prejudice/discrimination

Jay Smooth on why we should focus less on the dumb racist/sexist/asshole-y bullshit people like John Mayer say (and man, did he ever say some dumb bullshit) and more on, say, re-segregation of the public school system:

And just for fun, Jay Smooth discussing Chris Matthews’s comment that he “forgot” President Obama was black, and what that says about what we think racial equality would look like:

I get this with students a lot: they desperately want to deny ever noticing anyone’s race/ethnicity, because the discourse of color blindness states that the way to treat people equally and eradicate racism is to stop acknowledging racial categories at all. But when you simply start ignoring the role of an important socially-constructed category without actually eliminating the negative effect it has on those in certain categories, you aren’t ending racism. It’s just making it harder to talk about or address, since anyone who tries to start a conversation about racial inequality is accused of actually perpetuating inequality and/or being racist for bringing the topic up.

This ties back in with the first video–we are more comfortable with more symbolic or linguistic forms of combating racial inequality (so, say, people say they have a friend who “happens to be Black,” as though it’s something they never thought about until that very second) than the much more complicated, difficult, and long-term work of rooting out structural inequality.

Members of PIKE fraternity at the University of California, San Diego came under fire this month for hosting a party, called” The Compton Cookout,” designed to mock black Americans and Black history month (less than 2% of UCSD students are black).  People are shocked and horrified, and rightly so, though it’s just one in what seems to be a constant stream of such parties.  Becca C. asked us to post about it.

Its Facebook page shown below (which, interestingly, is part of what made the party visible enough to protest) explicitly describes how people are to dress and act (trigger warning; it’s quite upsetting):

February marks a very important month in American society. No, i’m not referring to Valentines day or Presidents day. I’m talking about Black History month. As a time to celebrate and in hopes of showing respect, the Regents community cordially invites you to its very first Compton Cookout.

For guys: I expect all males to be rockin Jersey’s, stuntin’ up in ya White T (XXXL smallest size acceptable), anything FUBU, Ecko, Rockawear, High/low top Jordans or Dunks, Chains, Jorts, stunner shades, 59 50 hats, Tats, etc.

For girls: For those of you who are unfamiliar with ghetto chicks-Ghetto chicks usually have gold teeth, start fights and drama, and wear cheap clothes – they consider Baby Phat to be high class and expensive couture. They also have short, nappy hair, and usually wear cheap weave, usually in bad colors, such as purple or bright red. They look and act similar to Shenaynay, and speak very loudly, while rolling their neck, and waving their finger in your face. Ghetto chicks have a very limited vocabulary, and attempt to make up for it, by forming new words, such as “constipulated”, or simply cursing persistently, or using other types of vulgarities, and making noises, such as “hmmg!”, or smacking their lips, and making other angry noises, grunts, and faces. The objective is for all you lovely ladies to look, act, and essentially take on these “respectable” qualities throughout the day (transcription borrowed from Threadbared).

The page:

When the first Facebook page was taken down, a student put up a second page in objection (Compton Cookout Part Deux: First Amendment Pride):

A diverse group of students, with the support of many faculty, protested the administration’s slow response to the event (chronicled at Stop Racism UCSD). But the vocal resistance to the overt prejudice and hateful stereotyping created a counter-resistance.  A student-run TV station defended the party with racial epithets and, then, a student hung a noose in the library:

UPDATE (Mar. ’10): This was followed by a KKK hood, made from a pillow case, found on a campus statue’s head (hap tip to Becca).

This is sociologically interesting because it illustrates the backlash phenomenon.  Backlash is a common response to any effort to point out or undermine prejudice, discrimination, and inequality.  We’ve posted about it in response to racist products (Mr. Wasabi, the Black “Lil’ Monkey” doll, and the Obama sock monkey) as well as anti-rape campaigns.  As I wrote in a previous post:

…resistance to oppression is met with counter-resistance.  Until inequality is challenged, things often seem to be just fine; when groups stand up and demand equality, we suddenly see how fiercely people will defend their privilege.

Remember, the Klu Klux Klan emerged only after slaves had been emancipated; whites didn’t need to put black people in their place when they were in their place.  Those who are protesting the Compton Cookout, by not standing by and letting the (largely white) administration address (or fail to address) the party as it pleases, are refusing to stay in their place.  The backlash is proof that they are actually perceived to be a threat.

NOTE: A commenter claims that the party was organized by the PIKE, SIGMA CHI and SIGMA NU fraternities, not just the PIKE fraternity.  I read in a news report that it was PIKE, but it could be wrong.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Minstrelsy is a form of entertainment, popular from the 1830s till the early 1900s in which white, and later black, people painted their face black and performed a caricature of blackness.  The images below (borrowed from Jim Crow History and Wikipedia) are original advertisements for minstrel shows.

Haverly’s United Mastodon Minstrels (circa 1877):

Oliver Scott’s Refined Negro (1898):

Al W. Martin’s Uncle Tom’s cabin (1898):

Wm. H. West’s Big Minstrel Jubilee (1900):

Postcard (1906):

For more caricatures of black people in U.S. history, see these posts: one, twp, three, four, five, six, seven, eight, nine, ten, eleven, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, and twenty.

And for examples of modern reproductions of these stereotypes (literally), see these: one, two, three, four, and five.

For examples and discussion of contemporary “blackface,” see one, two, three, four, five, and six.  Also, bugs bunny.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dmitriy T.M. and Claire C. sent in a link to a photo of an NBC cafeteria menu in honor of Black History Month (that’d be February) that featured stereotypical African-American foods:

It’s not the first time.

Many argued that the menu was offensive because it reproduced stereotypes, but I think an interview (no longer available) with the chef who devised the menu complicated the story a bit.

Honestly, I think the main problem here is that Americans live in a racist society and so we have no idea how to celebrate Black History Month (how about with relaxer?).   The rest of the year, we make fun of black people for eating fried chicken. And yet, these are traditional Black southern dishes. So how exactly do we celebrate the holiday?   Do we pretend to valorize the same traditions that we make fun of during the rest of the year?  It makes no sense!  But it makes no sense because we’re still racist.  And we need a Black History Month because we’re still racist.  So, what to do!?

Perhaps the lesson to take from all of this is:  Undermining racism is hard work.   A month dedicated to Black history is a (flesh-colored) band aid, at best.  If we don’t do the other stuff (e.g., challenging the web of racist institutions that preserve class and race privilege), then no amount of fried chicken will make the difference.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Tilly R. sent in the clip below of Bill Maher attempting to illustrate the oppressiveness of the burqa by staging a fake fashion show in which every model comes out in an identical burqa. You only need to watch the first couple models to get the idea (starts at about .20 sec.):

The comedy is tasteless, at best. And it brings out two interesting assumptions: that measures of women’s liberation include (1) the right to show skin and/or your body’s shape and (2) the choice to express your individuality through your clothes.

It is with a focus on the latter that I introduce a website submitted by K.L. The website, Zarina, sells burqas. While most of the burqas we see in Western media are blue or black, this website sells burqas of all stripes.

A blue, embroidered burqa:

A “hot pink” burqa:

A saddle brown burqa:

A Turkish flag burqa:

An Afghan flag burqa:

An American flag burqa:

A camouflage burqa:

I have no idea if this website is legitimate (though it seems to be) and I have no idea whether women in (which) different burqa-requiring/encouraging societies can actually choose to wear these. I really have no idea.

But I do think it prompts us to interrogate our own assumptions about what women’s liberation looks like and if being able to choose your own style really is a good measure of it.

I’d bet that most Western women feel like being able to choose her clothes is a central part of her sense of freedom. Does that translate in this context? That is, if women were required to wear burqas, but could wear any burqa they like, does this mediate how oppressive the burqa seems to you? Conversely, does the seeming freedom that comes with choosing your clothes become less convincing once you think about it in this context?  I know this is tough to think about, but I think it’s an interesting thought experiment.

For related posts asking us to think about the relative freedoms represented by the burqa and the power of the male gaze, see here, here, and here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Below are three examples of the caricature of Jews promoted by Nazi Germany.  I borrowed them from this collection, where you can find many more if you scroll to the bottom (thanks to Kat, monosonic, and Lisa for the translations!).

“The Eternal Jew”:

“The Eternal Jew”:

Jews- make wars longer, start wars:

See our other posts on Nazi Germany: comparing German remembrance of the Holocaust and U.S. remembrance of slavery, Nazi symbolism, Nazi celebration of motherhood, the racialization of the Jews, Jim Crow-like segregation during the Nazi regime, and this sympathetic memorabilia website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Christina S. sent along a link to the British commercial below for Twingo. There’s a twist ending, so I’ll let you watch it:

Notice that, at the very end, the narrator refers to how “we live in modern times,” meaning that we drive socially responsible cars and tolerate cross-dressing.

The idea embedded in that commercial is: now that we’re “modern,” there is no more prejudice and intolerance. Or, “modern” people are tolerant of social differences. Things like bias, hate, and discrimination are “in the past,” confined to those who are “traditional” or otherwise somehow regressive.

This makes sense to us (and the commercial, therefore, works) because many of us have a model of history that assumes that everything will, inevitably, always get better… or at least not get worse. This is a linear model where the line for “progress” keeps going higher and higher over time.  However things are today, we assume, things must have been worse before.  Thinking like this makes invisible the possibility that people were more tolerant in the past as well as the possibility that we could become increasingly intolerant in the future.  As I wrote in a previous post about cavemen:

There are serious problems with this idea:  (a)  We may stop working to make society better because we assume it will get better anyway (and certainly never get worse) with or without us.  (b) Instead of thinking about what things like gender equality and subordination might look like, we just assume that equality is, well, what we have now and subordination is what they had then.  This makes it less possible to fight against the subordination that exists now by making it difficult to recognize.

History doesn’t move along in a linear or predictable way.  And it certainly doesn’t produce equality just by plodding along.  We need to do the hard work of figuring out what an egalitarian society looks like and how to get there.  Conflating “modernity” with social tolerance makes it seem as though the work is already finished.

UPDATE! Ashleigh V. sent in another Twingo commercial.  This one conflates modernity with sexual permissiveness:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Even the most cursory discussion of the history of women’s paid employment in the U.S. will include the importance of World War II, when the scarcity of men meant many jobs became available to women for the first time.

The U.S. wasn’t the only place this happened, of course. In the face of a massive attack by the Nazis, the Soviet Union allowed women to occupy combat positions, including setting up three regiments to fly night bombing raids (according to Wikipedia, it was the first nation to allow women to do so). The regiments became known as the Night Witches:

“We slept in anything we could find—holes in the ground, tents, caves—but the Germans had to have their barracks, you know. They are very precise. So their barracks were built, all in a neat row, and we would come at night, after they were asleep, and bomb them. Of course, they would have to run out into the night in their underwear, and they were probably saying,—Oh, those night witches!’ Or maybe they called us something worse. We, of course, would have preferred to have been called ‘night beauties,’ but, whichever, we did our job.”

Members of the 588th Night Bomber Regiment:

Lilya Litvyak:

In this video, Lidiya Gudovantseva recalls working as a sniper, including the first time she had to kill a German soldier and later being injured herself:

When the war ended, many women in the U.S. were pressured to leave their jobs; similarly, female Soviet soldiers found that opportunities for promotion dried up during peace time. They were apparently even barred from military colleges, closing off many positions to them altogether, though the military’s draft policies stipulated that women should be called up next time there was a war. Women served as a reserve labor force for the military, to be called up when needed (and praised on Soviet propaganda posters) but pushed out of the ranks to provide room for men the rest of the time.