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White flight happens both online and offline. What is it with some white people?

Recently mentions of a new “real-time social feed” called App.net have been creeping into my Twitter feed. Just as the quietly simmering Diaspora and the running joke that is G+ were geared to seize on collective Facebook malaise, it seems App.net is trying to seize on some degree of unrest among Twitter users before taking on Facebook as well. In this case, App.net promises that “users and developers [will] come first, not advertisers”; in an era of “if it’s free, you’re the product”—remember that the much love/hated Facebook “[is] free and always will be”—App.net proposes to offer a Twitter-like social feed (and eventually a “powerful ecosystem based on 3rd-party developer built ‘apps’”) on a paid membership basis instead.

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This is the complete version of a three-part essay that I posted in May, June, and July of this year:
Part I: Distributed Agency and the Myth of Autonomy
Part II: Disclosure (Damned If You Do, Damned If You Don’t)
Part III: Documentary Consciousness

Privacy is not dead, but it does need to change.

Part I: Distributed Agency and the Myth of Autonomy

Last spring at TtW2012, a panel titled “Logging off and Disconnection” considered how and why some people choose to restrict (or even terminate) their participation in digital social life—and in doing so raised the question, is it truly possible to log off? Taken together, the four talks by Jenny Davis (@Jup83), Jessica Roberts (@jessyrob), Laura Portwood-Stacer (@lportwoodstacer), and Jessica Vitak (@jvitak) suggested that, while most people express some degree of ambivalence about social media and other digital social technologies, the majority of digital social technology users find the burdens and anxieties of participating in digital social life to be vastly preferable to the burdens and anxieties that accompany not participating. The implied answer is therefore NO: though whether to use social media and digital social technologies remains a choice (in theory), the choice not to use these technologies is no longer a practicable option for number of people.

In this essay, I first extend the “logging off” argument by considering that it may be technically impossible for anyone, even social media rejecters and abstainers, to disconnect completely from social media and other digital social technologies (to which I will refer throughout simply as ‘digital social technologies’). Consequently, decisions about our presence and participation in digital social life are made not only by us, but also by an expanding network of others. I then examine two prevailing privacy discourses—one championed by journalists and bloggers, the other championed by digital technology companies—to show that, although our connections to digital social technology are out of our hands, we still conceptualize privacy as a matter of individual choice and control. Clinging to the myth of individual autonomy, however, leads us to think about privacy in ways that mask both structural inequality and larger issues of power. Finally, I argue that the reality of inescapable connection and the impossible demands of prevailing privacy discourses have together resulted in what I term documentary consciousness, or the abstracted and internalized reproduction of others’ documentary vision. Documentary consciousness demands impossible disciplinary projects, and as such brings with it a gnawing disquietude; it is not uniformly distributed, but rests most heavily on those for whom (in the words of Foucault) “visibility is a trap.” I close by calling for new ways of thinking about both privacy and autonomy that more accurately reflect the ways power and identity intersect in augmented societies. more...

It doesn’t matter if anyone actually sees your status update; it’s indeterminacy that drives our anxieties about the unknown and unknowable futures of our digital artifacts.

In the last part of my recent essay “A New Privacy,” I described documentary consciousness as the perpetual (and frequently anxiety-provoking) awareness that, at each moment, we are potentially the documented objects of others. In this post, I use a friend’s recent ‘Facebook debacle’ as a starting point to elaborate on what documentary consciousness is, how it works, and whether it can be diminished or assuaged by the fact that “nobody… wants to see your status update from 2007.” I draw on Brian Massumi’s distinction between the possible and the potential to help explain why documentary consciousness entails “the ever-present sense of a looming future failure,” whether anyone reads that old status update or not.

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We fetishize the Exotic Other. We expect hir to save us, yet s/he remains ‘matter out of place.’

“Otherness” has long been a concern of social scientists. It refers to those who are marked, set-apart, excluded, or included with qualification. Those who fail to fit into normative conceptions of belongingness are treated, unsurprisingly, as though they do not belong. They are a polluting force, an intruder, an outsider. In this post, we discuss the dual nature of Otherness and the Othered subject, as they must navigate a social space in which they are either excluded or fetishized, but never fully integrated. We exemplify this dual nature with a discussion of new Yahoo CEO Marissa Mayer—a tech industry power player marked with femininity, amplified by pregnancy. We begin with a theoretical discussion of Otherness.

 The Dirty Other

As suggested by Sigmund Freud and Marry Douglas, “Dirt is matter out of place”; it threatens the integrity of boundaries—moral, aesthetic, symbolic, experiential and otherwise.  The removal or neutralization of dirt is not an easy matter for its methods of contamination are many.  The most effective method of contamination occurs within and through fantasy.  Case in point, the non-normative Other acquires her pollution powers from the fantastic projections of “Normals.”  But in analyzing the non-normative Other, we find that not all dirt is abject.  Rather than demonstrating the power of horror, dirt may acquire the quality of seduction, indulgence and exotic profundity.  Of course, Kristeva notes that the abject—while maintaining its horrifying quality—is the sight of fascination.  Although such a stipulation is relevant to the present discussion, we may note that said fascination need not coincide with horror.  For example, the “out of place” position of non-normative others facilitates the fantastic lure of systemic escape, reparation or atonement.  After all, that which is not dirt: the normative, the systemic, the homogenized, carries the weight of morality and social judgment.

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Stacks of Kente and cotton cloth sit in piles, waiting to be stamped with Adinkra patterns. Note the “pixelated” patterns in the center stack.

In part 1 I opened with a run down of the different kinds of “digital divides” that dominate the public debate about low income access to technology. Digital divide rhetoric relies on a deficit model of connectivity. Everyone is compared against the richest of the rich western norm, and anything else is a hinderance. If you access Twitter via text message or rely on an internet cafe for regular internet access, your access is not considered different, unique, or efficient. Instead, these connections are marked as deficient and wanting. The influence of capitalist consumption might drive individuals to want nicer devices and faster connections, but who is to say faster, always on connections are the best connections? We should be looking for the benefits of accessing the net in public, or celebrating the creativity necessitated by brevity. In short, what kinds of digital connectivity are western writers totally blind to seeing? The digital divide has more to do with our definitions of the digital, than actual divides in access. What we recognize as digital informs our critiques of technology and extends beyond access concerns and into the realms of aesthetics, literature and society. I think it is safe to say that most readers of this blog think they know better: Fetishizing the real is for suckers. The New Aesthetic, a nascent artistic network, is all about crossing the boarder between the offline and the online. Pixelated paint jobs confuse computer scanners and malfunctioning label makers print code on Levis. The future isn’t rocket-powered, its pixelated. Just as the rocket-fueled future of the 50s was painstakingly crafted by cold warriors, the New Aesthetic of today is the product of a very particular worldview. The New Aesthetic needs to be situated within its global context and reconsidered as the product of just one kind of future. more...

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). It was originally posted on 3.30.12 and was updated to include video on 7.19.12. See the conference website for

Presider: Kari Kraus (@karikraus)

Drawing on a diverse range of approaches–from media archaeology and ethnography to queer theory and critical code studies–the “Politics of Design” panel will collectively consider where and how power pools and collects in the designed, value-laden spaces of the internet. Individual panelists will take up digital networks and anonymity (Moesch); established and proposed internet architectures (Shilton and Neal); slick Web 2.0 and grungy “dirt style” interfaces (Kane); and the failed rhetoric of the digital sublime by the founders of Google and Second Life (Chia).  Not content to dwell on surface design features, each speaker unearths hidden variables–whether technological, social, or historical–that affect the systems, platforms, and communication structures under discussion. In the process, they expose the faultlines in those structures that allow us to envision them otherwise; the politics of design, that is to say, ultimately point–directly or indirectly–to alt-design and re-design.

Please join us on 4/14 for what promises to be a fabulous #TtW12 panel!

[Paper titles and abstracts are after the jump.] more...

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). It was originally posted on 4.6.12 and was updated to include video on 6.22.12. See the conference website for additional information.

The issue of self documentation is increasingly fertile ground for theorizing the intersection of the digital and the material, illustrating how our identities are increasingly mediated by new technologies and “digital” forms of sociality. Facebook, Twitter, Instagram, and Pinterest (as relatively new forms of sociality) produce requisite changes in our self concepts. In the digital era, identity becomes a project of coordinating, collecting, and curating; self presentation becomes a project of self documentation.

Each of these authors acknowledges the paradigmatic changes new technology (especially social networking sites like Facebook) has introduced into our self concepts. For example, Aimée Morrison looks at how norms are created, encouraged, and enforced in the digital realm of Facebook. The Facebook status update field has gone through several permutations, reflecting changing expectations and norms regarding self presentation and self documentation on this popular social networking site. Somewhat differently, Rob Horning addresses issues of power and control in the promulgation of new forms of sociality. More specifically, Horning discusses Facebook’s role in socializing users into the “digital self,” or the self as curated project. Self documentation is integral to the rise of the digital self and the destruction of the inner/private self. In addition, Jordan Frith reflects on how social media incorporates emerging GPS technology into location based social networks (LBSN) like Foursquare. Drawing from qualitative interviews with over 35 Foursquare users, Frith analyzes the impact of this LBSN on both self-presentation and self-documentation practices.

Finally, social media and the ability to self-document also changes our conception of time. As Nathan has argued, “Social media increasingly force us to view our present as always a potential documented past” (Jurgenson, 2011). In this vein, Sam Ladner addresses the proliferation of digital calendaring (MS Outlook, Google Calendar) and resultant changes such technology engenders to our conceptions and use of time. Digital calendars create new affordances but also new risks in time management.

[Paper titles and abstracts after the jump.]

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This image is on the Internet. Whose fault is that? (Is it anyone's fault, per se?)

Last month in Part I (Distributed Agency and the Myth of Autonomy), I used the TtW2012 “Logging Off and Disconnection” panel as a starting point to consider whether it is possible to abstain completely from digital social technologies, and came to the conclusion that the answer is “no.” Rejecting digital social technologies can mean significant losses in social capital; depending on the expectations of the people closest to us, rejecting digital social technologies can mean seeming to reject our loved ones (or “liked ones”) as well. Even if we choose to take those risks, digital social technologies are non-optional systems; we can choose not to use them, but we cannot choose to live in a world where we are not affected by other people’s choices to use digital social technologies.

I used Facebook as an example to show that we are always connected to digital social technologies, whether we are connecting through them or not. Facebook (and other companies) collect what I call second-hand data, or data about people other those from whom the data is collected. This means that whether we leave digital traces is not a decision we can make autonomously, as our friends, acquaintances, and contacts also make these decisions for us. We cannot escape being connected to digital social technologies anymore than we can escape society itself.

This week, I examine two prevailing privacy discourses—one championed by journalists and bloggers, the other championed by digital technology companies—to show that, although our connections to digital social technology are out of our hands, we still conceptualize privacy as a matter of individual choice and control, as something individuals can ‘own’. Clinging to the myth of individual autonomy, however, leads us to think about privacy in ways that mask both structural inequality and larger issues of power. more...

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The original video I posted was taken down. Alexander calls cricket a “gay game” 5 minutes in.

In an interview with Craig Ferguson last week, Jason Alexander called the game of Cricket “a gay game.” It was clear (and you can see for yourself in the video above, starting at the 9 minute mark) that Alexander was equating “gay” with “effeminate” and juxtaposing words like “gay” and “queer” with notions of masculinity and being “manly.” After the show aired, the tweets started pouring in. This tweet by @spaffrath was pretty trypical: more...

Windows 8's Metro Interface is a radical departure from previous Windows releases.

My first PC was a frankenstein PC running Windows 3.1. I played Sim City and argued with people in AOL chat rooms. My first mac was a bondi blue iMac that ran OS 9, more AOL, and an awful Star Trek: Voyager-themed first-person shooter.  I was 13. In the intervening years, I’ve had several macs and  PCs, all of which have seen their fair share of upgrades and OS updates. Even my current computer, which is less than a year old, has seen a full OS upgrade. I am one of those people that like radical changes to graphic user interfaces (GUIs). These changes are a guilty pleasure of mine. Some people watch trashy television, I sign up for a Facebook developer account so I can get timeline before my friends. I know I’m fetishizing the new: it goes against my politics and my professional decorum. I have considered switching to Linux for no other reason than the limitless possibilities of tweaking the GUI. It is no surprise then, that I have already downloaded the Windows 8 release candidate and I am installing it on a virtual machine as I write this paragraph. What is it about GUIs that evoke such strong emotions? While I practically revel in a new icon set, others are dragged into the future kicking and screaming. What is it about GUIs that arouse such strong feelings? more...