Uncategorized

*Editors Note: This piece was originally posted by the UMN Human Rights Program. Click here to read the original post.

In Serbia, since the wars accompanying the breakup of Yugoslavia ended in 2001, another battle has been waged over representations of that violence. Competing interpretations are advanced by state and non-state groups over what happened and who is to blame. This battle can result in denial of genocide and other atrocities, which causes pain for survivors and victims and can enhance risk of future violence. While some research has been conducted on this process, gender has been under-researched as an important corresponding dimension. Women have unique experiences and memories of war and violence which may not be included in dominant narratives. In Serbia, women anti-war activists like Women in Black have been leading efforts for genocide acknowledgment and post-conflict reconciliation between opposing ethnic groups. In collaboration with Professor Joachim Savelsberg and thanks to the generous support of the Human Rights Initiative, we are exploring the role of women in the cultural processing of the Yugoslav wars in Serbia.

more...

The Center for Holocaust and Genocide Studies and the UMN School of Music had the pleasure of hosting Dr. Badema Pitic in March for a talk titled “Remembering Through Music: The Srebrenica Genocide in Bosnian izvorna Songs.” Watch a recording of the talk here. I had the opportunity to interview Dr. Pitic about her research on music, transitional justice, and reconciliation in post-war Bosnia-Herzegovina.

Dr. Badema Pitic is a Head of Research Services at the USC Shoah Foundation – Institute for Visual History and Education. She earned her Ph.D. in ethnomusicology in 2017 from the University of California, Los Angeles. Her research focuses on the intersections of music, memory, and politics in the aftermath of war and genocide in Bosnia-Herzegovina. Her research interests also include oral history and testimony, transitional justice, and perpetrators’ music.

more...

Visitors facing the entrance to Envisioning Evil: “The Nazi Drawings” by Mauricio Lasansky are offered only one glimpse of what they can expect if they choose to enter: a decorated Nazi officer raises his arm in a Hitler salute while blood-like drops fall from his wrist and smear the page. On his head is a terrifying bestial skull that appears both fixed and projected on the man’s scalp. A close look reveals smudges, partial erasures, hard pencil strokes, and tears to the paper. This work is steeped in rage.

more...

While Serbia does not share a direct border with Ukraine, it is close enough that when the fighting broke out I immediately called my Serbian relatives on Viber to ask what they had heard about the conflict and what was happening on the ground. In contrast to the overwhelmingly anti-Russian reactions shared on Western media, my Serbian relatives expressed a more lukewarm attitude towards the Russian side. They explained reasonably that Ukraine is growing closer to the West and Putin does not like that, so he is trying to persuade Ukraine to come back over to his side. My relatives repeated the Serbian government’s narrative that Serbia is a “neutral country” that does not want to take sides in the conflict, a position they view in a positive light. This narrative of neutrality is being used by the Serbian government to justify its refusal to impose sanctions and take a stronger anti-Russian stance. 

more...