In 2011 I was looking for new ways to play with ideas. I had just finished my first semester in graduate school and while class assignments kept me busy and the conversations I had with my fellow graduate students were deeply rewarding I wanted something else. Something a little more public and a lot more focused on writing. I was surprised that, at least in my program, there was very little attention paid to the craft of writing. How to convey a complicated idea in an elegant way, or how to identify your audience, were absent from even the most pragmatic training. (This is not true in all programs and less true for that particular department now, than it was five years ago.) In college I frequently read and shared Sociological Images articles and one day, while procrastinating on my very first round of graduate school finals I noticed that The Society Pages had multiple blogs. Instead of writing my finals I wrote a short thing about drones and video editing suites and before I knew it I was regularly contributing to this blog. In a few short years I was submitting things to bigger publications, and now I’m an editor here with Jenny and wow what a wild ride.

Last month I read Kelly Conaboy’s Blog, You Idiots and it got me thinking about the process, style, and frequency of my own writing. I’ve been editing more and writing less, and I’d like to change that. Jenny and I have been editing guest posts but the editing that has taken up most of my time is editing my own stuff. There’s probably half a dozen would-be essays in my Cyborgology folder that end right about here, in the second paragraph, where the hook or thesis should go. I think this means I need to get back to writing what Conaboy called for: “just a little thing that you read and enjoy.”

I will be writing more, soon, but before I rearrange the pace of my work schedule to accommodate that promise I thought I would put down into words a workshop I have run twice now on helping academics write for more public audiences. The intention here is to identify some of the common problems academics have in writing engaging, thoughtful, and relatively short essays. Much of it comes down to pacing and working with others. more...

This is a review of Greg Goldberg’s (2016) article “Antisocial media: Digital dystopianism as a normative project.” It is available in New Media & Society Vol. 18(5) behind a pay wall or with institutional access: http://nms.sagepub.com/content/early/2014/08/16/1461444814547165.abstract

While the general tone of academic research on the internet has become increasingly nuanced since the 1980s and 1990s, much popular writing about digital technology remains locked in Manichean thinking: the internet is the best and the worst thing that has ever happened in the history of humanity. In an article for New Media & Society Professor Greg Goldberg analyzes the dystopian narrative common in popular writing on the internet, arguing that this discourse is “a normative project linked to domination.”

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“How did people learn to do anything before the internet?” I say to myself as I peer over a recipe for cheddar zucchini muffins on my iPad. The fact that those muffins turned out terribly doesn’t negate the point though: The internet is the biggest training manual in history, and we use it to muddle through everything from broken door knobs to wine-stained pants to tough break ups. We also use it to learn how to be a particular type of person: successful, organized, sexy, friendly, assertive, and the list goes on. But one of the biggest demographics for the online-training manual market is men learning how to be men. A specific kind of man. The kind who can talk to a woman wearing headphones.

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How does technology mediate belonging in an era of both rising connectivity and xenophobia? The rhetoric of globalization would have us believe we are entering a new era of integration facilitated by advances in transportation and information technology, while racist populism is finding currency unseen since the Second World War. These perspectives represent very different views of how the world should work, and reflect one’s position and ability to navigate multiple, entangled systems of belonging, and the technologies making such movement possible.

We order our world with technology, in ways so mundane they escape detection without effort to separate representation of the world from the world itself. This is difficult because language itself is a sort of representational technology. Think of language as the software used in “hardware” (like stop signs or birth certificates) designed to order society. more...

Television has been killing itself off for well over a decade. Rising costs, increased ad time, and the shift to cheap-to-produce content like reality TV are a just a few factors contributing to the slow death of broadcast and cable TV. Competition from online providers continues to get fiercer, and some networks are doing their best to adapt by providing limited, often ill-performing, online content. Major media events offer networks and providers an opportunity to save face, but even these low-hanging fruits are being ruined by one of the darkest forces in contemporary TV programming: commentators. more...

Pretty things are pretty to look at. They bring you comfort, inspire aspiration, or perhaps stimulate vicarious consumption. But have you ever stumbled upon something gross on the internet and yet could not look away?

Me too. (It’s no wonder Dr. Pimple Popper has over 700 million views on YouTube.)

“Picture perfect” Influencers have been thriving on social media ever since they burst into the scene in the early-to-mid 2000s. Having first begun on blogs such as LiveJournal, OpenDiary, and blogger, these self-made internet celebrities have since transited to monetising the presentation of their everyday lives on various social media including Facebook, Twitter, Instagram, YouTube, Twitch, and Snapchat. Perhaps most representative in the popular imagination are “Instagram Influencers” most known for their conscientious poses in pristine locations, luxury-esque conspicuous consumption and savvy internet relatability in tow.

But this economy of the perfect, pristine, and picturesque is growing saturated and fast becoming boring.

Enter “grotesque microcelebrities”. more...

Nextdoor is a local social network site that connects people who live in the same neighborhood. Neighbors use it to exchange information and keep up with the ongoings of a geographically bounded community. Nextdoor seems like a relatively innocuous site for block party advertisements and zoning debates, and it is. It is also a site on which racial profiling has emerged as a problem and in response, a site on which important debates are currently playing out.

In short, people on Nextdoor have been reporting crimes in which race is the primary descriptor of the subject, casting suspicion upon entire groups of people and instigating/exacerbating racial tensions among neighbors.

Nextdoor CEO Nirav Tolia does not want his site to be a space for racial profiling, and recently instated a policy to ameliorate the problem. The policy is simple: Do not racially profile. What is contentious, however, is how this policy is enacted.

In contrast to Facebook (and more recently, Twitter), whose terms of service warn users that they can be censured or removed for discriminatory language, Tolia instructed his employees to build anti-profiling conduct into the site’s architecture. Specifically, the site provides a crime reporting form in which racial designations can only post if they are accompanied by two additional descriptors (e.g., clothing and hair style). In addition, reports that include race have to be of sufficient length. Otherwise they will be tagged by an algorithm and potentially removed.

Nextdoor’s tactic is exemplary of the politics inherent in codes and algorithms, and it is thus unsurprising that their anti-profiling codes and algorithms have been the subject of political debate. While the CEO makes a strong case for the move away from race-based criminalization, those opposed find the new requirement an impingement upon free speech, as well as a potential threat—if race is the only identifier a witness perceives, that witness is prevented from posting about potential dangers. As quoted on NRP, one person wrote the site administrators and complained: “Why would you engage in anything that limits people’s expression? And especially people who are trying to keep their neighborhoods safe?”

The debates—and potential outcomes—of Nextdoor’s anti-profiling code can be well explained using a gradated theory of affordance.
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I’m the first to admit that coming up with new material to write on a regular basis can be really tough. I also think that important arguments bear repeating. So I’m not mad when I see multiple versions of essentially the same story pop up in op-eds and essays. But I do feel the need to step in when stories that repeat themselves, repeatedly get something wrong. Such is the case with what I call the worry piece.

The worry piece is a particular brand of techno-skeptism. It addresses technology as an overwhelming force that on balance, changes people and relationships for the worse. It is concerned with the very nature of humanity and saturated with visceral anxiety. It is personal, and meant to shame you, but in a collective-we-should-all-be-ashamed kind of way. One can (and should) be skeptical and critical of technology for a host of reasons—mostly with regard to patterns of exploitation from its production, distribution, and use. The worry piece is less concerned with these structural issues and instead, occupied by the loss of dinnertime conversation and the influx of content to which readers can presumably pay only fleeting attention.   more...

During the week of July 12, 2004, a group of scholars gathered at Stanford University, as one participant reported, “to discuss current affairs in a leisurely way with [Stanford emeritus professor] René Girard.” The proceedings were later published as the book Politics and Apocalypse. At first glance, the symposium resembled many others held at American universities in the early 2000s: the talks proceeded from the premise that “the events of Sept. 11, 2001 demand a reexamination of the foundations of modern politics.” The speakers enlisted various theoretical perspectives to facilitate that reexamination, with a focus on how the religious concept of apocalypse might illuminate the secular crisis of the post-9/11 world.

As one examines the list of participants, one name stands out: Peter Thiel, not, like the rest, a university professor, but (at the time) the President of Clarium Capital. In 2011, the New Yorker called Thiel “the world’s most successful technology investor”; he has also been described, admiringly, as a “philosopher-CEO.” More recently, Thiel has been at the center of a media firestorm for his role in bankrolling Hulk Hogan’s lawsuit against Gawker, which outed Thiel as gay in 2007 and whose journalists he has described as “terrorists.” He has also garnered some headlines for standing as a delegate for Donald Trump, whose strongman populism seems an odd fit for Thiel’s highbrow libertarianism; he recently reinforced his support for Trump with a speech at the Republican National Convention. Both episodes reflect Thiel’s longstanding conviction that Silicon Valley entrepreneurs should use their wealth to exercise power and reshape society. But to what ends? Thiel’s participation in the 2004 Stanford symposium offers some clues.    more...

This is part two of an essay on René Girard’s influence on Peter Thiel. Part one ran last week and you can read it here. 

In my previous post, I examined social theorist René Girard’s influence on tech investor Peter Thiel. Previous observers have picked up on Thiel’s remark that Girard’s mimetic theory helped him identify the promise of social media, but they have left out a crucial dimension of Girard’s thought: mimetic violence, also a central preoccupation for Thiel. In what follows, I will make the case that Thiel invested in and promoted Facebook not simply because Girard’s theories led him to foresee the future profitability of the company, but because he saw social media as a mechanism for the containment and channeling of mimetic violence in the face of an ineffectual state. Facebook, then, was not simply a prescient and well-rewarded investment for Thiel, but a political act closely connected to other well-known actions, from founding the national security-oriented startup Palantir Technologies to suing Gawker and supporting Trump.

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