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In light of the recent tragedy in Newtown, Connecticut, the debate over access to firearms has again been thrust to the fore of our national consciousness. With the resurgence of this debate, the classic “guns don’t kill people” line of argument will inevitably feature prominently in radio conversations, TV interviews, Facebook posts, and tweets. The “guns don’t kill people” trope is part of a larger pattern in how our society frames the relationship between technology and (lack of) collective responsibility.

“Guns don’t kill people” is a spin on the broader “technology is neutral” trope–still widely-embraced by Silicon Valley–whose function is to absolve the creators of technology from any responsibility for the consequences of what they have designed. The “technology is neutral” trope has long be subject to criticism. From Frankenstein’s monster turning on its creator to Robert Oppenheimer’s own reflections on creating the bomb, Western civilization has wrestled with the question of where responsibility resides in atrocities facilitated by technology, and we, on occasion, are reminded that the choice of what to research and create (or to not research and not create) is an expression of both individual and cultural values. As the great sociologist Max Weber once said, only through “naive self-deception” does a technician ignore “the evaluative ideas with which he unconsciously approaches his subject matter… that he has selected from an absolute infinity a tiny portion with the study of which he concerns himself.” Technology is never neutral because its birth–its very existence–is the product of both political forces and values-oriented decision making.

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To the photographer, this was simply a beating, not this particular man suffering

This glitch is a correction to the “machine”, and, in turn, a positive departure

If we perfect online dating, we won’t need robot lovers because the dating platform will roboticize us

I don’t think Google News has ever taken enough responsibility for the cybernetics of the system it created

Inbox Zero is a coping mechanism for the anxiety created by a constant flux of e-mail

the cybertheorists, however, are a peculiarly corporatist species of the Leninist class

The internet is a real place. It’s where I live, my public space. I don’t like feeling that I can’t go there without fear of violence

the first episode of a late-night TV program to see an artist engaging the crowd with a participatory smart-phone app

I’m tired, technoutopianism. I’m tired of your sexy, shiny surface and your utter lack of substance

Nathan’s Twitter: @nathanjurgenson more...

The following post was originally a seminar “reading response” paper that I had a little too much fun with. Reproduced here for your (possible) amusement:

Oh, technoutopianism. I came of age steeped in you; I was the fish, and you were the water that surrounded me and kept me wet. We were once such intimate familiars—and yet, you still managed to smack me right upside the head when I moved to the Bay Area.

It’s not that we weren’t great together, for a time. more...

The concept of the Uncanny Valley is pretty well known by now – the idea, popularized by robotics professor Masahiro Mori, that as non-human objects approach a human likeness they start, for lack of a better phrase, to really creep us the hell out. It’s a fairly simple idea, and one that usually seems reasonable to us on both a visceral and an intellectual level, at least partly because it’s something that most of us have experienced aspects of at one time or another. But there are parts of this concept that often go unexplored, which is what I want to deal with here.

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Via National Postal Museum

Most Wanted posters, having lost their long standing place at the Post Office, have found a new home on Pinterest. Following the Philadelphia Police Department, police in Pottstown PA, are now electronically pinning  images of those with outstanding arrest warrants. Yes, the same place people exchange recipes and DIY home tips is increasingly also place in which police officers disseminate photographs of felons on the lam (time out: I just got to use the phrase “on the lam” in an academic-ish piece of writing.  *self high-five*).

This use of Pinterest for mugshot dissemination is theoretically interesting in a number of ways. Here, I denote three key interrelated insights: more...

Image c/o Justin Sullivan/Getty Images

There is no such thing as ‘getting it right,’ only ‘getting it’ differently contoured and nuanced. When experimenting with form, ethnographers learn about the topic and about themselves what is unknowable, unimaginable, using prescribed writing formats.” –Laura Richardson “A Method of Inquiry” In The Handbook of Qualitative Research (1991, p. 521)

“The major issue is how to use the variety of available textual formats and devices to reconstruct social worlds and to explore how those texts are then received by both the cultural disciplines and the social worlds we seek to capture.” Paul Atkinson and Amanda Coffey in Theorizing Culture: An Interdisciplinary Critique After Postmodernism (1995, p. 49)

 

“You’re not the boss of me!”

“It’s a good thing you’re a volunteer then, since you’d make an awful employee.”

“To hell with you!” They both glowered at each other like a pair of hungry house cats eyeing the same can of tuna. It was 10:34PM, the printer was out of toner, and this meeting was going nowhere. In the next room someone was watching a youtube video with lots cussing and something that sounded like a revving truck engine. The florescent lighting made everyone look sallow and empty.

“I’m not saying you’re wrong, I’m just saying the numbers worry me. There’s nothing in here that’ll guarantee a win in Cuyahoga or Franklin county.” Jeffrey motioned with an open hand to a printed excel spreadsheet on the table, the tips of his fingers briefly jabbing the top page before going back to their default position as support beams for his head. Jeffrey always held his head in his right hand when he was feeling attacked. He thought it made him look unaffected. more...

Best GIF – Drama

tablets aren’t a new medium which will support a whole new class of publications

We live for the moment because the moment is what an image captures

Social media is a major development in the creation and delivery of propaganda

to lose a cell phone would be to induce a state of partial amnesia

Hyper-visibility and invisibility are not mutually exclusive

the image may be the most-shared item in the eight-year history of Facebook

unboxing videos are maybe the exact opposite of ASMR videos

I happen to love Instagram because I’m mildly creative and a terrible picture takermore...

Since it’s the season for giving, I’d like to satirically write up some conclusions for that op-ed you need to finish. A cool way to crank out that “think-piece” before your deadline is to pick a topic—reading, driving, talking, pet-grooming, bedazzling, whatever—and say social media is making it less real, deep, true, meaningful, authentic, soulful, or whatever else makes you feel like a better type of human than the automaton masses. more...

The thing about identity is that the stories we tell ourselves about our own are already forcibly consistent. We don’t need Facebook to make this so.

Last week there were several great posts on this subject. Nathan kicked things off with his claim that the social pressure to have a consistent identity is both subtly reinforced by how Facebook encourages – and constrains – the way we prosume identities, and that it potentially enables us to confront the fact that this consistency is an impossible and unreasonable standard to meet; identity is perhaps much more fluid than we’re comfortable thinking. Rob Horning was in agreement with at least part of this, suggesting that Facebook decontextualizes identity, making it seem less rooted in personal experience and more in data. Whitney went on to make a fascinating claim: that when our process of identity formation is recorded and made immediate in this way, it collapses the past into the present and removes temporal distance that basically alleviates the pain that’s all too often wrapped up in who we used to be.

This is the point I want to latch onto. Because this is significant. This is really about our stories. And this is really about not only remembering a more immediate past, but inhabiting that past. We are faced with who we used to be and we become that person – “to read the words that came from that person is to be that person again”. We occupy our old self’s cognitive and emotional space.

This hurts. There are a couple of reasons why.

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Several weeks ago, I wrote about the “fear of being missed (FOBM).” The flip side of FOMO (fear of missing out), FOBM captures the anxiety surrounding a complex and fast moving online realm in which it is easy to be buried, ignored, and/or forgotten. This anxiety is amplified by the online/offline connectedness, through which invisibility online can lead to neglect offline (personally and professionally). FOMO and FOBM speak to the difficulty of deleting social media accounts, the discomfort of a dead cell/laptop/tablet battery, and the drive to livetweet, status update, tag oneself in pictures, and be physically present for tagable photo-ops.

Soon after posting my piece on Cyborgology, I read Tiana Bucher’s article in New Media & Society about Facebook algorithms and the fear of invisibility. Bucher’s work offers a useful theoretical frame (Foucault’s Panoptican) for FOBM, and an equally good (if not better) term for the phenomena (fear of invisibility). In what follows, I describe Bucher’s piece and its utilization. I then offer critiques of her work. In this way, I hope to further the theoretical substance of FOBM, framing it with the tools suggested by Bucher, and refining it through juxtaposition to Bucher’s arguments.    more...