I’ve been researching hacking for a little while, and it occurred to me that I was focusing on a yet unnamed hacking subgenre. I’ve come to call this subgenre “interface hacks.” “Interface hack”refers to any use of web interface that upends user expectations and challenges assumptions about the creative and structural limitations of the Internet. An interface hack must have a technical component; in other words, its creator must employ either a minimal amount of code or demonstrate working knowledge of web technologies otherwise. By virtue of the fact they use interface, each hack has aesthetic properties; hacks on web infrastructure do not fall in this category unless they have a component that impacts the page design.
Apple rolled out a new line of racialized emojis last week through their iOS 8.3. Originating in Japan, emojis are popular symbols by which people emote via text. Previously, the people-shaped emojis appeared with either a bright yellow hue or peach (i.e., white) skin. The new emojis offer a more diverse color palate, and users can select the skin tones that best represent them. It’s all very United Colors of Benetton.
While many applaud the new emojis— such Dean Obeidallah writing for CNN who announced “Finally, Apple’s Emojis Reflect America”—this has been far from a win for racial equality. (more…)
Internet memes are arguably the most recognisable form of online vernacular; a proliferation of expressive pictorial and / or textual compositions, frequently characterised by running jokes expressed via informality and intended errors. The pervasiveness of humour within memes might make it easy to dismiss them as trivial, but this would be an oversight. In fact understanding the function of humour within memes discloses much; illuminating the relationship between memes and their antecedents, as well as the ways in which web-enabled social dynamics and vernaculars develop. Memetic behaviour is not novel but its current prevalence, as supported by networked culture, is remarkable. This post, a historicisation of meme usage as a communicative practice, attempts put into relief their idiosyncratic characteristics, and address the role memes may play in cultural analyses. (more…)
The past year has brought strong awareness to problems of sexual assault in general, and sexual assault on college campuses in particular. Victims, allies, and activists are naming assailants and holding university administrations responsible for their treatment of both victims and the accused. Simultaneously, campuses are building task forces, holding meetings, staging rallies, and constructing policies to prevent and deal with incidents of sexual non-consent.
In the midst of this, Rolling Stone told one woman’s story. This woman, who identified herself as “Jackie,” shared the gut wrenching if all-too-familiar tale of a fraternity party gone wrong. As they do in the age of social media, Jackie’s story went viral. In excruciating detail, we read of Jackie’s sexual violation at the hands of several men on UVA’s campus, followed by gross mishandling by those in charge. Links spread, along with petitions, open letters, and thought pieces ranging from 140 characters to several thousand words. We were up in arms. Until, that is, the story came under suspicion. (more…)
A couple of years ago, I was enjoying dinner at a family gathering, loudly chiming in between bites of salad and veggie burger. In a quiet moment, my Nana’s significant other leaned in and looked at me closely. ‘I can’t pinpoint your accent,’ he said. Surprised, I wondered out loud if I had developed some strange hybrid of Virginia and Texas—my home state and the state where I was attending graduate school, respectively. ‘No,’ he said. ‘It’s more like California.’ He then faux flipped his hair, batted his eyelashes, and repeated something I’d said earlier using exaggerated uptalk. The table broke into laughter, jokes about nail chipping and mall shopping, and ironic air-quoted references to “Dr. Davis.” It was funny because this particular speech pattern—deeply classed and gendered—connotes “ditziness,” which sits in (apparently comedic) contrast to my position as an adult in general, and an academic in particular. And indeed, my speech patterns growing up, like those of many girls I knew, followed the stereotypical “valley girl” inflection and cadence. I have learned to temper this over the years, but in relaxed moments, the excessive “likes” and statements-that-sound-like-questions slip back in.
I was not offended by this dinner table exchange. On the contrary, I put my gender activist hat away for a bit and joined in, asking people to pass various food items in my best Alicia Silverstone (from clueless, obvi) voice. It was totally funny!! It would be less funny, however, if I found myself unable to get a job because of these speech patterns. (more…)
Academia is in the midst of a labor crisis. With two-thirds of instructional faculty made up of contingent workers (i.e., adjuncts) a critical mass of dissatisfied—and often hungry— advocates are joining together to decry the unacceptable working conditions within historically sacred institutions of higher education. And with new adjunct unions forming regularly, the movement is taking on undeniable prevalence.
But it is more than just a growing quantity of under-paid, over-burdened, college educators that has fostered a national movement, it is also the availability of digitally mediated platforms through which these workers can connect, aggregate data, and share personal and collective stories with a larger public. That is, digital media has been instrumental in creating this particular counter-public.
Contemporary social movements are inevitably augmented, with digital and physical inextricably tied. In the case of adjuncts, however, digital media plays an especially crucial role. Of course I can only engage in informed speculation, but I don’t believe the adjunct movement would be a movement at all (or at least not much of one) without Internet technologies. This has to do with the material and social realities of contingent labor within higher-ed. (more…)
My feeds this week kept popping up with a bothersome headline, stated in a variety of ways: Smartphones are Making Us Stupid, Technology is Making us Lazy, Does Smartphone use Decrease Intelligence?
The University of Waterloo released a paper this week that was originally published in Computers in Human Behavior back in July. Titled The Brain in your Pocket: Evidence that Smartphones are used to Supplant Thinking, the authors find a negative correlation between cognitive functioning and the use of search engines via smartphones.
The authors refer to smartphones as an “extended mind,” and make causal claims about the effects of this technological extension upon the current and futures state of human cognition. Namely, they predict that increased use of smartphones to gather information will indulge the human tendency towards lazy thinking, and we will become increasingly reliant upon devices. That is, the authors predict an outsourcing of critical thought. It’s kind of scary, really.
But before the phone stackers triumphantly proclaim that they told us so! Let’s look more closely at the research and the underlying assumptions of the research question. (more…)
Statistics are never objective. Rather, they use numeric language to tell a story, and entail all of the subjectivity of storytelling. Indeed, the skilled statistician, like the skilled orator, can bring an audience into the world of their creation, and get the audience to buy fully into the logic of this world. Numbers, like words, are tools of communication, persuasion, connection, and dissent. Statistics are not objective. But my goodness, statistics can be powerful.
Twitter and Dove have teamed up in a new campaign to combat criticisms of women’s bodies on social media. The #SpeakBeautiful campaign, which kicked off with a short video (shown above) during the pre-show of this year’s Academy Awards, cites the staggering statistic that women produced over 5 million negative body image Tweets last year. The campaign implores women to stop this, to focus on what is beautiful about each of us, and bring our collective beauty to the fore. Set to musical crescendo and the image of falling dominos, this message is both powerful and persuasive. (more…)
There’s a tricky balancing act to play when thinking about the relative influence of technological artifacts and the humans who create and use these artifacts. It’s all too easy to blame technologies or alternatively, discount their shaping effects.
Both Marshall McLuhan and Actor Network Theorists (ANT) insist on the efficaciousness of technological objects. These objects do things, and as researchers, we should take those things seriously. In response to the popular adage that “guns don’t kill people, people kill people,” ANT scholar Bruno Latour famously retorts:
It is neither people nor guns that kill. Responsibility for action must be shared among the various actants
From this perspective, failing to take seriously the active role of technological artifacts, assuming instead that everything hinges on human practice, is to risk entrapment by those artifacts that push us in ways we cannot understand or recognize. Speaking of media technologies, McLuhan warns:
Subliminal and docile acceptance of media impact has made them prisons without walls for their human users.
This, they get right. Technology is not merely a tool of human agency, but pushes, guides, and sometimes traps users in significant ways. And yet both McLuhan and ANT have been justly criticized as deterministic. Technologies may shape those who use them, but humans created these artifacts, and humans can—and do— work around them. (more…)
We live in a cyborg society. Technology has infiltrated the most fundamental aspects of our lives: social organization, the body, even our self-concepts. This blog chronicles our new, augmented reality.