After my last post on Neil Degrasse Tyson and the (seemingly fictional?) War on Science, I received feedback from a few people suggesting that there was more to be written. In fact, more has been written; for well over a century, the field of science studies has been developing and shifting, comprised of scholars studying the history, philosophy, and sociology of “science” and many of its cousins (technology, asceticism, “innovation”, et al.). I am an artist who is starting to immerse myself in the field in order to strengthen my critique of technological mediation in culture. So while I don’t plan on using science studies frames in every one of my posts, I do expect there to be shades of its tenets throughout.

That said, where should one start to understand the history and development of science studies? more...

It’s been a real struggle for me to talk about Donald Trump.

No, not because he’s an extremely unpleasant subject. I mean, that, sure. Though to be honest I’ve been talking about him a lot in various places. I wish I could ignore him – and the whole damn election – entirely, but this is not how I cope. Or my coping mechanism of choice isn’t altogether a healthy one, and it is to become totally and utterly obsessed.

Don’t ask me what my curated news feed largely consists of. Don’t ask me how many political podcasts I currently follow. Don’t ask me how frequently I check FiveThirtyEight, and how much emotional weight I attach to numbers which are, after all, not objective but instead mediated through and interpreted by human beings. The point is that I’m obsessed, which means that I’m immersed in the way you and I and we all talk about Donald J. Trump.

‘scuse me a sec.

*MUFFLED SCREAMING*

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A substantial part of my graduate research work focused on the vernacular creativity of Chinese digital media users. In practical terms, this meant participating in various local social media platforms and collecting content that my contacts shared through chat applications and posted on their personal social media feeds. Given that most of my friends and acquaintances knew I was doing research about 网络文化 wangluo wenhua [Internet culture], it wasn’t uncommon to receive proactive updates about newly-minted slang terms or hot-button funny images of the week, often accompanied by detailed explanations and personal interpretations of the content in question. Sometime in 2014, right at the beginning of my actual fieldwork, a friend from Shanghai sent me a stylized image of a frog with teary eyes and pouty lips on the popular chat application QQ. “What is this?” I asked. “It’s 伤心青蛙 shangxin qingwa [sad frog],” he replied. “I see… but do you know where it comes from?” I continued. “Hahaha, no, I don’t… it’s just funny, it’s really popular now on the Baidu Tieba forums, I got it there. There’s many versions of it.”

In fact, I knew that the vaguely humanoid frog was Pepe, a character originally appearing in Matt Furie’s Boy’s Club comic series that had by that time already become an archetypal figure of American digital folklore, circulating from relatively unknown bodybuilding forums to massive discussion boards like 4chan and Reddit, and mutating from his trademark “feels good man” comic panel into an endless series of self-referential variations and meta-ironic phenomena such as rare pepes. The fortuitous and unpredictable popularity of Pepe, rising from one among many characters of an independent comic to paragon “Internet meme”, has been amply chronicled as one of the most evident examples of how the creative practices of digital media users can near-instantly put anyone or anything under the spotlight of “Internet fame”. Matt Furie himself, reflecting on the unexpected rise to fame of one of his artistic creations, describes the cultural dynamics evidenced by the circulation of Pepe in terms of “post-capitalist” vernacular creativity: “It’s like a decentralized folk art, with people taking it, doing their own thing with it, and then capitalizing on it using bumper stickers or t-shirts.” more...

Some time ago, I spoke with a reporter regarding the Internet virality of Michelle Dobyne of “ain’t nobody got time for that” fame. They intended to run a ‘where are they now’ follow-up piece on Dobyne’s life post ’15 minutes of fame’. In the end, the TV clip and its companion article condensed our 8-minute interview into these anonymous soundbites:

“We asked a noted social media expert what makes a video viral worthy. She said catch phrases and exoticism, something that takes us away from our routine lives.”

“Our expert said what Dobyne and other viral video stars are able to do long term with their 15 minutes of fame is anyone’s guess.”

Since much of what I had to say about eyewitness virality, racism, and journalistic responsibility did not make the final cut, I later transcribed my conversation with the reporter and wrote it up.

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Eyewitness virality

In January 2016, Michelle Dobyne gave an eyewitness account after her apartment complex caught fire. In the original interview, her catchphrase “Nuh-uh, we ain’t gon be in no fire. Not today.” and her overall decorum caught the attention of the television crew, who then put the clip up on Facebook. And well, you know the formula. The clip went viral. Dobyne became a meme. Romantic and commercial offers were rumoured. Semi-officious merchandise became available.

Three months later, the news network decided to run a follow-up piece on Dobyne. As it turns out, not much of her material circumstances have changed despite her transient internet fame. Rinse and repeat. The saving grace? Kind strangers started a gofundme page for Dobyne. The backlash? Her neighbours feel “overshadowed” by her fame and are still struggling post-fire.

I am going to call this phenomenon “eyewitness virality”: The proliferation of television news interviewees, many of whom are themselves victims of the unfortunate event being covered, who attain overnight but transient fame through the news networks who curate and disseminate their eyewitness accounts on social media as humour and clickbait.

But Dobyne is just the latest addition to a string of eyewitness viral stars: more...

Call for Papers

On May 28^th, 2016 a three-year-old black boy fell into the gorilla enclosure at the Cincinnati Zoo.  As a result a 17-year-old gorilla inside the pen, Harambe, was shot, as the zoo argued, for the boy’s protection. Nearly three months later, on August 22^nd the director of the zoo, Thane Maynard, issued a plea for an end to the ‘memeification’ of Harambe, stating, “We are not amused by the memes, petitions and signs about Harambe…Our zoo family is still healing, and the constant mention of Harambe makes moving forward more difficult for us.” By the end of October, however, despite turgid proclamations to the contrary, the use of Harambe seems to be waning.

The six-month interim marked a significant transition in the media presence of Harambe, from symbol of public uproar and cross-species sympathy to widely memed Internet joke. The death and affective trajectory of Harambe, therefore, represents a unique vector in analyzing intersections of animality, race, and the phenomenon of virality. Harambe, like Cecil the Lion before him, became a widely appropriated Internet cause, one with fraught ethical implications.

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Two very different kinds of thoughts were running through my mind on the way to Leipzig to the BMW factory and on the way back. On the way there, I was thinking about how and why factories are relevant to the study of artificial intelligence in autonomous vehicles, the subject of my PhD; and on the way back I was thinking about the work of Harun Farocki, the German artist and documentary filmmaker who left behind an astonishing body of work, including many films about work and labour. These two very different thought-streams are the subjects of this post about the visit to the factory. They don’t meet at neat intersections, but I think (hope) one helps “locate” the other.

BMW is a German car company that is working on ‘highly automated driving‘ (although the Leipzig factory we visited isn’t making those cars at present). I’m doing a PhD that will – someday – suggest how to think about what ethics means in artificial intelligence contexts, and will do so by following the emergence of the driverless car in Europe and North America. One part of what I’m doing considers a dominant frame that has emerged around ethics in the driverless car context: ethics-as-accountability. In the search for the accountable algorithm in driverless cars of the future, I went to the BMW factory to see where the car of the future will come from. Who, or what, must be added to the chain of accountability when the driverless car makes a bad decision? Who, or what, comes before and around the software engineer who programs the faulty algorithm? more...

Pundits across the political spectrum have expressed outrage at Trump’s continued insistence that the presidential election is rigged, and seem quite scandalized at his stated unwillingness to agree, apriori, to accept the final results.  Trump’s critics argue that his distrust of the election process threatens to destabilize U.S. democracy by undermining the ideology of citizen-driven governance. It is horrifying they say, and more than that, his claims are dangerous.

While a smooth transition of power is indeed a hallmark of democracy, there is a distinct disingenuousness about the breathless moralizing against Trump’s claims. It’s hard to ignore the sharp dissonance that emerges when broadcast journalists report on the economics of campaign finance, the political collusion and corruption revealed through an email leak, and then, without even the interruption of a commercial break, turn to Camera 2 and condemn Donald Trump for questioning the integrity of the democratic process.   more...

In 2014, a stalwart of the WarCraft III community passed away. SySShark, by any account, was the heart of a top American community forum called WCReplays.com, which dedicated itself to the coverage and community of the WarCraft III international scene . The game lost steam after the release of StarCraft II; the forums now are smaller than they once were. But the servers and forums are still robust with activity from people across the world. Even people who had not posted in years came back to this thread in order to offer their memories and regret for his passing. 
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Just a quick note to commemorate the 6th birthday of Cyborgology. We’ve gone from a small band of grad students to a slightly larger band of grad students (and faculty) who live all around the world.  We’ve covered everything from the (probably) last presidential election to the resurgence of memes as a cultural object worthy of careful dissection and analysis (admit it—people were barely talking about those things for like a year or something).

We are proud to announce several new contributors to the blog, all of whom have been writing all month without a proper introduction:

• Crystal Abidin is covering everything viral including (but definitely not limited to) Pen Pineapple, Apple Pen, shifts in the influencer industry, and grotesque microcelebrity.
• Gabi Schaffzin has written about Angela Washko, the War on Science, the XOXO fest, and Mr. Robot.
• Stephen McNulty has essays up about trans rights, viral geographies, and media desire.
• Marley-Vincent Lindsey has got an essay up about the meme that fell from grace: Pepe. And, most recently, reflected on communities in World of Warcraft and the reserach that engendered.

And of course Britney Summit-Gil has been keeping track of the election and most recently wrote about all the tech around controlling people through controlling menstruation. Click on everyone’s names to get a list of everything they’ve written for the blog and be sure to check out the editors and authors page to read more about them. We are also looking forward to a few new regular by lines in the near future including Maya Indira Ganesh and Gabriele de Seta.

Your editors have been very busy as well! Jenny has taken a job at Australian National University and David earned his PhD last summer and is doing a bunch of different academic odd jobs. Co-Founder Nathan Jurgenson is crushing it with his new publication, Real Life Mag and PJ Patella-Rey is in the final stretch of dissertating.

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