Search results for hipster

I’ve been thinking a lot about this question lately. I even wrote an essay awhile back for The New Inquiry. But, honestly, none of the answers I come up seem complete. I’m posting this as a means of seeking help developing an explanation and to see if anyone knows of people who are taking on this question.

I think question is important because it relates to our “digital dualist” tendency to view the Web as separate from “real life.”

So far, I see three, potentially compatible, explanations: more...

As if we needed more examples to demonstrate that ‘the digital’ & ‘the physical’ are part of the same larger world, it seems there’s no end to the applicability of demographic metaphors to trends in social media. I wrote about App.net and “white flight” from Facebook and Twitter last month, so you can imagine how my head broke on Monday when I first heard about “New MySpace.” My first question—after, “wait, what?”—was, “Is this like when the white people start moving back into urban cores to live in pricey loft conversions?”

I didn’t do a detailed overview of danah boyd’s (@zephoria) work on MySpace, Facebook, and white flight last time, so I start with that below (though I recommend that anyone interested in this topic check out boyd’s very readable chapter in Race After the Internet, which you can download here [pdf]). I then look at some of the coverage of New MySpace this week to make the argument that there are some strong parallels between the site’s impending “makeover” and the “urban renewal” efforts sometimes called gentrification or regentrification.

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As the 2012 meeting of the American Sociological Association (#ASA2012) kicks into gear, I want to use this post to start a conversation about a somewhat-contentious topic: academics’ use of Twitter, particularly at conferences. I begin by extending some of what’s already been written on Cyborgology about the use of Twitter at conferences, and then consider reasons why some people may find Twitter use off-putting or intimidating at conferences. I close by considering what Twitter users in particular can do to ease the “Twitter tensions” at ASA by being more inclusive. The stakes here include far more than just “niceness”; they include as well an opportunity to shape the shifting landscape of scholarly knowledge production.

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We are currently facing a cultural crisis of authenticity. Since the early 2000s, we have seen the concept “authenticity” slowly move from margins to mainstream (Reynolds, 2011), encapsulated by feverish celebrity gossip surrounding breakout stars like Lana Del Rey, personified through the rise of the urban hipster as folk devil (those self-professed taste arbiters of cool who ride “fixies” through the urban landscape, collect obscure records, and wear vintage clothes), and exemplified in Web 2.0 and the rise of social media (especially curatorial media like LastFM and more recently, Pintrest), where we are all now encouraged to share, like, and make public pronouncements of our personal tastes. In the contemporary zeitgeist, it seems that we are all “grasping for authenticity” in an attempt to make our lives seem more important, substantial, and relevant (Jurgenson, 2011).

In this environment, identity is constructed both on and offline, but our online identities are increasingly coming to define our public identities. As such, the “online commons” (Lih, 2009) becomes an important space of identity construction and conflict. more...

[SPOILER ALERT: details about the first episode of Sherlock“A Study In Pink” are discussed below. The ending is not totally given away, but major story details are revealed.]

A few weeks ago, I challenged Kurt Anderson’s claim that cultural progress and innovation had stagnated in the last twenty years. Anderson, I contend, has ignored new mediums (the Internet), re-invented genres (hip-hop, electronic music), and new cultural stereotypes (geek chic, hipsters). But what ties all of these things together is the central thesis that consumer technologies are just as much cultural artifact as clothes or music. No where is this more obvious and brilliantly executed than in BBC One’s updated interpretation of the Sherlock Holmes mysteries. Set in present day London, “Sherlock” is a reinterpretation of the most famous Holmes mysteries and does an excellent job of translating the Victorian source material into a modern drama. That translation includes dress, idiomatic expressions, and vehicles- but it also includes cell phones, restrictions on smoking, and the War on Terror. Sherlock is a uniquely 21st century show that could not have taken place in the early 2000s or the 90s. more...