Search results for racism

Raised by a racist father, Johnny Lee Clary joined the Klan in 1963 at the age of 14. By 30, he had risen through the ranks and was named the Imperial Wizard, the leader of the entire organization.  He was an outspoken advocate of white supremacy and violence against non-whites, even appearing on the Oprah Winfrey show.

In this four-minute video, he discusses his association with Reverend Wade Watts, a Black civil rights activist and member of the NAACP.  Watts expressed kindness and love towards Clary, even in the face of escalating violence (Clary ultimately set fire to his church).  Deeply affected by Watts, Clary would eventually recant his association with the KKK and join Watts in the fight against racism.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Montclair SocioBlog.

In recent Democratic primaries in Appalachian states, Obama lost 40% of the vote.  The anti-Obama Democrats voted for candidates like “uncommitted” (Kentucky), an unknown lawyer (Arkansas), and a man who is incarcerated in Texas (West Virginia).

Could it be that there’s racism at work in Appalachia?  Or is the anti-Obama vote based entirely on opposition to his policies?

The 2008 Presidential election — Obama v. McCain — offers some hints.  For those with short memories, the Bush legacy — an unpopular war and an economic catastrophe — may have hurt the GOP.  In that election, the country went Democratic.  The Democrats did better than they had in 2004, the Republicans worse.  But not everywhere.  The Times provides this map:

Still, it’s possible that those voters in Appalachia preferred the policies of candidate Kerry to those of candidate Obama.  As Chris Cilizza says in in a Washington Post blog (here), the idea that race had anything to do with this shift is…

…almost entirely unprovable because it relies on assuming knowledge about voter motivations that — without being a mindreader — no one can know.

Cilizza quotes Cornell Belcher, the head of a polling firm with the Monkish name Brilliant Corners:

One man’s racial differences is another man’s cultural differences.

Right.  The folks in Appalachia preferred John Kerry’s culture.

I’m generally cautious about attributing mental characteristics to people based on a single bit of behavior.  But David Weigel, in Slate, goes back to the 2008 Democratic primaries – Obama versus Hillary Clinton.  A CNN exit poll asked voters if race was an important factor in their vote. In West Virginia and Kentucky, about 20% of the voters in the Democratic primary said yes.  Were those admittedly race-conscious voters more anti-Obama than other Democrats?

As Weigel points out, this was before Obama took office, before voters really knew what policies he would propose.  Besides, there wasn’t all that much difference in his policies and those of Hillary Clinton.

Cilizza is right that we can’t read voters’ minds.  But to argue that there was no racial motivation, you have to discount what the voters said and what they did.

Florence Colgate recently won the title of Britain’s Most Beautiful Face.  The competition, which attracted more than 8,000 contestants, was sponsored by Lorraine Cosmetics.  The company compared each face to a mathematical algorithm representing beauty.  Florence, who is blonde and blue-eyes, came out on top:

[youtube]https://www.youtube.com/watch?v=YQjFFTezh5I[/youtube]

An example of the formula from the Daily Mail:

A woman’s face is said to be most attractive when the space between her pupils is just under half the width of her face from ear to ear. Florence scores a 44 per cent ratio. Experts also believe the relative distance between eyes and mouth should be just over a third of the measurement from hairline to chin. Florence’s ratio is 32.8 per cent.

So, it’s science, right?  Well, that plus (at least) a little bit of racism.  Carmen Lefèvre, a psychologist, was quoted explaining why Florence was so “classically” beautiful:

Florence has all the classic signs of beauty. She has large eyes, high cheekbones, full lips and a fair complexion. Symmetry appears to be a very important cue to attractiveness.

How did “fair complexion” get mixed up in there?

Not an isolated incident either.  Tom Megginson, of Work That Matters, reported on Britain’s Most Beautiful Face and added in another example of “objective” measures of beauty conflating light with pretty and dark with ugly.  This time it’s an app called Ugly Meter. You take a picture of your face and it tells you if you’re hot or not.  What Megginson noted was the overt colorism.  One attractiveness finding read:

For what it’s worth, he also scanned in some famous faces and found it to be, let’s just say, inexplicable and inconsistent:
Okay, well it might be right about Barbie. (Ha! I beat you to it, commentors!)

Ugly Meter, by the way, is offering a cash prize for the ugliest face.  So… the world is keepin’ it balanced, I guess.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dolores R. sent in a flubbed opportunity to represent Mexicans positively and reach out to the expanding Mexican market in the U.S.  In “honor” of Cinco de Mayo, Mike’s Hard Lemonade hired five men —  in fake mustaches and sombreros — to pretend to be a Mariachi band.  They then improvised songs in response to submissions from viewers.  The stunt is self-conscious, along the lines of the “ironic” “hipster racism” we now see so much of.

The fake band may have been making fun of themselves, but they did so by engaging in something that they had already decided was ridiculous, Mariachi music.  Happy Cinco de Mayo, everyone.

A better approach, Latino Rebels suggests, would have been to spotlight some of the actual awesome Mariachi music out there.  They wouldn’t have even had to be traditional.  They could have hired a real band to improvise, or they could have drawn on the existing Mariachi cover bands, bands that do really neat stuff!  Here’s, for example, is a band covering Hotel California:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Brad’s Blog.

Here are a few commercials for the new MilkBite™ from Kraft. They play on stereotypes about mixed-race individuals.

[youtube]https://youtu.be/ffkDRynWAMw[/youtube]

Here is a transcription:

You didn’t think, did you? You, uh, didn’t think what life was going to be like for me — mom, dad — for your son.

In another commercial, the characters have the following conversation:

I just have a question. Your profile said you were milk.
Uh huh, yep, I am.
You just look like granola.
Granola, yeah, I know. I get that a lot. This was a mistake.
No, wait. Please don’t go. I’m kinda into it.

There are other spots on Kraft’s YouTube page, most playing on these same themes. The problem with a marketing campaign like this is that it trivializes the experience of people with multiple racial/ethnic identities who are still often met with derision and confusion. The first ad above perpetuates the self-fulfilling prophecy about “confused” identities. As a child, I remember family members telling me that they didn’t have a problem with interracial couples but worried about how others might react to their children.

In my classroom earlier this year, a young white woman expressed overt anger when I told the class that the 2010 2000 Census, for the first time, allowed individuals to check more than one racial category. “How can they do that?!!” she demanded to know. Living in a country with a president who had a black father and an white mother complicates all of this. Beyond the standard “post-racial America” narrative, Pres. Obama’s racial identity — even though he identifies only as black — means that people feel entitled to be dismissive of the problems that come with our increasingly complex constructions of race.

Anita Sarkeesian at Feminist Frequency points out that the marketers are likely fully aware of the inappropriate nature of these types of campaigns, and in fact, that is precisely why they launch them. They are seen as ironic, over-the-top, cynical, and tongue-in-cheek. It’s “they know that I know that they know” that it’s racist. It’s a virtual “wink and a nod.” Lisa Wade at SocImages points out that it’s a “no-one-will-ever-believe-we’re-serious” mindset. Sadly, not all people are in on the joke and will find their bigotry and ignorance reinforced, but the rest of us should know better than to perpetuate racism, even under the guise of humor.

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Bradley Koch is a sociologist at Georgia College. He is currently the co-director of the study abroad program based in Athens, Greece.  His research interests include religion, sexuality, higher education, and teaching and learning. In his free time, Brad enjoys making music and riding his road bike around rural Georgia.

Course Guide for
SOCIOLOGY OF SPORTS
(last updated 4/2012)

Developed by J.A. Carter
University of Cincinnati

 History

• Social Hygiene and the Gender of Health in 1922
• Vintage Women’s Basketball Teams: So Funny!
• Chance, Innovation, and the Evolution of Skateboarding
• Woman Wears Men’s Clothes to a Prizefight World Gasps 1910
• 1927 Wimbledon Ad Using Women’s Progress to Sell

Culture

• Sociologist Doug Hartman on Why We Love Football
• Context: How do you Play Football?
• Brit Hume: Only Christianity Can Save Tiger Woods
• Arizona’s Prayer at the Super Bowl
• What Does it Mean to Believe that a Human Characteristic is Natural?

Fans

• Jay Smooth on the Irrationality of Sports Fandom

Stadiums/Economics

• New Sports Stadiums and Economic Development
• The Economic Sociology of Triathlons

Race/Ethnicity

• Distracted by “Linsanity”: Hidden Racism and the Model Minority Stereotype
• Jeremy Lin, ESPN says, has a “Chink in the Armor”
• Racial Stereotyping and Perceptions of Competence
• Tragedy at Red River: Race, Privilege and Learning to Swim
• Racism and Jingoism Among US Soccer Fans
• When Whiteness Matters in Sport
• Media, Race, & Web 2.0
• An Indigenous Olympics
• Russian Ice Skaters Impersonate Aboriginals, Win Gold
• Orientals v. Gauchos: Who are you Rooting for?
• Dutch Soccer Club Nicknamed the Jews
• Notre Dame’s Fighting Irish Mascot
• Some Native American Sports Mascots
• Don’t Olympic Athletes have Other Things They Need to be Doing
• Olympians Making “Chinese Eyes”
• Arab Women and 2008 Olympic Athletes
• “The Angry Black Athlete”
• Race and the King Kong Motif
• Southern Hospitality?
• Corporate Plantation

Gender

• The Manly Origins of Cheerleading
• Women and Exclusion from Long Distance Running
• Policing Gender in Figure Skating
• I Wonder How Much Laundry the Average Team USA Dad will Do
• Happy Super Bowl Day!
• Barbie and GI Joe: Inscribing Gender Norms on Toys
• Which Women Play on the Center Court at Wimbledon?
• Skate Canada gets “Tough”
• Participation in High School Sports by Gender and Sport
• The Sexualization of Female Olympiads
• Breakfast and Lunch and Dinner of Olympic Champions
• “Come to the Ball”: Swiss Soccer Ad
• Valuing Dads in the WNBA
• Blaming Jessica Simpson: Women Sap Men’s Strength
• Pink Sports Team Clothing: Making a Masculine Arenas Safe for Women

Sex Differences in Sports

• Opportunity and Athletic Performance
• Male as the Neutral Default
• The Question of Caster Semenya’s Sex

Equipment differences in sports

• Female Boxers may be Required to Wear Skirts
• Ideology, Safety, and the Lingerie Football League
• The Amazing Disappearing Cheerleading Outfit
• Femininity and the Proposed Badminton Dress Code
• Two Fun Facts About Figure Skating Fashion

Masculinity

• Hegemonic Masculinity in Super Bowl Commercials
• No Man’s Land and the Alice Band
• Mocking Men with Femininity
• The Daintification of Masculinity
• Men without Sports Knowledge/Skills are Inadequate Human Beings
• Energy Drinks and Violent Masculinity
• Crossing Gender Lines: Boys Doing Double Dutch
• A Set of Ads Suggesting that Men must Eschew Femininity or Else
• Social Construction and Hegemonic Masculinity

Sexuality/Homophobia

• Pushing Back Against Homophobia in Sports
• “Powder Blue Faggots”: More Sporting Homophobic Taunts
• Yankee Fans Verbally Assault Teenage Red Sox Fans with Homophobic Taunts
• What Does a “Prehomosexual” Look Like?
• Johnny Weir: That’s Gay
• Pulled Homophobic Nike Ads
• “Homosexual” vs. “Gay”: Discourse in the Culture Wars
• You’re a Quarterback for SC?  That’s So Gay!

Bodies

• Tim Tebow and the Religious Body (Politic)
• Disabled Bodies and Ableist Acceptance
• World Champion Olympic Medalist Reduced to Woman on a Diet
• Objectification of Women = Go Team!
• Idealizing Shawn Johnson
• Re-Framing Menstruation
• Ski Jumping’s Weight Problem
• An Entitlement to the Right to Define and Consume Female Beauty
• Nude Calendar Images of German Paralympic Athletes
• Release the Thin Athletic Body Trapped Inside your Big Fat One
• The Male Gaze Does Not Allow for Boy Nipples
• Men’s Bodies are Allowed to Grow Up

Media

• What’s Important About Female Athletes?
• “Come for the Ladies, Stay for the Legends”
• Serena Williams’ Patriarchal Bargain
• Female Athletes Support the Guys
• His and Hers Sports Illustrated Covers
• SportsCenter, the Predictable Gender Trend
• Cheerleader Dreams at Mattress World
• ESPN Introduces Website for Women
• Women Talk, Eat at Baseball Game; Earth Stands Still
• Welcome, Women to your Special Section
• It’s the Ironman, Not the Ironwoman, so Shut your Cereal Hole
• A Breakdown of Televised Football Broadcasts
• Feminizing Women’s Sports Teams
• It’s so Boring to Wait While your Wife shops for you
• Serena Williams on the Cover of ESPN
• Another Collection of Gender-and-Tech-Related Images
• Female Athletes: Be Pretty, but Not Sexy or Pregnant
• Bringing People Together with Coke
• Marketing Sports Supplement to Men and Women
• Media Portrayals of Female Athletes
• Connecting Golf and Sex
• Score Big at Sports Bar

Violence

• Reception of Rape Victims: Silsbee, TX Edition
• Glorifying Violence in American Football

College Athletics

• In Defiance of Title IX Colleges Report Male Athletes as Women
• College Athletics and Graduate Rates
• College Athletes and their Majors
• Where Sports Scholarships Go

Erin Hatton sent in a 1937 redlining map of Philadelphia, so I decided to update our earlier post on segregation and redlining in the city.

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One historical cause of residential segregation was redlining. Lenders would color-code different neighborhoods on residential maps; red was generally the color used to designate a neighborhood as “dangerous,” meaning mortgages would not be approved in those areas, since they were considered to be high-risk areas for mortgage defaults. This was generally a blanket rule: people found themselves unable to get mortgages to buy property in redlined areas, regardless of their income or the value of the particular house they wanted to buy. And a high proportion of Black (and sometimes White immigrant) residents generally meant that a neighborhood would be automatically tagged as a high-risk area.

The University of Pennsylvania Redlining in Philadelphia project provides an example of a map created to guide lending in Philadelphia. The map was created in 1934 by J.M. Brewer, who owned a real estate consulting company and later was chief appraiser for Metropolitan Life Insurance.

This legend was adapted from the original for the U. of Pennsylvania website:

The legend looks like the “colored” areas are coded yellow, but it’s actually red on the map. Brewer created another map in 1935 and helped draw the federal Home Owners’ Loan Corporation (HOLC) map of Philadelphia in 1937.

Erin Hatton sent a link to that 1937 HOLC map, which reflects the governmental institutionalization of racism, marking some groups as inherently undesirable:

If you go to Redlining Philadelphia and click on areas of the map, it links to the survey sheets used to rate each neighborhood. All include a section on detrimental elements and a demographics breakdown, with areas to note the presence of immigrants, African Americans, poor families, and so on, such as this section of a survey sheet for area 22, giving a security grade of D:

African Americans were not the only group targeted by redlining. For instance, the survey sheet for area 5 mentions the “danger of Jewish encroachment”:

Redlining made it difficult for Blacks (and some White ethnics) to buy homes. Racial discrimination meant Blacks often couldn’t buy homes outside Black neighborhoods, but Black neighborhoods were often redlined by lenders, meaning Blacks couldn’t get mortgages to buy houses inside them, either. As a result, African Americans were disproportionately barred from one of the major avenues to acquiring wealth (building equity through home ownership), leading to increasing racial disparities in wealth and home ownership over time.

Also check out our post on segregated Durham.

April 15th was World Art Day.  A museum in Stockholm, the Moderna Museet, celebrated with what appears to be a chocolate and red velvet cake in the likeness of a caricature of member of a generic African tribe.  The cake was designed by an artist, Makode Aj Linde, who wanted to draw attention to the practice of female genital cutting, which occurs in parts of Africa (and elsewhere).  Accordingly, the cake was in the shape of a woman’s shoulders, breasts, belly, and genitals; it was covered in black fondant.  The head was the artist himself, painted black with cartoon-ish eyes and mouth reminiscent of American minstrelsy. Neck coils tied it all together.

The Swedish minister of culture, Adelsohn Liljeroth, was asked to cut the cake.  Playing along with the “art,” she began at the clitoris.  After slicing herself a piece, she fed it to the artist (it’s unclear if that was planned or improvised).  Each reveler carved out more and more of the genitals, revealing brown and then red cake inside.  With each cut, the artist let out a yell and cried.  People attending the exhibit reportedly gawked and generally went along having a good time.

Kitimbwa Sabuni, a spokesperson for the National Afro-Swedish Association, called the cake a “racist caricature of a black woman” and criticized the event, writing:

The “participation [of the minister of culture], as she laughs, drinks, and eats cake, merely adds to the insult against people who suffer from racist taunts and against women affected by circumcision.”

The minister shrugged rhetorically, saying  “Art needs to be provocative.”  On his Facebook page, the artist was nonchalant, writing about the above photo: “This is After getting my vagaga mutilated by the minister of culture…”

I will go on the record saying that this is obviously racist, trivializes genital cutting, is wildly insensitive to women who have experienced cutting, and fails to accord any respect to members of communities that practice genital cutting.  It’s a shameful mockery.

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UPDATE: It occurred to me that it’s possible that the artist intended to trap a mostly white audience into participating in this obviously racist game, all with the intention of revealing that they would.  Sort of like Spike Lee’s Bamboozled, where the fictional African American tv writer, asked by his White boss to write something “Black,” wrote the most racist thing he could think of… only to discover that audiences loved it.  So perhaps the artist meant to provoke the same sort of horror that Bamboozled provokes in its real audience.  And that is provocative indeed.  But I’m guessing that this message will be lost on the vast majority of people at the same time it provides a satisfying opportunity to object to something obviously racist (as I did); meanwhile, more subtle discrimination and institutionalized racism remains un-examined.

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One of my main areas of serious academic research involves trying to understand how Westerners think about female genital cutting, and what motivates them to understand it in the way they do.  I must say, though, that I am at a loss to explain this.  My research on American perceptions of the practice (not Swedish, notably) suggests that we take the practice extremely seriously, framing it as (one of) the worst human rights abuses imaginable.  From this perspective, this approach to raising awareness — from the party-atmosphere symbolized by the cake to the almost comical and obviously fake protestations from the artist/actor — takes the issue far too frivolously for comfort.

Caricaturing Africans, however, and seeing them as lesser humans is also part of what drives American condemnation of genital cutting.  U.S. discourses often frame Africans as either ignorant or cruel.  We routinely dehumanize both women and men in these discourses.  They are seen more as objects of intervention than human beings.  Accordingly, it doesn’t surprise me too much that the (mostly White, Swedish) people viewing the performance felt enough distance from the practice of genital cutting to enjoy their cake.  Nor does it surprise me to hear at least some of them dismiss the concerns of the spokesperson for the National Afro-Swedish Association.

The video, in all its glory:

Thanks to Sharla F., Samira A., and an anonymous reader for sending in the tip to this story!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.