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Alan Turing, Father of Computer Science

President Obama declared June to be LGBT Pride Month and so, I though it would be appropriate for us here at Cyborgology, to take a moment and recognize how LGBT peoples were foundational to the construction of cyborg studies and other inter/trans/multidisciplinary fields. I should note upfront that this incredibly brief summary, from a macro perspective, does some violence to the critical nuance of all the fields mentioned. I hope this post encourages further research, not angry comments about my (acknowledged) hurried treatment of the subject matter. Consider this more of a conversation-starter, than a stand-alone digest. I would also like to thank my good friend Naomi Ardjomandkermani for inspiring me to do this post. She does fantastic work with intersex communities on the web at http://intersexresources.moonfruit.com.

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I am working on a dissertation about self-documentation and social media and have decided to take on theorizing the rise of faux-vintage photography (e.g., Hipstamatic, Instagram). From May 10-12, 2011, I posted a three part essay. This post combines all three together.
Part I: Instagram and Hipstamatic
Part II: Grasping for Authenticity
Part III: Nostalgia for the Present

a recent snowstorm in DC: taken with Instagram and reblogged by NPR on Tumblr

Part I: Instagram and Hipstamatic

This past winter, during an especially large snowfall, my Facebook and Twitter streams became inundated with grainy photos that shared a similarity beyond depicting massive amounts of snow: many of them appeared to have been taken on cheap Polaroid or perhaps a film cameras 60 years prior. However, the photos were all taken recently using a popular set of new smartphone applications like Hipstamatic or Instagram. The photos (like the one above) immediately caused a feeling of nostalgia and a sense of authenticity that digital photos posted on social media often lack. Indeed, there has been a recent explosion of retro/vintage photos. Those smartphone apps have made it so one no longer needs the ravages of time or to learn Photoshop skills to post a nicely aged photograph.

In this essay, I hope to show how faux-vintage photography, while seemingly banal, helps illustrate larger trends about social media in general. The faux-vintage photo, while getting a lot of attention in this essay, is merely an illustrative example of a larger trend whereby social media increasingly force us to view our present as always a potential documented past. But we have a ways to go before I can elaborate on that point. Some technological background is in order. more...

I am working on a dissertation about self-documentation and social media and have decided to take on theorizing the rise of faux-vintage photography (e.g., Hipstamatic, Instagram). To start fleshing out ideas, I am doing a three-part series on this blog: part one was posted Tuesday (“Hipstamatic and Instagram”) and part two yesterday (“Grasping for Authenticity”). This is the last installment.

taken recently, this is a simulated vintage image of a simulation

With more than two million users each, Hipstamatic and Instagram have ushered a wave of simulated retro photographs that have populated our social media streams. Even a faux-vintage video application is gaining popularity. The first two posts in this series described what faux-vintage photography is, its technical facilitators and attempted to explain at least one main reason behind its explosive popularity. When we create an instant “nostalgia for the present” by sharing digital photos that look old and often physical, we are trying to capture for our present the authenticity and importance vintage items possess. In this final post, I want to argue that faux-vintage photography, a seemingly mundane and perhaps passing trend, makes clear a larger point: social media, in its proliferation of self-documentation possibilities, increasingly positions our present as always a potential documented past.

Nostalgia for the Present
The rise of faux-vintage photography demonstrates a point that can be extrapolated to documentation on social media writ large: social media users have become always aware of the present as a potential document to be consumed by others. Facebook fixates the present as always a future past. Be it through status updates on Twitter, geographical check-ins on Foursquare, reviews on Yelp, those Instagram photos or all of the other self-documentation possibilities afforded to us by Facebook, we view our world more than ever before through what I like to call “documentary vision.” more...

Presider: Matthew Kirschenbaum

Participants:

  • Andrew Hare (@ahare), “The YouTube War: Wikileaks, Warfare and The New Digital Politck”
  • Donghee Yvette Wohn (@arcticpenguin), “Crystallization”
  • Sam Han, “The Digital Milieu of Online Christianity: The Folding of Religious Experience into Sociality”
  • Thomas Geary (@tmgeary), “Electracy and Digital Agency: How Attainable Are They?”

Abstracts are provided below: more...

Presider: Joe Waggle

In 1983, Time magazine ran a cover story called “The New Economy,” in which economists and social thinkers posited that America’s transition from a heavily industrial economy to a technology-based economy would lead to an entirely new kind of marketplace. This new economy was at its most baffling and unknown in the late 1990s, at the peak of the dot-com bubble, when we witnessed an entirely new meltdown of this entirely new type of economy.  Today, we find ourselves in yet another new economy, one with a plurality of actors, values, and marketplaces, a plurality facilitated by the ubiquity of the Internet. These are the new economies of the Web.

I am pleased to be presiding over “The New Economies of the Web,” an open paper session at the upcoming Theorizing the Web conference on April 9th. Here, we present three scholars who theorize the nuances of these new economies, and in so doing, allow social science to take important steps toward understanding the contours of this new and largely uncharted territory. more...

This post originally appeared on one of our favorite blogs, OWNI, 18 February, 2011.

“Internet Freedom? There’s no app for that!” Secretary of State Hillary Clinton’s speech on Tuesday concerning Internet freedom resembled an online activism campaign from Steve Jobs. A year after laying the foundation for the “21st Century Statecraft” (the catch phrase invented by spin doctors to define diplomacy connections), Clinton was once again promoting Internet freedom, though this time she chose her words more carefully.

At the beginning of 2010, her speech coincided with the incident between Google and China. This time, Clinton waited patiently for positive results from the Egyptian and Tunisian revolutions before launching into her diatribe. With a storytelling air, she started her speech by referring to the temporary Internet black-out initiated by Moubarak:

A few minutes after midnight on January 28, the Internet went dark across Egypt.

She did not waste much time before mentioning Neda, more...

On Jan. 8, 2011, Jared Lee Loughner allegedly shot Congresswoman Gabrielle Giffords (D-AZ) and 19 others resulting in 6 fatalities.  This event has drawn attention to a number of new and important roles social media has come to play in our society, including how information is gathered, changed political rhetoric, and how these sites handle the profiles of those involved in high-profile tragedies.

Profiling the Suspect
Media coverage (i.e., cable, network, radio, and newspapers) of the event represented a broader trend in contemporary journalism: almost immediately, news outlets began to piece together a profile of this previously unknown figure using almost exclusively Loughner’s social media profiles (i.e., Facebook, Myspace, Youtube and, most recently, online gaming discussion boards).  Even though his MySpace and Facebook profiles were taken down by the site, screenshots of the sites are available, including one showing a photo of gun on a US History textbook as a profile picture.

The digital documentation of our lives via social media offers an easily-accessible, autobiographical source for journalists and anyone else who is interested. Yet, there is a risk in basing our impressions solely off of this information.  Loughner’s image of himself is certainly not objective and may very well be inaccurate.  News outlets, however, face pressure to “get the scoop” on the story, so they tended to report on Loughner based heavily on this information, as opposed to interviewing a range of people in his life to construct a more holistic perspective.

The Post-Shooting Political Debate
In the wake of the tragedy, a debate emerged over the intensity and tone of contemporary political rhetoric.  The political right in general, and Sarah Palin in particular, more...

IBM_Watson

This computer isn’t connected to the internet. It takes up an entire room, and its made by IBM. This sounds like the kind of technology you would find in a 1980 edition of Compute! Magazine. Instead, Engadget has been following the story in the traditional 21st century manner of tech news coverage: live blogging with photos and under-10-minute video interviews. The new computer making news is Watson [official IBM website for the Watson project], a new 80 teraflop supercomputer meant to answer natural language questions. It was demoed last Thursday at IBM’s research facility in Armonk, NY. Watson is being tested in the most grueling tournament of fact retrieval know to humankind: it is competing in several games of Jeopardy! against reigning champions Ken Jennings and Brad Rutter.

IBM intends to commercialize the technology by selling it to large medical and data industries who need to provide lots of seemingly routine answers to questions from a wide array of topics. By developing a system that can understand the subtlety of human language -with all of its puns, idiomatic expressions, and contextual meaning- data becomes retrievable in a very human way. more...

The debate over the extent to which the design and infrastructure of the Web privileges certain demographic groups is not new, but, nevertheless, continues to be important.  Perhaps, most attention has been given to the way traditional gender hierarchies are reproduced by the masculine infrastructure of the Web.  Cyborgology editor Nathan Jurgenson, for example, has previously covered the Wikipedia’s bias toward masculine language.  Saskia Sassen warns “it may be naïve to overestimate the emancipatory power of cyberspace in terms of its capacity to neutralize gender distinctions.”

In an NPR interview this week, Wikipedia founder Jimmy Wales addressed the masculine bias of Wikipedia:

“The average age [of Wikipedia users] is around 26,” Wales says. “We’re about 85 percent male, which is something we’d like to change in the future. We think that’s because of our tech-geek roots.”

While the organization’s acknowledgment that the gender disparity on Wikipedia is promising, Wales seems to address the need for making the site more inclusive to women only from a marketing perspective.  Sociologically speaking, there is a far more important reason to attract women to Wikipedia.  Feminist sociologists have long argued the the types of knowledges that men and women produce are fundamentally different (in no small part due to their distinct social experiences).   As Wikipedia is increasingly accepted as the primary source of collected human wisdom, it is important to ask whose voices are being left out, and as such, what ways of thinking are absent in the conversation.  For Wikipedia, design and accessibility are not merely questions of customer service, but, in fact, have profound epistemological implications.

The Washington Post ran an article last Sunday about the Air Force’s new surveillance drone. The bot can hang in the air for weeks, using all nine of its cameras to provide a sweeping view of a village. Its a commanding officer’s dream come true: near-total battlefield awareness. Recording the data however, is only half of the battle. This vast amount of real-time data is almost incomprehensible. No one is capable of making sense of that much visual data unaided by some sort of curation device. There is an entire industry however, focusing on providing viewers with up-to-the-second live coverage of large, complex environments: sports entertainment.

Pro sports have always been on the cutting edge of video recording. Being able to show an entire football field and, with a swift camera change, immediately shift focus and follow a fast-moving ball into the hands of a running receiver. The finished product is a series of moving images that provide the most pertinent data, at the right scale, as it happens.

The Pentagon is adapting ESPN’s video tagging technology to make sense of battlefield surveillance. more...