The Holocaust

The Bloomsbury Companion to Holocaust Literature

Edited by Jenni Adams

216The Bloomsbury Companion to Holocaust Literature is a comprehensive reference resource including a wealth of critical material on a diverse range of topics within the literary study of Holocaust writing. At its centre is a series of specially commissioned essays by leading scholars within the field: these address genre-specific issues such as the question of biographical and historical truth in Holocaust testimony, as well as broader topics including the politics of Holocaust representation and the validity of comparative approaches to the Holocaust in literature and criticism.

Over the years I have asked educators to provide me with a definition of the Holocaust. Much to my surprise no matter what state I was in, whether it was Minnesota, Tennessee or California, I have heard several different answers. Numbers of dead ranged from 6 to 12 million and several victim groups were covered under the term.

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This May, CHGS is sad to announce the loss of two friends, Margot De Wilde and Fred Baron.

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Holocaust Memory Reframed: Museums and the Challenges of Representation

by Jennifer Hansen-Glucklich

Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.

173In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States.

No nos une el amor, sino el espanto.
(We are not united by love, but by horror)

Jorge Luis Borges
(Argentinean poet)

Since Auschwitz it has indeed been possible to speak of a
German-Jewish symbiosis-but of a negative one. For both
Germans and for Jews the result of mass extermination has
become the basis of how they see themselves, a kind of
opposed reciprocity they have in common, willy-nilly.

Dan Diner
(Historian)

The above-cited quotes reveal a tragic irony. The Holocaust has bound forever “Germans” and “Jews” to the past. It has also opened an insurmountable gap that conditions the mutual relationship, as well as the passing on of group identity – of victims and of perpetrators stuck in a permanent position of culpability – to the next generations. Moreover, it perpetuates in time a binary division constructed by the Nazi ideologues: Germans vs. Jews.

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161Standing on Polish soil is to stand upon the fertile ground of memory. Poles see themselves as a people who have struggled to maintain their national identity amidst occupation and oppression. The Polish past is negotiated on a daily basis between the generations of Poles who lived (or grew up) during World War II, those who lived during the Soviet regime, and those who have come of age after the fall of Communism. All three of these groups have grown up with the narrative of Poles as rescuers, resisters and martyrs. This idea was shaped during the Soviet years and reinforced through Polish popular culture.

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Commemorating the Holocaust: The Dilemmas of Remembrance in France and Italy

by Rebecca Clifford

144Commemorating the Holocaust: The Dilemmas of Remembrance in France and Italy reveals how and why the Holocaust came to play a prominent role in French and Italian political culture in the period after the end of the Cold War. By charting the development of official, national Holocaust commemorations in France and Italy, Rebecca Clifford explains why the wartime persecution of Jews, a topic ignored or marginalized in political discourse through much of the Cold War period, came to be a subject of intense and often controversial debate in the 1990s and 2000s.
How and why were official Holocaust commemorations created? Why did the drive for states to “remember” their roles in the persecution of Jewish populations accelerate only after the collapse of the Cold War? Who pressed for these commemorations, and what motivated their activism? To what extent was the discourse surrounding national Holocaust commemorations really about the genocide at all?

Commemorating the Holocaust explores these key questions, challenging commonly-held assumptions about the origins of and players involved in the creation of Holocaust memorial days. Clifford draws conclusions that shed light both on the state of Holocaust memory in France and Italy, and more broadly on the collective memory of World War II in contemporary Europe.

137Noemi Schory, a documentary film director and producer, was the Schusterman Visiting Artist in Residence at the Center for Jewish Studies 2013 Fall Semester. Schory taught The Holocaust in Film: Recent Israeli and German Documentaries Compared and spoke at various film screenings and events on campus and in the community. Schory produced the award-winning documentary film “A Film Unfinished” about the Warsaw ghetto in Poland, which was screened by CHGS on November 12th, 2013 at the St. Anthony Main Theatre.

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Can memory be a bad thing? Readers must have stumbled over a recent headline that said, “Plan to open a new Holocaust Museum in Budapest faces criticism – from Jews.”Isn’t creating such a museum, as any other project that raises awareness and educates on the Holocaust, always something praiseworthy?

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Jewish Poland Revisited: Heritage Tourism in Unquiet Places

by Erica T. Lehrer

125Since the end of Communism, Jews from around the world have visited Poland to tour Holocaust-related sites. A few venture further, seeking to learn about their own Polish roots and connect with contemporary Poles. For their part, a growing number of Poles are fascinated by all things Jewish. Erica T. Lehrer explores the intersection of Polish and Jewish memory projects in the historically Jewish neighborhood of Kazimierz in Krakow. Her own journey becomes part of the story as she demonstrates that Jews and Poles use spaces, institutions, interpersonal exchanges, and cultural representations to make sense of their historical inheritances.