social construction

Binyavanga Wainaina does an excellent job, in this 3-minute video, describing ways that “Africa” tends to be written about in the West. See how many of the tropes you recognize:

To paraphrase Jose, at Thick Culture, it’s important to be engaged with the world, but our engagement shouldn’t be entirely on our terms. And, especially, not terms in which the Western world gets to construct itself as the savior of the less fortunate (e.g., Avatar).

Such ideas make it seem as if underdeveloped parts of the world are somehow inherently deficient (culturally or otherwise). When, in fact, insofar as underdeveloped parts of Africa or other continents need saving, it is partly (largely?) because of (1) a history of colonialism that stole their resources and disrupted their societies and (2) the current global economic system that continues to put them at a devastating disadvantage.

See also: The Single Story of “Africa”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Reader Jennifer E.B. alerted us to the Dutch tradition of Zwarte Piet, “Black Pete.”  Jennifer writes:

I grew up in a town that was overwhelmingly Dutch.  Most people in town had Dutch anscestry (though not my family), there was a Dutch festival each spring, and before Christmas there was a Sinterklaas parade (Dutch Santa Claus).  When we were there for Christmas this year both of my daughters received a chocolate in the shape of their initial in their stockings from my sister.  I had let them have some of the chocolate several times before the background picture on the box caught my eye.

What Jennifer saw was what looked like a character in blackface (product found here):

Jennifer did some digging and she discovered that Zwarte Piet is a traditional Christmas Sinterklaas character in the Netherlands.

Lulu Helder at the Museum of Racist Memorobilia explains:

The role is usually played by a white woman or man who wears black or brown grease paint on their faces (Saint Nicholas is always performed by a man). He or she wears large golden earrings, a curly wig and red lipstick. Right now they wear brown grease paint more often because “the blackness frightens children”.

Once the transformation is completed, a change in voice and behaviour usually follow. He or she will speak improper Dutch with a low voice and a Surinamese accent.

Below the jump are some pictures (not safe for work):

more...

In the U.S., many little girls and boys are told that, if they don’t behave, they won’t get any presents on Christmas.  Sound like a significant threat?

Some cultures–parts of Austria, Germany, Switzerland, Slovenia, and Italy–have an anti-Santa Claus, Krampus.  Krampus is Santa’s sidekick; he’s his evil twin, if you will.  He stalks the streets hitting people with switches.  If a child is bad, Krampus will take the child’s gifts away.  If the child is awake Christmas Eve night, Krampus will take the child away!

Krampus:

More images found here, here, here, here, here, and here, via.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This cartoon illustrates how a work-free year is interpreted as lazy and irresponsible if you’re a working class person and a well-deserved treat if you’re middle class or better.

Found at The Ongoing Adventures of ASBO Genuis, via Missives from Marx.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Trivial Pursuit reinforces the idea that men and women are on opposite sides:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Ricardo G. of Bifurcaciones sent in this ad from a catalog sent to homes in the U.K. by the company Hillier (via):

“Coordinating accessories available.” How thrilling. It reminds me of this post about how housecleaning is depicted as a joyful activity for women.

After being inundated with complaints, the company apologized, claiming it was a joke but they recognize it was inappropriate and should not have gone out.

While this does illustrate the gendering of housework, I think there’s another angle worth thinking about here. A number of the complaints weren’t just about it implying housework is women’s responsibility, but also that it is unromantic and therefore offensive to pose as a potential gift. I’m really interested in the idea of what makes an appropriate gifts, and that gifts between spouses should always be “romantic.” Romantic gifts are often things that have little intrinsic value; their value comes from the emotional and social implications attached to them.

Jewelry, flowers, lingerie–none of these are really helpful items, and they don’t make the recipients’ daily lives easier. A clothesline might, in fact, be a gift that would improve the lives of people who have to hang their clothing to dry. In my family,  both men and women highly value gifts perceived as practical and useful, rather than simply sentimental or romantic. One year my mom and uncle got my grandma an air compressor because she would find it very useful on the ranch; she was thrilled. Once I paid to have my mom’s dog spayed and vaccinated because she’d been too busy to have it done. Men in my family regularly get leather work gloves and tools, and they never seem disappointed.

I think there may be a class element here. In Making Ends Meet, Kathryn Edin and Laura Lein discuss how low-income women often partially rely on the contributions of boyfriends to buy the things they need each month. The women complained, however, that boyfriends often bought unnecessary things they thought the women would like, but that did not really improve their lives, such as a stereo or purse. The women often referred to these gifts as a waste of money, something that was already in short supply. They much preferred to receive gifts that they found useful.

So not to defend a clothesline as a suggested present to women–even my mom got mad when my stepdad gave her a mop for either Mother’s Day or their anniversary–but the construction of “unromantic” gifts as inherently offensive is fascinating, and assumes that everyone believes money should be spent on non-essential items in order to display emotional attachment.

The Associated Press, a news service subscribed to by news outlets all over the world, distributed a story about the first Obama Administration State Dinner. In the story, sent in by Elisabeth R., Samantha Critchell describes Michelle Obama’s dress as “flesh-colored.”

[Thanks to Madeline T., Anne Marie, Therese S., and Drugmnky for the screencap!]

Gee, what could possibly be wrong with calling this dress “flesh-colored”?

This is what happens when white people are considered people and black people are considered a special kind of people, black people.  “Flesh-colored” becomes the skin color associated with whites and darker-skinned peoples are left out of the picture altogether.  We see this all the time.  Bandaids, for example, are typically light beige (though they rarely call them “flesh-colored” anymore), as are things like ace bandages.

See our post on “flesh-colored” for these examples and more.  See also this post on lotion for “normal to darker skin.”

For contrast, see this post about how the generic human in Russian cartoons is colored black instead of white.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

I borrowed these two ads from Jim Crow History.  According to the site, Bull Durham tobacco was among the most recognizable trademarks in the world circa 1900.  These two ads include caricatures of “foolish looking or silly acting blacks to draw attention to its product”:

NEW (Dec. ’09)! Pete W. scanned in and sent along a third ad in the series:

For more historical U.S. representations of blacks, see these posts: one, twp, three, four, five, six, seven, eight, nine, ten, eleven, thirteen, fourteen, fifteen, sixteen, seventeen, and eighteen.

And for examples of modern reproductions of these stereotypes (literally), see these: one, two, three, four, and five.

Interested in the decision to remove the iconic bull’s scrotum in advertisements? Go here.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.