Search results for katrina

Last month my neighbor and I mustered our emotional strength, gathered up our neighborhood cat, and drove to the SPCA to help her leave this earth in peace. He had named her Minou — French for kitty, a common term of endearment for cats in Cajun country — though I’m sure she’d had many names, which is why I’m posting about her here.

Minou is one of the tens of thousands of animals that were victims of Hurricane Katrina. An estimated 15,500 were rescued, many more died, and some, like Minou, started a new life all on their own. Another of my neighbors, one who rode out the storm, remembers Minou showing up after the waters receded. The cat — tame, spayed, and quite clearly someone’s pet before Katrina — made my and my neighbors’ yards her home, supporting herself for 11 years on lizards and rainwater and the kindness of strangers.

When I showed up two years ago, she was the first to welcome me. I woke up one morning to find her snuggled up in bed. She had found one of the holes in my dilapidated house and climbed in. She left me dead things. She made me feel at home.

She was our little Minou. One of my neighbors fed her. We all gave her pets and treats. When she got sick, I was the one who could afford to take her to the vet, so I did. I bought her the medicine; a neighbor administered it.

She had always been a tough little survivor but, in the end, it was her time. She died in the arms of people she loved, who loved her.

As we drove to the SPCA to say goodbye, I was struck by how much she had done for us. She had brought us together by giving us a common friend and responsibility. She was the node in our network, more so even than our proximity. Often, she was why we talked to each other. Or we talked to each other over her. When one of us paused to give her some attention, it kept us outside long enough to run into each other. And since everyone stopped to give her a pet, we’d all be there together.

I knew, too, that the two of us who rode in that car together — we who had made and then carried out that impossible decision — would never be able to call each other strangers. Even in her last minutes, Minou forged a bond.

Sociologists are interested in community: the difference between those neighborhoods in which people feel a sense of togetherness and those in which they do not. I don’t know much about that literature, nor much about social networks, but I do know that, with noted exceptions, pets are on the fringe of sociological analysis. It’s an interesting oversight given that more than half of American households include at least one pet. And that’s not counting the strays.

But I do know that Minou is part of why my neighbors and I are a community and her final gift to us was to cement that bond. And when I memorialized her passing on social media, many people commiserated with similar stories of “neighborhood cats.” I bet there are stray cats all over America, bringing people together. I’m so grateful that she did that for us.

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Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Why are relations between black America and the police so fraught? I hope that this collection of 50 posts on this topic and the experience of being black in this country will help grow understanding. See, also, the Ferguson syllabus put together by Sociologists for Justice, the Baltimore syllabus, and this summary of the facts by Nicki Lisa Cole.

Race and policing:

Perceptions of black men and boys as inherently criminal:

Proof that Americans have less empathy for black people:

Evidence of the consistent maltreatment, misrepresentation, and oppression of black people in every part of American society:

On violent resistance:

The situation now:

W.E.B. DuBois (1934):

The colored people of America are coming to face the fact quite calmly that most white Americans do not like them, and are planning neither for their survival, nor for their definite future if it involves free, self-assertive modern manhood. This does not mean all Americans. A saving few are worried about the Negro problem; a still larger group are not ill-disposed, but they fear prevailing public opinion. The great mass of Americans are, however, merely representatives of average humanity. They muddle along with their own affairs and scarcely can be expected to take seriously the affairs of strangers or people whom they partly fear and partly despise.

For many years it was the theory of most Negro leaders that this attitude was the insensibility of ignorance and inexperience, that white America did not know of or realize the continuing plight of the Negro.  Accordingly, for the last two decades, we have striven by book and periodical, by speech and appeal, by various dramatic methods of agitation, to put the essential facts before the American people.  Today there can be no doubt that Americans know the facts; and yet they remain for the most part indifferent and unmoved.

– From A Negro Nation Within a Nation

SocImages News:

Apparently this was the month of finding out that SocImages is quoted in awesome places! Thanks to a friend, I learned that a post is quoted in the current edition of Our Bodies, Ourselves. Um, amazing!

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And I also stumbled across a generous endorsement of the site in Kate Harding’s fantastic new book Asking For It: The Alarming Rise of Rape Culture — and What We Can Do About It.

You like!  Here are our most appreciated posts this month:

Thanks everybody!

Editor’s pick:

Top post on Tumblr this month:

Upcoming Lectures and Appearances:

I’m excited to have a number of talks scheduled for this year. If you’re in Baton Rouge, LA; Huntington, WV; Portsmouth, OH; Witchita, KS; or Omaha, NE, please feel free to come by and say “hi”!

  • Louisiana State University – Baton Rouge (Oct 8): Featured Guest and Panelist for a screening of The Hunting Ground
  • Marshall University (Oct 26): “Sex, Rapture, and Resistance on College Campuses”
  • Shawnee State University (Oct 27): “Sex, Rapture, and Resistance on College Campuses”
  • University of Nebraska, Omaha Undergraduate Sociological Symposium – Keynote speaker (Nov 13): “The Power of Public Sociology”
  • Wichita State University Sociology Club and Sociology Department Gender & Sexuality Conference – Keynote speaker (Mar 4): “Online Feminist Pedagogy: Talking about Gender and Sexuality with the World”

Social Media ‘n’ Stuff:

SocImages is on twitterfacebooktumblr, and pinterest.  Follow us! I’m on facebook, twitter, and have recently started playing around on instagram. Also on twitter, regular contributors @gwensharpnv@familyunequal, and @jaylivingston.

Finally…

Please make me less lonely on instagram! I mostly post pictures of Louisiana, cocktails, and cats, but here’s one of a baby in a band:5

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Health care providers who perform abortions routinely use ultrasound scans to confirm their patients’ pregnancies, check for multiple gestations, and determine the stage of the pregnancies. But it is far from standard – and not at all medically necessary – for women about to have abortions to view their ultrasounds. Ultrasound viewing by patients has no clinical purpose: it does not affect the woman’s condition or the decisions health providers make. Nevertheless, ultrasound viewing has become central to the hotly contested politics of abortion.

Believing that viewing ultrasounds will change minds, opponents of abortion – spearheaded by the advocacy group Americans United for Life – have pushed for state laws to require such viewing. So far, eighteen states require that women be offered the opportunity to view their pre-abortion ultrasound images, and five states actually go so far as to legally require women to view their ultrasound images before obtaining an abortion (although the women are permitted to avert their eyes). In two of the five states that have passed such mandatory viewing laws, courts have permanently enjoined the laws, keeping them from going into effect.

States that allow/require ultrasounds before abortion (vocative):7

As the debates continue to rage, both sides assume that what matters for an abortion patient is the content of the ultrasound image. Abortion opponents believe the image will demonstrate to the woman that she is carrying a baby – a revelation they think will make her want to continue her pregnancy. Ironically, supporters of abortion rights also argue that seeing the image of the fetus will make a difference. They say this experience will be emotionally distressing and make abortions more difficult. Paradoxically, such arguments from rights advocates reinforce assumptions that fetuses are persons and perpetuate stigma about abortion procedures.

Does viewing change women’s minds – or cause trauma?

What is missing from all of this is research on a crucial question: How do women planning abortions actually react to voluntary or coerced viewing of ultrasounds? As it turns out, seeing the ultrasound images as such does little to change women’s minds about abortion. What matters is how women scheduled for abortions already feel. Viewing an ultrasound can matter for women who are not fully certain about their plans to have an abortion.

My colleagues and I analyzed medical records from over 15,000 abortion visits during 2011 to a large, urban abortion provider. This provider has a policy of offering every patient the voluntary opportunity to view her ultrasound image. In her intake paperwork, the patient can check a box saying she wants to view; then, when she’s in the ultrasound room, the technician provides her with the opportunity to see the image. Over 42% of incoming abortion patients chose to view their ultrasound images, and the substantial majority (99%) of all 15,000 pregnancies ended in abortion.

Our research team looked at whether viewing the ultrasound image was associated with deciding to continue with the pregnancy instead of proceeding with the abortion. We took into account factors such as the age, race, and poverty level of the women involved, as well as how far along their pregnancies were, the presence of multiple fetuses, and how certain women said they were about their abortion decision.

As it became clear that certainty mattered, we looked more closely. Among women who were highly certain, viewing their ultrasound did not change minds. However, among the small fraction (7.4%) of women who were not very certain or only moderately certain, viewing slightly increased the odds that they would forego their planned abortion and continue with their pregnancy. Nonetheless, this effect was very small and most did proceed to abortion.

Our findings make sense, because some women who are unsure about their abortion decision may seek experiences such as ultrasound viewing to help them make a final choice. Nevertheless, many previous studies have documented that women’s reasons for abortion are complex and unlikely to be negated simply by viewing an ultrasound image. Our study analyzed a situation where viewing ultrasounds was voluntary, but there is no reason to think that mandatory viewing would change more minds. Forcing women to view their ultrasounds could, however, affect patient satisfaction and sense of autonomy.

Apart from whether minds are changed, many people imagine that viewing an ultrasound for an unwanted pregnancy is distressing; and in interviews with 26 staff members at an abortion facility that offers pre-abortion ultrasounds, my colleague and I discovered that many staffers believed viewing the image caused relief for women early in their pregnancies but was traumatic for those at later stages.

However, when my colleagues and I asked 212 women throughout the United States about their reactions to viewing pre-abortion ultrasounds, we found no evidence that viewing was broadly distressing or that emotions depended on the gestational stage. All interviewees said their minds were not changed about proceeding with abortions. Just over one in five reported that viewing provoked negative reactions of guilt, depression, or sadness; one in ten reported positive feelings such as happiness; and the largest group, just over a third, said they felt “fine,” “okay,” or even “nothing.” This common response that viewing did not matter was a surprise given the intensity surrounding political debates.

Our research questions the wisdom of state laws that force women scheduled to have abortions to view their ultrasounds prior to the procedure. Fewer than half of abortion patients want to view their ultrasounds, and there is no clinical benefit. More to the point, abortion providers already offer patients the opportunity to view their ultrasounds – and never turn down women’s requests to look at these images. When women already feel uncertain about proceeding with an abortion, viewing the image of the fetus may make a difference. But for the vast majority whose minds are made up, viewing does not matter – and trying to force this to happen in every case merely adds costs and indignities to the abortion process.

Originally posted at Scholars Strategy NetworkRead more at: 

Katrina Kimport, PhD is an assistant professor in the Department of Obstetrics, Gynecology and Reproductive Sciences and a research sociologist with the Advancing New Standards in Reproductive Health program at the University of California, San Francisco.

Generally, residents of New Orleans are “remarkably optimistic” about its recovery and future. Partly because the city had just begun to recover from Hurricane Katrina when the Great Recession began, it suffered less job loss relative to its pre-recession state and GDP actually grew 3.9% between 2008 and 2011. No other southern metropolitan area cracked 2% in the same period.

Richard Webster, writing for nola.com, offers the following evidence of New Orleans’ resilience in the face of the Great Recession. Chart 1 shows that it lost a smaller percentage of its jobs than the U.S. as a whole.

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This is even more significant as it looks, as New Orleans had been in economic decline for decades before Katrina. At EconSouth, Charles Davidson reports that “the economy in New Orleans has reversed decades of decline and outperformed the nation and other southern metropolitan areas. Consider: the job growth in New Orleans shown in Chart 2 may not look impressive, but compare it to the declines of its neighbors (blue is before Katrina, green is after).

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Residents seem to feel that the city is doing well, with the stark exception of fear of crime. But white residents are much happier with the state of the city than the 60% of residents who identifies as African American (image via NPR). This likely reflects the widening wealth gap in the city post-Katrina.

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New Orleans continues to face serious problems, including low wages, a widening wealth gap, an evisceration of the public schooling system, underfunded higher ed, high crime, negative effects of gentrification, and the looming threat of another storm. Still, thanks to greater diversification of its economy, entrepreneurship, record tourism, and rising investment money, many are arguing that the city is in the midst of a revival.

Lisa Wade is a professor of sociology at Occidental College. She writes about New Orleans here. You can follow her on Twitter and Facebook.

Embed from Getty Images
When tourists returned to New Orleans after Hurricane Katrina, there was a new site to see: disaster.  Suddenly — in addition to going on a Ghost Tour, visiting the Backstreet Cultural Museum, and lunching at Dooky Chase’s — one could see the devastation heaped upon the Lower Ninth Ward.  Buses full of strangers with cameras were rumbling through the neighborhood as it tried to get back on its feet.

Reader Kiara C. sent along a photograph of a homemade sign propped up in the Lower Ninth, shaming visitors for what sociologists call “disaster tourism,” a practice that is criticized for objectifying the suffering of others. It read:

TOURIST
Shame On You
Driving BY without stopping
Paying to see my pain
1,600+ DIED HERE

Imagine having lost loved ones and seen your house nearly destroyed. After a year out of town, you’re in your nastiest clothes, mucking sludge out of your house, fearful that the money will run out before you can get the house — the house your grandmother bought and passed down to you through your mother — put back together.

Imagine that — as you push a wheelbarrow out into the sunlight, blink as you adjust to the brightness, and push your hair off your forehead, leaving a smudge of toxic mud — a bus full of cameras flash at you, taking photographs of your trauma, effort, and fear. And then they take that photo back to their cozy, dry home and show it to their friends, who ooh and aah about how cool it was that they got to see the aftermath of the flood.

The person who made this sign… this is what they may have been feeling.

Originally posted in 2011. 

Lisa Wade is a professor of sociology at Occidental College. She writes about New Orleans here. You can follow her on Twitter and Facebook.

Cross-posted at Montclair SocioBlog.

The crucial moment in “Beasts of the Southern Wild,” for me at least, was the sight of Hushpuppy  in a new purple dress.  Hushpuppy, a seven-year-old girl is the central figure in the film, and up until that point we have seen her, dressed in the same clothes every day, living in The Bathtub, a bayou area south of a fantastical New Orleans-inspired city, on the unprotected side of the levee.**

Life in The Bathtub is harsh.  The people there (“misfits, drunks and swamp-dwellers” — Washington Post) live in shacks cobbled together from scrap metal and wood.  They fish from boats that are similarly improvised.  They scavenge.  The children’s education comes from the idiosyncratic stories of one woman.

They are wild people living among wild things, unconstrained by laws or walls, reliant on ancient prophecies and herbal cures, at home with the water that may overwhelm them at any moment.  — New York Review

After a Katrina-like flood, the authorities force the evacuation of The Bathtub.  Hushpuppy and the others are housed in a shelter – a large, brightly-lit room (a high school gym?) – and given new clothes.  This is when we see Hushpuppy in her new purple dress heading out the door, presumably to a real school.

No, no, no, I thought. This is all wrong. This is not her.  She belongs back in The Bathtub, for despite its rough conditions, the people there are a real and caring community.  Her father loves her and prepares her for life there.  The people there all love her and care for her, as they care, as best they can, for one another.

That was the voice of cultural relativism telling me to look at a society on its own terms, with understanding and sympathy.

At the same time, though, the voice of ethnocentrism was whispering in my other ear.  This is America, it said.  These conditions are the things you deplore and want to improve — lack of decent health care, education, clothing, shelter, and basic safety.  (In an early scene, Hushpuppy tries to light her stove with a blowtorch, nearly incinerating her shack and herself.)  It’s wrong that people in America live like this.

It was not much of a contest.  Cultural relativism won.

In turning the audience into cultural relativists, the movie plays on old themes in American culture.  We’ve always had our suspicions of civilization and refinement, and we’ve had a romantic attachment to the unrefined and rugged.  In “Beasts,” the shelter — sterile, impersonal, and bureaucratic — is contrasted with The Bathtub — rough-hewn, but an authentic community nonetheless.

Then there is Hushpuppy.  I’ve commented before (here, for example) that children in American films are often wiser, more resourceful, and more honest than the adults, especially those who would try to change them.   Add Hushpuppy to the list.*

In the end, the audience seemed relieved when she and the others make their escape.  We don’t want Huck to be civilized by Aunt Sally.  And we do want Hushpuppy to light out for the territory of The Bathtub.

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* I should add that much of the credit for convincing the audience goes to the unforgettable six-year-old actress who plays Hushpuppy.

** Images borrowed from dirty-mag, allmoviephoto, thevisualvamp, filmreviewonline, boscosgrindhouse, and tampabaytimes.

Several times we have posted images that reflect the realities of life within the U.S. prison system — for instance, photos of the impacts of overcrowding, life in juvenile detention centers, prison cemeteries, and the fate of prisoners during Hurricane Katrina. Alexander A. sent in a link to another striking collection of images of the corrections system. Josh Begley, a master’s student at NYU, collected aerial views of correctional facilities available from Google. His resulting project, Prison Map, makes visible an element of our society that most people rarely think about as actual, physical locations existing on the landscape. I’ve picked a few examples here, but I highly recommend going to the Prison Map website and looking at it in its entirely, which allows you to pick up on common patterns in the design of prisons.

Also check out the article about the Prison Map project at The Atlantic.