Search results for sex sells

Stephanie DeH., Cara McC., and our intern, Lauren McGuire, sent in this CPR certification campaign that embraces the idea that sex sells.  I initially added it to our post on using sex to sell unlikely things (e.g., organ donation and sea monkeys), but I changed my mind and decided it deserved its own discussion.

What was interesting to me about this example is the sexualization of the possibility of dying. The fact that a person might die is apparently not serious enough to make it unsexy.  It actually took me a minute to even notice the weirdness of sexualizing the risk of death.  After I noticed I thought “How crazy!”  But then I thought again: in a society that regularly sexualizes violence and murder, the sexualization of near-death is par for the course (which, of course, is why it didn’t strike me as particularly weird in the first place.

NSFW and possibly triggering, so images are after the jump:

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A familiar trope: draping the object of sale on a naked woman. This time it’s pasta from a home machine.

Marcato Pasta Maker Ad

Picture via Serious Eats via Erin Doland

I took a picture of this bikini at a children’s clothing store in L.A. It is size 12-18 months:

NEW! (May ’10): Reagan B., Tara C., and Ma. Elí C.L. told us about a children’s bikini for sale at the chain Primark in the U.K. The bikini came complete with a top sufficiently padded to make girls look as though they have breasts:

The chain quickly pulled the bikinis after a public outcry about the sexualization of children.

NEW! (July ’10): Naomi sent us a link to Babi-kini, a website that sells string bikinis for little girls. Not only is the girl on the homepage in a bikini, but she’s in a typical swimsuit-model pose, too:

They sell a variety of styles, including one similar to the zebra-print one I originally posted above.

I went to the “one-piece swimsuits” section, but an error message came up saying there were no items matching my search. Sigh.

In the midst of the recession a new occupation emerged: the sign spinner.  These individuals stood on sidewalks outside of businesses, dancing with signs or arrows that they threw and twisted in the air and around their bodies.  Some of them were pretty cool, actually.

Yesterday NPR discussed the replacement of some of these spinners with mannequins. Robots that are programmed to spin the sign.  Of course, they aren’t nearly as good as a halfway decent human sign spinner.  But, it was argued, they’re getting the job done.

From human to machine, then.  But no one commented on the bizarre race- and sex-change that accompanied this shift.  In my part of the country, most human sign spinners are black or Latino men.  I suspect that’s true wherever there’s a substantial non-white, non-Asian population.  But the mannequins appear to be overwhelming white women.

The Google image search for each somewhat supports this narrative.  The mannequins are overly white women and the humans are almost all men and, arguably, disproportionately men of color.

Google search for “sign spinners” (click to enlarge):

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Google search for “‘mannequin sign spinners”  (click to enlarge):

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Isn’t. This. Interesting.

When the business owner or manager can make choices about what race and gender they prefer, they choose white females.  Presumably because “sex sells,” the female body (in a bikini) is the universal symbol for sex, and white women are the most valuable commodity in that market.

When we’re hiring low wage human workers, however, business owners and managers have less control over the race and gender composition of their workforce.  It appears most would prefer to hire white women in bikinis for everything but, because of institutionalized racism and the sex segregation of occupations, they get men and, perhaps, men of color.

How amazing that something so simple — the evolution of the sign spinner — can tell us so much about who we value and why.

Here’s a commercial for the new robotic sign spinners, to drive the point home:

Cross-posted at Racialicious and Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The sexual assault of CBS reporter Lara Logan in Tahrir Square last week has resulted in two predictable, but utterly depressing types of commentary.

Muslims are backwards

On the one hand are the anti-Islam culture warriors, eager to find in this incident proof of how degenerate Muslims (and Arabs) are. This, despite the fact that there’s no proof the assailants were Muslims, nor that they had any connection to the overwhelmingly peaceful and harassment-free demonstrations. In fact, there’s reason to believe that Logan’s attackers may have been pro-Mubarak thugs or apolitical opportunists. The right wing response to this story was inevitable, but liberal response was also problematic. Film critic and outspoken liberal Roger Ebert tweeted this today:

“The attack on Lara Logan brings Middle East attitudes toward women into sad focus.”

Oy.

I’d like to call Roger Ebert’s attention to the case of Roman Polanski, who has enjoyed a long and celebrated movie career, in spite of his status as a fugitive child rapist. When Polanski was arrested in September of 2009, while attempting to accept an award at a film festival in Switzerland, supporters circulated a petition on his behalf. Over a hundred people in the film industry signed that petition which gratuitously called Polanski’s crime “a case of morals.” Some weeks later, Gore Vidal went so far as to smear Polanski’s 13 year old victim as “a young hooker.”

Has Ebert ever decried the Polanski case for the way it “brings Hollywood’s attitudes towards women into sad focus?” Has he ever criticized Polanski, Vidal, David Lynch, Wong Kar Wai, Harvey Weinstein or any of the dozens of cinematic luminaries who signed off on this petition? Nope. On the contrary, he gave a big thumbs up to a documentary which argued Polanski should be given a pass for his crime.

I hardly expected Russ Meyers’ former writing pal to be an exemplar of feminist discourse, but his tweet yesterday was especially myopic. Does he really believe that the West is so much more enlightened about rape and sexual violence than those primitive, backwards Middle Easterners?

The opportunistic use of feminism is a common feature of the “liberal” discourse in the culture war against Islam. Just look at how Ayaan Hirsi Ali is trotted out by the media (especially Bill Maher and Steven Colbert) to justify imperialist wars and burqa bans, all in the name of protecting Arab and Muslim women from their own cultures. Meanwhile, many of these same commentators ignore the fact that rape and misogyny are also endemic to our own culture. (And that includes our movies, Roger.)

Rape is sexy

The other type of response to Logan’s assault was the usual victim blaming, made extra creepy by the focus on Logan’s good looks and alleged sexual history. The worst offender was LA Weekly blogger Simone Wilson, who, in an extraordinarily trashy piece of writing had this to say:

Logan was in Tahrir Square with her “60 Minutes” news team when Mubarak’s announcement broke. Then, in a rush of frenzied excitement, some Egyptian protesters apparently consummated their newfound independence by sexually assaulting the blonde reporter.

Wilson conflates the historic Egyptian revolution with gang rape. Classy stuff. But she’s not through. In addition to “blonde reporter” we’re also treated to these descriptors of Logan:

“it girl”
“firecracker”
“shocking good looks”
“Hollywood good looks”
“gutsy stunner”
“homewrecker”
(this courtesy of a NY Post article from 2008)

As has already been noted, focusing on a sexual assault victim’s good looks and allegedly dubious sexual character amounts to victim blaming. But it also does something even more insidious. It makes rape sexy.

This is par for the course at the LA Weekly, where almost anything can be sexed up. LA Weekly‘s cover art department in the last couple of years has managed to make nearly every topic sexy, from murder to toxic mold and overpopulation.

Murder is sexy:

Toxic mold is sexy:

Overpopulation is sexy:

Rarely do the sexy women adorning the covers of the LA Weekly figure as the subjects of these stories. They’re splayed on the cover to boost circulation, because sex sells and, after all, “what’s wrong with being sexy?” (This isn’t even to mention the content of the Weekly– its abundance of ads for plastic surgery, or its routine back page ads from American Apparel– subjects for a longer post.)

Given this particular aesthetic, it is not at all surprising that an LA Weekly blogger would choose to play up the sexy side of the Logan assault story, taking extra pains to emphasize her “Hollywood good looks.” Even an “alternative” newspaper upholds the local value system. Arab Muslim rapists are bad. Sexy women make great victims. And cinematic geniuses should get a pass.

UPDATE, after the jump:

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Cross-posted at Jezebel.

Last year in a post about the truism “sex sells,” I asked:

But whose sex is sold?  And to who?

“If it was simply that sex sold,” I continued…

…we’d see men and women equally sexually objectified in popular culture.  Instead, we see, primarily, women sold to (presumably heterosexual) men.  So what are we selling, exactly, if not “sex”?

I argued that what was really being sold was men’s (presumably heterosexual) sexual subjectivity, the experience of being a person in the world who was presented with images that were for his titillation. Women do not live in the world this way. They are not exposed everyday to images that legitimize their lust; instead, the images teach women that they are the object of that lust.

In light of this, Sociologist Beth Eck did a series of interviews attempting to tap into what it felt like for men and women to look at male and female nudes.  Her findings were pretty fascinating.

First, she asked men and women to look at naked images of women, including this one of Cindy Crawford:

Women viewing images of female nudes almost inevitably compared themselves to the figure and felt inadequate.   Said one women:

…the portrayal of these thin models and I just get depressed… I’m very hard on myself, wanting to be that way.

Women ended up feeling bad whether the model conformed to conventional norms of attractiveness or not.  When looking at a heavy set woman, they often responded like this:

I am disgusted by it because she is fat, but I’m also… I need to lose about 10 pounds.

I don’t necessarily find her body that attractive… Her stomach looks like mine.

Men, in contrast, clearly felt pandered to as holders of a heterosexual male gaze.  They knew that the image was for them and offered praise (for a job well done) or criticism (for failure to live up to their expectations).  About Crawford they said:

Personally I think she is attractive.

I like that.

Both men and women, then, knew exactly how to respond to female nudes: women had internalized their object status and men had internalized their subject status.

Eck then showed them male nudes, including this one of Sylvester Stallone:

Interestingly, both men and women felt uncomfortable looking at male nudes.

Men responded by either expressing extreme disinterest, re-asserting their heterosexuality, or both.  They did not compare themselves to the male nudes (like women did with female nudes), except to say that they were both male and, therefore, there was “nothing to see.”  Meanwhile, because men have been trained to be a lustful sexual subject, seeing male nudity tended to raise the specter of homosexuality.  They couldn’t see the bodies as anything but sexual objects for them to gaze upon.

In contrast, the specter of homosexuality didn’t arise for women because they weren’t used to being positioned as lustful.  Eck explains:

When women view the seductive pose of the female nude, they do not believe she is ‘coming on to’ them.  They know she is there to arouse men.  Thus, they do not have to work at rejecting an unwanted advance.  It is not for them.

Many women also did not feel lustful when looking at male nudes and those that did often experienced lust mixed with guilt or shame.  Eck suggest that this may be, in part, a reaction to taking on the active, consuming, masculine role, something they’re not supposed to do.

Summarizing responses to the male nudes, she writes:

Men, over and over again, reject the seductive advance [of a male nude].  While some women welcome the advance, most feel a combination of shame, guilt, or repulsion in interacting with the image…

This is what it means to live in a world in which desire is structured by a gendered sexual subject/object binary.  It’s not just “out there,” it’s “in us” too.

Source: Eck, Beth. 2003. Men are Much Harder: Gendered Viewing of Nude Images.  Gender & Society 17, 5: 691-710.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

PARTY!

Please join us for the first ever Sociological Images party! We’d love to see all of you–sociologists and non-sociologists alike–in San Francisco on Sunday, August 9th at 6pm at Johnny Foley’s Irish House.   We want to meet you and we think it’d be super cool for you to meet each other, too.


FROM THE ARCHIVES:

Sociological Images was born in July of 2007.  In honor of our birthday, we point you to our very first post ever:  Faith Hill re-touched for the cover of Redbook.

One year later, we published a fascinating example of the white man’s burden.  This time, however, it’s a white woman’s burden in the form of a Pampers commercial.  It’s something; you should check it out.


NEWLY ENRICHED POSTS (Look for what’s NEW!):

We added a third PostSecret postcard where someone confesses thoughts about race, while explaining that they are not racist.  Ponder them here.

Our post about an Icelandic cartoon that portrayed Barack Obama as a cannibal now includes an image of the comic book graphic novel Barack the Barbarian, thanks to sender-inner Lindsay.

Phil Howard had some updated graphs on concentration of organic brands, so we updated our post on who sells organics.

To our post featuring ads that portray men as animals, we added an advertising campaign by Jim Beam that suggests men are “stags” (has there ever been a word with more meanings?).

In another food-related update, Amanda C. and Dmitriy T.M. both sent us material that we added to our post about sexualizing food.

Natalie sent us links to some images of kids’ t-shirts with sexual slogans, which we added to our existing post on the topic.

At the suggestion of Glenn R., we added ads for Caramba Tequila to our not-so-subliminal sex and ejaculation imagery posts.  We also added an image to the latter post sent in by Jeff G. and a commercial for Creme d’Or ice cream Jay L. brought to our attention. The commercial is a doozy.

We added some very scandalous ads for hearing aids to our “sex sells” post.

Rachel McC. J., from Deeply Problematic, sent us another example of efforts to protect women by telling women to protect themselves instead of targeting badly behaving men.  We added it to our previous post telling women to stop men from sexually harassing them in the subway.

Tricia V. sent us another example of resistance to advertising that objectifies women.  In this one, from Haiti, someone scrawled “Women’s bodies are not merchandise” across a full-sized billboard.

The Huffington Post featured a slide show of billboards in New York called “Sex in the Sky.”  Kiera S. thought it would make a good addition to our “What Warrants a Slide Show” post.  We agreed.

We added a Volkswagen ad to our post on vintage advertising suggesting that women are horrible (horrible!) drivers.  See it here.

We added a vintage ad marketing Zippo lighters to “modern mothers” to our post featuring ads in which babies tell their moms to smoke Marlboros.

Before the “obesity epidemic,” kids were just chubby.  We added two additional material to our post featuring vintage ads selling clothes for “chubby” kids, one of them sent in by Holly M.

Women LOVE to clean!  We added a vintage ad to a previous post about the joy of women’s work.

We recently posted about a business called the Occasional Wife.  A blogger at The Grand Narrative pointed us to several companies along the theme of Hire-A-Hubby.  We added them to our original post on the social construction of “wife.”

We updated a post on gendered marketing of products with images of pink and blue scooters for the mobility impaired and a cordless screwdriver marketed to women by including a manicure set. Turns out it wasn’t very popular.

NEWS!

In addition to friending us on Facebook, you can now follow us on Twitter!

FROM THE ARCHIVES:

April last year:  This fascinating Italian anti-immigrant poster suggests that, if immigration to Italy is allowed, immigrants will persecute the native Italians like U.S. colonizers did American Indians.  It’s a pretty amazing tactic.

NEWLY ENRICHED POSTS (bottom of post may not be safe for work!):

Total Drek revised an xkcd cartoon on the difference between causation and correlation.  So we added it to our original post.

 

Sex sells ‘n stuff:

Sarah Haskins makes fun of euphemistic references to female genitalia.  We added her video to our post on our efforts to avoid using the real terms.  

Related to discomfort with women’s genitalia, Taylor D. sent in a link to even more vintage ads for Lysol as a douche, which we added to this post.

We added a vintage ad to our sex sells post.  This one tells men that if they don’t buy Firestone tires, they won’t get laid.  Women?  Well I guess they don’t drive.  

Also in sex sells, we updated our post on the sexualization of food, this time with a Max Factor ad and a not-to-be-missed Hardee’s commercial featuring Padma Lakshmi having quite the sensual experience with a bacon burger (scroll all the way to the bottom). 

We also added another image to our post with examples of sex as “scoring.”

Now to sperm: We added three more images affirming the idea that we were all once a mighty sperm (eggs, apparently, just add nutrition, if that) to this post on the weird ways in which sperm are socially constructed.  In one of them, a condom ad suggests that one condom could have prevented the holocaust by dressing a sperm up as Hitler.  Another example dates back to the beginning of the idea in 1694.

 

On race and ethnicity:

We added material to two posts in our series on how and why people of color are included in ads aimed at white people.  First, we added a set of photographs taken by Joshua B. at Office Max to our post showing how people of color are often portrayed as being more, eh em, colorful.  Second, we added an image to our post on how people of color are literally background or arranged so that the focal point (visually or through action) is the white person or people in the ad.

We added images of sculptures that comically/stereotypically (depending on your point of view) represent European countries to this post about stereotyping nationalities. The installation was supposedly by 27 different artists, but it turns out to be a hoax; all of them were created by a single Czech artist.

Also in ethnic stereotypes, we added a cartoon from Life magazine suggesting that monkeys are insulted by being given Irish names.  We added it to our collection of anti-Irish sentiment from the 1800s.

And visit this post to see our newest example of using the notion of the “savage” to sell in the 1950s.

Miguel sent us an image of a “White” Obama, which we added to our post that asks “What do Black and White look like, anyway?”

Philip D. sent us a set of Crown Royal ads that reportedly target a “general” and a specifically African American audience, respectively, which we added to our post about marketing products to different groups. 

On gender: 

Elizabeth M. sent us a link to fashion designer Nina Ricci’s new line of shoes.  They’re high high HIGH heels!  We added it to some other real hobblers here

Women cannot be counted on to hold it together in the face of low calorie sweets… or at least that’s what another commercial tells us. 

Ben O. sent us a link to a company that makes pink protective gear for female construction workers.  We added it to our post featuring pink handcuffs for cops.  

There’s now another image up from the Evan Williams bourbon “The Longer You Wait” ad campaign

Keely W. sent in a link to the new Fling candy bar, just for girls.  We added it to our post on gendered candy marketing.

The Daily Show spoofed the obsession with Michelle Obama’s clothes.  Andrea G. sent in the link and we added it to our collection of examples of this obsession.  We also added a picture of the cover of a new book: Michelle Style: Celebrating the First Lady of Fashion.

We added a picture of a sink that looks like a woman’s lower half to our post about urinals shaped like women’s bodies

And, finally, does a month go by where we don’t update our BOOBS! post?  Rarely.  This time, though, we’ve got something special: Jezebel offered us a photo essay of a boob shaped milk cartoon, from fridge to trashcan.  Visit our updated post here (scroll to the bottom) and enjoy this teaser:

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