race/ethnicity: Blacks/Africans

Jay Smooth on why we should focus less on the dumb racist/sexist/asshole-y bullshit people like John Mayer say (and man, did he ever say some dumb bullshit) and more on, say, re-segregation of the public school system:

And just for fun, Jay Smooth discussing Chris Matthews’s comment that he “forgot” President Obama was black, and what that says about what we think racial equality would look like:

I get this with students a lot: they desperately want to deny ever noticing anyone’s race/ethnicity, because the discourse of color blindness states that the way to treat people equally and eradicate racism is to stop acknowledging racial categories at all. But when you simply start ignoring the role of an important socially-constructed category without actually eliminating the negative effect it has on those in certain categories, you aren’t ending racism. It’s just making it harder to talk about or address, since anyone who tries to start a conversation about racial inequality is accused of actually perpetuating inequality and/or being racist for bringing the topic up.

This ties back in with the first video–we are more comfortable with more symbolic or linguistic forms of combating racial inequality (so, say, people say they have a friend who “happens to be Black,” as though it’s something they never thought about until that very second) than the much more complicated, difficult, and long-term work of rooting out structural inequality.

Members of PIKE fraternity at the University of California, San Diego came under fire this month for hosting a party, called” The Compton Cookout,” designed to mock black Americans and Black history month (less than 2% of UCSD students are black).  People are shocked and horrified, and rightly so, though it’s just one in what seems to be a constant stream of such parties.  Becca C. asked us to post about it.

Its Facebook page shown below (which, interestingly, is part of what made the party visible enough to protest) explicitly describes how people are to dress and act (trigger warning; it’s quite upsetting):

February marks a very important month in American society. No, i’m not referring to Valentines day or Presidents day. I’m talking about Black History month. As a time to celebrate and in hopes of showing respect, the Regents community cordially invites you to its very first Compton Cookout.

For guys: I expect all males to be rockin Jersey’s, stuntin’ up in ya White T (XXXL smallest size acceptable), anything FUBU, Ecko, Rockawear, High/low top Jordans or Dunks, Chains, Jorts, stunner shades, 59 50 hats, Tats, etc.

For girls: For those of you who are unfamiliar with ghetto chicks-Ghetto chicks usually have gold teeth, start fights and drama, and wear cheap clothes – they consider Baby Phat to be high class and expensive couture. They also have short, nappy hair, and usually wear cheap weave, usually in bad colors, such as purple or bright red. They look and act similar to Shenaynay, and speak very loudly, while rolling their neck, and waving their finger in your face. Ghetto chicks have a very limited vocabulary, and attempt to make up for it, by forming new words, such as “constipulated”, or simply cursing persistently, or using other types of vulgarities, and making noises, such as “hmmg!”, or smacking their lips, and making other angry noises, grunts, and faces. The objective is for all you lovely ladies to look, act, and essentially take on these “respectable” qualities throughout the day (transcription borrowed from Threadbared).

The page:

When the first Facebook page was taken down, a student put up a second page in objection (Compton Cookout Part Deux: First Amendment Pride):

A diverse group of students, with the support of many faculty, protested the administration’s slow response to the event (chronicled at Stop Racism UCSD). But the vocal resistance to the overt prejudice and hateful stereotyping created a counter-resistance.  A student-run TV station defended the party with racial epithets and, then, a student hung a noose in the library:

UPDATE (Mar. ’10): This was followed by a KKK hood, made from a pillow case, found on a campus statue’s head (hap tip to Becca).

This is sociologically interesting because it illustrates the backlash phenomenon.  Backlash is a common response to any effort to point out or undermine prejudice, discrimination, and inequality.  We’ve posted about it in response to racist products (Mr. Wasabi, the Black “Lil’ Monkey” doll, and the Obama sock monkey) as well as anti-rape campaigns.  As I wrote in a previous post:

…resistance to oppression is met with counter-resistance.  Until inequality is challenged, things often seem to be just fine; when groups stand up and demand equality, we suddenly see how fiercely people will defend their privilege.

Remember, the Klu Klux Klan emerged only after slaves had been emancipated; whites didn’t need to put black people in their place when they were in their place.  Those who are protesting the Compton Cookout, by not standing by and letting the (largely white) administration address (or fail to address) the party as it pleases, are refusing to stay in their place.  The backlash is proof that they are actually perceived to be a threat.

NOTE: A commenter claims that the party was organized by the PIKE, SIGMA CHI and SIGMA NU fraternities, not just the PIKE fraternity.  I read in a news report that it was PIKE, but it could be wrong.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dmitriy T.M. sent us a link to Jezebel’s analysis of the inclusion of models of color at New York fashion weeks.  The post author, Jenna, begins:

…in the fall of 2007 that fully one-third of shows in New York had 100% white casts. Two years later, we calculated that 18% of spots in show lineups were booked by models of color — a real improvement in the representation of black, Latina, and Asian faces in the crucible where the beauty standard is forged.

This season, fashion took a step back.

…

Of 4,095 turns on the runway, only 662 went to models who weren’t white. That’s barely 16%.

More:

Most of the shows that took place used some models of color — just three designers, A Détacher, Alice + Olivia (full disclosure: an old client of mine), and Preen, chose exclusively white casts — but many used very few. Well over 60% of the shows, in fact, used casts that were 85% white, or more.

Most of the shows that took place used some models of color — just three designers, A Détacher, Alice + Olivia (full disclosure: an old client of mine), and Preen, chose exclusively white casts — but many used very few. Well over 60% of the shows, in fact, used casts that were 85% white, or more.

More details on the data, and the models, at Jezebel.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Minstrelsy is a form of entertainment, popular from the 1830s till the early 1900s in which white, and later black, people painted their face black and performed a caricature of blackness.  The images below (borrowed from Jim Crow History and Wikipedia) are original advertisements for minstrel shows.

Haverly’s United Mastodon Minstrels (circa 1877):

Oliver Scott’s Refined Negro (1898):

Al W. Martin’s Uncle Tom’s cabin (1898):

Wm. H. West’s Big Minstrel Jubilee (1900):

Postcard (1906):

For more caricatures of black people in U.S. history, see these posts: one, twp, three, four, five, six, seven, eight, nine, ten, eleven, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, and twenty.

And for examples of modern reproductions of these stereotypes (literally), see these: one, two, three, four, and five.

For examples and discussion of contemporary “blackface,” see one, two, three, four, five, and six.  Also, bugs bunny.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Emily D., Jeff S., and Dmitriy T.M. have all sent in links to a series of billboards, recently put up in Atlanta, that suggest that abortion is a form of genocide against African Americans:

We’ve posted before on the argument that abortion should be made illegal because it is used disproportionately against the children of Black mothers.  There are good reasons to both credit and discredit this argument, but I’d like to point out something a bit different.

The fact that abortion is highly politicized in the United States, deeply connected to feminism (but not race or class movements), and framed as a contest between “life” and “choice” seems natural to most Americans. Indeed, it’s hard for many Americans to imagine a world in which the procedure is less politicized or debated differently.  But the politics of abortion in the U.S. is not the only kind of abortion politics that could exist.  Myra Marx Ferree‘s award-winning book comparing abortion politics in the U.S. and Germany, Shaping Abortion Discourse, is a great example (with Gamson, Gerhards, and Rucht).

So, whether you agree or disagree with the claims in these billboards, they nicely jolt us out of our acceptance of abortion politics as is.  How might thinking about abortion as a race issue or a class issue change the debate?

NEW! (Mar. ’10): Dmitriy T.M. let us know about this billboard in Poland, sponsored by the Center for Bio-Ethical Reform, that connects abortion to Hitler (found at Opposing Views). The text reads, “Abortion for Polish women introduced by Hitler on March 9, 1943.” It was put up in time for International Women’s Day on March 8th.

I’m putting it after the jump–it has images of bloody fetuses and might not be safe for some workplaces.

more...

Dmitriy T.M. and Claire C. sent in a link to a photo of an NBC cafeteria menu in honor of Black History Month (that’d be February) that featured stereotypical African-American foods:

It’s not the first time.

Many argued that the menu was offensive because it reproduced stereotypes, but I think an interview (no longer available) with the chef who devised the menu complicated the story a bit.

Honestly, I think the main problem here is that Americans live in a racist society and so we have no idea how to celebrate Black History Month (how about with relaxer?).   The rest of the year, we make fun of black people for eating fried chicken. And yet, these are traditional Black southern dishes. So how exactly do we celebrate the holiday?   Do we pretend to valorize the same traditions that we make fun of during the rest of the year?  It makes no sense!  But it makes no sense because we’re still racist.  And we need a Black History Month because we’re still racist.  So, what to do!?

Perhaps the lesson to take from all of this is:  Undermining racism is hard work.   A month dedicated to Black history is a (flesh-colored) band aid, at best.  If we don’t do the other stuff (e.g., challenging the web of racist institutions that preserve class and race privilege), then no amount of fried chicken will make the difference.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Recently Lisa posted a video listing suggestions for how not to write about Africa, pointing out the ubiquity of a number of stereotypes and tropes used in novels or memoirs set in African countries.

That video came to mind when I saw this one about the book My Maasai Life, written by Robin Wiszowaty (and sent in by Randy McL.):

So she goes to Kenya to experience “simple life” to help her deal with the angst she felt in the U.S. You have the romanticization of the Maasai: they laugh openly! Judgment doesn’t exist!

She recalls asking herself, “How did I end up here?” How did you end up there? Um, you intentionally decided to go there to get away from everything you know, presumably with the money to do so. And in that simple place where happiness and tolerance reign, and people laugh openly, you figured out who you are.

I know I’m being snarky. Yes, she did some volunteer work, and from the video it looks like she worked in some schools. Certainly those benefited some specific people, regardless of what I think about her attitude. But you can help some individuals while still perpetuating stereotypes that may be harmful to groups of people in the long-run.

And this is another example of the limited number of perspectives authors tend to take when writing about African countries/people. Either it’s a desolate, violent, hopeless place filled with human misery, or it’s the home of happy, smiling, tolerant people (or “tribesmen”) who, through their simple lifestyles, show all of us in developed countries how much better things would be if only we could follow their example, except with clean water, and also TV.

Martin M. pointed out some ironic happenings in Peru that illustrate the complexities of trying to deal with long-term stereotypes and prejudice. Back in November 2009, the Peruvian government officially apologized for discrimination against AfroPeruvians. So far so good–a step toward acknowledging that AfroPeruvians have suffered both economically and socially because of social attitudes and government policies.

But, of course, long-held stereotypes aren’t that easy to change. Peruvians of African descent have often been portrayed as backward, uncivilized, and possibly cannibalistic.

Just a few days after the government’s apology and declaration that poor treatment and negative stereotypes of this ethnic group needed to end, the newspaper El Comercio began advertising their new section on healthy eating with a TV commercial that draws on all the old stereotypes. The video is in Spanish, but I’m pretty sure you’ll get the gist of it, and I describe it below:

El comercio- Los canibales from Pao Ugaz on Vimeo.

What’s going on here? The mother is mad, not because her younger son ate someone, but because he ate someone who was too fat, and thus not good for them to eat. They need to eat less fattening people to improve their health. She warns him about his cholesterol. The caption says, “You eat healthy, you are healthy.”

According to Reportaje al Perú, the newspaper pulled the spot after receiving complaints and apologized for it.

As with any society with a history of widespread, blatantly racist stereotypes and discrimination, attempting to heal racial wounds will be a very long, painful, and difficult process. It’s one thing to officially apologize. It’s another to convince citizens that prejudice and discrimination are unacceptable and that everyone must play a part in ending them.

See also: El Correo ridicules Quechua speakers in government.