Event Reviews

Visitors facing the entrance to Envisioning Evil: “The Nazi Drawings” by Mauricio Lasansky are offered only one glimpse of what they can expect if they choose to enter: a decorated Nazi officer raises his arm in a Hitler salute while blood-like drops fall from his wrist and smear the page. On his head is a terrifying bestial skull that appears both fixed and projected on the man’s scalp. A close look reveals smudges, partial erasures, hard pencil strokes, and tears to the paper. This work is steeped in rage.

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The American Swedish Institute (ASI) current exhibit, “Rescuing Children on the Brink of War,” provides various accounts from those who, as children, were sent to various countries to escape Nazi persecution between late 1938 and September of 1939. 

Originally a 2018 collaboration between the Yeshiva University Museum and Leo Baeck Institute (both located at the Center for Jewish History in Manhattan), the exhibition created an outpouring of public interest around the Kindertransport’s 80th anniversary and led to the donation of numerous items that have since ended up on companion sites.

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Do numbers matter? Learn about genocide, and often the first fact you’ll learn about is the number of victims. Six million Jews perished during the Holocaust. A million and a half Cambodians were killed during their genocide, eight hundred thousand Tutsis in Rwanda. While the UN Genocide Convention does not include a numerical threshold for genocide in its definition, we often equate the number of victims so closely with an act of genocide that the number itself seems to define the crime. Without such a threshold, does genocide occur? 

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Earlier this year, Cambodia marked the 40th anniversary of the collapse of the Khmer Rouge and the end of the genocide that left an estimated 1.5 to 2 million people dead and countless Cambodians displaced. It made sense then for the largest academic group dedicated to the study of genocide, the International Association of Genocide Scholars (IAGS), to host its biannual conference in Cambodia’s capital, Phnom Penh, this past July. The conference would provide an opportunity for the country to demonstrate its resiliency and give attendees (myself included) a chance to see the lingering effects of mass violence in a place where its impacts are still clearly visible and permeate nearly every aspect of society.

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This past June, the Memory Studies Association held its Third Annual Memory Studies Conference at the historic Complutense University Madrid. Hundreds of memory scholars from all over the world flocked to the city for the four-day conference, which was co-sponsored by the Center for Holocaust and Genocide Studies. The conference primarily took place at the Faculty of Philology buildings, which was a fitting location (considering its central role during the Spanish Civil War) to contemplate and reflect on the role of memory in our world today. 

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The 2019 Minneapolis-St. Paul International Film Festival kicks off Thursday with more than two weeks of films from around the world spread across theaters in the Twin Cities and Rochester. Included in this year’s festival are a number of movies that have piqued the interested of several of us at the Center for Holocaust & Genocide Studies.

Read on to get our picks for some of this year’s can’t miss films:

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In the woods of northern Minnesota, tucked along the shores of Turtle River Lake, is a small German village called Waldsee. Waldsee, which translates to “forest lake,” is home to Concordia Language Villages’ (CLV) German-language isolation-immersion programs, one of fifteen such language villages sponsored by Concordia College in Moorhead, Minnesota. Each summer, hundreds of staff and students pass through the village’s main building, dubbed the “Bahnhof,” or “train station,” to spend two or four weeks fully immersed in German language and culture. Until recently, most were completely unaware that the Nazis once used the name Waldsee as a euphemism for Auschwitz.

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In May, the Armenian Church, the Coptic Orthodox Church, and members of the Jewish community, gathered in the St. Sahag Armenian Church in St. Pail to commemorate victims of genocide and mass violence from their communities. This gathering appears to be the first time that these three communities have come together to remember their pasts. The event came to fruition over friendship and food, as well as a recognition that supporting one another, especially over similarly tragic pasts, is important for the survival of minority communities.

Speakers from each community emphasized a commonality between all three religions, whether a shared history of victimization or a shared theology. Each community has a tragic history, histories that Fr. Tadeos, the priest of the Armenian Church, wished would remain in the past. However, he emphasized that the Coptic Church continues to experience these tragedies today.

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Thursday marks the start of the 37th annual Minneapolis-St. Paul International Film Festival, a two plus week celebration of cinema from across the globe. This year’s events feature more than 250 films spread across six theaters throughout the Twin Cities.

Here are a few selections that may pique your interest:

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“A Holocaust video game!” exclaimed the man sitting to my left with an alarmed look on his face. Professor Wulf Kansteiner, in a keynote address, had just suggested both the inevitability and the necessity of such a video game in his argument for expanded tolerance towards the shifting nature of Holocaust narratives in societal consciousness and education. Indeed, half the audience gathered at the three-day Holocaust education conference, “Near but Far: Holocaust Education Revisited,” in Munich, Germany seemed incensed by the idea of a video game about the Holocaust. The other half – a mix of professors, teachers, and site educators – nodded their heads, if not in approval, perhaps knowing that the future of Holocaust education, as outlined by Kansteiner, is already emerging. Indeed, such games are making a tentative foray into an industry whose revenues have surpassed those of the movie industry for more than a decade.

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