection of Halloween posts from years past or visit our Halloween-themed Pinterest page.

Just For Fun

• A Hallowmeme costume: Women laughing with salad
• Fun and fear: The great equalizer
• Mocking the sexy Halloween costume trend

Halloween, Politics, and Culture

• Poisoned Halloween candy and the social construction of social problems
• Legal firm’s Halloween party mocks home foreclosures
• Lynching Palin
• Obama mask marketed as a “terrorist” costume
• Marking sex offenders
• Capitalism, candy, and Halloween (pictured)

Race and Ethnicity

• Anne Skank: Trivializing and sexualizing the Holocaust for Halloween
• Othering of undocumented immigrants with an “alien” costume
• A collection of racist Halloween costumes
• Asian hair for Halloween
• Appropriating Dia De Los Muertos at Halloween
• Raising consciousness about racist Halloween costumes
• “Indian” and “Ninja” as official costume categories

Gender

• Men dressing up as fat women, apparently hilarious and disgusting!
• Gender and asymmetry: “beer man” and “beer girl” and “policeman” and “police girl”
• Halloween and the trivializing of women in men’s occupations
• Women dressing up like girls dressing up like women
• Even our skeletons have sex
• A Halloween gender binary
• When sexy overtakes all reason: sexy what!? (2012), sexy what!? (2010)
• Also in sexy costumes for women and girls: sexy femininity and gender inequality, sexy scholar, Harem girl, and the sexy body bag costume
• Compare to this vintage Halloween-inspired ad that urges women to be bewitching instead of half-naked

Gender and Kids

• Girls: mean or queen
• The difference between boy and girl costumes
• Gender and kids costumes
• Dress up your little girl in a “little black dress”
• Comparing boy and girl “toddler” Cookie Monster costumes

The intersection of Race, Class, and Gender

• Halloween hall of shame: the fat lap dancer costume
• Sexy “Indian” costumes
• An overview of raced, gendered, and heteronormative costumes

And, for no conceivable reason…

• Max Weber Jack o’Lantern (I carved it myself)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Thanks to a tweet from sociologist Sarah Sobieraj, we learned of a powerful campaign to raise awareness about gender inequality from the arm of the United Nations dedicated to empowering women.  The designers of the ads did Google searches, allowing the auto-complete to fill in word stems with the most commonly searched phrases.  The results are eyebrow-raising.

I was curious to find out what my personal Google machine would spit out and, also, what the equivalent searches for men would return.  Below, I reproduce the ads, followed by my own results.  Eyebrow-raising.  As a bonus, I did the searches for feminists.

I guess we still need feminism.  Unfortunately…

Cross-posted at Talking Points Memo and Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In 1990 I was still an American Culture major in college, but I was getting ready to jump ship for sociology. That’s when Madonna’s “Justify My Love” video was banned by MTV, which was a thing people used to use to watch videos. And network TV used to be a major source of exposure.

I was watching when Madonna went on Nightline for an interview.  The correspondent intoned:

…nudity, suggestions of bisexuality, sadomasochism, multiple partners. Finally, MTV decided Madonna has gone to far.

They showed the video, preceded by a dire parental warning (it was 11:30 p.m., and there was no way to watch it at any other time).  In the interview, Forrest Sawyer eventually realize he was being played:

Sawyer: This was a win-win for you. If they put the video on, you would get that kind of play. And if they didn’t you would still make some money. It was all, in a sense, a kind of publicity stunt. … But in the end you’re going to wind up making even more money than you would have.

Madonna: Yeah. So, lucky me.

The flap over Miley Cyrus completely baffles me. This is a business model (as artistic as any other commercial product), and it hasn’t changed much, just skinnier, with more nudity and (even) less feminism. I don’t understand why this is any more or less controversial than any other woman dancing naked. Everyone does realize that there is literally an infinite amount of free hardcore porn available to every child in America, right? There is no “banning” a video. (Wrecking Ball is pushing 250 million views on YouTube.)

No one is censoring Miley Cyrus — is there some message I’m missing? When she talked to Matt Lauer he asked, “Are you surprised by the attention you’re getting right now?” And she said, “Not really. I mean, it’s kind of what I want.”

I think the conversation has slid backward. In Lisa Wade’s excellent comment, she draws on a 1988 article, “Bargaining With Patriarchy,” which concluded:

Women strategize within a set of concrete constraints, which I identify as patriarchal bargains. Different forms of patriarchy present women with distinct “rules of the game” and call for different strategies to maximize security and optimize life options with varying potential for active or passive resistance in the face of oppression.

I think it applies perfectly to Miley Cyrus, if you replace “security” and “life options” with “celebrity” and “future island-buying potential.” Lisa is 1,000-times more plugged in to kids these days than I am, and the strategies-within-constraints model is well placed. But that article is from 1988, and it applies just as well to Madonna. So where’s the progress here?

Interviewed by Yahoo!, Gloria Steinem said, “I wish we didn’t have to be nude to be noticed … But given the game as it exists, women make decisions.” That is literally something she could have said in 1990.

The person people are arguing about has (so far) a lot less to say even than Madonna did. When Madonna was censored by MTV, Camile Paglia called her “the true feminist.”

She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising total control over their lives. She shows girls how to be attractive, sensual, energetic, ambitious, aggressive and funny — all at the same time.

When Miley Cyrus caused a scandal on TV, Paglia could only muster, “the real scandal was how atrocious Cyrus’ performance was in artistic terms.”

Madonna was a bonafide challenge to feminists, for the reasons Paglia said, but also because of the religious subversiveness and homoerotic stuff. Madonna went on, staking her claim to the “choice” strand of feminism:

I may be dressing like the typical bimbo, whatever, but I’m in charge. You know. I’m in charge of my fantasies. I put myself in these situations with men, you know, and… people don’t think of me as a person who’s not in charge of my career or my life, okay. And isn’t that what feminism is all about, you know, equality for men and women? And aren’t I in charge of my life, doing the things I want to do? Making my own decisions?

And she embraced some other feminist themes. When Madonna was asked on Nightline, “Where do you draw the line?” she answered, “I draw the line with violence, and humiliation and degradation.”

I’m not saying there hasn’t been any progress since 1990. It’s more complicated than that. On matters of economic and politics gender has pretty well stalled. The porn industry has made a lot of progress. Reported rape has become less common, along with other forms of violence.

But — and please correct me if I’m wrong — I don’t see the progress in this conversation about whether it’s feminist or anti-feminist for a women to use sex or nudity to sell her pop music. As Lisa Wade says, “Because that’s what the system rewards. That’s not freedom, that’s a strategy.” So I would skip that debate and ask whether the multi-millionaire in question is adding anything critical to her product, or using her sex-plated platform for some good end.  Madonna might have. So far Miley Cyrus isn’t.

Cross-posted at Family Inequality and Pacific Standard.

Philip N. Cohen is a professor of sociology at the University of Maryland, College Park, and writes the blog Family Inequality. You can follow him on Twitter or Facebook.

It’s Love Your Body day!  Below is a Hall of Fame and a Hall of Shame.  The second set of posts reveal just what we’re up against, but the first set is a salve, a celebration of all of our beautifully diverse and interesting bodies.  You choose what will amp you up today,  but don’t miss this year’s SocImages Pick: Kara Kamos on the total irrelevance of beauty.

The Hall of Fame

• American Able: Challenging Depictions of People with Disabilities
• Disabled Bodies and Ableist Acceptance

• A Fashion Advice Counterfactual
• The Story of My Man Boobs
• Fat People Can Be As Healthy As Thin People
• The Last Slide Show Fat Man
• Imaging Barbie’s Fantastic Proportions
• All Fruit is Sweet
• Glamour Uses “Plus-Sized” Models, and People Love It!
• Reclaiming the “Before” Body (NSFW)
• Rebellyon
• Defining Fat
• Kjerstin Gruys on The Colbert Report and a Year of No Mirrors

• Men Throwing Like a Girl: Separating Nature from Nurture
• Half-Drag Portraits and the Performance of Gender
• What Makes a Body Obscene?
• Resistance to Objectifying Advertising
• Men’s and Women’s Ideal Female Bodies
• Men Are Allowed to Grow Up
• The Relationship Between Sex Appeal and Sexual Objectification
• How Vulvas Vary (NSFW)
• Normalizing Normal Breasts (NSFW)
• Unsolicited Responses to Busty Women
• Nudes, Then and Now
• The Body Gap: Models and the Average Woman

• Dark Girls: Race, Beauty, and Bias
• Race and the Problem with Measuring Beauty Objectively
• Indian Americans Respond to Skin Whitening
• Kids’ Thoughts about Skin Color and Beauty

The Hall of Shame

• Jell-O Promises Decadence, Delivers Coercive Dieting
• Re-Touching the Consequences of Extreme Thinness
• Novels About Non-Thin Women Put Thin Women on their Covers
• How To Undermine a Body-Acceptance Message
• From K-Fed to K-Fat: Policing the Bodies of Male Celebrities
• The Jennifer Love Hewitt Bikini Controversy
• Conflating Fat with Unhealthy
• Zappos: Fits For Every Body Type… or Something
• The Hierarchy of Race and Size in a Dove Ad
• Shame & Pity: Headless Obesity vs. Pitiful Starvation
• New Obesity Campaign Rife with Fat Shaming
• The Marilyn Meme
• 100% of Your Body Fat Should Be In Your Boobs

• (Hairy) Ball Bashing
• Your Hairy Legs Could Be Mass Murderers Even Now
• “Normal” vs “Abnormal” Hair and Skin
• PETA Attacks Pubic Hair

• On the Sexualized Insult (Not for the Faint of Heart)
• “I Hate Your Friend, so I Stuck My Dick in Her Water Bottle”
• Wrinkle-Washed: Female Faces in Film Marketing
• 1950s Beauty Pageant Judging Guidelines
• Women’s Parts as Urinals and Sinks
• Hands and the Gender Binary
• Women as Food
• How Ratings Boards are Driving Genital Cosmetic Surgery
• Dozens of Products Made to Look Like Boobs
• Keeping “It” Lady-Like: Avoiding Camel Toe
• An Entitlement to Female Beauty: Criticism of Female Body Builders
• Sexual Dimorphism and World of Warcraft
• Sexy According to Victoria’s Secret
• Your Ass: A Very Important Thing on Your Wedding Day
• Behind the Perfect Body:  Models and Body Builders (pictured)

• Media Depictions of Trans-People as Bodies Only
• How Not to Personify the Opposing Team
• Why Male Pregnancy Matters

• Heightism in Advertising
• Height Norms and Framing the Shot
• Perceptions of Tall and Short Men
• Heightist Hooters Ad
• Gender and Heightism

• Diabetes and Mental Disability on “It’s Always Sunny in Philadelphia”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

October is Breast Cancer Awareness Month and the Boston Globe included a discussion of the pink ribbon campaign and cause-related marketing (products marketed with a promise of a donation to a social cause) more generally.  It, like books by sociologists — including Samantha King’s Pink Ribbon Inc. and Gayle Sulik’s Pink Ribbon Blues — paints a pretty depressing picture of cause-related marketing.

As the article discusses, this approach to raising money for a cause is suspect for a number of reasons.  In many instances, the percent of profit that goes to charity is very small.  For example, one woman bought a candy bar being sold door-to-door under the auspices of a breast cancer donation, only to discover that she was invited to spent .42 cents to mail in a coupon (story here).  The company would then donate one cent to breast cancer research!  (And the chocolate was bad, too.)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This week I had the pleasure of being a part of Take Part Live’s discussion of “pinktober.”  Here’s a really interesting piece of research that I didn’t get a chance to talk about, sent in by Lindsey B.

A paper in the Journal of Marketing Research suggesting that the current approach to raising awareness of breast cancer hurts more than helps.  You might have noticed, just maybe, I mean if you’ve been paying attention, that breast cancer awareness has become associated with the color pink.

Stefano Puntoni and his colleagues found that when women were exposed to gender cues, like the color pink, they were less likely than women who had not been primed with a gender cue to think that they might someday get breast cancer and to say that they’d be willing to donate to the cause.  Pink, in other words, decreased both their willingness to fund research and the seriousness with which women took the disease.

Puntoni explains this finding with a common psychological tendency. When people are faced with a personal threat, they tend to subconsciously go on the defensive.  In this case, when women are exposed to information about breast cancer at the same time that they are reminded that they, specifically, are vulnerable to it, they subconsciously try to push away the idea that they’re vulnerable and that breast cancer is something that they, or anyone, needs to worry about it.

Originally posted in 2010, with an extended version appearing at Ms.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The Sexual Politics of Meat is a scathing, powerful analysis of the relationship between the oppression of women and the farming of animals for food.  Written by Carol J. Adams and published in 1990, it inspired many a feminist to choose vegetarianism and made many more take pause.

In the six-and-a-half minute video below, she discusses the sexualization and feminization of chicken specifically.  She shows lots of examples of the ways in which chicken carcasses are objectified as women: put in high heels, bikinis, sexual positions, etc.  We feature many examples of this at our Pinterest board collecting gendered and sexualized food, some of which we’ve borrowed from Adams.

Adams then argues that this is a way to distract us from the fact that we are eating the flesh of an animal that has been killed for us. She writes:

By sexualizing animals, we trigger another thing, that uneasiness becomes sexual energy… and everybody knows what to do about sexual energy.  You can laugh at it, you can talk about it, it reduces whoever is presented to an object.  And so it makes it okay again.

So the sexualization of animals enters into and participates in the wider issue of “Why are we doing this to animals?”  Oh yeah, because it’s funny, because it’s fun, because we can have fun with it. And it takes the ethical out.

Moreover, presenting chicken as dressing up for the male gaze suggests that the animal wants to be consumed.  The animal appears to desire to inspire (culinary) lust and, accordingly, it’s okay if you eat her.  This works best alongside feminization, as it is women who are typically presented as objects of a lustful male gaze.

Bonus: Fifty Shades of Grey makes an appearance, and not incidentally.   In response to its popularity, a book was published called Fifty Shades of Chicken.  Here’s the book trailer:

Adams call Grey a “regressive book that implied that despite all the advances feminism has made, women really just wanted to be in bondage.”  In both books, she argues, we’re seeing the “packaging and sexualizing [of] dominance over another being.”

Hear it straight from Adams, via Uncooped:

Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the U.S., we tend to organize politically according to identities.  For example, we have a Gay Liberation Movement, a Women’s Movement, and the Civil Rights Movement, to name three big ones.  All of these are personal characteristics made political.

The cartoon below, by Miriam Dobson, does a great job of showing one of the downsides of fighting for progressive social change in this way.  For one, it can make people who carry multiple marginalized identities (for example, gay black men) feel unwelcome. And, two, it makes it seem like people without the identity can’t be part of the movement.

One solution is to think about oppressions in terms of intersectionality: we are all a mix of identities that resonate with each other in complicated ways.  This is a rich idea, but one lesson that it has taught us is that the strategy of divide-and-conquer has been an effective way to keep multiple groups marginalized.

Instead of emphasizing identities, we could identify issues. And if our issue is oppression, we can join-to-resist.  As the graphic explains: “oppression of one affects us all.”

Via Sociology Source, Another Angry Woman, and The Sociological Imagination.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.