In our post on the photography of Maxine Rude – on display in the Eiger-Zaidenweber Holocaust Resource Center at the Sabes JCC – we touched on issues involved in exhibiting these photographs, including that a photographer’s choices on how to present a subject (framing, selecting, and excluding subjects) may influence a viewer’s perception.
A curator also makes influential choices, deciding how and what to include in an exhibit, and what to exclude. In putting pieces of art or photography together, these works may take on new and unexpected meanings in a visitor’s mind that were never intended by artist or curator, but are a result of the exhibition nonetheless. Or, a curator may intentionally be drawing comparisons that were not in the original artist’s mind.
In presenting Maxine Rude’s work, we take note of her portrayal of children and families, asking questions of the viewer about their response to seeing these victims of World War II and the Holocaust.