The Center for Holocaust and Genocide Studies and the UMN School of Music had the pleasure of hosting Dr. Badema Pitic in March for a talk titled “Remembering Through Music: The Srebrenica Genocide in Bosnian izvorna Songs.” Watch a recording of the talk here. I had the opportunity to interview Dr. Pitic about her research on music, transitional justice, and reconciliation in post-war Bosnia-Herzegovina.

Dr. Badema Pitic is a Head of Research Services at the USC Shoah Foundation – Institute for Visual History and Education. She earned her Ph.D. in ethnomusicology in 2017 from the University of California, Los Angeles. Her research focuses on the intersections of music, memory, and politics in the aftermath of war and genocide in Bosnia-Herzegovina. Her research interests also include oral history and testimony, transitional justice, and perpetrators’ music.

A cello player in the partially destroyed National Library, Sarajevo, during the war in 1992. (Image via Mikhail Evstafiev/Wikipedia)

What has been the role of music in the post-war transitional justice and reconciliation processes in Bosnia-Herzegovina? 

​Music has been an important element in these processes, both formally and informally, and through several aspects of what we refer to as transitional justice processes: top-down and grassroots inter-group reconciliation initiatives, so-called “individual reconciliation” processes or individual coming to terms with a traumatic past, and public memorialization and commemorations, to name just a few. There are several relatively known examples of such a use of music, such as the case of Pontanima, a Sarajevo-based inter-religious choir that gathers singers from different religious denominations in Bosnia to perform musical works from diverse religious and other traditions in order to promote coexistence and inter-religious reconciliation. In the early 2000s, Women for Women International, for example, featured music as part of their program offerings to support Bosnian female survivors of the war – women would sing or listen to Bosnian sevdalinke as part of their “individual reconciliation.” An oratorio Srebrenicki Inferno, a musical piece commissioned and written to commemorate the Srebrenica genocide, regularly accompanies annual genocide commemorations on July 11. There are also more grassroots practices, including the izvorna commemorative music that has been the subject of my research, which has been used to not only commemorate the war and genocide in Bosnia, but also to comment on genocide denial and specific transitional justice processes and mechanisms, such as the issue of return or the work of the International Criminal Tribunal for the Former Yugoslavia.

You spoke in your talk about how the Bosnian izvorna songs act as a form of survivor testimony and witnessing about the Srebrenica genocide and the ongoing suffering in its aftermath. Do you see these testimonies as a force for countering genocide denial in Bosnia-Herzegovina, or is there any potential for them to do so if they were given more public prominence?

These narrative, neotraditional songs witness about the genocide by narrating about the genocide and its aftermath and, more importantly, by narrating about individual victims of the genocide. However, I would take it a step further and say that we can also observe these songs as a literal witness in itself: they were part and parcel of the wartime life in Srebrenica, during which time izvorna musicians documented the war events and victims in the area. When it comes to genocide denial, this is a complex issue. Rather then saying that I see izvorna songs as a force for countering genocide denial, I would say that I see them as another “tool” among many tools that genocide survivors employ to comment on and counter genocide denial. What is important here, at least in my view, is not so much whether these songs are successful in countering genocide denial (and we know too well that there is no proven tool to do so), it is really what they do for genocide survivors who employ and listen to them. In other words, they provide an important and needed space for expression: expression of pain, sadness, frustration, and anger that plague genocide survivors in today’s Bosnia.

You mentioned in your talk that some perceive the izvorna songs as not the most appropriate way to commemorate the genocide. Could you please say more about why that is the case?

This has to do with the relationship between religion and tradition. As you know, what we today call the Srebrenica genocide refers to the mass murder of over 8,000 Bosnian Muslim men and boys from Srebrenica and its surrounding area in July 1995. The war and genocide in Bosnia had a religious component, which also translated into their commemoration – the annual commemoration of the genocide has strong religious overtones, for example. Many genocide survivors themselves have turned to religion or became more religious after the genocide. The fact that the question of music in Islam is contested (allowed vs. prohibited), and that music does not accompany Islamic rituals, including burial, complicates the way the Srebrenica survivor community perceives the use of izvorna music to commemorate the genocide and its victims. 

I think a lot about potential ways to foster more inclusive or complex narratives about the Yugoslav wars within the Balkans. Do you see potential in the izvorna music to do this or are you aware of other artistic interventions doing this?

Yes, that is indeed something important to address. However, I am not sure that we have reached the point when this is possible, especially in the region with a long history of competing narratives and victimhoods. Cases from other contexts also point to the danger such initiatives carry with them: the danger of relativization of victims and perpetrators and even the danger of deepening the divide, so this is truly something to be approached in a very thoughtful way. I do not think that izvorna music has this potential, especially because this is a very local practice with a very limited appeal.

Could you please tell us a bit about the new Srebrenica survivor testimonies that have been added to the Shoah Foundation’s Visual History Archive? How did the Shoah Foundation partner with the Srebrenica Memorial Center to collect the testimonies? 

​We’ve been very fortunate to partner with the Srebrenica Memorial Center to bring in a pilot collection of 20 testimonies of Srebrenica survivors and witnesses into our Visual History Archive, and we hope to add many more in the future. The Institute has been invested for a long time into acquiring the testimonies about the war and genocide in Bosnia. With the Memorial’s support, we are now in the process of indexing the testimonies and adding English subtitles. By being in our globally-accessible Visual History Archive, these testimonies are now available to educators and researchers worldwide as an important source for expanding our knowledge about the events in Bosnia. I am especially humbled by the opportunity to contribute to this project and to apply my subject matter knowledge in the best way possible: by elevating and preserving the stories of the survivors. 

Nikoleta Sremac is a PhD Student in Sociology and a Research Assistant at the Center for Holocaust and Genocide Studies at the University of Minnesota. She studies gender, social movements, culture, and genocide and mass violence. Her dissertation focuses on gendered memory politics and activism related to the 1990s Yugoslav Wars in Serbia.

April 27th is Yom HaShoah, one of several Holocaust remembrance days observed around the world at various points in the year. It is also Genocide Awareness Month, which marks the anniversaries of the Armenian Genocide (which began on April 24th, 1915), the Holocaust (or, namely the Warsaw Ghetto Uprising on April 19th, 1943), the Cambodian Genocide (on April 19th, 1975), and the Genocide against the Tutsi in Rwanda (on April 7th, 1944), As I mentioned in January, dates such as these mark a need for a collective memory, even as dates and temporal boundaries often fail to account for the long-term effects of genocide and mass violence. 

As a Jew, and at this particular moment during the ongoing war and mass violence in Ukraine, I struggle in 2022 (as in most years) to reconcile the official calls to remember with the more subjective, personalized constructions of memory that inevitably emerge from events such as these. I am reminded that public displays of memory, though central, can be brittle, and often serve contemporary state politics. Yom HaShoah is no exception, as a holiday directly tied to the State of Israel’s larger memory projects. The “complications” this date entails for both Jews and non-Jews alike, who are critical of Israeli domestic and foreign policies, also pertains to my specialized knowledge Yiddish history and culture that often gets left out of Zionist narratives. Days such as Yom HaShoah should in theory be encouraging a broader, more inclusive definition of collective memory, but we know that these calls often fail to reach beyond the limits of nationalism and geopolitics. 

Over the past few months several parties have asked me whether I could comment publicly on Ukraine. I continue to be reluctant for several reasons, none of which have to do with my unequivocal condemnation of the Russian invasion and the war crimes being committed. I realize this hesitance might also sound self-effacing, and it might appear to some as a form of cynical disavowal or scholarly isolationism. It might also exacerbate the noted absence of the humanities in many of the recent academic roundtables contextualizing the war. It is important, however, to note that the causes for this absence are numerous. The dearth of scholars with stable employment after decades of budget cuts is one reason. There is also a continued belief (wrongly, I might add) among many humanities academics that scholarly inquiry is supposedly divorced from the political forces affecting our (and our students’) work and lives. My hesitance, however, stems from an earnest self-critique of what my biography and expertise mean.

For example, I struggle with the ways my personal profile supposedly serves as a source of clarity when: the brittleness of memory if I’m not careful can serve as a source of power and control. It is why, and contrary to what many of my American Jewish peers seem to believe, I don’t feel my ancestral ties to what is today northwestern Ukraine, where in 1942 nearly all of my ancestors remaining in the multi-ethnic town of Ustile were murdered (along with 90-95% of the Jewish population), provides me with any more than an impressionistic understanding of the suffering we are seeing in 2022. Furthermore, I argue that the doctoral dissertation I am defending in a few weeks does not offer much clarity for recent events either—at least in the way some currently envision. It is true that, in addition to learning an ancestral language of Yiddish to fluency, I have spent years tracing the various ways Yiddishists from what is today western and central Ukraine, hailing from multiple locales and subscribing to differing political ideologies, translated German verse texts into Yiddish throughout the 20th century and into the 21st. It is true that this literary productivity was often the product of, or at least indirectly affected by, collective trauma. It might be true that the past hauntingly echoes the present, as regions once part of the Habsburg and Russian Empires remain central to current events. However, I as an American Jew must instead find ways to address the needs of refugees and the victims of war crimes in Ukraine today without centering myself or my intergenerational trauma. I say this as an American citizen, whose sole source of memory politics should not be Ukraine of a century ago. As I write this, I fear that the brittleness of memory in the United States has made our frames of reference so narrowly selective and competitive that it is not sustainable. We are seeing this play out in multiple arenas in frightening, reactionary ways. 

But back to my previous point: these conundra among academics are also directly related to memory politics more broadly. Who gets to speak, and who does not, on issues of local and global importance are central questions to larger institutional and societal reckonings in the United States and abroad. What are we “remembering” currently as a collective, and why? Inversely, and more importantly, what are we choosing to forget? What makes it easier to harken back to a particular genocidal event (i.e, the Holocaust, or even the 19th- and 20th-century pogroms that preceded it) than to more recent violence and human rights abuses in Eastern Europe and elsewhere? What are we claiming responsibility for remembering on national(ist) days of remembrance?

Working for a Center for Holocaust and Genocide Studies, and as an expert in modern Jewish cultures (which, I will continue to emphasize, stretches beyond the specific episodes of mass death and destruction during the Holocaust), I am troubled by the dubious ways various world leaders and cultural figures continue to evoke Holocaust memory and victimhood. Explicitly referencing (or eliding) a historical event serves as a powerful political tool that shapes collective understanding of mass violence past and present. I am disheartened by the casual evocations of genocidal acts. For one, the millions of victims deported and murdered—that include Jews, Roma, Afro-Germans, Queer people, people with physical and intellectual disabilities, and others—by Nazi Germany and its collaborators should neither serve as rationale for further violence (as Russian officials have stated in their supposed quest to “De-Nazify” Ukraine), nor become symbolic pawns in state diplomacy when most acts of genocide have gone untried and reparations remain an open question. States thus fail to provide justice for genocidal acts, even as the memory of past traumas are currently distorted to justify war and human rights violations. This is a sad fact that extends beyond the current war between Russia and Ukraine. 

This all might sound deeply cynical, but I promise there are ways to overcome the challenges we face regarding public memory. Like always, now is the time to make conscious and conscientious political and ethical choices about the media one consumes, and about the stances one chooses to take. It is my hope that, in addition to (paying what is a high price for) sound journalism, if we are to truly engage critically with the humanitarian crises and devastation this war is causing, we can start by engaging in whatever way possible with non-Anglophone sources—either in other languages or in translation. This includes the diverse cultural responses from people in Ukraine. As my own background is in foreign languages, texts, and media, we should engage deeply with individualized responses to the violence unfolding, which in turn complicate the ways memory is already being co-opted and mediated.

Meyer Weinshel is a Ph.D. candidate in Germanic studies at the University of Minnesota Twin Cities, where he is the educational outreach and special collections coordinator for the UMN Center for Holocaust and Genocide Studies. In addition to being an instructor of German studies, he has also taught Yiddish coursework with Minneapolis-based Jewish Community Action and at the Ohio State University.

As far as I can think back, an odd-looking, faceless porcelain bunny has been part of the Easter decoration in my parents’ house in Remscheid, Germany. It has an artistic twist to it with a coat that shimmers in purple, blue and red. Originally it must have looked just like his fellow rabbits, but it no longer does. That’s because it got a second glaze in the early morning hours of July 31, 1943, when the house it lived in was burnt to the ground during an Allied air raid on my hometown. As my grandparents sifted through the rubble a couple of days later, that bunny was pretty much the only thing that emerged intact. 

“Der Angriff” (attack) and how my grandparents miraculously survived the fire under some wet blankets in the backyard became part of our family folklore. My mother who got the bunny as an Easter gift earlier in 1943 still has a hard time dealing with sirens after spending too many nights in bomb shelters as a child. During her first visit to Minneapolis, an unexpected tornado siren test sent her immediately looking for the basement—unfortunately without success since our house is one of the few in Minneapolis that doesn’t have one. That story is now also part of our family folklore.

What struck me recently is that as often as the “Angriff” story has been told in our family, by either my parents or grandparents, blaming the bomb dropping British or American pilots was never part of it—despite the fact that one of my great-grandparents didn’t make it to the bomb shelter on time and died. The “Amis,” as the Germans would call the US troops, get their first mention in the family folklore as benevolent occupiers when my mother’s younger brother starts making daily trips to their headquarters to get his ration of Hershey’s chocolate and chewing gum. Sounds cheesy and cliché, yet it’s true. To put the record straight, my grandparents were never part of any resistance scheme against Hitler, but deep down they must have realized that 1945 was indeed more liberation than defeat. That denazification had to happen in post-WWII Germany was never questioned by them.

I am writing this while flying from Amsterdam to Minneapolis on Easter Sunday after spending Good Friday in Remscheid with my now 92-year-old mother and her double-glazed Easter bunny of 1943. Here is what I can’t get out of my mind: the absurd notion that a Hitlerian thug like Vladimir Putin who lives in a world of racist, pan-Russian fantasies now assumes the mantle of the great “denazifier.” I doubt that family folklore in Ukraine will have any of it.

Henning Schroeder is a professor at the University of Minnesota and currently teaches in the Department of German, Nordic, Slavic & Dutch. His email address is schro601@umn.edu and his Twitter handle is @HenningSchroed1.

Visitors facing the entrance to Envisioning Evil: “The Nazi Drawings” by Mauricio Lasansky are offered only one glimpse of what they can expect if they choose to enter: a decorated Nazi officer raises his arm in a Hitler salute while blood-like drops fall from his wrist and smear the page. On his head is a terrifying bestial skull that appears both fixed and projected on the man’s scalp. A close look reveals smudges, partial erasures, hard pencil strokes, and tears to the paper. This work is steeped in rage.

Click here to read the rest of this exhibit review at caa.reviews.

View of the exhibition “Envisioning Evil: ‘The Nazi Drawings’ by Mauricio Lasansky” installed in Gallery 262, Gallery 275, and Gallery 276 at Minneapolis Institute of Art. Exhibition on view at Mia October 16, 2021 – June 26, 2022. (Image via Minneapolis Institute of Art)
Mauricio Lasansky, No. 5, 1961, “The Nazi Drawings,” Levitt Foundation © Lasansky Corporation
Mauricio Lasansky, No. 11, 1961-66, “The Nazi Drawings,” Levitt Foundation © Lasansky Corporation
Mauricio Lasansky, No. 15, 1961-66, “The Nazi Drawings,” Levitt Foundation © Lasansky Corporation

Sheer Ganor is an Assistant Professor of History at the University of Minnesota. A historian of German-speaking Jewry and modern Germany, her work focuses on the nexus of forced migration, memory, and cultural identities.

While Serbia does not share a direct border with Ukraine, it is close enough that when the fighting broke out I immediately called my Serbian relatives on Viber to ask what they had heard about the conflict and what was happening on the ground. In contrast to the overwhelmingly anti-Russian reactions shared on Western media, my Serbian relatives expressed a more lukewarm attitude towards the Russian side. They explained reasonably that Ukraine is growing closer to the West and Putin does not like that, so he is trying to persuade Ukraine to come back over to his side. My relatives repeated the Serbian government’s narrative that Serbia is a “neutral country” that does not want to take sides in the conflict, a position they view in a positive light. This narrative of neutrality is being used by the Serbian government to justify its refusal to impose sanctions and take a stronger anti-Russian stance. 

The Russia-Ukraine War puts Serbia and other Eastern European countries in an increasingly precarious position. This position is being contested both externally, through increasing pressure from the European Union, and internally through street protests and social media as citizens fight over where their loyalties lie and the future of their country. As the pressure mounts, governments and citizens must decide whether to take a strong stance against Russia given the high economic, political and security costs of doing so. 

Pro-Russia protestors march through the streets in central Belgrade, Serbia, March 4, 2022. (Image via REUTERS/Stefan Stojanovic)

Officially, the Serbian government is claiming a “neutral” policy towards the conflict. They have communicated to Ukraine that they respect its territorial integrity, are committed to peace and international law, and stand ready to provide humanitarian aid and accept refugees in Serbia. Serbia also adopted the UN resolution condemning Russia’s attack on Ukraine, but only because this declaration did not include sanctions. Serbia has stopped short of imposing sanctions because of still-fresh memories of NATO sanctions during the 1990s wars (and ongoing sanctions against Bosnian Serb leaders), which Russia opposed. 

The 1999 NATO aerial bombing campaign against Serbia presents an additional stumbling block influencing Serbian anti-NATO attitudes today. These bombings, whose 23rd anniversary was commemorated in Serbia this week, are still very painful and recent in popular memory. The air strikes killed several hundred civilians, were called war crimes by some human rights organizations and were again opposed by Russia. The bombings cause ongoing resentment and suspicion towards the West among some segments of Serbian society, making them resistant to further alignment with the western powers. In both Serbia and Ukraine, the growing influence of the West and NATO versus the Russian sphere of influence is a crux of the current conflict and the controversies around it. 

To further explain Russia’s influence, Serbia relies heavily on Russian energy sources, and on Russia’s political support in its ongoing fight for sovereignty over former-province Kosovo. Russia’s veto vote at the UN Security Council is crucial in blocking Kosovo’s independence. Finally, Serbia is in the midst of an election season where imposing sanctions could alienate pro-Russian voters of the ruling Serbian Progressive Party (SNS) seeking to maintain power. 

However, this official policy of Serbian neutrality is subject to increased pressure externally from the EU. On March 15th, EU official Michael Siebert issued a stern warning that Serbia will pay “a price” for refusing to place sanctions on Russia and thereby being “on the wrong side of the conflict.” Serbia is the only European country aside from Belarus that has not imposed sanctions against Russia. Previously, nine Members of the European Parliament (MEPs) called on the European Commission to suspend Serbia’s EU accession talks and cut off financial support unless they join sanctions. As Serbia is an official EU candidate country, it is expected to “gradually align” with its foreign policy and security decisions, including joining sanctions against Russia. Despite these accumulating warnings, Serbia’s parliamentary speaker again reassured the Russian Ambassador on Tuesday that Belgrade will not impose sanctions on Moscow. 

The Serbian official policy of military neutrality is also being increasingly contested internally from two sides of the Serbian public, the political right and the left. On the pro-Russian side, analysts say this policy of neutrality is undermined by Serbian right-wing organizations who are mobilizing volunteer soldiers to join the Russian fight in Ukraine. Though participating in armed conflict abroad is officially illegal in Serbia and condemned by the government, it has not punished individuals for fighting in Ukraine in the past. 

The same right-wing nationalist groups mobilizing volunteers are also holding rallies in Belgrade, claiming that “Mother Russia will win.” They reiterate the long-standing sense of allegiance and “brotherhood” with Russia. Again reflecting the unresolved pain of the 1990s NATO bombings, these Serbs feel that Putin is fighting a justified battle against the West, which “is now facing what it did to Serbia in the 1990s.” They reiterate the Kremlin’s appropriative claims of “genocide” against Russian-speakers and the need to “denazify” Ukraine. Ironically, these same far-right nationalist groups also flirt with neo-Nazism and engage in genocide denial. They criticize Serbia’s official policy of neutrality as not going far enough to support Russia. 

One leftist activist critiqued the pro-Russia side on Facebook, posting ironically that “only in Serbia is patriotism proven through love for another country.” These activists point out that “Mother Russia” has abandoned Serbia again and again, during the ‘90s wars and again today in its fight against Kosovo’s independence. Serbs who declare support for Ukraine on social media are called fascists, Nazis, and foreign mercenaries. 

Activists at a protest, “Stop the war in Ukraine!” organized by Women in Black in Belgrade, March 2, 2022. (Image via Women in Black Serbia)

These pro-Western activists criticize the government’s lukewarm stance towards Russia and its “tacit support for extremists.” Organizations like the Youth Initiative for Human Rights (YIHR) call for the government to officially condemn the pro-Russian rallies, come out and attend the many pro-Ukrainian protests being held in the capital, and firmly declare that “Serbia’s future is not in Putin’s Russia but in the European Union.” Women in Black Serbia has also organized continuous protests in collaboration with members of the Ukrainian, Belarussian, and Russian diaspora in Serbia. They demonstrate support for Russian and Belarusian war deserters and solidarity with feminists and peace activists in Russia and Ukraine.

The rising controversy over Serbia’s “neutral” stance towards Ukraine reveals how Serbia’s values and political future are also being contested. Following a decades-long balancing act, now that push has come to shove, where do Serbia’s loyalties lie— with Russia or with the West? Though this war presents risks to their national interests, is that a valid excuse for small countries like Serbia not to take a stand against Russia’s aggression and authoritarianism? These tensions raise long-standing questions for the West too. Does the EU want to finally include Eastern Europe among its official member states, or will it leave them behind to sink further under Putin’s influence? These questions determine the future of Serbia and many other countries around the world facing this dilemma, like Bulgaria, Turkey, China, Uganda, and South Africa. Citizens and governments need to make their choices in light of today’s challenges to democracy and the post-WWII global security order. 

Nikoleta Sremac is a PhD Student in Sociology and a Research Assistant at the Center for Holocaust and Genocide Studies at the University of Minnesota. She studies gender, social movements, and collective memory of mass violence. Her dissertation focuses on gendered memory politics and activism related to the 1990s Yugoslav Wars in Serbia.

When compiling resources for Women’s History Month, in a country where reproductive rights and gender justice initiatives are in grave peril, I found it necessary to highlight numerous strands of interrelated histories. The socialist origins of International Women’s Day, and the role of Jewish immigrants who later fell victim to state repression and genocide, are just two legacies informing contemporary feminist and gender-based activism. 

Crucially as a Center for Holocaust and Genocide Studies, we must also confront how gender always dictates the lived experience of victims and survivors of mass violence, both during the events in question and following. We are painfully aware of the ways individuals become targets in specific ways due to their gender. Furthermore, political decisions and humanitarian relief often fail to take gender into account, keeping women, genderqueer, and other non-male-identifying individuals away from negotiation tables and policy action. 

As activists both past and present push for equal rights across gender identities, while repressive regimes around the world continue to curb various rights with frightening success, it is important to understand how equal representation and a working understanding of gender justice are vital to memory politics. 

Below are links from the Center’s webpages, as well as third-party resources we encourage you to consult. 

Materials from the Center’s Archive:

  • The portraits and interviews with artist Oscar De La Concha include: 
  • Voice to Vision, a collaborative project that captures the experiences of genocide survivors, victims of mass violence, as well as their descendants. Subjects (in dialogue with project participants) use oral testimonies to collaboratively create mixed media artworks. 
    • Voice to Vision Series V centers survivors of gender-based violence; also features survivors of the Cambodian Genocide; Genocide of Indigenous Peoples; the Holocaust; Rwandan Genocide and Sudanese Civil War
    • In Voice to Vision Series VI highlights the lives of descendants of genocide survivors 
    • Voice to Vision Series XVII features Professor Brenda Child, and Professor Child’s daughter, Benay McNamara, interweaving personal and collective stories  that recount their family’s forced removal from Anishinaabe lands in 1889 by the Nelson Act
“A Ladder and a Stop Sign” by Christine Stark, Native American sexual abuse survivor and Mark Biedrzycki, sculptor, with contributions from David Feinberg and artists Ali Abdulkadir, Bonnie Brabson, Stephanie Thompson from Voice to Vision V

Armenian Genocide: 

  • The Shoah Foundation’s Visual History Archive contains approximately 600 interviews relating to the Armenian Genocide in a variety of languages covering various subjects; many have been fully indexed and are searchable through the Shoah Foundation’s website. The full database is available online to university users and the general public through on-site access in Wilson LIbrary (UMN West Bank)  

 Bosnia and Herzegovina – Massacres in Srebrenica and Visegrad: 

Indigenous Peoples in North America

Jewish Life prior to and following the Holocaust:  

Meyer Weinshel is a Ph.D. candidate in Germanic studies at the University of Minnesota Twin Cities, where he is the educational outreach and special collections coordinator for the UMN Center for Holocaust and Genocide Studies. In addition to being an instructor of German studies, he has also taught Yiddish coursework with Minneapolis-based Jewish Community Action and at the Ohio State University.

“As I am sitting in the kitchen of complete strangers who have opened up their home to me, gave me food, shelter, and a brief feeling of safety, I am holding back my tears… We take a shot of alcohol in the name of the fallen. We take another shot in the name of our soldiers. We take another in the name of Ukraine. We whisper our little speeches. We share our gratitude. We share hope. And I realize we are… unbeatable. Because we do not lose our strength. We just can’t. We wouldn’t be Ukrainian if we did. As long as we whisper in unison “Слава Україні” (Glory to Ukraine), we are strong… I shed a tear when I say, “воля або смерть” (“freedom or death”). I am glad they don’t see in the dark. I think of all the people for whom this familiar phrase became too real.” – Alexandra Markova

As war rages on in Ukraine, I sit in my own kitchen in the United States over a cup of tea in the morning. The sun rises over frosty fields. It is calm. I scroll through my phone, switching between the live updates on Kyiv Independent and the live map as I do for most of the day. My phone battery has never drained so fast as it does these days. Are my family and friends okay? I never know for sure as nothing can update fast enough. I remain skeptical of the accuracy of the news I do receive, as my host town is comparatively small when it comes to cities like Kharkiv and Kyiv which are the main focus of media reporting. If something happens in that small town, will the news lag in reporting? Will I know too late? Uncertainty is the hardest part of war. Every message I receive says “I am safe for now,” knowing that things may change at a moment’s notice.

On January 24th, my former students in Ukraine practiced evacuations in the event of war. I put off contacting my friends, afraid of what they would say about the increasingly worrying situation. On February 18th I reached out to a handful of my closest Ukrainian friends who told me how they discussed what to pack in their go-bags if they had that option, and for those who didn’t – where they might possibly find shelter locally. They commented that on the 16th, there were bombs that could be heard from their homes but shared rumors that the 22nd would be the “date of invasion.” Even among these discussions, we kept things light-hearted. After Putin’s speech on February 21st which disregarded the centuries-old history of Ukraine and instead referred to it as a result of “crude” decisions made by “Lenin and his comrades-in-arms,” we traded memes comparing the history of Kyiv and that of Moscow. We tried to make light of an increasingly darkening situation.

On February 23rd Putin declared war. Many of my friends do not have the means to leave our town, even if they wanted to. Some of them packed bags, just in case, but many were instead prepared to stay in place, my host parents included. I worried as my small town is on the direct path from the Russian border to Kyiv. I would watch for the tank icon to show up on the live map and they said my city was under attack. I waited to see if it would turn red – signifying Russian occupation. It didn’t. For now, my city remains unoccupied but completely surrounded and cut off from receiving aid and supplies. Nothing can go in, nothing can go out. After one of these invasions, I asked my closest friends and family if they were okay. My host dad simply replied “все норм” (“everything is normal”) even though I knew this was not the case as my friends told me of the destruction surrounding the city. 

Even so, Ukrainians have a spirit that I feel cannot be broken. During an onslaught of Russian force, Ukrainians played the national anthem from balconies. Русский корабль иди нахуй (“Russian warship, go f*** yourself”) has become a rallying cry for many. Ukrainian forces continue to stand up bravely against Russian forces despite being outgunned and outmanned. Civilians stand united against Russian forces in whatever way they are able. While many make Molotov cocktails to throw at passing infantry or take up arms, others offer support through acts of civil resistance as one man offers “a ride back to Russia” for some Russian troops whose equipment broke down, a woman offers sunflower seeds to Russian soldiers to “allow sunflowers to grow where they fall,” and some farmers even stole Russian tanks using tractors. While these acts continue to inspire and unite communities around the world to stand with Ukraine, they do not erase the destruction caused by war.

On February 27th, I woke up to a message from my host siblings “Rose, please call us today when you are able.” Worried that something had happened to our parents in the surrounded village, I called them as soon as I saw the message. They asked me to help them evacuate Ukraine, to send any information about seeking asylum anywhere. They want to come to the United States, but my friends working at UNHCR say this would be difficult. They do not have visas and I am the only American they know. 

I became a refugee asylum expert overnight – researching any information I could find on countries accepting Ukrainian refugees. The UK doesn’t allow Ukrainians who are not family of citizens – a dead end. But for every dead end I found, I found twice as many open doors. Poland, Germany, Ireland all were options that would be faster than the US which still had a visa requirement in place. Okay. Next step, who do I know in each of these countries who can help house my siblings – one who is 17 and considered an unaccompanied minor? By chance, I find someone who studied in the US when I was in high school. We hadn’t talked in 6 years, but she immediately messaged back saying she would contact her sister and other family members who still lived in Poland to see who could help. I reached out to people who I knew were in Ireland and Germany, just to see what else I can find to support them if they move further beyond Poland. I found another friend who lives in Germany and is already housing another Ukrainian family and a Peace Corps volunteer from Ukraine who offered to be a point of contact there. I sent over any information I could find and told them to let me know when they were able to cross the border.

I spent most of the 28th waiting to hear from them that they had arrived in Poland. I let my host parents know and asked them if there was anything I could do to help them in their surrounded city. My host dad sent back a text in Ukrainian: “Thank you Rose. You already help us a lot because you are helping our children. For us, their lives and future are the most important thing. We are doing relatively well. Don’t worry about us. We love you, hug you. Take care of yourself.” I cried in my office at work, a place I’m somehow still going to for eight hours every day. 

I asked my coworker if they were interested in speaking with a Ukrainian school about their experiences and they told me how “cool” it is that I know teachers in Ukraine. I can only think how sad it is that my coworkers can speak about war with enough distance that they think it is “cool.” They don’t consider the conditions under which these students and teachers are volunteering to speak to our class and advocate for their situation. I wonder if they will still think it is “cool” after the talk. I wonder if it is possible for our students to imagine tanks within 100km of their house or calculating carefully every time they go to the store how much food, water, and gas, they may need if their city is bombed. I donate even more money to Ukraine because I would rather be broke than in a world without this country I grew to love so much.

Ukrainians are fighting this war not only for themselves but for all those of us who believe in freedom and democracy. When I think of Ukraine, I think back to 2019 when I first arrived in the country to teach. I think of playing the card game, Дурак, by the lake as the sun sets in Zhytomyr. I think of spending days in October and early November winterizing my host family’s dacha (cottage), of them graciously accommodating my vegetarian diet to always make me feel welcome and included. I think of birthday parties, laughter, and classes that left me inspired and hopeful about the future of the world, not just Ukraine. Now as I listen to CNN and scroll Instagram to find resources posted by Ukrainians that I might be able to act on, I can’t help but think about what a bright future my students predicted in our lessons. A Ukraine with green energy sources, beautiful architecture, thriving art and culture, technological advancements even Elon Musk hasn’t dreamed of. I think of our Human Rights Day lesson when my students said over and over that they wanted just one thing – world peace.

As my host brother told me, Ukraine does not want this war. I hope the future my students dreamed of and believed in still exists out there somewhere. I believe in the future of Ukraine – I did then, and I do today. Слава Україні. Героям слава. 

Students gather around outside during classroom break time at a school in Ukraine. Credit: Geoff Kronberg Photography

Kristalena R. Herman was a Peace Corps volunteer in Ukraine from 2019 to 2020. She worked for CHGS in 2018-2019 and her focus area was on the framing of homosexuality and misinformation in Russian state media.

Like many of us, I have been heartbroken to see the news, images and footage coming out of Ukraine over the past week. Despite the foreboding news over the past weeks, I didn’t believe it would come to this; now that it has, it’s hard to imagine how we (Ukraine, Russia, the world) move forward from this. My heart goes out to the people of Ukraine and to the people of Russia, millions of whom are now stuck in the midst of a conflict that they did not want and certainly did not vote for. Families on both sides of the border will lose loved ones because of a conflict that no one, save for a very small group of people surrounding Putin, wanted. While I am very cognizant of my privilege of being able to write this from the comfort of my safe home in Duluth, Minnesota, the violence in Ukraine is particularly painful for me because of my personal connections to this country.

A photograph of the author’s father and grandparents fishing along the Dnieper River

Three of my grandparents were born in Ukraine. My Jewish maternal grandfather was born in Artemovsk (present-day Bakhmut), a city within the Donbass region which lies close to the border of the current separatist regions of Donestk and Donbass. His parents spoke Yiddish but, growing up in Leningrad (present-day St. Petersburg), my grandfather would recall his mother proudly saying “we are from the Donbass.” My maternal great-uncle perished during World War II when the Nazis attacked Borispyl airport, the same airport that is now under attack by Russian forces. My Jewish paternal grandmother was born in Kiev. Over a dozen of her relatives perished in Babii Yar during the Holocaust; she and her parents survived because they were evacuated to Kuibyshev (present-day Samara) in the nick of time. My paternal grandfather was born in Kiev and lived there through the Second World War. His parents came from Glukhov (current day Hlukhiv), a town in north-eastern Ukraine on the border with Russia; they were ethnically Ukrainian. My grandfather grew up speaking Russian at home but attending a Ukrainian language school. He lost his father during the Second World War; he has never learned the full story of how his father perished nor where he is buried. He met my grandmother at the Kiev Civil Engineering University and they later moved to Moscow where he pursued graduate study. They spent summers in Kiev and my grandfather’s greatest passion was to go fishing in the beautiful Dnieper river which snakes though the gorgeous Ukrainian capital. When my grandmother was pregnant, she decided to return to Kiev to give birth to her son, my father, so that she could be close to her parents. Thus, my father had Jewish and Ukrainian background; he grew up in Moscow but spent his summers in Kiev, a city he adored.

My family’s story is not unique. In fact, it is typical of millions of other stories of Russian, Ukrainian and Jewish families across the twentieth century. These family stories are marked by suffering, loss, and displacement. At the same time, they demonstrate the resilience of hybrid identities; family members spoke different languages, ascribed to different belief systems, and saw themselves as belonging to multiple communities. In some ways, these stories are iconically Soviet.

The events of the past week have made me think a great deal about these hybrid identities and their untenability in the 21st century. Over the past decade, President Putin and his propaganda machine have worked very hard to construct their own (false) historical narrative, using terms that are familiar to the population and grossly mis-applying them. Putin has capitalized on a historical fact, the alliance of some Ukrainian nationalist groups with the Nazis during World War II, to claim (ridiculously) that the current democratic Ukrainian state (led by a President of Jewish background no less) is somehow a Nazi polity. Putin has used some elements of shared culture, history, and religion between Russians and Ukrainians to claim that Ukrainians have no right to their own nation-state, going so far as to claim that Lenin “invented” modern Ukraine in 1917.

Furthermore, he has used the history of a very real genocide of Jews during the Holocaust to claim that contemporary Ukraine has been perpetrating a genocide against Russian-speakers residing in Ukraine. To be clear, while Ukraine has pursued language policy encouraging the use of the Ukrainian language, there is absolutely no reason to claim that Russian speakers in Ukraine have been subject to a genocide. In fact, as we are seeing on our TV screens, most Ukrainians have been defiant in rejecting Russia’s incursion and Putin’s ludicrous claims of defending Ukraine from a “fascist” regime. Listening to this quasi-historical rhetoric often feels like living in a world of funhouse mirrors. You are able to recognize some of the elements but everything is distorted beyond recognition and, in some cases, these justifications are used to argue for something that is very opposite of what they refer to. A case in point is Putin, a dictatorial leader who has amended the laws in Russia so that he can continue to rule indefinitely and has repeatedly used state resources to attack and imprison his critics, arguing that he is fighting Nazism by attacking the democratically elected government of Ukraine. Yet, Putin’s misuse of historical narratives is rather clever. For those who are not paying too close attention, terms like Nazis or genocide evoke strong associations and emotional responses. 

For people like my grandfather, now 93, and millions of others who have relatives, loved ones, and friends on both sides of the Russian/Ukrainian border, the events of the past week have been particularly painful. The world of hybrid identities, of multiculturalism, of bi and trilingualism in Eastern Europe is being dealt a final death blow. It is worthwhile pointing out that this is particularly the case for Jewish families whose roots span the map of Eastern Europe, through present-day Poland, Lithuania, Belarus, Ukraine and Russia, and whose family histories do not conform to strict geographical or cultural borders. There is no doubt that Hitler dealt the heaviest blow to the diversity and multi-culturalism of Eastern Europe. Today, Putin, who claims to be fighting against fascism, seems to be continuing Hitler’s campaign.

Natalie Belsky is Assistant Professor of History at the University of Minnesota Duluth. Her areas of specialization are Soviet history, Soviet Jewry, the Second World War, and the Holocaust and population displacement. Her current book manuscript examines civilian evacuation in the Soviet Union during the Second World War.

“Our fathers, grandfathers and great-grandfathers fought Nazism together. Starting a war to satisfy the geopolitical ambitions of the leaders of the Russian Federation, driven by fanciful and dubious historical considerations, is nothing but betraying their memory.”
Appeal By Russian Researchers And Scientists

A month ago, on Holocaust Remembrance Day, our colleague Catherine Guisan published on the CHGS blog a far-sighted article titled Why the Shutting Down of Russia’s Memorials Should Matter to Us. Prof. Guisan condemns the banning of two Russian NGOs in December 2021 that documented human rights abuses during the Soviet era, advocated for reparations to survivors, and defended human right victims in conflict zones, in and around modern Russia.

Several sites around Minneapolis have been lit yellow and blue, the colors of the Ukrainian flag. (Image via Star Tribune)

Today we watch in consternation the assault on the people of Ukraine and its outrageous justification by the Russian leadership (to “denazify Ukraine” and respond to “genocide” in the Donbas region). In the midst of uncertainty, we are reminded of our urgent mission to uphold truth, facts, and education. We see once and again that deliberate attempts to obliterate remembrance and convince people to disregard or misremember past violence are the prelude for further deadly violence. When lies about the past become a tool of state propaganda and a tactic of oppression, it is an unmistakable sign that that state is engulfed in violence. Czech author Milan Kundera, who witnessed the Soviet occupation of Czechoslovakia in 1968, knew well what he was referring to when he wrote his famous line, “The struggle of man against power is the struggle of memory against forgetting.” 

Today, and every day, the Center stands for truth and justice, and we stand arm in arm with the Ukrainian people and their loved ones around the world. 

Our friends at the Ukrainian American Community Center in Minneapolis have information about ways to help Ukrainian relief efforts.

“There’s a swastika in the bathroom,” says a high school senior casually as he walks into my classroom at the beginning of the seventh period; “it’s carved into the toilet paper dispenser.” After the class begins working on the day’s lesson, I walk down to the bathroom and snap a photo with my phone camera. Hardly the first, this is just the latest in a rash of swastika graffiti drawn and carved in the boys’ bathrooms at the small school where I teach high school social studies in rural south-central Wisconsin. As a community, we are struggling to understand why swastikas keep appearing in the bathrooms, and, more importantly, we are struggling to respond to this hate speech.

Photo of a swastika carved into a plastic toilet paper dispenser in a boys’ bathroom (Photo by the author)

Why do swastikas keep appearing in the boys’ bathrooms?

In a reflection activity that I conducted in my classroom regarding this latest incident of swastika hate graffiti, many students suggested that the swastikas are being drawn by kids who are either “just trying to be funny” or simply “do not understand what a swastika means.” 

Although most students want to minimize or dismiss the hate speech as juvenile pranks, one sophomore, in response to a reflection prompt asking why swastikas keep appearing in the boys’ bathrooms, wrote: “I think that there are more Jewish students in the school than we know about and they are drawing them.” This statement, suggesting that Jewish students are drawing and carving swastikas, is not simply an innocent misunderstanding; rather, it is part of a set of antisemitic myths that also claim that Jews caused the Holocaust. A recent study found that such beliefs are growing and are held by one in ten Americans under forty. This statement also reflects the pervasive and stubborn antisemitic beliefs of the predominantly white, working-class community in which the school is located.

Similar to the students, many of my colleagues minimize the repeated appearance of hate graffiti, dismiss the idea of punitive measures if the culprits of the swastika carvings were to be identified, and, instead, talk about the need for more education, specifically Holocaust education. “This is a learning opportunity,” they insist. I’m not sure that I agree that Holocaust education alone offers a solution. 

Holocaust Education

Despite having only a small number of Jewish families and teachers in the community, Holocaust education is a widely respected mainstay of the curricula and educational experience in the middle school and high school.

By the time they are high school seniors, my students have likely studied the Holocaust seven times across their mandatory middle and secondary Social Studies and English Language Arts classes: 5th-grade Social Studies; 6th-grade English; 8th-grade Social Studies and English; 10th-grade Social Studies and English; and 11th-grade Social Studies. By their junior year of high school, most have read Number the Stars, The Diary of Anne Frank, Letters from Rifka, The Book Thief, and Night. Most have traveled to the United States Holocaust Memorial Museum in Washington D.C. or the Illinois Holocaust Museum and heard survivors or survivor-descendants speak. 

Indeed, a recent study conducted by Claims Conference revealed that Wisconsin Millennials and Gen Zers (current high school students are part of Gen Z) scored highest in Holocaust awareness in the United States. My students are no exception; they display a basic understanding of the Holocaust. 

While my students have studied the Holocaust, especially the murder of European Jewry at Auschwitz-Birkenau, multiple times over their educational careers, I have found that they rarely learn about European or Nazi antisemitism (and even less about American antisemitism) in the years leading up to the Holocaust. Indeed, in preparation for a unit on the Holocaust in my tenth-grade World History course, many students still do not understand why the Nazis and their collaborators targeted and murdered the Jews of Germany and Europe. “I don’t understand; why did the Nazis hate the Jews?” is a common question. Many students struggle even to recognize or define the term “antisemitism.” 

While the lack of understanding of antisemitism certainly suggests a need to evaluate the scope and sequence and, especially, the content of Holocaust education in the school, I am not convinced that even the best Holocaust education can adequately address the antisemitic hate speech that keeps appearing in the boys’ bathrooms. 

A Culture of White Supremacy

While the swastika graffiti in the boys’ bathrooms is a disturbing sign of an increase in antisemitism across the country and around the globe, such hate speech is also part of a larger culture of white supremacy, which is being allowed to flourish within the school and the community during the 2021-2022 school year. Indeed, experts remind us that antisemitism is the canary in the coalmine of hatred, and images from Charlottesville in 2017 and the insurrection at the U.S. Capitol show the clear linkages between antisemitism and other forms of hate and white supremacy. 

Replacing the MAGA (“Make America Great Again”) hats that kids commonly wore during the last school year, white students in the school routinely wear and display “Blue Live Matter” and “Thin Blue Line” sweatshirts and decals. Students who are part of the small but growing number of students of color report that anti-Black and anti-immigrant hate speech goes largely unchallenged in the hallways and classrooms by students and teachers. Unlike in years past, white students’ use of the n-word goes largely unchecked in the current environment. Homophobic and transphobic hate speech is similarly unchallenged and, in some instances, even tacitly or openly endorsed by teachers.

In the past, when troubling instances of antisemitism from neighboring school districts in southern Wisconsin surfaced on social media, there was widespread outrage that teachers, administrators, and community members had failed to address such hate speech. Although, given recent shifts in national rhetoric over the past year, teachers and administrators now live in fear that efforts to combat antisemitic and white supremacist hate speech are increasingly likely to draw attention and condemnation as attempts to indoctrinate students with critical race theory. As a teacher, I fear that my efforts to draw attention to hate speech will result in public backlash. Similar fears have likely caused many teachers and administrators to remain quiet and hate speech to go largely unchecked. 

As of yet, there has been no formal communication from the school about the repeated appearances of the swastikas to students, staff, or the larger community. As I suspect is the case in many schools across Wisconsin and the country in the 2021-2022 school year, the swastika graffiti is quickly painted over and vandalized toilet paper dispensers are quietly replaced. 

While calls for “more Holocaust education” remain a popular solution to the growing antisemitic hate speech in schools, as a Holocaust and genocide educator and researcher, I am beginning to wonder about the limits of Holocaust education when confronting and educating students about the broader culture of white supremacy remains largely off-limits. I am, however, confident of one thing: with little response to the swastikas that appeared in the boys’ bathrooms this week, there are sure to be more drawn or carved next week. 

George Dalbo is a Ph.D. candidate in Curriculum and Instruction and Social Studies Education at the University of Minnesota and a former Research Assistant at the Center for Holocaust and Genocide Studies. George’s research broadly centers on how the Holocaust, genocide, mass violence, and human rights are taught in K-12 classrooms. George is also a full-time high school social studies teacher in rural south-central Wisconsin. In his 16th year of teaching, George has taught every grade from 5th-12th in public, charter, and private schools in Minnesota and Wisconsin and two years in Vienna, Austria.