Search results for twitter

R.U.X. (Rockwell Universal Sexbots), written by Maurice Martin and directed by Sun King Davis, was first written and performed as a charity effort to raise money for HIPS (Helping Individual Prostitutes Survive); it ran as a five-part serial in Arlington’s October 2011 Hope Operas. It was rewritten as a full play for DC’s 2012 Fringe Festival, where it took the award for best comedy. The show just finished up a brief encore at Fall Fringe. While this comedy has already been widely and positively reviewed by DC theater critics, it deserves a piece that engages its rather weighty themes.

The story takes place in near-future America (similar in setting to the spate of early twenty aughts robot films such as Bicentennial Man, A.I., and I, Robot), where anthropomorphic robots have become a common consumer product. Louis Rockwell Jr. (John Tweel) has just been made acting CEO of the Rockwell Universal Carebots company, after his father (Frank Mancino) fell into a coma. Louis Jr. has a new vision that would transition the company away from producing robots designed for childcare and, instead, move it into designing robots for—you guessed it—sex.  After rebranding the company “Rockwell Universal Sexbots,” he hires Dr. Callie Veru (Aubri O’Connor), a young and romantically inexperienced software expert to program the robots with the capacity to fulfill human desire. To program robots to respond to human desire, however, the characters must first understand it, and this interrogation of human desire becomes the axis on which the entire plot rotates. more...

We are on the edge of a Paleolithic Machine intelligence world. A world oscillating between that which is already historical, and that which is barely recognizable. Some of us, teetering on this bio-electronic borderline, have this ghostly sensation that a new horizon is on the verge of being revealed, still misty yet glowing with some inner light, eerie but compelling.

The metaphor I used for bridging, seemingly contrasting, on first sight paradoxical, between such a futuristic concept as machine intelligence and the Paleolithic age is apt I think. For though advances in computation, with fractional AI, appearing almost everywhere are becoming nearly casual, the truth of the matter is that Machines are still tribal and dispersed. It is a dawn all right, but a dawn is still only a hint of the day that is about to shine, a dawn of hyperconnected machines, interweaved with biological organisms, cyberneticaly info-related and semi independent. more...

Image from The Atlantic Cities, Flickr user Bikoy under Creative Commons

About this time last year I asked our readers, “why we don’t criticize other things like we criticize the internet?” It seemed like a fitting topic for the season; we utilize some of the most resource-intensive technologies at our disposal so that we may enjoy egg nog with old friends or taste grandma’s famous Thanksgiving day turkey. Everyone wants to be near their loved ones for the holidays, and so begins a massive effort to transport ourselves in cars, trains and planes until we arrive at our optimal holiday season arrangements. It is a wonder, then, why we spend so much of our lives outside of this optimal arrangement. What kind of relationship do we have with our immediate surroundings? Not just the people, but the technologies and the patterns. There is a lot of excellent work on carbon footprints, local food movements, and walkable communities but I hear comparatively little about who is capable of making this transition. What does opting out of the status quo truly entail?  more...

YouTube Preview Image

This is a re-post from George Ritzer’s newly-launched blog. George’s original post was derived from a plenary talk given in 2011 at the first Theorizing the Web conference at the University of Maryland, and he returned to these thoughts in anticipation of the third Theorizing the Web conference scheduled for early 2013 at the City University of New York.

Our understanding of the Internet, social networking, and the role of the prosumer in them is greatly enhanced by analyzing them through the lens of a number of ideas associated with postmodern theory.

There is, for example, the argument that the goal in any conversation, including those that characterize science, is not to find the “truth” but simply to keep the conversation going. The Internet is a site of such conversations. It is a world in which there is rarely, if ever, an answer, a conclusion, a finished product, a truth. Instead, there are lots of ongoing conversations and many new ideas and insights. Prime examples of this on the Internet include wikis in general and Wikipedia in particular, blogs and social networking sites. Google’s index is continually evolving and a complete iteration online content is impossible. All such sites involve open-ended processes that admit of no final conclusion. more...

“Silicon Valley doesn’t just reflect social norms — it actively shapes them in ways that are, for the most part, imperceptible

Perhaps it won’t be long before Google, not Gallup, is the most trusted name in polling

I took pictures of the panopticon while watching other tourists take pictures of the panopticon

the skeumorphic has begun to feel – in Lyotard’s terms – pornographic

styles change hands so quickly it is ludicrous to discuss who “thought of it” first, but simply who did it best

the Internet lets us say more, but what we actually end up saying is more distracting than informative

Think of our password problem as being like polio

the system they’d developed could raise $3 million from a single email

Silicon Valley imagines itself as the un-Chick-fil-A

Follow Nathan on Twitter: @nathanjurgenson

more...

I still have no idea if this website is “real” or not.

In the 1993 film Demolition Man, a not-so-sensitive ‘90s guy (a cop named John Spartan, played by Sylvester Stallone) is thawed out of cryoprison in the year 2032. Halfway through the film, Spartan’s new partner on the San Angeles police force (Lenina Huxley, played by Sandra Bullock) asks Spartan if he would like to have sex—to which he unsurprisingly responds, “Oh yeah.”

Sex, however, isn’t what it used to be. It turns out that by 2032, “fluid transfer” has been outlawed and, in one of the film’s most famous scenes, Huxley and Spartan “make love” by sitting 10 feet away from each other and transmitting brain waves via specialized helmets. If you’re into that  mind/body dualism thing (I’m not, but bear with me), the sex they have is decorporealized; it bypasses the cumbersome interface of human biology to create pleasurable brain waves in a more pure and efficient way. Spartan is first nonplussed, then aroused, then entirely freaked out, and removes his helmet at a very inopportune moment for Huxley. Their night ends badly.When it comes to law according to this mesothelioma lawsuit in illinois Mesothelioma attorneys can help you get the settlement you deserve. Have you been trying your hardest to lose a few pounds of fat from your body? With so many weight loss supplements springing up every day, you might have realized that you aren’t the only one with this problem. hopefully, our review of Ultra Omega Burn can help you. Ultra Omega Burn is made from Omega 7 fatty acid made from cold press technique. At Leigh Brain & Spine, our goal is to ensure you are at the highest level of safety and comfort while you are at our facility in Chapel Hill finding the proper solution to improve your life. To ensure your safety and comfort, we offer complimentary consultations to discover the root of your symptoms and the best non-medication methods of treatment. you can visit the site to know more about the top rated chiropractor in Chapel Hill. Whether you need a chiropractor for relief from physical pain, disc injuries, or neurofeedback for help with the symptoms of ADHD, head injury, and stress, you can trust Dr. Cosmas and Trish Leigh, each Board Certified with 20+ years of experience in their respective areas of expertise. Fall asleep faster and wake up refreshed with Medterra having CBD. Before moving to any conclusion of the buying Medterra from any store, we will recommend you to check the Medterra review of the best store.

This scene popped into my head earlier this week, as I sat in my living room with a pair of headphones on listening to strange sounds that were supposedly going to get me high by bypassing (the rest of) my biological interface to go straight for my brain waves. more...

Obama Victory Speech at the Romney Headquarters. Image c/o White People Mourning Romney

In the aftermath of what both sides agree was the most substanceless presidential election in our nation’s history, some variation of the phrase “post-truth politics” has begun haunting the pages of op-eds and news show roundtables (Seriously, its everywhere. Here’s the first five that I found: one, two, three, four, five.).  To say that we live in an age of “post-truth politics” isn’t totally inaccurate, nor is it unworthy of the attention it is getting, but the discussion has yet to truly wrestle with the characeristics of commodified information. Information can be true, and it can be false, but how that information is disseminated, used, and ignored is what truly matters. Information doesn’t (just) want to be free, it also wants to be exploited. more...

Last week, in response to Jurgenson’s earlier typology of dualist theorizing,  I typologized empirical/experiential reality upon a porous continuum between pure digital dualism and pure integration. Each of these poles represents a problematic and unrealistic ideal type. The intervening categories, however, represent theorizable empirical situations. In an effort to explicitly link my argument to Jurgenson’s,  I labeled these intervening categories using the language of his typology. Jurgenson critiqued this linguistic choice, and I agree.  Having driven home the connection, and diagnosed the “slipperiness” of theory that Jurgenson decried,  I now re-work the language of my typology to more precisely represent the meaning behind each categorical type. Although the adjustments are slight (I change only two words–but very important ones), the meaning is far more lucid. Below is the original post, with my typological categories reworked linguistically. Changes are indicated by red text. Further suggestions/critiques are welcome. 

more...

The lapses of disconnect between me and my avatar are occasional, but odd

social media nurtures the impulse to speak

bloggers have reached the level of pop culture acceptance that comes w/ having a dog do their jobs for comedic effect

since the election of Barack Obama, the worldview of online hate groups has become more violent

the vaunted FiveThirtyEight model is only as good as the data it runs through its algorithm

Items that evoke sadness or contentment are unlikely to spur the clicks and conversations that lead to virality

Now a slightly more stomach-churning bit of online past can be yours with a custom Goatse email address

the anxious and microfamous risk their reputation and the immediate deciding outcome is likes, reblogs

few things make me contemplate digitally-mediated sociality the way being unwillingly cut off from it does

Follow Nathan on Twitter: @nathanjurgenson more...

A week or two ago, Jo Hedwig Teeuwisse’s ‘Ghosts of History’ project made the rounds online. Using Photoshop, Teeuwisse has blended photographs from World War II with modern day photographs taken of the same location. The images have been reproduced at the Atlantic, the Huffington Post, The Daily Mail, and The Sun, to name a few, and similar projects have been popping at regular intervals for awhile now – here are some different examples – so there’s evidently something compelling about this kind of series.

In an email interview, Teeuwisse tells the Atlantic’s Rebecca J. Rosen that she hopes her particular project will encourage people to “stop and think about history, about the hidden and sometimes forgotten stories of where they live.” About one image (in which World War II soldiers dash across the modern-day Avenue de Paris in Cherbourg; one of the soldiers hangs back, semi-transparent, and he appears to be fading, like a shadow growing dull as clouds pass across the sun, or a mirage) she says: “it to me sort of suggests the idea of someone being left behind, history hanging around and staying.”

The reason these kinds of images are compelling is because they present us with an opportunity to see what’s always there but has been made – by time, by forgetfulness – invisible. Here are (some of) the layers of history made visible again; here’s a kind of manifestation of place-memory; a new way of bridging whatever gap exists between then and now. more...