Commemorating the Holocaust: The Dilemmas of Remembrance in France and Italy

by Rebecca Clifford

144Commemorating the Holocaust: The Dilemmas of Remembrance in France and Italy reveals how and why the Holocaust came to play a prominent role in French and Italian political culture in the period after the end of the Cold War. By charting the development of official, national Holocaust commemorations in France and Italy, Rebecca Clifford explains why the wartime persecution of Jews, a topic ignored or marginalized in political discourse through much of the Cold War period, came to be a subject of intense and often controversial debate in the 1990s and 2000s.
How and why were official Holocaust commemorations created? Why did the drive for states to “remember” their roles in the persecution of Jewish populations accelerate only after the collapse of the Cold War? Who pressed for these commemorations, and what motivated their activism? To what extent was the discourse surrounding national Holocaust commemorations really about the genocide at all?

Commemorating the Holocaust explores these key questions, challenging commonly-held assumptions about the origins of and players involved in the creation of Holocaust memorial days. Clifford draws conclusions that shed light both on the state of Holocaust memory in France and Italy, and more broadly on the collective memory of World War II in contemporary Europe.

137Noemi Schory, a documentary film director and producer, was the Schusterman Visiting Artist in Residence at the Center for Jewish Studies 2013 Fall Semester. Schory taught The Holocaust in Film: Recent Israeli and German Documentaries Compared and spoke at various film screenings and events on campus and in the community. Schory produced the award-winning documentary film “A Film Unfinished” about the Warsaw ghetto in Poland, which was screened by CHGS on November 12th, 2013 at the St. Anthony Main Theatre.

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After concerted efforts by the Economic Community of Central African States, Prime Minister Djotodia, stepped down last week following a two-day summit in Chad. This concluded the shuttle diplomacy by Ambassador Power and concerted efforts by Secretary of State Madeleine Albright to raise awareness of what was happening in CAR. His replacement, Mr. Alexandre-Ferdinand Nguendet is the former speaker of parliament and upon his ascension to office has claimed that violence has largely subsided. more...

It is with great sadness that the Center for Holocaust and Genocide announces the passing of Gus Gutman. We recently had the pleasure of working with Gus on the “Portraying Memories” project with artist Felix de la Concha. Gus was an enthusiastic participant, turning what is typically a 2-4 hour session into a daylong adventure involving a trip to the Shalom Home, where he introduced Felix to his good friend Walter Schwartz, so he could participate as well.

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Can memory be a bad thing? Readers must have stumbled over a recent headline that said, “Plan to open a new Holocaust Museum in Budapest faces criticism – from Jews.”Isn’t creating such a museum, as any other project that raises awareness and educates on the Holocaust, always something praiseworthy?

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Jewish Poland Revisited: Heritage Tourism in Unquiet Places

by Erica T. Lehrer

125Since the end of Communism, Jews from around the world have visited Poland to tour Holocaust-related sites. A few venture further, seeking to learn about their own Polish roots and connect with contemporary Poles. For their part, a growing number of Poles are fascinated by all things Jewish. Erica T. Lehrer explores the intersection of Polish and Jewish memory projects in the historically Jewish neighborhood of Kazimierz in Krakow. Her own journey becomes part of the story as she demonstrates that Jews and Poles use spaces, institutions, interpersonal exchanges, and cultural representations to make sense of their historical inheritances.

Something insidious, but sadly not unexpected, is happening in the Central African Republic (CAR)-over the past twelve months mass killings have been taking place in the CAR, a former French colony in a very rough neighborhood (it borders the Sudan’s to the East, Chad to the North, and DRC to the South). Things came to a head in March when the former president Francois Bozizé was deposed by a group of Muslim militants (Séléka) whom instigated sectarian killings and human rights abuses against the largely Christian populace. This has resulted in the formation of self-defense groups (Anti-balaka meaning ‘sword/machete’ in the Sango language) formed to protect the victims. This conflict is complicated by the fact that there are claims of the Séléka getting support from mercenaries in Sudan and Chad.

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Who was Benjamin Murmelstein? Why would Claude Lanzmann dedicate over 3 hours to him in his latest film The Last of the Unjust? Murmelstein was a rabbi and teacher from Vienna, third Jewish elder of the Thereseinstadt ghetto, and the only surviving Jewish elder of any of the Jewish Councils set up by the Nazis. Condemned by many in the Jewish Community as a traitor and a Nazi collaborator he was tried and acquitted by the Czech authorities after the war settling in exile in Rome where he lived until his death in 1989.
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Last month, the EU’s Agency for Fundamental Rights (FRA) released a comprehensive study on the experiences of antisemitism among Jews in 8 European countries (Belgium, France, Germany, Hungary, Italy, Latvia, Sweden, and the United Kingdom)-whose Jews comprise 90% of the EU’s total Jewish population.

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Kristallnacht: Violence, Memory, and History

Edited by Nathan Wilson, Colin McCullough

41eYkEPdVXL._SX331_BO1,204,203,200_.jpgWhat did people hear about Kristallnacht outside of Germany in 1938 from governments and media sources? How did governments and ordinary people respond to the plight of the Jewish community there? How have lives been affected by Kristallnacht in the seventy years since its occurrence? This interdisciplinary study of erasure and enshrinement seeks to answer these questions, exploring issues of memory and forgetting (in both the material and symbolic sense), and how the meaning of Kristallnacht has been altered by various actors since 1938.