media

The Secret Lives of Mormon Wives took the world by storm in 2024. The show stars seven young women living in Utah and working as social media momfluencers. The women are collectively known as “#MomTok” and create dancing, lifestyle, and humorous videos on TikTok. The show’s success is partly driven by a viral swinging scandal in which some of the cast actively engaged in “soft swinging.”

While the series is raunchy and entertaining, we also observed some complex negotiations between faith and femininity. We wanted to find out how the Secret Lives of Mormon Wives cast members resist, reinforce, or reinterpret Mormon teachings, especially those related to gender, femininity, and sexuality. After analyzing transcripts from the first two seasons using qualitative data coding software, we found data rich with ways that the cast bend Mormon rules while not explicitly breaking them.

The series makes clear that traditional gender roles are prevalent in Mormon doctrine and culture, while the women purport to be actively trying to change them. The stars actively push back against patriarchal norms, critiquing submission, perfection standards, and unequal power imbalances. 

One of the ways that the women in #MomTok challenge traditional gender expectations is through subversion of the breadwinner/homemaker model. All seven women report being the primary breadwinners in their families. One states that she is providing for her family while her husband attends medical school. Another reports that her husband is in his “stay-at-home dad era” because the amount of money she earns doing brand deals on social media exceeds “his entire yearly salary.”

#MomTok describes themselves as “a new generation of Mormon women,” even referring to themselves as “progressive” or “modern” Mormons. The cast openly subverts traditional Mormon behavioral expectations through drinking alcohol, drug use, gambling, and non-monogamous sexual relationships. They frame their actions as normalizing taboo topics, especially around sex and gender roles. 

Despite attempting to challenge gender roles and Mormon cultural expectations, the stars also reinforce them other ways. They share a hyper-feminine aesthetic characterized by long curled hair, tan skin, natural makeup, and an emphasis on youthfulness. This aesthetic is influenced by trends within Utah or Mormon culture. They even recognize that they have a shared look, despite two of them identifying as biracial. The women also openly discuss cosmetic procedures. One MomTok member happily discusses her “mommy makeover” in which she had undergone three breast enhancements and a labiaplasty.

The LDS church celebrates divine femininity, or the idea that “feminine” qualities like nurturing, intuition, sensuality, and relational strength are not just socially constructed traits, but inherently powerful and sacred. Rather than emphasizing modesty and submission, the cast frames femininity as something internal and empowering. They emphasize boundary setting, feminine sensuality, and women-centered community. At the same time, this framework still reflects gender essentialism. While it feels empowering, it maintains thinking that women are naturally more emotional, sensual, and nurturing. Rather than dismantling gender binaries, divine femininity repackages them in a more positive and agentic way.

More interesting are their attempts to justify their behavior, a pattern we recognized as bending, not breaking, Mormon rules. We see an example in season one when the women get nitrous oxide, or laughing gas, while getting Botox injections. While the LDS Word of Wisdom prohibits recreational drug use, this moment is framed as beauty maintenance and becomes permissible by #MomTok. The women themselves note that nitrous oxide is not needed for Botox injections, yet they permit themselves to get the drugs in the name of cosmetic upkeep. This allows them to bend the rules, using drugs for cosmetic, not recreational, reasons, without breaking them. Other similar examples include the cast members’ use of ketamine. In both seasons, various cast members discuss their use of ketamine for therapeutic reasons, with one member describing it as being in a “gray area” regarding the church. Both examples illustrate how the cast are willing to bend, not break, the rules when it comes to drug use, citing bodily health, mental well-being, and beauty as rationale.

Another “gray area” in the Mormon church is sexual behavior. In season one, a #MomTok member is describing a scenario in which she was asked to promote a sex toy on her social media page in exchange for hefty compensation. She ultimately decides to take the deal but frames her choice in a way that allows her to promote the sex toy to married couples experiencing intimacy issues. This allows her to portray sex toys as empowering only for partners who are married, not single people, therefore bending the LDS law of chastity. Other ‘bent’ laws include those related to monogamy. Although historically the LDS church openly practiced polygamy, or plural marriage, the Book of Mormon today teaches that monogamy is the standard for marriage. During a viral scandal, a Mormon momfluencer publicly disclosed that some #MomTok members were engaging in “soft swinging.” Soft swinging is described by the cast as “everything but sex,” including consensual intimate activities like kissing, touching, swapping partners, and sexual activities between couples in the same room. Stopping short of sexual intercourse allows for members to bend Mormon monogamy rules without explicitly breaking them.

Our research highlights that the cast of Secret Lives of Mormon Wives are actively negotiating traditional teachings rather than simply reinforcing or outright rejecting them. What we’ve observed is not a clear break from LDS teachings, but a more complex process akin to gender maneuvering, which helps us to explain how the cast manipulates rules and traditional gender performances to navigate social hierarchies. These strategies act as a form of resistance against rigid, socially prescribed gender roles and strict Mormon expectations, but by not fully breaking away from tradition, the women are still granted a degree of autonomy and power.

Marissa Morey is a Ph.D. candidate in sociology at Wayne State University in Detroit, Michigan. Her academic research focuses on feminism, politics, and identity, with recent work exploring media portrayals of Mormon femininity and gender performance.

Kristin Johnston is a Ph.D. candidate in sociology at Wayne State University studying sociology, specifically race and gender. She is interested in how both race and gender are performed and perceived in the media.

Photo courtesy Letta Page

Despite, well, everything, we are trying to get back into the classroom as much as we can at the start of a new academic year. I am scheduled to teach Introduction to Sociology for the first time this coming spring and planning the course this fall.

Whether in person or remote, I will be ecstatic to introduce our field to a new batch of students — to show them what sociologists do, how we work, and how we think about the world. Thinking about those foundations, the start of an academic year is a great time to come back and ask “what, exactly, are we doing?”

I have been thinking a lot about that question in our current chaotic moment and in the context of sociology’s changing role in higher eduction. This chart made by Philip Cohen keeps coming to mind:

Source: Philip Cohen – original post at Family Inequality

There are a lot of reasons for the decline in sociology majors, and reflections on our purpose as a field are not new at all (examples here, here, here, and on the social sciences in general here). We all bring different ideas about our common methods and missions, and our field has plenty of room for many different sociologies. I like big-tent approaches like the one here at The Society Pages.

For newcomers, though, that range makes it hard to grasp what sociologists actually do, and that makes it tough to do right by our students. At some point, someone is going to ask a new sociology major the dreaded question: “what do you do with that?” I think we have a responsibility to model ways to answer that question clearly and directly, even if we don’t want to lock students into narrow careerist ambitions. A wonky answer about ~society~ doesn’t necessarily help them.

That’s why I love these recent podcast episodes with Zeynep Tufekci. In each case, the hosts ask her how she got so much right about COVID-19 so early in the pandemic. In both, her answers explicitly show us how insights about relationships, organizations, and stigma helped to guide her thinking. These interviews are a model for showing us what sociological thinking actually can do to address pressing issues.

Far too often, our institutions miss out on the benefits of thinking about social systems and relationships in this way. Sources like these help to sell sociology to our students, and they will be a big part of my upcoming intro course. In the coming weeks, we’ll be running more posts that focus on going back to basics for newcomers in sociology, including updates to our “What’s Trending?” series and more content for the intro classroom. Stay tuned, and share how you sell sociology to your students!

Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

Those Fyre Festival documentaries were wild, weren’t they? Both movies highlighted fans’ collective glee watching the fakery play out from afar, as people with astounding amounts of disposable income fell prey to the festival’s poor execution. Who would buy all that hype, right?

The demand for exclusivity that fueled the festival is anything but fake. From Becker’s Art Worlds to Bourdieu’s Distinction, sociologists have long studied how culture industries and social capital create the tastes of the upper class. “Influencers” aren’t new, but social media makes it easier than ever to see them operate, and viral stories of high class hoaxes show this process in action.

Two great examples are these recent pranks parodying fine dining and fashion. Using a savvy social media presence, both teams were able to get a (fake) restaurant and a (fake) model a ton of buzz.

The interesting thing about these vides is how some of the humor rings hollow. It can be funny to see people chasing the next big trend get duped, but the fields they are mocking thrive on this exact kind of creativity and salesmanship. Taking the perspective of researchers like Bourdieu and others reminds us that taste is not objective, and it isn’t naturally tied to any basic level of effort or craft. At the end of the day, these pranksters still put together a “creative” look and restaurant experience, and so it is hard to tell whether they are making an effective parody, or just exploring and studying the basic rules of the game in the culture industry. Still, these videos are a fun excuse to think about how what it takes to cultivate “cool.”Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

Originally Posted at Social Studies Minnesota

Photo Credit: Colby Cosh, Flickr CC

Everyone needs a break from the news now and then, but some people tune out all the time. Civic engagement is changing, and “fake news” is a growing concern, and so it is important to understand why some people stay away from important sources of information about society. As a journalism studies scholar with an interest in public opinion, Dr. Benjamin Toff recently published a study in Journal of Communication about “news avoiders”—people who seek out news less than once per month.

The study interviewed 43 people who said they use the news less than once per month. Interviewers found three folk theories that respondents used to explain how and why they avoid the news:

“News finds me.” Many avoiders, particularly those who were also social media users, described a feeling that news is “all around them.” Given the emergence of social and digital media in the past couple of decades, certain avoiders feel they don’t need to take an active effort to read the paper or watch the evening news because all the news they need can be found whenever they log on to Facebook or another social media network.

“The information is out there.” Some news avoiders deliberately keep themselves off social media but have confidence that, if they want to find news or information, that the information is “out there.” They describe the internet as vast and useful, and say that any information they might need is “only a Google search away.” These people feel like they can go get news anytime they want to.

“I don’t know what to believe.” A third folk theory came from avoiders who felt frustration about finding reliable sources and sorting through all of the information that’s out there. For example, while it’s possible to type a basic phrase into a Google search and see what comes up, these news avoiders talked about how difficult it would be to sort through the information they might find. The mere fact that information exists does not necessarily help people make sense of it or find the facts.

The study has three major implications. First, not all news avoiders are the same. We need to take these different concerns into account to better understand why people tune out. Second, improving media literacy requires helping people develop tools for evaluating the reliability of a range of media choices, not just encouraging a general skepticism of all news that many of these avoiders have already internalized. Finally, many avoiders are also politically disengaged, and they see little value to news in part because they have difficulty connecting it to the issues they see as most important in their own lives. This third concern may also reflect real deficiencies with the supply of news itself.

Allison J. Steinke is a Ph.D. student at the Hubbard School of Journalism and Mass Communication studying social and mobile media, journalism, and social justice with an emphasis on the anti-human trafficking movement. Follow her work on Academia or ResearchGate.

If you walked through a city without looking up at any billboards, could advertisers yell at you? Could the owner of an iconic building shame you for “stealing” a beautiful view while weaseling them out of their livelihood? It sounds absurd, and you might remember a viral quote from Banksy (riffing on original writing from Sean Tejaratchi), tearing the idea apart.

But what about digital advertising? The internet looks very different if you are using software to block advertisements. Use it for a long time you’ll forget how much junk a user has to slog through to read or watch anything.

Of course, blocking ads cuts into the main source of support for online publications. Lately, many have taken up a new approach to discourage their users from blocking ads: good old fashioned shame and guilt.

We can have an important conversation about the ethics of paying for content online, but what strikes me the most about these pop-ups are some core sociological questions about the shaming tactic: why here, and why now?

For a long time, social scientists have seen a “digital divide” in how unequal access to the internet reinforces social inequality. Research also shows that the digital divide isn’t just about access; people learn to use the internet in different ways from these early access experiences. From the design side, sociologists Jenny Davis and James Chouinard have also written about affordance theory: the way technology requests, demands, allows, encourages, discourages, and refuses different kinds of behavior from users.

Yes, you can see the important weather alert, but first…

For some, the internet is about abundance and agency. Take as much time as you need to figure out your problems, and, if things don’t work out, bend the world to your will! Grab open source software or write a script to automate the boring stuff! Open your app of choice to hail a ride if the bus is delayed or the taxis are busy! For others, these choices aren’t as readily apparent. If you had to trek to the library and sign up for time-limited computer access, the internet can seem a lot less helpful and a lot less free, at least at first glance.

These ideas help us understand the biggest problem for ad-block shaming: “soft” barriers, delays, and emotional appeals are trying to change the behavior of people who already have the upper hand from learning to seek out and use blocking software to make the internet work better for them. David Banks’ writing on this over at Cyborgology in 2015 shows the power struggle at work:

The ad blocker should not be seen as a selfish technology. It is a socialist cudgel—something that forces otherwise lazy capitalists to find new and inventive ways to make their creations sustainable. Ad blockers are one of the few tools users have to fight against the need to monetize fast and big because it troubles the predictability of readily traceable attention.

Now, emotional appeals like guilt and shame are the next step after stronger power plays like rigid paywalls largely failed for publishing companies. The challenge is that guilt and shame require a larger sense of community obligation for people to feel their effects, and I am not sure a pop-up is ever going to be anything other than an obstacle to get around.

It’s not that online advertising is inherently good or bad, and the problem of paying artists and writers in the digital age is a serious concern. But in addition to these considerations, looking directly at the way web design tries to shape our online interactions can better prepare us to see how the rules of the social world can be challenged and changed.Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

By now, you’ve probably heard about the family separation and detention policies at the U.S. border. The facts are horrifying.

Recent media coverage has led to a flurry of outrage and debate about the origins of this policy. It is a lot to take in, but this case also got me thinking about an important lesson from sociology for following politics in 2018: we’re not powerless in the face of “fake news.”

Photo Credit: Fibonacci Blue, Flickr CC

Political sociologists talk a lot about framing—the way movements and leaders select different interpretations of an issue to define and promote their position. Frames are powerful interpretive tools, and sociologists have shown how framing matters for everything from welfare reform and nuclear power advocacy to pro-life and labor movements.

One of the big assumptions in framing theory is that leaders coordinate. There might be competition to establish a message at first, but actors on the same side have to get together fairly quickly to present a clean, easy to understand “package” of ideas to people in order to make political change.

The trick is that it is easy to get cynical about framing, to think that only powerful people get to define the terms of debate. We assume that a slick, well-funded media campaign will win out, and any counter-frames will get pushed to the side. But the recent uproar over boarder separation policies shows how framing can be a very messy process. Over just a few days, these are a few of the frames coming from administration officials and border authorities:

We don’t know how this issue is going to turn out, but many of these frames have been met with skepticism, more outrage, and plenty of counter-evidence. Calling out these frames alone is not enough; it will take mobilization, activism, lobbying, and legislation to change these policies. Nevertheless, this is an important reminder that framing is a social process, and, especially in an age of social media, it is easier than ever to disrupt a political narrative before it has the chance to get organized.Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

The recent controversy about local news stations in the Sinclair Broadcasting Group reading a coordinated, nationwide message against “fake news” raises questions about the state of news consumption in the United States. Where are Americans getting their news from? If more people are reading the news online, did the Sinclair message have a large impact?

The General Social Survey asks respondents where they get most of their information about the news. This graph shows big changes in Americans’ primary news source, including the rise of online news and the decline of television and newspapers. Notably, in the 2016 GSS, the Internet overtook TV as Americans’ primary source of news for the first time.

(Click to Enlarge)

Another survey, The Cooperative Congressional Election Survey, takes a different approach. They ask respondents to select whether they use newspapers, blogs, television, or other sources for their news information. When a survey doesn’t ask respondents to pick a primary source, we see that use rates are more steady over time as people still use a variety of sources.

(Click to Enlarge)

Reported rates of news watching have also stayed pretty stable over the last eight years, with about three-quarters of Americans getting some of their news from TV. Of people who watch news on TV, many respondents report that they watch both local and national news, and this choice has stayed relatively stable over time. Since local news is still a steady part of our news diet, the Sinclair broadcast had a much broader potential reach than we would typically assume about news today.

(Click to Enlarge)

Ryan Larson is a graduate student from the Department of Sociology, University of Minnesota – Twin Cities. He studies crime, punishment, and quantitative methodology. He is a member of the Graduate Editorial Board of The Society Pages, and his work has appeared in Poetics, Contexts, and Sociological Perspectives.

Evan Stewart is a Ph.D. candidate in sociology at the University of Minnesota. You can follow him on Twitter.

Andrew M. Lindner is an Associate Professor at Skidmore College. His research interests include media sociology, political sociology, and sociology of sport.

Inspired by demographic facts you should know cold, “What’s Trending?” is a post series at Sociological Images featuring quick looks at what’s up, what’s down, and what sociologists have to say about it.

That large (and largely trademarked) sporting event is this weekend. In honor of its reputation for massive advertising, Lisa Wade tipped me off about this interesting content analysis of last year’s event by the Media Education Foundation.

MEF watched last year’s big game and tallied just how much time was devoted to playing and how much was devoted to ads and other branded content during the game. According to their data, the ball was only in play “for a mere 18 minutes and 43 seconds, or roughly 8% of the entire broadcast.”

MEF used a pie chart to illustrate their findings, but readers can get better information from comparing different heights instead of different angles. Using their data, I quickly made this chart to more easily compare branded and non-branded content.

Data Source: Media Education Foundation, 2018

One surprising thing that jumps out of this data is that, for all the hubbub about commercials, far and away the most time is devoted to replays, shots of the crowd, and shots of the field without the ball in play. We know “the big game” is a big sell, but it is interesting to see how the thing it sells the most is the spectacle of the event itself.Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.