Search results for google pin

I should get something out of the way first: The oxygen that fills Steve King’s lungs would be better used fueling a tire fire. King, who represent’s Iowa’s 4th District in the House of Representatives is a reprehensible excuse for a human being and every moment of every day that he holds public office is a testament to term limits and the benefits of sortition over elections. Steve King is so racist (how racist is he?!) the Republican House election fund refused to give money to his last re-election bid citing his “words and actions” on white supremacy. All that being said, King is right to be skeptical of Google CEO Sundar Pichai’s claim that their search algorithm is merely a neutral reflection of the user’s interests.

Pichai was grilled for three hours on Tuesday by House reps who wanted to know more about Google’s data collection practices, its monopolistic tendencies, and the company’s rumored censored Chinese search engine. The inherent contradiction that stands between these latter two issues is interesting: having thoroughly captured the search market nearly everywhere else, Google must —if it is to continue to appease investor’s demands for infinite profit growth— do everything in its power to breach the Chinese market. China is doing what most powerful nations do in their rise to power: protect and favor their own companies and reinvest as much wealth as possible within the country. These protectionist policies mirror what Britain and the United States did in their own respective eras of rising dominance. They fostered companies like Google so that they might attain global dominance and, by extension, solidify their influence on the world. But now that Google is a global company with interests that exceed the American market, the company’s goals are beginning to run counter to national interests. Like Frankenstein’s monster, Google has exceeded the wide boundaries federal regulators put up and now, in its search for new markets, has both too much power at home and is working with a rival power abroad. It is just the kind of capitalist contradiction that Marx and Keynes would predict: the infinite growth of firms and markets eventually undermines the very power of those that establish them. more...

In March 2013, at Microsoft’s annual research and development event TechFest, a new project was introduced that aimed to let “users interactively explore the full chain of events whereby individual news stories, videos, images, and petitions spread from one user to the next over a social network.” The program, in effect, aims to understand how content spreads through a social network such as Twitter. By aggregating large amounts of data and tracking how users share things on their Twitter accounts, ViralSearch turns the transmission of content into a visually friendly genealogy of media, which Microsoft terms its “virality.” The more descendants a video has, for example, meaning those who have shared it (which is broken up into generations, or subsets of users that represent one wave of shares) the more viral it is according to ViralSearch’s virality percentage. More than this, it actively differentiates between virality and popularity, by looking precisely at how the information is shared. As researcher Jake Hofman says,

This is what people sort of typically have in their mind when they think about one of these viral videos, but nobody’s really been able to actually look at the structure of these things to date. And so what we’re able to do is going through these billions of events we reconstruct these trees by looking at all the followers of everyone who adopts the content and using a large cluster to reconstruct these things and then a novel scoring method to actually distinguish this tree as being viral from just being popular.

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This is the Pen Pineapple Apple Pen (PPAP) song that started amassing virality around 25 September 2016, despite being published on YouTube a month earlier on 25 August 2016. This is the tutorial from its original artist, published on 26 September 2016 in response to volumes of covers, remixes, and parodies being produced as the song approaches the climax of viral fame.

The ‘official’ backstory, according to the wisdom of throngs of popular media articles churned out this week, is that the artist in the video is Piko-Taro, a fictional character played by entertainer DJ Kosaka Daimaou, whose is actually a 51-year-old Mr Kazuhiko Kosaka. His character Piko-Taro first began life as a stand-up comedian at live shows. (For those of you who are in-tune with YouTube or Influencer culture, think Miranda Sings as the fictional character played by microcelebrity Colleen Ballinger who goes by the handle ‘PsychoSoprano’ on the internet. See also here.)

Piko-Taro started his YouTube channel on 23 August 2016, posting short songs while dressed in his now-signature gaudy fashion and wig, with flamboyance in tow. The virality of his debut PPAP video was facilitated by digital user-generated humour platform 9GAG on its Facebook page. In the wake of his recent virality, Piko-Taro has been retweeting and responding to some followers in a smattering of English on his Twitter, which was created just months prior in June 2016. He is on Facebook here.

In this post, I discuss the circulation of PPAP, the value judgments made about it, its characteristics and predecessors, and the potential future of Piko-Taro.

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The end of a year is an introspective time. We reflect on the past 365 days and lay plans for the year to come. This is a time of remembering, analyzing, hoping, and figuring. Helping us through this introspective process is Facebook’s Year in Review.  This app compiles the “highlights” of each user’s year through images, events, and status updates. It then displays this compilation for the user, and gives the option to share the review with Friends.  The default caption reads: “It’s been a great year! Thanks for being part of it[i].”

Quickly, the app garnered negative attention when web designer Eric Meyer blogged about his heart wrenching experience of facing pictures of his 6 year old daughter who passed away not long ago. There was no trigger warning. There was no opt-in. There was simply an up-beat video picturing his daughter’s face when he logged into his Facebook account. He aptly attributes this experience to “inadvertent algorithmic cruelty.”

Although the cruelty was indeed inadvertent, it was none-the-less inevitable. It reflects a larger issue with the Facebook platform: its insistent structure of compulsory happiness. This insistence is reflected in a “Like” button, without any other 1-click emotive options; it is reflected in goofy emoticons through which sadness and illness are expressed with cartoon-like faces in cheerful colors; it is reflected in relationship status changes that announce themselves to one’s network. And as users, we largely comply. We share the happy moments, the funny quips, the accomplishments and #humblebrags, while hiding, ignoring, or unFriending those with the audacity to mope; to clog our newsfeeds with negativity. But we do not comply ubiquitously nor condone/censure unanimously. Sometimes we perform sadness, and sometimes we support each other in this. more...

Maps are always political. Most maps show us something that we already believe, so its difficult to see what is being reinforced and what is systematically ignored. Even the most mundane AAA maps of highways and state borders are doing political work by recognizing the sovereignty of individual states and the obduracy of highways and roads. The near-infinite number of things, qualities, measurements, and people that have spatial characteristics (seriously, just think of all of it: temperatures, ancestral lands, endemic species, isobars, places to buy smoothies, locations of hidden treasure, and so on, and so on…_) mean that map makers must always select what is relevant and what is not. This selection process—a human endeavor—is inherently social and deeply political. Google, a company that has taken upon itself to reject that selection process and “organize all the world’s information,” wants to provide a single map and, instead of deciding what is relevant in any given map, will personalize it based on information it has about you and your friends. Evgeny Morozov, writing in Slate,[1] is rightfully concerned that Google doesn’t quite know what they’re dealing with when they say they want to organize public spaces in their databases right next to email and photos of cats. He is concerned that–unlike books or weather forecasts—Google doesn’t “acknowledge the vital role that disorder, chaos, and novelty play in shaping the urban experience.” I completely agree that unpredictability is necessary for good urban space, but the biggest threat Google poses to public space isn’t that its maps are “profoundly utilitarian, even selfish in character.” Rather, Google hasn’t done enough to personalize maps in such a way that they become part of everyday social (and Social) life. more...

Most Wanted posters, having lost their long standing place at the Post Office, have found a new home on Pinterest. Following the Philadelphia Police Department, police in Pottstown PA, are now electronically pinning  images of those with outstanding arrest warrants. Yes, the same place people exchange recipes and DIY home tips is increasingly also place in which police officers disseminate photographs of felons on the lam (time out: I just got to use the phrase “on the lam” in an academic-ish piece of writing.  *self high-five*).

This use of Pinterest for mugshot dissemination is theoretically interesting in a number of ways. Here, I denote three key interrelated insights: more...

On constructing a lesson plan to teach Pinterest and feminism

I teach sociology; usually theoretical and centered on identity. I pepper in examples from social media to illustrate these issues because it is what I know and tends to stimulate class discussion. It struck me while reading arguments about Pinterest that we can use this “new thing” social media site to demonstrate some of the debates about women, technology and feminist theory.

We can view Pinterest from “dominance feminist” and “difference feminist” perspectives to both highlight this major division within feminist theory as well as frame the debate about Pinterest itself. Secondly, the story being told about Pinterest in general demonstrates the “othering” of women. Last, I’d like to ask for more examples to improve this as a lesson plan to teach technology and feminist theories. I should also state out front that what is missing in this analysis is much of any consideration to the problematic male-female binary or an intersectional approach to discussing women and Pinterest while also taking into account race, class, sexual orientation, ability and the whole spectrum of issues necessary to do this topic justice.

“What’s a Pinterest?”

Before we begin, let me very briefly explain what Pinterest is [or read a better summary here]. Likely, more...

Today, Google announced a new service called “Google+” that explicitly attempts to replicate offline social norms onto an online platform. Besides the conceptual consistency between this goal and the concept of “augmented reality” that I write about so often, I also find the timing of the announcement interesting.

When Eric Schmidt was CEO of Google, I critiqued his statement that having multiple identities online shows “a lack of integrity.” Schmidt stepped down in April of this year and less than two months later Google announces Google+ (which is an umbrella term for a whole host of services centered on better replicating physical world social norms in a digital social media environment).

The service is brand new and invite-only so we can only speculate at this point what it will actually provide. However, the announcement of Google+ on the company’s official blog provides some interesting statements about privacy. The post is an implicit retraction of Schmidt’s insensitive statements and perhaps a lesson-learned from Google’s Buzz debacle that angered and even endangered many of its users. Further, much of the post is also a direct attack on the Facebook platform and its inability to reflect offline social norms that long-since predate the Web (e.g., the platform’s often incorrect usage of the term “friend”). Some quotes from the Google blog: more...

Google Maps has a new tool to help the consumers of its popular maps also be producers. Users-generated improvements will be a benifit to many, but probably most to Google itself. While the Google video below paints all of this in light of personal or civic empowerment (“leave your mark”), we should also understand that this move towards us becoming “prosumers” of these maps is also about the company taking advantage of our free labor in hopes of earning greater profits. Does that bother anyone?

One of Amazon’s many revenue streams is a virtual labor marketplace called MTurk. It’s a platform for businesses to hire inexpensive, on-demand labor for simple ‘microtasks’ that resist automation for one reason or another. If a company needs data double-checked, images labeled, or surveys filled out, they can use the marketplace to offer per-task work to anyone willing to accept it. MTurk is short for Mechanical Turk, a reference to a famous hoax: an automaton which played chess but concealed a human making the moves.

The name is thus tongue-in-cheek, and in a telling way; MTurk is a much-celebrated innovation that relies on human work taking place out of sight and out of mind. Businesses taking advantage of its extremely low costs are perhaps encouraged to forget or ignore the fact that humans are doing these rote tasks, often for pennies.

Jeff Bezos has described the microtasks of MTurk workers as “artificial artificial intelligence;” the norm being imitated is therefore that of machinery: efficient, cheap, standing in reserve, silent and obedient. MTurk calls its job offerings “Human Intelligence Tasks” as additional indication that simple, repetitive tasks requiring human intelligence are unusual in today’s workflows. The suggestion is that machines should be able to do these things, that it is only a matter of time until they can. In some cases, the MTurk workers are in fact labelling data for machine learning, and thus enabling the automation of their own work. more...