bodies: objectification

The sexualized campaign against breast cancer (i.e., “save the tatas”) is fascinating.  Why should we care about breast cancer?  Because we think boobs are hot and we like to put them in our mouths.

I think it’s the ad companies that win.  This bottled water advertisement (found here) gets to be simultaneously socially conscious and titillating:

Also in breast cancer awareness and advertising: if men had boobs, they’d care about breast cancer, gender symbolism in breast cancer ads, and objectification in the service of breast cancer awareness.

Also don’t miss boobsboobsboobsboobsboobsboobsboobsboobsboobs.

I found these vintage (1967-68) ads for Tiparillo cigars at Found in Mom’s Basement. All answer the question, “Should a gentleman offer a Tiparillo to…” a particular type of woman.

After a tough evening with the Beethoven crowd, she loves to relax and listen to her folk-rock records. Preferably, on your stereo. She’s open-minded. So maybe tonight you offer her a Tiparillo. She might like it–the slim cigar with a white tip. Elegant. And, you dog, you’ve got both kinds on hand, Tiparillo Regular and new Tiparillo M with menthol–her choice of mild smoke or cold smoke. Well? Should you offer? After all, if she likes the offer, she might start to play. No strings attached.

Underneath that pocket of pencils there beats the heart of a digital computer. This girl has already catalogued and cross-indexed the Tiparillo slim, elegant shape. And the neat, white tip. She knows that there are two Tiparillos. Regular, for a mild smoke. Or new Tiparillo M with menthol, for a cold smoke. She knows. She’s programmed. And she’s ready. But how about you? Which Tiparillo are you going to offer? Or are you just going to stand there and stare at her pencils?

She’ll read anything she can get her hands on. From Medieval History to How-to-Build-a-24-Foot-Iceboat. Loves books. Loves new ideas. Okay. No doubt, she’s seen the unusual, slim Tiparillo shape. She’s been intrigued by the neat, white tip. She may even know that there are two Tiparillos. Regular, for a mild smoke. And new Tiparillo M with menthol, for a cold smoke. Your only problem is which to offer. P.S. If she accepts your Tiparillo, remember to fumble with the matches until she decides to light it herself. That way, she’ll have to put down the book.

I found these next two on ebay (all these vintage ads can be purchased on ebay, it turns out):

Is this the old did-it-with-mirrors ploy? Look again. Okay, that’s enough looking. What you’ve got on your hands are carbon copy twins. And what you’ve got in your hands are Tiparillo and Tiparillo M with menthol. Since Tiparillo is the slim, elegant cigar with the neat tip, would it be statistically correct to offer it to this census-taking twosome? Because all they really want is your name, address, phone number and a few other factual facts. But what they get sort of depends on what you offer.

“The doctor is a little late, sir. Will you have a seat?” She’s the best thing to hit dentistry since novocaine. “Hey Dummy,” your mind says to you, “why didn’t you have this toothache sooner?” Maybe if…well, you could offer her a Tiparillo. Or a Tiparillo M with menthol. An elegant, tipped cigar. Slim. And your offer would be cleverly psychological. (If she’s a bit of a kook, she’ll take it. If not, she’ll be flattered that you thought she was a bit of a kook.) And who knows? Your next visit might be a house call.

I will lead it to you, dear reader, to decide if there was supposed to be anything else “cleverly psychological” in any of these ads.

In the 1800s, the Irish (whether in Ireland, Britain, or the U.S.) were often very negatively stereotyped. In many cases the same negative characteristics attributed to Africans and African Americans (sloth, immorality, destructiveness) were often also associated with the Irish. In fact, some scientists believed the Irish were, like Africans, more closely related to apes than to other Europeans, and in some cases in the U.S., Irish immigrants were classified as Blacks, not Whites.

The next three political cartoons from the 1800s were found on the Nevada Department of Education website section about racism (as was the quote about the first cartoon).

This one is titled “The Workingman’s Burden” and depicts “a gleeful Irish peasant carrying his Famine relief money while riding on the back of an exhausted English laborer.” It might make a good comparison to how welfare recipients are viewed in the U.S.

This illustration ran in Harper’s Weekly magazine. Notice how the Irish are depicted as more similar to “Negros” than to “Anglo Teutonic” individuals, and both the Irish and Africans are caricatured as ape-like. It could also be useful for a discussion of scientific racism.

This cartoon, titled “Two Forces,” shows a figure representing Britain protecting a weeping, frightened woman, representing Ireland, from a rampaging Irishman; notice his hat says “anarchy.”

This image, found at the University College Cork website, depicts Daniel O’Connell, a leader of the Irish land reform movement, as an “ogre.” He is ladling poor Irish peasants out of a pot labeled “agitation soup,” and, presumably, cheating them out of money in the guise of helping them.

Here we see the Irish depicted as a Frankensteinian monster in a cartoon that ran in Punch in 1882 (image found at the website for a course at the University of St. Andrews):

These next three all come from the Center for History and New Media at George Mason University. Here we see drunken Irishmen rioting and attacking police:

In this one, John Bull (representing Britain) and Uncle Sam look on as an Irish man engages in reckless destruction; notice the empty bottle in the lower right corner, labeled “drugs”:

Here an ape-like Irish man, again drunk, sits on a powder keg, presumably threatening the entire country:

Finally, this one, published in 1882 (and found at the Michigan State University Museum website), is called “Uncle Sam’s Lodging House” and shows an Irish immigrant causing a commotion while other immigrants (notice the beds are labeled Russian, German, Negro, etc.) try to sleep. The smaller caption under the title says, “Look here, you, everybody else is quiet and peaceable, and you’re all the time a-kicking up a row!”

The message is, of course, that other immigrant groups (including Blacks) settle in and don’t cause problems, while the Irish don’t know how to assimilate or stay in their place.

You might compare these images to this recent post about how symbols of Irishness have lost any real negative implications, such that even politicians in non-Irish-dominated districts feel comfortable using them in campaign materials.

And yes, I know I’ve been posting a lot of stuff about race and ethnicity lately. I’m teaching a class on it this semester–it’s the stuff that I keep coming across while writing lectures.

And I’m dedicating this post to my boyfriend, Burk, who decided to go on a date with me even though, when he asked if I’d have trouble dealing with his hard-drinking Irish-American family, I said I could handle that but wouldn’t put up with any blubbering on about how Angela’s Ashes is the best book ever.

NEW!  This cartoon with poem was published in Life Magazine on May 11th, 1893.  The poem is suggesting that the monkeys in the zoo are sad that they get called by Irish names.

race-white-irish-discriminatory-cartoon-1

Text:

As we’ve dared to call the monkeys in the Zoo by Irish names, Erin’s sons, in wrath, declare us snobs and flunkies ;
And demand that we withdraw them–nor should we ignore their claims–
For it’s really very hard–upon the monkeys.

UPDATE: In a comment, Macon D asked how I address the ways in which Whites of some ancestries (Irish, Italian, etc.) often point to the fact that there was discrimination against those groups as a way of invalidating arguments about systemic racism. The logic is that both non-Whites and some White groups faced prejudice and discrimination but European groups overcame it through their own hard work, and thus any other group could too. If they continue to experience high levels of poverty, unemployment, or any other social problem, it is due to their own lack of hard work, intelligence, or some other characteristic.

I do indeed discuss this argument at length whenever I teach about race. A great reading to address it is Charles Gallagher’s article “Playing the White Ethnic Card: Using Ethnic Identity to Deny Contemporary Racism,” p. 145-158 in White Out: The Continuing Significance of Racism (2003, Ashley W. Doane and Eduardo Bonilla-Silva, editors, New York: Routledge). The tone might put some students off, because it doesn’t baby them or try to sugar-coat the issue of how Whites use their (often imagined) family stories of discrimination as a way to argue that systemic racism doesn’t exist and that they got to where they are by their family’s hard work, and nothing more. I know other professors often use the “How Jews Became White Folks” reading by Karen Brodkin, which also looks at this issue.

I also spend a good part of the semester looking at how government policies have had the effect of transferring enormous amounts of wealth into the hands of European immigrants and helping them accumulate resources over time–we look at the Homestead Act of 1862, the G.I. Bill (which Black veterans were often excluded from using), and how government subsidies for building suburban subdivisions were actively denied to groups wanting to build integrated communities. All these are examples of ways in which White Americans were aided in acquiring wealth and moving up the socio-economic ladder, while non-Whites often were explicitly excluded from these benefits.

I also point out that, while in these images the Irish are negatively stereotyped, it is clear that they are still viewed less negatively than, say, Africans or African Americans. If the Irish are the “missing link” between Africans and Caucasians…that still means they’re considered more evolved than Africans–at least somewhat more fully human. So even at the height of discrimination against White European groups, that did not necessarily mean they were treated “the same” as, say, American Indians or Blacks.

A couple of weeks ago I posted about American Indian sports mascots. An interesting comparison to spark discussion, and an example students often bring up, is the University of Notre Dame’s mascot. The name of the Notre Dame athletic teams is the Fighting Irish, and the official mascot is the leprechaun (image found at Wikipedia):

Each year a student is chosen to be the leprechaun. Here is an image (found here) of the Notre Dame leprechaun performing at a game:

According to the Notre Dame website, the leprechaun did not become the official mascot until 1965; before that, the university was represented by Irish terrier dogs.

You might compare this to the Chief Illini logo, as well as the University of Illinois student performing as Chief Illini, both in the original mascots post. It brings up some interesting issues for discussion. Is there any difference between the the Fighting Irish and the Fighting Illini (or the Fighting Sioux, the Redskins, etc.)? Does the existence of the Fighting Irish invalidate opposition to American Indian mascots? Opponents to Indian mascots often argue that they objectify American Indians in a way that would not be allowed if used against African Americans or Asians–that this modern form of blackface is acceptable only when used to mimic Native American groups or cultural traditions. Those who support American Indian mascots often use the Fighting Irish to try to invalidate that criticism–to argue that Whites are also used as mascots and don’t seem to mind (to my knowledge, there is no movement against the Notre Dame mascot based on the idea that it is offensive to the Irish), and thus that critics of American Indian mascots are over-sensitive whiners.

Opponents of American Indian mascots respond that, first, this is one example, compared to the many, many American Indian mascots found throughout the U.S., and second, whereas Americans of Irish descent face no systematic ethnicity-based discrimination in the U.S. today (and haven’t for several decades), Native Americans still do. In addition, they argue that many American Indian groups openly oppose Indian mascots, and that their voices deserve to be heard; presumably, if Irish-Americans began to protest the Fighting Irish mascot, the same logic would hold and, indeed, those opposing American Indian mascots would oppose the Fighting Irish as well.

This might be useful not just for a discussion of sports mascots, but more generally for a discussion of the idea of equivalency in discrimination. I see this a lot with students–if, for instance, we’re discussing sexual harassment and they can point to an example when a man was sexually harassed by a woman, then they argue that men are affected just like women, and thus it has nothing to do with gender inequality or power. I suspect those who bring up Notre Dame in an effort to invalidate arguments against Indian mascots are doing the same thing–if a White ethnic mascot exists, then charges that Indian mascots are racist can be dismissed. It’s a false form of equalizing because it ignores the lop-sidedness of the “equality” (the tiny number of non-Indian racialized mascots compared to the number of Indian ones) and the role of systemic inequality (that American Indians are underrepresented at colleges and universities and face racial discrimination in a way that Irish-Americans do not). And it also serves to discount opponents’ voices by saying that if any social group wouldn’t be opposed to a particular type of portrayal or treatment, then no one else has any right to be offended by it, either, regardless of their different histories, treatment, or social positions.

Eric S. sent us a link to the webpage for the Sun-Maid Girl, the girl used to represent Sun-Maid raisins. Here is the original painting of the first Sun-Maid Girl, Lorraine Collett Peterson:

The logo was most recently updated in 1970; here is the current incarnation:

In discussing the original painting, the website says,

Sometimes we forget that in 1915 there were no electric hair dryers, that television would not be invented for decades to come, and that automobiles were not in every home. Life was much simpler, more rural, a lot less hectic and sunbonnets were still part of women’s fashion in California.

I like the romanticization of the past there. In 1915…World War I was going on. I guess life was “less hectic” in that you didn’t have a Blackberry to check every 15 seconds, but overall, I’m not sure I’d say it was “simpler” in a way that implies everyone had time to just sit around eating raisins and drying their hair in the sun.

Also from the website:

To Payne, the sight of the red sunbonnet and the pretty girl in the morning sun was the ideal personification of E.A. Berg’s brand name SUN-MAID.

This might be an interesting addition to some of the images in this, this, and this post about the sexualization of food. Whereas the women in those instances are mostly explicitly sexualized, in this case, the product is being associated with an idealized, non-sexual “maiden” version of femininity. I just thought it might make a good contrast if you’re discussing connections between women and food–the use of female sexuality and idealized female chasteness as marketing tactics related to food products. I wonder if Sun-Maid has stayed with the de-sexualized icon because raisins are associated with children?

FYI, Sun-Maid was one of the companies boycotted by United Farm Workers of America, the group let by Cesar Chavez.

Thanks, Eric S.!

NEW: In a comment Adriana pointed us to Ester Hernandez’s parody of the Sun-Maid girl:

Thanks, Adriana!

Shirley Ann M. sent in this picture of a car advertising Skill Maids:

She says,

I was blown away by the blatant sexual stereotyping in this picture: the maid in high heels, bent over with knees together, Jessica Rabbit figure.

Well, Shirley, what you don’t understand, and what I can tell you because my mom cleaned houses for a living when I was a kid, is that there is no more better outfit to wear for efficiently cleaning a large house than a dress and heels. See, the heels make you taller, so it’s easier to dust the top shelves!

Thanks, Shirley!

My race and ethnicity class is discussing American Indian team mascots today, so I thought I’d put up some images of a few. There are many, many more than what I have here (think of every high school with teams called the Redskins), but these are some of the most often discussed.

This is the logo (found here) of the University of Illinois’s sports teams, the Fighting Illini, named after the Illini tribe (really a confederation of tribes such as the Peoria) originally inhabiting the area:

Each year a student is chosen to represent Chief Illini at sports events. The student wears what is described as “traditional” Indian clothing and until recently performed dance routines that have nothing whatsoever in common with anything I’ve ever seen at a powwow. Here is a student dressed up as Chief Illini (found here):

I found this video on youtube of Chief Illini’s “last dance,” meaning his last performance at an official NCAA-sponsored sporting event:

Last I heard the University of Illinois bowed to decades of pressure and has retired the embodiment of the mascot. They apparently no longer have a Chief Illini (a man who dresses up like an American Indian and jumps around), but they have retained the “Fighting Illini” language.

UPDATE: Not so fast.  Resist Racism has a great summary of how the University is keeping Chief Illini around even after retiring him.

The University of North Dakota’s mascot is the Fighting Sioux (found here):

Florida State’s teams are the Seminoles; here is a student representing the team at a game (found here):

Here is the Florida State NCAA logo (found here):

This is the original Chief Wahoo, the mascot for the Cleveland Indians (found at Wikipedia). According to Wikipedia, it was used from 1946 to about 1950.

Here is the updated Chief Wahoo (found here):

A quote from the Wikipedia entry on Chief Wahoo:

According to polling results published in Sports Illustrated, “Although most Native American activists and tribal leaders consider Indian team names and mascots offensive, neither Native Americans in general nor a cross section of U.S. sports fans agree.”[9] According to the article, “There is a near total disconnect between Indian activists and the Native American population on this issue.”[9]However, the results of the poll have been criticized due to Sport’s Illustrated’s refusal to provide polling information (i.e. how participants were recruited and contacted, if they were concentrated in one region, if one ethnic group is over represented and the exact wording and order of questions).[10]

Here is a link to an article by King et al. discussing both the discourse in and the methodology of the Sports Illustrated article (in the March 4, 2002 issue).

Here is a website with lots of cartoons related to the issue of American Indian mascots, and the documentary “In Whose Honor?” looks at the protests surrounding Chief Illini.

The February 2004 issue of Journal of Sport & Social Issues (vol. 28 issue 1) has several very good articles about American Indian mascots that I’ve used in both race and sport classes when we talk about the continued use of caricatures and other portrayals of American Indians and why they are viewed differently than, say, an old Mammie-type image of African Americans. We also always discuss discourses surrounding American Indian mascots, particularly the idea that they honor or respect American Indians, and the selective use of certain American Indian voices to invalidate critiques of Indian mascots. Who gets to be Indian for the purposes of speaking about whether or not Indians resent the mascots? Why do non-Indians feel a special attachment to, and often identify with, these images? Does it really matter whether or not most American Indians personally oppose the mascots–is that the issue here?

The Sports Illustrated article could also be good for a discussion of methodology and the scientific method; the fact that the magazine would not release information on their methodology violates the very spirit of scientific inquiry (the ability to replicate others’ work to check its validity, as well as open sharing of information).

For other examples of the use of images of American Indians, see here and here.

This cartoon suggests that the idea that these mascots are a way of honoring American Indians is pretty absurd.

NEW! Brady P. sent in this image that questions why American Indian mascots are acceptable when most people would define the mascots that caricature other groups as patently offensive:

tumblr_koy50a7bIx1qzntqdo1_1280

Of course, there is a Dutch soccer team called The Jews.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Declare Yourself, “MTV’s official voter registration partner,” has a new series of print ads up featuring Jessica Alba. I think they’re selling electrical tape…or maybe violence against women. Possibly kinky bondage play? Oh wait…they just want us to vote. Click picture to view it larger. [Discussion of campaign found at Guanabee.]
Jessica Alba wants you...to rescue her?
Jessica Alba wants you...to rescue her?
NEW! Thanks to Marcello, who, in the comments, provided a link to the rest of the ad campaign, which contains more equally problematic images of celebrities with their mouths violently sealed by fish hooks, ribbon, staples, etc. Here’s another disturbing one of an African-American man with a ball gag made out of an eight ball:
 
African-American man in gag.
African-American man in gag.

 

This particular image reminds me not only of kinky sex toys, but also of the harnesses, manacles and other devices designed to suppress and humiliate enslaved people.