Search results for racism

This is the iconic photo of Tommie Smith and John Carlos (found here) from the 1968 Olympics in Mexico City. They raised their arms, wearing black gloves, in a symbol of protest against racism in the U.S. Less often noticed is that they were wearing beads to symbolize victims of lynching and went barefoot to protest the fact that the U.S. still had such extreme poverty that some people went without basics, such as sufficient clothing. Peter Norman, the Australian 2nd-place winner, grabbed a button produced by the Olympic Project for Human Rights (see below) when he found out what the other two were going to do and wore it in solidarity (if you look closely you can see that all three are wearing matching white buttons).


The reaction was immediate and negative. Carlos and Smith were stripped of their medals, ejected from the Olympic Village, and returned to the U.S. to widespread anger. In David Zirin’s book What’s My Name, Fool? Sports and Resistance in the United States (2005, Chicago: Haymarket Books), several black athletes discuss the difficulties they faced as a result of their actions. This 2003 interview with Tommie Smith covers some of the same issues.

Below is a button like the ones they were wearing. Much like we often think Rosa Parks spontaneously decided not to give up her seat on the bus (ignoring the fact that she attended training with other African Americans determined to protest inequality in the South), the assumption is often that Smith’s and Carlos’s gesture was something they decided on at the moment. In fact the Olympic Project for Human Rights, organized by Black U.S. athletes, had tried to organize an athletes’ boycott of the 1968 Olympics. When that was unsuccessful, tactics switched to making statements at the Olympics. This was part of an organized plan on the part of a number of Black athletes who were tired of representing the U.S. but being expected to stay silent about racism in the U.S.

Some of these buttons are for sale ($300 each!) on Tommie Smith’s website.

A t-shirt with the cover of the July 15, 1968, issue of Newsweek about “the angry black athlete.”
I looked for a photo of the cover itself but could not find one online. Clearly the nation was anxious about the attitudes of Black athletes even before the Olympics (in October) caused such a stir.

I think these images are useful in a couple of ways. I use them to undermine the idea of the individualistic protester and to bring attention to the ways Civil Rights activists organized and planned their actions. It could also be useful for discussions of politics in sports–the ways in which athletes have at times used their position to bring attention to social inequality, as well as the repercussions they may face for doing so. It might also be interesting to ask why this image caused so much furor, and how the Olympics is constructed as this non-political arena for international cooperation (a topic I cover in my Soc of Sports course). You might compare the image from the 1968 Olympics to this image (found here) from the 1936 Olympics in Germany:

Here we also see the Olympics being used to make a political statement, but in this case the athlete was not thrown out of the Olympic Village or stripped of his medals. What is the difference? Just that time had passed and attitudes toward political statements at the Olympics changed? In the 1936 pose, the athlete was showing pride in and support for his country, whereas Smith and Carlos meant their gesture as a protest of conditions in the U.S.–thus shaming their nation in an international arena (this was a major cause of the anger they faced when they returned to the U.S.–the idea that they were airing the nation’s “dirty laundry,” so to speak, for others to see). Could that be part of the difference in the reaction?

Of course, a cynical person might argue that these seemingly ungrateful, misbehaving black athletes who refused to smile and play along were being publicly punished in the media for getting “uppity” (in a time period where white Americans were also wearying of minorities’ continued demands for equality and social change).

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See also these and these.

Thanks again, p.j.!

You may have seen this Hillary Clinton nutcracker around, but did you know they are selling it at the super popular Urban Outfitters?


Analiese M. said that when she “ran across this item in Urban Outfitters online store… [she] emptied [her] shopping cart.” Awesome, Analiese!

NEW: A commenter on this post, Ana, says she found this on the Urban Outfitters store also:

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Note: It also comes in George W. Bush, but not Barack Obama.

More sexism and racism in the 2008 elections: sexist anti-Hillary propaganda, comparing sexism and racism, and “How do we beat the bitch?”

Here is the trailer for Resident Evil 5, which is not yet on the market:

The player is the sole white person in a dismal, threatening city, apparently in Africa. The locals engage in torture (which we see in some detail) and gleefully cheer at a hanging. At one point the hero is accosted by an angry mob, all of whom just make gutteral, animal-like sounds. In a beleagured voice he tells us he just doesn’t know “if it’s all worth fighting for. Who knows?” Oh, the white man’s burden, indeed!

Thanks once again, Patrick C.!

Jeff G. sent in links to several articles about the game, if you’re interested. Here’s one with the director, and here’s an article about a British government censorship agency officially ruling the game isn’t racist.

NEW! Ryan sent in an image of a character from the game:

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Ryan points out it’s another example of non-White women being portrayed as exotic or animalistic. Thanks for the image!

One of the frames for Obama and his candidacy that Wendy’s post didn’t cover involved the extent to which he does whiteness (and the degree to which we approve). This t-shirt, available on CafePress, riffs on his whiteness and the common compliment/insult about black people’s ability to be articulate:

Thanks to Jenny S. for sending along this image!

Click here to watch a two-and-a-half minute video on CNN that addresses last year’s spate of race- and ethnicity-themed parties (see here). What is perhaps most amazing about it is the unbelievably impoverished analysis of what is happening and the fact that the video for some reason decides to end on an uplifting note (“their classmates had an important lesson on the danger of stereotyping”).

Thanks to Richard for this lead.

“Pornography: The Secret History of Civilization” (2005) is useful for showing that non-procreational sex and sexual enjoyment are not “modern,” and that using and enjoying sexually explicit images isn’t new, either. I liked the first two episodes in the series, especially the second one, which shows how many explicit images there are in religious buildings and texts from the Middle Ages in Europe. Be warned, you need to watch these before showing them to be sure you can get away with it with your audience–for many students, even the artwork and religious drawings would probably lead to outrage today (which can be an interesting discussion in and of itself).

“Fenceline” addresses institutional racism, environmental pollution, and activism by looking at residents in a town in Louisiana and the divisions that arise between blacks and whites about the possibility of toxic waste contamination. It could be useful for discussing environmental issues or looking at why two groups in the same community could come to such different conclusions about what is going on.

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