It is with great sadness that the Center for Holocaust and Genocide announces the passing of Gus Gutman. We recently had the pleasure of working with Gus on the “Portraying Memories” project with artist Felix de la Concha. Gus was an enthusiastic participant, turning what is typically a 2-4 hour session into a daylong adventure involving a trip to the Shalom Home, where he introduced Felix to his good friend Walter Schwartz, so he could participate as well.
Can memory be a bad thing? Readers must have stumbled over a recent headline that said, “Plan to open a new Holocaust Museum in Budapest faces criticism – from Jews.”Isn’t creating such a museum, as any other project that raises awareness and educates on the Holocaust, always something praiseworthy?
Jewish Poland Revisited: Heritage Tourism in Unquiet Places
by Erica T. Lehrer
Since the end of Communism, Jews from around the world have visited Poland to tour Holocaust-related sites. A few venture further, seeking to learn about their own Polish roots and connect with contemporary Poles. For their part, a growing number of Poles are fascinated by all things Jewish. Erica T. Lehrer explores the intersection of Polish and Jewish memory projects in the historically Jewish neighborhood of Kazimierz in Krakow. Her own journey becomes part of the story as she demonstrates that Jews and Poles use spaces, institutions, interpersonal exchanges, and cultural representations to make sense of their historical inheritances.
Something insidious, but sadly not unexpected, is happening in the Central African Republic (CAR)-over the past twelve months mass killings have been taking place in the CAR, a former French colony in a very rough neighborhood (it borders the Sudan’s to the East, Chad to the North, and DRC to the South). Things came to a head in March when the former president Francois Bozizé was deposed by a group of Muslim militants (Séléka) whom instigated sectarian killings and human rights abuses against the largely Christian populace. This has resulted in the formation of self-defense groups (Anti-balaka meaning ‘sword/machete’ in the Sango language) formed to protect the victims. This conflict is complicated by the fact that there are claims of the Séléka getting support from mercenaries in Sudan and Chad.
Who was Benjamin Murmelstein? Why would Claude Lanzmann dedicate over 3 hours to him in his latest film The Last of the Unjust? Murmelstein was a rabbi and teacher from Vienna, third Jewish elder of the Thereseinstadt ghetto, and the only surviving Jewish elder of any of the Jewish Councils set up by the Nazis. Condemned by many in the Jewish Community as a traitor and a Nazi collaborator he was tried and acquitted by the Czech authorities after the war settling in exile in Rome where he lived until his death in 1989.
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Last month, the EU’s Agency for Fundamental Rights (FRA) released a comprehensive study on the experiences of antisemitism among Jews in 8 European countries (Belgium, France, Germany, Hungary, Italy, Latvia, Sweden, and the United Kingdom)-whose Jews comprise 90% of the EU’s total Jewish population.
Kristallnacht: Violence, Memory, and History
Edited by Nathan Wilson, Colin McCullough
What did people hear about Kristallnacht outside of Germany in 1938 from governments and media sources? How did governments and ordinary people respond to the plight of the Jewish community there? How have lives been affected by Kristallnacht in the seventy years since its occurrence? This interdisciplinary study of erasure and enshrinement seeks to answer these questions, exploring issues of memory and forgetting (in both the material and symbolic sense), and how the meaning of Kristallnacht has been altered by various actors since 1938.
An extraordinary international exhibit is touring Minnesota this month: Lawyers without Rights. Jewish Lawyers in Germany Under the Third Reich. The display was created by the German and American Bar Associations and was brought here as an outreach initiative of the Federal District Court of Minnesota. The exhibit reflects a time in Germany when individual rights and the rule of law were systematically disregarded. more...
Myron Kunin passed away at the age of 85 last week. It was Myron’s passion for art that brought him together with Stephen Feinstein. Together they curated Witness and Legacy, a major commemorative art exhibition to mark the 50th anniversary of the liberation of Auschwitz that debuted in St. Paul in 1995 and traveled until 2002. That collaboration began the friendship and vision that lead to the founding of our Center in 1997.
We will honor Myron’s his legacy as we strive to fulfill our mission of educating all sectors of society about the Holocaust and other genocides.
May his memory be a blessing to us all.
Obituary: Myron Kunin, businessman, patron of the arts
Star Tribune 10-31-2013
My Parents II, 1946. Henry Koerner (1915-1991)
This painting from Myron Kunin’s collection has been associated with the Center since it was used to promote the Absence/Presence exhibition of 1999. It was also used as the cover photo for Dr. Stephen Feinstein’s book of the same name.
The Order Has Been Carried Out: History, Memory, and Meaning of a Nazi Massacre in Rome
by Allesandro Portelli
Winner of the 2005 Oral History Association Book Award
On March 24, 1944, Nazi occupation forces in Rome killed 335 unarmed civilians in retaliation for a partisan attack the day before. Alessandro Portelli has crafted an eloquent, multi-voiced oral history of the massacre, of its background and its aftermath. The moving stories of the victims, the women and children who survived and carried on, the partisans who fought the Nazis, and the common people who lived through the tragedies of the war together paint a many-hued portrait of one of the world’s most richly historical cities. The Order Has Been Carried Out powerfully relates the struggles for freedom under Fascism and Nazism, the battles for memory in post-war democracy, and the meanings of death and grief in modern society.