prejudice/discrimination

Like the segregation laws characteristic of Jim Crow, soon after Hitler came to power in the U.S. Germany (oops) he began establishing legal segregation of Jews from Aryan Germans.  The writing on the bench in this photo, taken in 1934, reads: “For Jews Only”:

The source explains that benches were segregated, with others reading “For Germans Only.”

See our other posts on Nazi Germany: comparing German remembrance of the Holocaust and U.S. remembrance of slavery, Nazi symbolism, Nazi celebration of motherhood, the racialization of the Jews, and this sympathetic memorabilia website.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Ricardo G. sent in a link to a British campaign encouraging citizens to ride the train.  The campaign features a Mexican wrestler named Loco Toledo.

The commercials basically feature him acting weird (“loco” means crazy), speaking broken English, and comparing the awesomeness of England’s train system with Mexico’s. An example:

How exactly is this different than the Frito Bandito and the Sleepy Sanka Mexican?

Other examples of contemporary advertising campaigns featuring demeaning racial and ethnic stereotypes: the U-Washee, KFC thinks Asians are ridiculous, Native American sports mascots, racism in identity theft ads, Indian, Chinese, and Italian stereotypes in superbowl ads, Asian kitch, selling noodles with Asian enlightenment, and Mr. Wasabi.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In earlier posts, we’ve highlighted instances in which contradictions in U.S. culture become glaringly clear.  In one, suggestive advertising accompanies an article critiquing a video game in which the player rapes a woman.  In another, CNN asks whether Jon and Kate Gosselin are getting too much media coverage, and then tempts you to read more media coverage about Jon and Kate Gosselin.  In a third, neighbor billboards carry hilariously contradictory messages.

I found another example that left me shaking my head.  Via Racialicious, I found myself reading a Time magazine article reporting on recent research that shows that, even when black and whites are portrayed as equal on television, viewers come away with subconscious anti-black bias that actually translates into bias in real life.  The findings are pretty dismal.

Two paragraphs into the article, there was a promotional link… for television (see the bolded, red parenthetical sentence):

So, yeah, television is likely inculcating you with racist views; “the transmission of race bias appears to occur subconsciously, unbeknownst to the viewer”… but don’t let that stop you from enjoying awesome TV!

The second promotional link, halfway through the article, was just salt in the wound:

And, of course, they couldn’t let your thoughts linger on social justice issues when there are great TV series out there to see!

The final paragraphs:

Maybe they are hoping that we’ll watch the top 10 TV ads and episodes more critically?

These promotional inserts may very well be automatically generated, but the article is dated Dec. 17th, so clearly no one at Time has been alerted to, or cares about, the possibility that they may trivialize the message of the article, or even draw people away from it as early as two paragraphs in.  What Timewants is for you to waste as much time on their website as possible.  Apparently any ideological commitment to fighting racism is secondary at best.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Reader Jennifer E.B. alerted us to the Dutch tradition of Zwarte Piet, “Black Pete.”  Jennifer writes:

I grew up in a town that was overwhelmingly Dutch.  Most people in town had Dutch anscestry (though not my family), there was a Dutch festival each spring, and before Christmas there was a Sinterklaas parade (Dutch Santa Claus).  When we were there for Christmas this year both of my daughters received a chocolate in the shape of their initial in their stockings from my sister.  I had let them have some of the chocolate several times before the background picture on the box caught my eye.

What Jennifer saw was what looked like a character in blackface (product found here):

Jennifer did some digging and she discovered that Zwarte Piet is a traditional Christmas Sinterklaas character in the Netherlands.

Lulu Helder at the Museum of Racist Memorobilia explains:

The role is usually played by a white woman or man who wears black or brown grease paint on their faces (Saint Nicholas is always performed by a man). He or she wears large golden earrings, a curly wig and red lipstick. Right now they wear brown grease paint more often because “the blackness frightens children”.

Once the transformation is completed, a change in voice and behaviour usually follow. He or she will speak improper Dutch with a low voice and a Surinamese accent.

Below the jump are some pictures (not safe for work):

more...

In an attempt to further muddy some conceptual waters, I present you this Finnish music video:

Shava are probably the only representatives so far of the genre of Suomibhangra, a Finnish take on the South Asian diaspora dance genre, bhangra. One one level there’s a lot to be critical of here, perhaps – the wilful exoticism, the fake Indian dancers, the almost-brownface of someone like the “Finnjabi bad boy” in the video.

On the other hand, though, which I think is perhaps more interesting, there’s the reaction in the bhangra community. I actually found the track on a bhangra blog, it’s been reposted and become popular on a bhangra youtube channel where it’s generated positive comments, the band has toured to desi audiences in Canada and it’s played on several bhangra radio stations… The bhangra community is not offended at all, they rather like it. (For as they say: Imitation is…)

So who’s right? Us radical critics or the people we think we’re defending? Perhaps it’s worth thinking about.

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Johan Palmeis a musicology student in Stokholm, Sweden.  He blogs about music and other stuff at Birdseed’s Tunedown.

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Gwen M. and David B. sent us a link to a story on the Globe and Mail website about a video game that has a gay scene in it and the reaction in the gaming community:

The game is Dragon Age: Origins, which, according to the website, is “an epic tale of violence, lust, and betrayal.”

From the Globe and Mail article:

Earlier this year, to promote Call of Duty: Modern Warfare II , one of the biggest games of the year, the game’s developer, Infinity Ward, released a video online asking players to Fight Against Grenade Spam. The company eventually pulled the ad following complaints about the acronym.
…
Last year, Microsoft was accused of homophobia after banning gay-related gamertags – the names created by Xbox users to identify themselves online – such as theGAYERgamer and RichardGaywood.

As the article points out, it’s not that gay or bisexual characters/scenes haven’t appeared in video games before, but they’ve often been portrayed in very stereotypical or negative ways. And while some gamers have reacted positively, many have basically responded with “ew, gross!”

As Gwen said, this effort to normalize gay relationships in a popular video game, and the reactions to it, are “both encouraging — and saddening.”

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Masculine!

Masculine! Masculine! Masculine!

Masculine!

(Thanks for the link, Michael C!)

P.S.: Girls and sissy boys suck!

UPDATE: In our comments threat, Reader adilegian offered this great breakdown of the commercial:

0:04. The voice over’s question “Should a phone be pretty?” is visually answered with an effect reminiscent of melting celluloid. The rupture starts on top of the woman’s head, exploding her “pretty” face.

0:06. Women are beheld as dolls.

0:08. Images appear superimposed over images beneath a verbal judgment. The beauty queen (fake) made out of plastic (fake) shown on a television (fake) is definitively stamped “CLUELESS.”

0:10. The commercial erased its first woman by destroying the medium of her representation (supposedly celluloid). The commercial again destroys its second “woman” by destroying the medium of her representation (a television).

0:10 – 0:13. Words across the screen: FAST, RACEHORSE, SCUD. Images: Lightning, racing horse, ripping off duct tape, SCUD missile. Combining these motifs into one single image, we see the SCUD missile flying across the screen with the word RACEHORSE as though it were written with lightning.

0:14. Droid applications: Reality Browser 2.1, Google Sky Map, Qik, Mother TED, CardioTrainer, Where. While I doubt that these applications were developed with the commercial’s themes in mind, their selections reinforce the messages thus far enforced visually: reality (woman of burnt celluloid, destroyed television), sky (SCUD missile), quick (FAST, RACEHORSE), mother (a Freudian slip recognizing the infantile nature of a power fantasy? ^_~), exercise (beef up for manliness stat +4), and going places (which SCUD missiles, race horses, and THE MANLIEST OF MANKIND’S MEN all do).

0:15. Word overlay: DOES. Men do things. Women are pretty and useless.

0:16 – 0:18. Buzz saw cuts banana over a brief yellow outline of a robot.

0:18. Three slim pretty boy models. Again, we see a conflation of all things hitherto condemned: prettiness and effeminacy (designer clothes on fancy-pants, unmuscular pretty boys) and superficiality (plastic people).

0:19 – 0:21. Fruit appears now as a weapon. Hardcore Droid-using man (who is also most likely a fancy, beautiful, professional male model IRL, natch) throws apple at sassy plasticman’s hat, suggesting a Victorian upstart’s rambunctious bucking of all things pretentious with a snowball thrown to knock off a businessman’s hat. Succeeding apples create gore effects.

0:21. Porcelain sheep crushed between the maws of raw, unrelenting MANROBOTPHONE power. Porcelain sheep also conflate all previously condemned messages: prettiness, delicacy, weakness, and artifice.

0:23 – 0:25. Sissy phone explodes into a milky white substance, suggesting ejactulate, with the word NO followed by an image of a woman holding the same ejaculate-phone in her hand with her lips parted. The word PRINCESS is superimposed with glitter effects.

0:25 – 0:27. Layers within mechanical layers give way to reveal the Droid phone.  The Droid phone now appears in the palm of a man’s hand. From his POV (deliciously male gaze, yes?), we see him traveling the world at blinding speed (FAST, RACEHORSE) with city lights blitzing past (lightning).

0:28 – 0:29. MANBOT phone breaks through a white, crumbling wall, again conflating the previously condemned ideas (bland superficiality as connoted by white porcelain sheep, white plastic male models, and light pink plastic Miss Pretty).

A PHONE THAT TRADE HAIR-DO

FOR CAN-DO.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I borrowed these two ads from Jim Crow History.  According to the site, Bull Durham tobacco was among the most recognizable trademarks in the world circa 1900.  These two ads include caricatures of “foolish looking or silly acting blacks to draw attention to its product”:

NEW (Dec. ’09)! Pete W. scanned in and sent along a third ad in the series:

For more historical U.S. representations of blacks, see these posts: one, twp, three, four, five, six, seven, eight, nine, ten, eleven, thirteen, fourteen, fifteen, sixteen, seventeen, and eighteen.

And for examples of modern reproductions of these stereotypes (literally), see these: one, two, three, four, and five.

Interested in the decision to remove the iconic bull’s scrotum in advertisements? Go here.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.