Search results for privilege

We’re celebrating the end of the year with our most popular posts from 2013, plus a few of our favorites tossed in.  Enjoy!

Philosopher Sandra Lee Bartky once observed that being feminine often means using one’s body to portray powerlessness.  Consider: A feminine person keeps her body small and contained; she makes sure that it doesn’t take up to much space or impose itself.  She walks and sits in tightly packaged ways.  She doesn’t cover the breadth of the sidewalk or expand herself beyond the chair she occupies. This comic from Chaos Life illustrates the point well..

Likewise, burping and farting, raising one’s voice in an argument, and even laughing loudly are considered distinctly unfeminine.  A feminine person doesn’t use her body to forcefully interact with the world, she lets others do for her when possible.  “Massiveness, power, or abundance in a woman’s body is met with distaste,” Bartky wrote.

Stunningly, when you think about it, these features of feminine body comportment are, in fact, not uniquely feminine, but associated with deference more generally.  Bartky again:

In groups of men, those with higher status typically assume looser and more relaxed postures; the boss lounges comfortably behind the desk while the applicant sits tense and rigid on the edge of his seat.  Higher-status individuals may touch their subordinates more than they themselves get touched; they initiate more eye contact and are smiled at by their inferiors more than they are observed to smile in return.  What is announced in the comportment of superiors is confidence and ease…

Acting feminine, then, overlaps with performances of submissiveness.  Both men and women use their bodies in more feminine ways when their interacting with a superior, whether it be their boss, their commander, a police officer, or their professor.

New evidence suggests that this is not pure theory.  Psychologist Andy Yap and his colleagues tested whether “expansive body postures” like the ones associated with masculinity increase people’s sense of powerfulness and entitlement.  They did.  In laboratory experiments, people who were prompted to take up more space were more likely to steal, cheat, and violate traffic laws in a simulation.  A sense of powerfulness, reported by the subjects, mediated the effect (a robust finding that others have documented as well).

In a real world test of the theory, they found that large automobiles with greater internal space were more likely than small ones to be illegally parked in New York City.

Research, then, has shown that expansive body postures that take up room instill a psychological sense of power and entitlement.  The fact that this behavior is gendered may go some way towards explaining the persistence of gender inequality and, more pointedly, some men’s belief that they have earned their unearned privileges.

Cross-posted at Jezebel and Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We’re celebrating the end of the year with our most popular posts from 2013, plus a few of our favorites tossed in.  Enjoy!

I have driven across the United States several different times.  I always enjoy the experience.  It reminds me of just how vast and diverse this country really is, in terms of both its nature and culture.  Catching up with a friend after such a trip, I discovered that he’d never driven across the country and I insisted that he absolutely must.  “Lisa,” he said intensely, lowering his head, “not everyone is welcome in every small town in America.”  My friend, you might guess, was Black.

It was a memorable lesson about my own white privilege.

This was in the 2000s, but I couldn’t help but think of it when I learned about the Green Book. A story on NPR about the book starts with the following summary:

In part, the Jim Crow era could be defined by the places African-Americans could go and the places they couldn’t. In the towns and cities where they lived, of course, blacks knew where they were welcome. On the road, though, who knew which restaurants and hotels, beauty shops and night clubs would slam doors in their faces?

The answer was “The Negro Motorist Green Book.”  First published in 1936, and revised and re-published for almost 30 years, it helped Black people travel across a hostile America.

Green wasn’t just the color.  It was named after the book’s author — Victor Green — who was a postal worker.  Most African Americans were familiar with where they could and couldn’t go in their own cities.  So Green used his connections through the post office to collect lists from all over America, and even some other countries.  These lists were invaluable to Black travelers.

Even in the depth of Jim Crow, however, Green dreamed of a better time. In the introduction he wrote (source):

There will be a day sometime in the near future when this guide will not have to be published. That is when we as a race will have equal rights and privileges in the United States.

His dream, I suppose, sort of did and sort of didn’t come true.  The Green Book is out-of-print.  Yet men and women like my friend still have good reason to feel uncomfortable showing their face in unfamiliar places.

Book covers borrowed from Electronic Village, AutoLife, and Phoenix Magazine.  You can see a complete pdf of the book here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This Duck Dynasty thing seems to have everyone’s undies in a culture war bunch with lots of hand wringing about free speech (find out why this is ridiculous here), the persecution of Christians, and the racism, sexism, and homophobia of poor, rural, Southern whites.

There is, however, an underlying class story here that is going unsaid.

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Phil Robertson is under fire for making heterosexist comments and trivializing racism in the south in GQ.  While I wholeheartedly and vociferously disagree with Robertson, I am also uncomfortable with how he is made to embody the “redneck.”  He represents the rural, poor, white redneck from the south that is racist, sexist, and homophobic.

This isn’t just who he is; we’re getting a narrative told by the producers of Duck Dynasty and editors at GQ—extremely privileged people in key positions of power making decisions about what images are proliferated in the mainstream media.  When we watch the show or read the interview, we are not viewing the everyday lives of Phil Robertson or the other characters.  We are getting a carefully crafted representation of the rural, white, Southern, manly man, regardless of whether or not the man, Phil Robertson, is a bigot (which, it seems, he is).

The stars of Duck Dynasty eight years ago (left) and today (right):

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This representation has traction with the American viewing audience.  Duck Dynasty is the most popular show on A&E.  Folks love their Duck Dynasty.

There are probably many reasons why the show is so popular.  Might I suggest that one could be that the “redneck” as stereotyped culture-war icon is pleasurable because he simultaneously makes us feel superior, while saying what many of us kinda think but don’t dare say?

Jackson Katz talks about how suburban white boys love violent and misogynistic Gangsta Rap in particular (not all rap music is sexist and violent, but the most popular among white audiences tends to be this kind). Katz suggests that “slumming” in the music of urban, African American men allows white men to feel their privilege as white and as men.  They can symbolically exercise and express sexism and a sense of masculine power when other forms of sexism are no longer tolerated.  Meanwhile, everybody points to the rapper as the problem; no one questions the white kid with purchasing power.

Might some of the audience of Duck Dynasty be “slumming” with the bigot to feel their difference and superiority while also getting their own bigot on?  The popularity of the show clearly has something to do with the characters’ religiosity and rural life, but I’m guessing it also has something to do with the “redneck” spectacle, allowing others to see their own “backwoods” attitudes reinforced (I’m talking about racism, sexism, and homophobia, not Christianity).

He is a representation of a particular masculinity that makes him compelling to some and abhorrent to others, which also makes him the perfect pawn in the culture wars.  Meanwhile, we are all distracted from social structure and those who benefit from media representations of the rural, white, southern bigot. 

Sociologists Pierrette Hondagneu-Sotelo and Michael Messner suggest that pointing the finger at the racist and homophobic attitudes of rural, poor whites — or the sexist and homophobic beliefs of brown and black men, like in criticism of rap and hip hop — draws our attention away from structures of inequality that systematically serve the interests of wealthy, white, straight, and urban men who ultimately are the main benefactors.  As long as we keep our concerns on the ideological bigotry expressed by one type of loser in the system, no one notices the corporate or government policies and practices that are the real problem.

While all eyes are on the poor, rural, white, Southern bigot, we fail to see the owners of media corporations sitting comfortably in their mansions making decisions about which hilarious down-trodden stereotype to trot out next.  Sexist, homophobic, and racist ideology gets a voice, while those who really benefit laugh all the way to the bank.

Mimi Schippers, PhD is an Associate Professor of Sociology at Tulane University.  She is working on a book on the radical gender potential of polyamory.  Her first book was Rockin’ Out of the Box: Gender Maneuvering in Alternative Hard Rock.  You can follow her at Marx in Drag.

Cross-posted at The Huffington Post and Marx in Drag.  Photos from the Internet Movie Database and Today.

2Highlights!

Christmas Across Cultures

The Economics of Christmas

Racializing Christmas

Christmas and Gender

Gift Guides and the Social Construction of Gender

Sexifiying Christmas

Christmas Marketing

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I’m in Salon today responding to the “men’s rights activists” who spammed Occidental College’s anonymous sexual assault reporting form this week.  I, um, compare them to myself as a child:

I thought I failed fourth grade.  It’s funny now that I’m a tenured professor at an elite college, but it wasn’t funny then.  I lived a 45 minute walk from school and I ran home that day, tears in my eyes, clutching my unopened report card in my fist.  I don’t remember much from my childhood, but I remember sitting on my front stoop and opening that horrible envelope.  All Es for “excellent.”  Huh.

Looking back I realize that my sense that I’d failed was based on how my teacher treated me.  She was the first adult who didn’t talk to me in a baby voice like I was the most specialest little girl in the whole world.  She treated me like a small adult instead of kissing my ass.  But it was terrifying because my ass had been kissed by everyone around me my whole life and, when I was demoted to “regular person” without any special privileges, it felt terrible and unfair.  I was being persecuted.

See how special I was? I’m the one with the inflated sense of self.

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The men attacking Occidental’s survivors are feeling something similar to me in fourth grade.  They’re angry that “women are being listened to… They’re mad because they’re not the only ones that matter anymore.”  They’re no longer being treated like they’re the most specialest little girl in the whole world.

It hurts when privileges are taken away, no matter how unearned.  But that doesn’t make it okay to be an asshole.  Just sayin’.

PS – Thanks Ms. Singh!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

New Tumblr Page!

Our Tumblr is now one month old!   We think we’re getting the hang of it, including the daily SocImages posts, highlighting the best stuff from our archives, and adding compelling quotes and links.  Please feel free to join us there!  And thanks to our intern, Javier Quiroz, for doing the bulk of the work!

Five thousand posts!

We reached quite the milestone this month.  This is our 5,016th!  Thanks to Gwen Sharp, our contributors, and our many, many guest bloggers.

New Pinterest:

I put together a new Pinterest board featuring commercials and ads that co-opt the idea of women’s liberation for marketing purposes.   Peruse examples at Marketing Feminism. Here’s a sample:

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Your Favorite Posts this Month:

Plus, the most popular post on Tumblr this month:

Social Media ‘n’ Stuff:

Finally, this is your monthly reminder that SocImages is on TwitterFacebook, TumblrGoogle+, and Pinterest.  I’m on Facebook and most of the team is on Twitter: @lisawade@gwensharpnv@familyunequal, and @jaylivingston.

Finally…

Shout out to my dance team, choreographers Steve and Chanzie, photographer Kyle Ellison, and director Pascal de Maria.  We danced the lindy hop to Whole Lotta Shakin’ Going On all up and down that bowling alley!  Can’t wait to see the video!

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Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We don’t prohibit all dangerous behavior, or even behavior that endangers others, including people’s own children.

Question: Is the limit of acceptable risks to which we may subject our own children determined by absolute risks or relative risks?

Case for consideration: Home birth.

Let’s say planning to have your birth at home doubles the risk of some serious complications. Does that mean no one should do it, or be allowed to do it? Other policy options: do nothing, discourage home birth, promote it, regulate it, or educate people about the risks and let them do what they want.

Here is the most recent result from a large study reported on the New York Times Well blog, which looks to me like it was done properly, from the American Journal of Obstetrics & Gynecology. Researchers analyzed about 2 million birth records of live, term (37-43 weeks), singleton, head-first births, including 12,000 planned home births.

The planned-home birth mothers were generally relatively privileged, more likely to be White and non-Hispanic, college-educated, married, and not having their first child. However, they were also more likely to be older than 34 and to have waited to see a doctor until their second trimester.

On three measures of birth outcomes, the home-birth infants were more likely to have bad results: low Apgar scores and neonatal seizures. Apgar is the standard for measuring an infant’s wellbeing within 5 minutes of birth, assessing breathing, heart rate, muscle tone, reflex irritability and circulation (blue skin). With up to 2 points on each indicator, the maximum score is 10, but 7 or more is considered normal and under 4 is serious trouble. Low scores are usually caused by some difficulty in the birth process, and babies with low scores usually require medical attention. The score is a good indicator of risk for infant mortality.

These are the unadjusted rates of middle- and low-Apgar scores and seizure rates:

homebirthoutcomesThese are big differences considering the home birth mothers are usually healthier. In the subsequent analysis, the researchers controlled for parity, maternal age, race/ethnicity, education, gestational age at delivery, number of prenatal care visits, cigarette smoking during pregnancy, and medical/obstetric conditions. With those controls, the odds ratios were 1.9 for Apgar<4, 2.4 for Apgar<7, and 3.1 for seizures. Pretty big effects.

Two years  ago I wrote about a British study that found much higher rates of birth complications among home births when the mother was delivering her first child. This is my chart for their findings:

Again, those were the unadjusted rates, but the disparities held with a variety of important controls.

These birth complication rates are low by world historical standards. In New Delhi, India, in the 1980s 10% of 5-minute-olds had Apgar scores of 3 or less. So that’s many-times worse than American home births. On the other hand, a number of big European countries (Germany, France, Italy) have Apgar<7 rates of 1% or less, which is much better.

A large proportional increase on a low risk for a high-consequence event (like nuclear meltdown) can be very serious. A large absolute risk of a common low-consequence event (like having a hangover) can be completely acceptable. Birth complications are somewhere in between. But where?

Seems like a good topic for discussion, and having some real numbers helps. Let me know what you decide.

Cross-posted at Family Inequality.

Philip N. Cohen is a professor of sociology at the University of Maryland, College Park, and writes the blog Family Inequality. You can follow him on Twitter or Facebook.

I have enjoyed Star Wars Angry Birds since I first discovered it almost a year ago, at the suggestion of my brother (a fellow Star Wars fan). While I never warmed to the original Angry Birds, I was tickled that I could clearly identify the Star Wars characters the birds represented in the themed version of the game. When Star Wars Angry Birds II released last month, I anxiously dove into the sequel.  On a whim, I decided to use the new store feature to look through the many characters that I might someday unlock.

When I finally scrolled through all of the characters in the game, I noticed something peculiar.

Han Solo (played by Harrison Ford, a white male, in the Star Wars films) is portrayed by a yellow bird. Luke Skywalker (played by Mark Hamill, a white male) is portrayed by a red bird. Qui-Gon Jinn (played by Liam Neeson, a white male) is portrayed by a tan bird. These birds all have costumes or props that identify them as the characters they are meant to represent, but their color is not related to the skin color of the characters/actors in the films.

This pattern held true for every (human) male character with two notable exceptions: Captain Panaka (played by Hugh Quarshie, a black male) and Mace Windu (played by Samuel Jackson, a black male) are both portrayed by brown birds.

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So, what’s the message? Well, for white, male Star Wars characters, skin color is unimportant; white characters can be represented by a bird of any color. It is the costuming or props used by these birds that convey the essence of the character. But for black Star Wars characters, their skin color (brown) becomes the defining element conveying the essence of the character.

Likewise, gender is also a defining characteristic for the portrayal of female characters. Princess Leia (played by Carrie Fisher, a white female) and Padme (played by Natalie Portman, a white female) are both portrayed by pink birds. There are no other pink birds in the game.   Again, the color of the bird is unimportant, unless the bird is female, in which case the character’s gender (denoted by its pinkness) becomes the essential element of that character.

This same pattern also appears in the original Star Wars Angry Birds, in which Princess Leia is the only pink bird and Lando Calrissian (played by Billy Dee Williams, a black male) is the only brown bird.

White privilege and male privilege persist, in part, by framing the white, male experience as normal. Even in a game like Star Wars Angry Birds II we see the invisibility of whiteness and maleness and the foregrounding of race and gender for people of color and women.

Galen Ciscell is a visiting assistant professor of sociology at Pacific Lutheran University.  He is also the designer of the cooperative board game Atlantis Rising.