Search results for chinese

The Modern Language Association has all kinds of awesome language-related data available that you can customize depending on your interests. Most basically, you can get an interactive map showing the percent or number of speakers of various languages spoken at home by county (or number by zip code). Here is English:

English

Spanish:

Spanish

Navajo:

Navajo

Notice that the scale of the maps changes, so the same color doesn’t indicate the same percent of speakers for each language. For some languages the darkest red only indicates 1 or 2 percent.

There was one odd category I noticed. This is the map for “African languages”:

African languages

I can understand why you might lump some languages from an area together if they are so rare in the U.S. that they’d barely show up. But what, exactly, is an “African” language? It doesn’t appear to include Arabic, though it is spoken in much of northern Africa. Many people in Africa speak European languages (particularly French and English) due to colonialism. Presumably this category includes “native,” non-Arabic languages. It’s a strange category.

For those of you wondering about the little pockets of African language speakers in, say, Iowa and Nebraska, I could be wrong, but I would suspect in some of those counties it might have something to do with slaughterhouses. In the last decade or so some packing houses have recruited African immigrants, particularly Somalis, to move to rural areas and work in the plants. Again, that’s just a guess, but some of the locations fit.

UPDATE: Commenter mordant.espier says,

I think you’re wrong about African languages and meatpacking in the midwest. I know that Omaha has a significant Sudanese community, about 7,000, many of whom are refugees and asylum seekers.  In Minneapolis, there are a number of Somali. They are there because of the US government, and even more because religious and charitable organizations, especially the Episcopal Church and Catholic Charities, have provided support through all stages of the immigration process.  The existance of a group of refugees who are able to enlist the support of locals has created such pockets.

Anyway, moving on.You can also get side-by-side comparisons of two states. This shows the percentage of the population speaking Arabic in California and Michigan:

Arabic comparison

Number and percent of speakers of various languages:

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You can compare the number of speakers in 2000 and 2005:

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If you go to “Language by State” in that last link and select a language, you can then look at “ability to speak English”. Annoyingly, it only shows raw numbers, not percentages, so you have to do the calculations yourself. But here’s the breakdown for German in Michigan; clearly the vast majority of people who speak German also say they speak English “very well”:

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You can also get an age breakdown (again, just raw numbers) for each language, by state. Here’s a partial list for Chinese:

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I’m warning you now, the site can turn into an enormous time-suck. You think you’ll just look up the state you live in, say, and then you get started comparing things, and the next thing you know, it’s a half hour later.

UPDATE 2: Commenters have also pointed out that a) “Chinese” is as much of a thrown-together category as “African” (does it mean Cantonese? Mandarin?) and b) the site doesn’t have any information about use of American Sign Language, both great points.

Ricardo G. sent in a link to a British campaign encouraging citizens to ride the train.  The campaign features a Mexican wrestler named Loco Toledo.

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The commercials basically feature him acting weird (“loco” means crazy), speaking broken English, and comparing the awesomeness of England’s train system with Mexico’s. An example:

How exactly is this different than the Frito Bandito and the Sleepy Sanka Mexican?

Other examples of contemporary advertising campaigns featuring demeaning racial and ethnic stereotypes: the U-Washee, KFC thinks Asians are ridiculous, Native American sports mascots, racism in identity theft ads, Indian, Chinese, and Italian stereotypes in superbowl ads, Asian kitchselling noodles with Asian enlightenment, and Mr. Wasabi.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Peter Hessler, at the New Yorker, discusses the practice of outsourcing art to China. According to Hessler, Chinese people, mostly from the countryside, are trained to paint copies of photographs or paintings en masse and those paintings are sold to tourists elsewhere in the world.

Painters pose in their workspace:

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Paintings to be sold as souvenirs somewhere in the American West:

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Venice?

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See more at the slide show.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Well, it’s October, and that means Halloween is coming. It also means we can expect to see the unending variety of typically racist Halloween costumes that pop up every year. You too can be Oriental, just for one night. Here a few ridiculous ones, with a hair-centric theme…

The above costume item was recently spotted at a Party City. Want to be a “China Man” this Halloween? Apparently, all it takes is a crappy-looking moustache. It’s easy. Just affix this nasty piece of hair on your upper lip, and there you go, instant China Man! Adding some fu to your manchu. (Thanks, Brandon.)

But hey, why stop there? There are other fun and easy ways to be Chinese. Just try on the Chinese Man wig, “an ancient style with bald front and long pigtail in the back.” But even at the low sale price of $41.48, the Chinese Man wig might just be a little outside your budget. That’s okay, because the Bargain Chinese Man wig is also available for just $22.05. Because nobody should miss out on the racist mockery.

Speaking of bargains, how about this kickass Oriental Guy wig? The attention to detail is just tremendous. I swear, every Oriental Guy I know wears his hair just like this! That’s amazing. Wearing this crappy piece of mess on your head, you will be the coolest Oriental Guy at the office Halloween party.

Finally, my favorite one. The Old Chinese Man wig! I have no idea what exactly makes this monstrosity “Chinese.” But it apparently comes in white, gray, brown and black. And according to the website, this wig also works for “eccentric recluse” and “prospector.” Yes, I’m scratching my head too. But the fun doesn’t end there. There are just so many ways to get your Oriental Mystique on! It’s going to be another great Halloween. That’s racist!

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Angry Asian Man blogs at Angry Asian Man.  And he’s not as angry as you might think.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

As a fan of both sci fi and pre-WWII pop culture, I naturally have a lot of affection for Alex Raymond’s Flash Gordon. There’s much to be enjoyed about the original comic strip (which basically invented the style that led to the creation of super-hero comics), the 1936 serial starring Buster Crabbe, and even the 1980 movie, which I’ve mentioned before.  The 1970’s softcore porn version, Flesh Gordon, is also a lot of fun.  Although the various incarnations get pretty complicated, the basic story is of a regular guy from Earth who ends up on a bizarre alien planet, where he inadvertently becomes a hero in the struggle against Emperor Ming, the tyrant who has been keeping the whole planet under his thumb.  With the recent rebirth of big budget sci fi and comic book adaptations, the time almost seems perfect for a new Flash Gordon movie.  It’s never quite been done cinematic justice, and the basic story would hold up well to a modern interpretation.

Unfortunately, there’s one rather big problem: Emperor Ming.  As the name implies, Flash’s nemesis is an unreconstructed “yellow peril” Asian stereotype.  Despite being an alien, he’s undeniably portrayed as the worst sort of racist view of a Chinese ruler.  He’s a vindictive, inscrutable tyrant with an affection for ornate finery and a lecherous eye for (white) Earth women.  In the original comic he has bright yellow skin, long fingernails, a high-collared robe, and a Fu Manchu goatee.

Unsurprisingly, the serial was faithful to this version, casting a white actor named Charles Middleton and putting him in the same kind of “yellowface” make-up that was common in those days for portrayals of Asian characters.  Of course, the actual skin tone was irrelevant in a monochromatic film.

Concerns about racism never even entered anyone’s mind until the 1980 film.  By that time, it was necessary to be at least a little racially sensitive (but not too much).  The answer was to leave Ming basically unchanged, while pretending there was never anything Asian about him.  Swedish actor Max von Sydow was given a look that was immediately recognizable as the classic Ming, but with just enough of the Asian elements replaced with a more futuristic, “alien” look for plausible deniability.

The animated versions of Ming, in both the Filmation’s Flash Gordon series and the later Defenders of the Earth, took this idea a step further.  Ming was given green skin, as if to say, “See, this guy’s clearly an alien!  How could you accuse him of representing an Earthly race?”

Even with these attempts at a more extraterrestrial appearance, however, anyone who’s at all familiar with longstanding racist depictions of Asian men can recognize Ming as an embodiment of that unfortunate tradition.  Meanwhile, more sympathetic characters who are clearly of the same race as Ming, such as his traitorous daughter Aurra and her lover Prince Barin, were unambiguously white.  They did have yellow skin in the original comics, but even then they were less recognizable Asian than Ming.  Later portrayals, even the cartoons in which Ming is green, show them as totally caucasian.  The message seems to be that the more evil you are, the more alien you are, and alien in this case looks a lot like Chinese.

Naturally, when the Sci Fi Channel decided to adapt Flash Gordon for TV in 2007, they were eager to avoid anything that could be perceived as racism.  Their answer to the Ming problem was to completely remake the character, removing every bit of his previous look to create a very white sort of fascist dictator.

There was a lot wrong with this adaptation (it was unwatchably boring, for one), but one of the complaints against it was that Ming was lackluster and missing everything that had made him a memorable villain.  Regardless of his origins, we expect certain things from Ming: a bald head, facial hair, an ornate robe.  Exoticism.  So what is to be done?  There can be no Flash Gordon without Ming the Merciless, but it’s possible that Ming is a character too wrapped up in racism to ever escape.

In my idle moments I’ve given some thought to how Hollywood could pull off a successful Flash Gordon revamp, and the only idea I have for Ming is this: don’t run away from his faux-Chinese heritage; push it in the other direction.  Cast a Chinese actor as Ming, and make Aurra, Barin, and the rest of their people equally Chinese.  Eliminate Earth entirely, setting the story in the future and making Flash’s planet one that was colonized by the United States, while Ming’s planet was colonized by China.  You don’t need exposition for this- just imply it with production design.  For Ming’s costumes, create a futuristic variation on what Chinese emperors actually wore, rather than just an American’s simplistic idea of the look.  Do away with Ming’s predatory behavior toward Flash’s girlfriend.  It’s a creepy and dated element regardless of his race.  Finally, sweep away the blond=good/dark=bad undertone of the original by making Flash Gordon black.  After all, it would make a great role for Will Smith, a charismatic action hero who’s been hurting for a sci fi property that’s actually worth watching.

As for the role of Ming himself, there are plenty of aging action stars who could pull it off.  Given the inevitable campiness of the project, Jackie Chan might work.  I’d suggest Chow Yun Fat, except that it could be hard to distinguish his version of Ming from the character he played in the last Pirates of the Caribbean movie.

But would this be enough to redeem the character and the franchise?  Maybe privileged white fans like me need to accept that some characters and stories have too much bigotry in their history to ever be redeemed.  After all, nobody is trying to create an acceptable new version of Uncle Remus (although I say this with hesitation, because it seems possible that someone in a locked room at Disney might right now be doing that very thing).  If there is to be no more Flash Gordon, I’ll accept that, but I do wish someone could find a way to solve the problem of Emperor Ming.

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Dustin Collins is pursuing an MA at the Ohio University School of Film.  When he has time between classes and screenings, he blogs about film, pop culture, and Betty Boop at okaywithme.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Tracy H. and a friend were shopping in some expensive kitchen/housewares stores in Kits, an upscale  neighborhood on the west side of Vancouver. In one store they came upon a display of kitchen utensils (salt and pepper shakers, timers, and so on) designed to look like Asians, complete with slanted eyes and what Tracy calls “rice-paddy hats”:

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Here’s another set in the display case:

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So we have a display case in an expensive store full of utensils meant to be cutesy and funny, and where items shaped like monkeys, rabbits, faceless blobs, and Asians are all presented as equivalent adorable, humorous, hip options.

UPDATE: Commenter London Mabel gave us a link to the National Palace Museum in Taiwan’s website; the Asian kitchen utensils are part of the “Chin Family Series’:

Drawing his inspiration from a picture of the young Chin seen on a visit to the NPM, one of ALESSI’s main designers Stefano Giovannoni created The Chin Family series– “Mr. Chin” and other items in the series including the salt & peppershaker set “Mr. and Mrs. Chin”, the eggcup and timer…Customers around the globe will have the opportunity to take home a piece of ancient Chinese history brought tastefully into fashion!

So what do you think? Cute? Neutral? Problematic? Does it make a difference that the majority of people who see them probably don’t know about the context and just seem them as Asian-themed utensils? Would people of Asian descent living in the U.S., Canada, and other countries possibly feel differently about seeing things like this on display or sale than the directors of the museum?

Other examples of modern racial caricatures on sale: golliwogs, mammie souvenirs in Georgia, and an Icelandic reproduction of 10 Little Negro Boys.

NEWS

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Germany! I’ll be in Munich for the month of September!  If there are any Sociological Images fans in the area, I’d love to have a cocktail hour!  Email me at socimages@thesocietypages.org and we’ll set it up.

Our New Look:  We’d like to thank Jon Smajda, our IT and all-around tech fix-it guy, for the great redesign of the site. As you may have noticed, it’s now easier to search for posts, comments are threaded, and the page looks less cluttered overall. Jon, your work is greatly appreciated!

Better Searchage! We updated some of our tags to make it easier to search for posts. There were two major changes:

(1) While we still have a generic “race/ethnicity” tag, we also created tags for the major racial/ethnic groups recognized in the U.S.  You can now search for “race/ethnicity: Asians/Pacific Islanders” and so on. In some cases we struggled with how to define groups or which labels to use. We settled on terms that are generally recognizable and that were short enough to fit in our tags box.  Most posts that are labeled with the “race/ethnicity” tag are now also assigned to at least one specific racial/ethnic tag.

(2) Previously we had individual countries listed alphabetically in the tags list. We decided it would be better to have them all listed as “nation: [specific country]” so they show up together as a group rather than scattered throughout the tags list. So, for instance, Egypt is now listed as “nation: Egypt.”

Changes to Comment Moderation Policy: We have always taken a hands-off approach to reader comments so as to not stifle discussion.  First, while we try to read every comment, we prefer to focus on putting up new content and we found that readers did a pretty good job of responding to each other.  Second, we often found even hateful and mean-spirited comments useful for illustrating some of the points we were trying to make, particularly how groups who fear loss of privilege will lash out and attempt to invalidate any critiques of their social position.  Finally, we have pretty thick skins and don’t really get too worked up about people insulting us.

However, as we posted about earlier in the month, we had an incident in which readers of an anti-feminist website left extremely hateful and threatening comments targeting a specific reader, including posting personal information (such as location) and encouraging physical violence against her and her dog. As a result we rethought our attitude toward comments. We’re not adopting a formal policy, but we decided some moderation is necessary. In general, comments that are hateful or threatening toward other commenters, or that are mean-spirited toward particular social groups (i.e., “I hate Black people”) and do not in any way contribute to a discussion of the issue will be deleted. We will undoubtedly miss some comments or not notice them immediately. We certainly won’t delete comments just because they disagree with us or are rather snarky, and we of course can’t protect readers from any comment they might find unpleasant or offensive–the comments section would have to be shut down completely. Basically, our policy toward comments is: Don’t be an ass, and if you are, we’ll delete your comments when we have time.

We also decided not to provide direct links to racist or misogynistic sites. We’ll provide the web address in posts about such sites so readers know where images came from but won’t have a link; this prevents their administrators from tracking back to our site and posting a barrage of threatening or overtly offensive comments.

We know these changes in how we handle comments won’t please everyone, or maybe anyone–some will want us to moderate more and others would prefer that we don’t moderate at all. But it seemed like the best compromise for preserving the ability for readers to discuss–and criticize–posts while not allowing some commenters to intimidate other readers to the point that they fear commenting.

FROM THE ARCHIVES: AUGUSTS

In light of the recent scandal over Caster Semenya’s sex, we thought we’d resurrect a post from August 2008 about the sexualization of female Olympic athletes.

And, to mark the anniversary of Hurricane Katrina, we’d love for you to visit our post from August 2007 about racist interpretations of survival strategies in the aftermath of the storm.

NEWLY ENRICHED POSTS (Look for what’s NEW!)

You might have noticed that when we revamped the website (thanks Jon!), our names appeared in the right-hand column alongside neutral avatars which, as we’ve discussed many times, are actually male avatars (there is some delicious irony here).  It turns out that WordPress not only has the male as default, but there is no female option at all.  You can, however, choose to be a monster.  We eventually went with no avatar at all.  We documented the saga, including all of the options offered by WordPress, in our post on default avatars. Scroll down. [Gwen notes: I kinda want to be the monster.]

Sex

Sea Monkeys!  We added new ads for sea monkeys to our post on heteronormativity and a new collection we’re starting on ads that use sex to sell the most unlikely things.

Speaking of, remember our post full of ads that place the product or tagline in front of a woman’s crotch?  We thought so.  We added an ad for London Fog, sent in by Dmitriy T. M.

Oh geez. We added more examples to our ejaculation imagery ad. We’re sorry, but there was no getting around it. The new material includes images from a campaign for The IceCreamists and an ad for a water gun called the Oozinator (you’ve got to see it).

We also added another image to our recent post on using women’s bodies to symbolize HIV infection.

Race

We found a rodent control ad comparing the Chinese to rats and added it to our long list of anti-Chinese propaganda circa 1900.  We also added an image of lemon ice cream marketed with a caricatured Asian image to a prior post about Italian candies in a blackface-reminiscent wrapper.

Jason K. sent us another example of Obama depicted as a pre-modern and/or savage African, this time a poster showing Obama as a “witch doctor,” so we added it to our post of him presented as a Barbarian and a cannibal.

To our post discussing how people of color are often included in ads as symbols of flavor, color, or spice, we added a comparison of two McDonald’s french fry containers sent in by Joshua B.

Kids

Emily M. sent us another laxative ad in which a small child finally gets the loving mother she deserves because of the wonderful powers of laxatives, which we added to our earlier post on the topic.

You can also check out the vintage ad for Lane Bryant girls’ clothing that we added to our post on fashion for “chubby” girls.

Gender

We added more gendered products–masculinized ear plugs, ahem, “ear screws,” feminized tape “Just for girls!” and boys’ and girls’ sandwich bags–to our post on pointlessly gendered products.

Relatedly, both Danielle F. and Sara S.-P. sent us a link to the new Playstation Portable for omg! girlz!  We added it to our post on girlified games (like the Ouija Board).

Moving on to creepily gendered products, we added a photo of the storefront of Sweet Taters Cafe, sent in by Dmitiry T.M., featuring a “hot” potato, if you get my drift, to our post on sexualized food.

Evony has released more cleavage-fixated ads so we updated our post on the evolution, and increasing boob-centricness, of their recent ad campaign.

Kyle M. alerted us to the advertising campaign for the sci-fi show Surrogates. We added it to our post looking at how gender intersects with (real and fictional) robotics.

Ronni S. found a “Thank God you’re a man commercial” in which a woman becomes hysterical and men drink beer.  We added it to our post featuring ads that suggest that being a woman sucks.

And also in overtly sexist, we found another commercial that portrays women as batshit insane, this time for shoes.  It’s delightful.

Thanks for reading everyone!

Dmitriy T.M. sent us a link to an AdWeek post reporting that Miller Beer began advertising in Vietnam last week with this commercial:

[youtube]http://www.youtube.com/watch?v=KG9H5_oKVd0[/youtube]

Some sociologists who study international relations apply the idea of the brand to nations.  Nations, they argue, can be seen as a product in a global marketplace. Australia, for example, is marketed as a rough and tumble place where we can get back to nature and find our true selves. Insofar as they can can control their brand, countries can draw tourism and increase demand for their exports (see here and here for Australian examples).

The ad above is an excellent example of Miller capitalizing on the American brand: “It’s American Time. It’s Miller Time.” Notice also that the ad is in English and doesn’t feature anyone that looks Vietnamese. The whiteness of the ad is purposeful. Miller is selling a specific version of “America” characterized by white people, urban life, sex-mixed socializing and, also, really bad music.

UPDATE!  In the comments, Adam linked to this ad which ran in the Phillipines:

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You can also think of the California happy cows commercials as a form of state branding.

See herehere, and herefor posts showing the social construction of America as white.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.