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As you may recall, we’re now occasionally adding to previous posts instead of creating new ones. Below is a list of our newly enriched posts for your perusal.  Look for the bold, red “NEW.”

But first!

Ongoings that have been going on at Sociological Images:

Out of gratitude for your support, I put together a new page in which we link back to those of you who are linking to us.  Please feel free to peruse those of us who find us link-worthy and, if you link to us and don’t find yourself on our list, please send an email to socimages@thesocietypages.org.

I was honored that Racialicious asked to republish my post on the anti-female genital cutting ads.  I mention it here because it’s worth a look to see how differently my commentary was received on this versus that blog.  It might make for an interesting discussion about audience and positionality.

You might like to know that Sociological Images was “news” in Iceland!  Our post of an Icelandic cartoon featuring Barack Obama and Hillary Clinton caused quite the stir in the comments thread (a fascinating sociological phenomenon in its own right) and an Icelandic newspaper thought it worthy of coverage and commentary.  (FYI: We personally think “news” is overstating our relevance to current events… but who are we to judge!) 

And now!

Our enriched posts:

For context, we added a Wonder Woman comic book cover in which she claims to be “helpless” and uses her sexuality as a weapon to our post of a satirical Wonder Woman comic strip.  Thanks to Brady for the link!

It turns out the pseudo-feminist rescuing of women from the drugeries of housework without actually allowing them to opt out isn’t anything new.

Toph sent us a second Canadian Club ad that we added to this post illustrating hegemonic masculinity.  The second ad is useful for demonstrating the sexual double standard.

To our post about the way in which women were made to personify STDs during World War II, we added another poster, a matchbook, and a fascinating pamphlet that was passed out to soldiers. The pamphlet features “Gonnie” and “Syph,” two “gals” who “travel around arm-in-arm with ‘easy’ women.” All were submitted by Marc.  Yay!

If you enjoy our posts about the social construction of girlhood, you’ll enjoy the two T-shirts we added to this post that have sayings that depict little girls as future spoiled divas (scroll down). Sent in by aa bb. Thanks!

Craig T. sent in a Nestle Quick ad that we added to our post on “subliminal” sex in advertising (scroll down a ways). Thanks Craig!

We added a second example to this post about the way in which “scoring” with women is equated with success at sports.

A recent PETA protest included women in bikinis posed as “chicks” in cages. We added the image to our post about the way in which PETA sacrifies the humanity of women and men in order to save animals. Is it too strong to say that PETA “sacrifies the humanity” of men and women? I’m not sure. Isn’t that what objectification is? And what does it mean when they dress women up as animals and put them in cages? It’s your call. Visit the post (scroll about halfway down). Found thanks to Feministing.

Meghan B. sent us another Svedka fembot ad. This one calls for us to “support socialized plastic surgery” and features a grossly disproportionate “robot” version of an idealized female body.

If you “enjoy” Axe ads, check out our newest one here, sent it by Krystal-Lynn M.

To this post about the use of spread legs as a repetitive design motif, we added this very different image of Michelle Obama as seen through Barack Obama’s legs… a very interesting comparison!

We added a second commercial in the Carl’s Jr. it’s-hot-to-be-covered-in-condiments theme to the x-rated Paris Hilton one. This one involves eating a hamburger while on a mechanical bull. Sexily, of course.

As if we didn’t have enough on the conflation of hot women with hot food, we added a commercial for Pot Noodle in which the woman literally becomes noodles to one of our posts on the sexualization of food. We also added a coffee ad from the Netherlands to this post about gender and food (you gotta scroll way down for that one). Thanks to Penny for that last one!

We added three more ads to this post about gender and “meanness” in car ads. They are useful for illustrating, as Gwen points out, “that advertisers have many different motifs and meanings to draw from when creating marketing strategies, and that the ones they pick are just that–CHOICES among many, many different ways you could advertise a product, none of which are necessarily more ‘obvious’ or ‘natural’ than others.”

Rap is fascinating in that, in the short history of the art form, it represents both the power of resistance by marginalized and disempowered groups and the power of appropriation by mainstream culture and capitalist commodification.  With this in mind, I bring your attention to the cover of Nas‘ new album cover (tentatively set to release on July 1st) (found here):

The image immediately brings to mind (I can only imagine deliberately) the famous photograph of the back of a whipped slave from 1863 (found here).  I’ll go ahead and put it after the jump, as it’s a very real and troubling historical photograph:

more...

Caroline Cossey (also known as Tula) is a British male-to-female transsexual who had a successful career as a model and some small movie roles; Cossey also appeared in Playboy in 1981. In 1982 a tabloid broke the story that she was a transsexual, which ended her modeling career. Here is the cover (found here) of her autobiography, which she wrote soon after being outed:

Cossey was born with Klinefelter’s syndrome, a form of genetic intersexuality.

Here are some other pictures of her:

Found here.

Found here.

You can watch a segment on her that aired on the TV program Hard Copy here.

These might be interesting for discussions of intersexuality, sex-reassignment surgery, and our ideas of the gender binary that everyone must fit into–as well as the outrage people often feel if they’ve been “fooled” by someone who manages to “pass” as a gender different from what they “really” (read “biologically”) are. You might compare this to the story of Brandon Teena, a female-to-male transsexual who was raped, beaten, and murdered by two men in a small town in Nebraska in 1994 after they discovered he was a transsexual (who had not had sex-reassignment surgery). Teena was, of course, the subject of the movie “Boys Don’t Cry,” but there is also a documentary about him, “The Brandon Teena Story,” which includes interviews with his girlfriend and members of the community.

Marc sent in this image (found here):

According to this site, the photo was taken by Margaret Bourke-White; this site, where you can buy old issues of LIFE magazine, lists the photo in the index for the February 15, 1937, issue. Apparently the people standing in line were flood victims.

This is a great image for sparking discussion about “the American Way” and what that was meant to be (clearly white and presumably middle-class, from the mural), and the ways in which non-whites (and poor whites) are often invisible in depictions of what America is. And, of course, it could be a great image for a discussion of rhetoric and propaganda (for instance, murals proclaiming how wonderful the standard of living is even though the Great Depression was by no means over).

Thanks, Marc!

One of my students last semester wrote a paper in which she looked at sexist images of Condoleezza Rice. Interestingly, much of the online discourse was very similar to the way people talk negatively about Hillary Clinton. It was fascinating to see the same themes used by people with different political viewpoints in their criticisms–both Hillary and Condoleezza were described as bitches and whores and as ugly man-hater lesbians. My student argued persuasively that the reason the online attacks on the two women were so similar was because they weren’t being viewed as politicians or through the lens of their policies, but instead the attacks used a sexist lens that focused on their femaleness–and willingness to trespass on male-dominated political terrain–as the thing to attack, rather than any specific action or policy. Unfortunately for the blog, though good for humanity, I didn’t find as many images that had been made to accompany the hateful rhetoric about Condi as about Hillary.

Here’s an image (found here) I came across (note that George Bush’s face has been super-imposed on the handler):

Both Hillary and Condi are often described as ugly. However, I noticed when searching for images of Condoleezza that both supporters and critics occasionally sexualized her (especially in reference to a pair of stiletto-heeled boots that got a lot of public attention at one point). I haven’t found similar images of Hillary from either supporters or critics (whether it would be preferable to be sexualized by a supporter or opponent, I’m not sure). I found this image of Condi in a bathtub here, though it was posted on several other websites I came across in a really brief search.

This bathing suit image came from here.

Unsurprisingly, Condoleezza’s race is also a focus in online discussions in a way that Hillary’s isn’t, such as this image (found here) that plays on the idea of the Uncle Tom (the implication being that Black Republicans or military hawks are puppets used by Whites for their own agenda–that is, that they are either duped or are trying to get power by appeasing Whites):

NEW: p.j. sent in this sexualized picture of Condi:

Thanks, p.j.!

Miguel sent us a link to Galeria: Ellas Mandan, a set of advertisements that reverse the common images of male dominance by showing women in control:

For liquor:

For pantyhose:

Shoes:

Jeans:

Dolce & Gabbana:

A submission from Stumblng Tumblr from the Brylcreem website:

NEW!  A fashion ad from Phillip G.:

These images show women in “control” of, or dominating men, but in a very sexualized manner that often references S&M or bondage. So women can have power, but have to be sexualized at the same time. This fits in well with our cultural beliefs that women have power over men because men want sex and will allow themselves to be manipulated by women in order to get it. So women can supposedly control men by threatening to withhold sex until they get what they want.

And is it not possible to just have some images where men and women are equals and no one has to be dominant? Is that out of the question?

Thanks, Miguel!

The following images are from an ad campaign by Evan Williams bourbon. Each features the tag line “The longer you wait…the better it gets.” The first is a scanned image of a print ad (sorry for the torn edge):

These images are from the Evan Williams website:

The images from the website also feature the “Before Aging: After Aging” slogan, which presumably applies to the increasing social demand for hypersexual feminine performance as time passes (and certainly not to an acceptance or appreciation of the fact that individual women age). I particularly enjoy this last ad, since it makes an observation that, in the old days, women wore frumpy sweaters, but now, thanks to “aging,” we can all expect women to wear asymmetrical lime-green halter tops with beads of moisture dripping into their copious cleavage.

And if that’s not a recipe for progress, I don’t know what is.

NEW! Here’s another one:

Here is a 5-minute clip (found here) on representations of female athletes in the media. It is from the documentary “Playing Unfair.”

Thanks to John for mentioning this documentary in a comment.