This past summer was hot, hotter than it used to be, and this is causing a lot of new challenges for work, infrastructure, our social lives, and our health. Air conditioning was back in style and even a new public policy, with more cities working to require that landlords provide it as a basic part of a habitable apartment.

Of course the stakes are much higher than just a new AC unit. Sociologists have long known that unequal heat exposure is a serious challenge to our collective health and social wellbeing. Eric Klinenberg’s famous study of the 1995 Chicago heatwave, for example, found that social isolation was a key factor in explaining why people were vulnerable to heat sickness and even death, because they didn’t have places to go or people to check in on them to stay cool. Recent work has linked excessive heat to deaths among people who are incarcerated and learning loss in schools. Heat risks are unevenly distributed in our society, and so addressing the risks of a warmer planet is going to require expanded access to building cooling and air conditioning.

The challenge is that the status of air conditioning is changing. Heat has long been considered a necessity for safe, healthy living – often part of the basic, legal requirements for habitable homes on the rental market across the country. But states are much more inconsistent about whether they require air conditioning, which is often marketed to the general public as a “luxury good.” Look at any vintage ad for AC and you’ll find wealthy, well-dressed homeowners splurging on a new system that lets you wear a suit inside.

Do people today actually support aid to help others access cooling? In a new study recently published in Socius, I investigated this with an original survey experiment. In a sample of 1200 respondents drawn from Prolific, I asked about support for government utility assistance programs for people with lower incomes. The questions had a key difference: some respondents got a question about utility assistance in general, some got a question specifically about home heating, and some got a question specifically about home air conditioning.

Support for the heating question was the strongest on average, in line with the theory that we see heating as a necessity. Air conditioning received the lowest support, however, significantly different from both heat and general utility assistance in the sample. To make sure these results held, I went back to Prolific and sampled more Black and Hispanic respondents to repeat the experiment. The strongest results in these tests came from white respondents.

Why might this be the case? We have long known that attitudes about social welfare programs of all kinds are tied up with race. Research finds these differences because of stereotypical thinking – some people are deeply concerned that others who receive aid need to “deserve” it by working hard and only using aid on necessities, not luxuries. We also know that these beliefs are often linked to racial stereotypes. Previous work on food stamps, disaster relief, guaranteed income, and other social aid programs often finds these social forces at work.

These results show that stereotypical thinking about who “deserves” help may be an important public policy hurdle as we work on adapting to climate change. As policymakers face an increasing need for adequate cooling to address public health issues, they will need to account for the fact that the public may still be thinking of air conditioning as a luxury or comfort good. Making policy to survive climate change requires updating our thinking about the status of goods necessary to weather the crisis.

Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.
Cheeseburger Baby - South Beach Miami
Cheeseburger Baby – South Beach Miami by AdamChandler86, Flickr CC

One of the biggest challenges and joys I have in teaching Introduction to Sociology is making ideas like social construction, cultural objects, or bureaucracy visible and intuitive to students. A big part of our value as a general education course is in showing students how to use these ideas in the world. I make a point to focus on bureaucracy, for example, because drawing attention to the unique skills and challenges of navigating a large bureaucratic system like a university is one way sociology can help students across many different majors.

Max Weber plays a big role here, of course, but one of the challenges in teaching his work is the “This is Water” problem — students are so steeped in bureaucracy that it is hard to recognize its unique traits. George Ritzer’s The McDonaldization of Society is a classic example, but the point-of-sale system is now so normal in the service industry that it can be difficult to wrap your head around any other way to organize a business. That’s why I love the charming 2004 documentary Hamburger America, by George Motz.

How do you make a cheeseburger? Ask your students and you will probably get a pretty standardized answer. At least one of these segments will turn that question on its head.

Not only do we get an intuitive sense of how much rich, unexpected variation there is in a cheeseburger, but this documentary also works in so many interesting insights about different regions and local cultures in the U.S. There are hooks here into lived experiences with segregation, de-industrialization, urban planning, and food systems. People are engaging with tradition, history, and economic change. This documentary is a fantastic way to show how culture is embedded in objects — the burgers pair well with Wendy Griswold’s cultural diamond!

All of these anchors give students an intuitive sense of how wildly different social arrangements can emerge without the systematizing force of bureaucracy or large scale, franchised restaurants. It is a great way to spur discussion – just don’t show it right before lunch.

Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

In recent weeks, we’ve seen multiple examples of women on the political right straddling two kinds of womanhood: the girlboss and the tradwife. The visibility of these women exposes a hidden link between conservative womanhood and girlboss feminism that deserves our attention. 

Katie Britt broadcast her response to the State of the Union from her kitchen. Michelle Morrow, the conservative activist from North Carolina who has just been elected state Superintendent of Education in North Carolina, burnishes her credentials as a wife and mother above all else.

They aren’t the first to do this; #tradlife has been trending since at least 2019. Tradwife influencers perform a version of femininity that leans on a strong husband providing financial support so they can devote themselves to caring for children and the home. There is almost always an apron, a kitchen, and a perfectly coiffed, carefully made-up woman in a serene environment cooking from scratch recipes — a vibe that belies the real chaos of having young humans to care for in a home. 

We might assume that tradwives hearken back to an earlier “backward” mode of femininity and marriage. But this way of being in the world is unmistakably modern because it involves “choice” and entrepreneurship. It is not enough for a tradwife to simply focus on her husband and kids, she must be entrepreneurial about it. She must blog about it, vlog about it, become an influencer. This is where the “girlboss” mentality comes in.

Sheryl Sandberg’s 2013 book Lean In told women that if they would just ask for what they wanted in the workplace, like the men, they too would advance. But women continue to face barriers in corporate America and marginalization in labor markets. Despite this girlboss feminism has been incorporated into our culture across the political spectrum. US women widely believe structural problems are with women ourselves. With individual effort, good planning, the right domestic help, and a little luck and chutzpah, we can overcome societal inequalities. We rely on a myth of mutuality that belies the true gender division of labor in American families.

It turned out lean-in feminism was both colorblind and a sham. And the #tradwives know it – there are even Black tradwife influencers. They say proudly: we have decided it’s way too exhausting to run the family and corporate America at the same time. So we will focus on our family and “opt out” of the vulnerability and constant stress of the labor market, which values our labor less. And in doing so, we take a stand with men and shore up the dying ideology of the father as breadwinner. We choose this, and you too can see just how great this choice is on our successful TikTok channels. 

As we discuss in depth in our new book, The Gender Order of Neoliberalism, U.S. has long drawn soft power from the idea that its women are “empowered.” Not “backward,” like those oppressed women in the Middle East or India or Africa, who are poor and come from patriarchal cultures. Our women, we like to tell the world, make choices of their own, work outside the home in high-powered jobs, fly planes, and even save women in other parts of the world.

But focusing on the individual choices of women who must “do it all” was not always what “women’s empowerment” meant. We show in our book that women involved in transnational feminist organizing in the 1950s and 60s lobbied for reproductive justice, fair pay for fair work, universal childcare, universal healthcare, and fair trade between countries. Those visions of empowerment have all but disappeared from our collective political imaginations. What would a joyful life look like if there were community kitchen tables, childcare collectives, and widely available healthcare? Where are the inviting visuals for that kind of empowerment?

Our impoverished feminist imagination leaves us straddling the skinny divide between tradwives and girlbosses and reinforcing the notion that women should continue to be America’s social safety net.

Smitha Radhakrishnan is Marion Butler McLean Professor in the History of Ideas and Professor of Sociology at Wellesley College. She is author of Making Women Pay: Microfinance in Urban India.

Cinzia D. Solari is Associate Professor of Sociology at University of Massachusetts Boston. She is author of On the Shoulders of Grandmothers: Gender, Migration, and Post-Soviet Nation-Building.

Societies grow and change all the time, but it can be tough to think about big-picture shifts when you’re living through the practical details of the day to day. Take the recent popularity of large language models (LLMs). In the short term, we face important sociological questions about how they fit into the norms of everyday life. Is it cheating to use an LLM to help you write, or to generate new ideas? How will new kinds of automation change work, or will they take jobs away?

These are important questions, but it is also useful to take a step back and think about what rapid developments in technology might do to our foundational social relationships and core beliefs. I was fascinated by a recent set of studies published in PNAS that suggest automated work and LLMs could even change the way we think about religion.

“draw an illustration of a church slowly dissolving into a series of zeros and ones, like computer code in The Matrix”

In the article “Exposure to Automation Explains Religious Declines,” authors Joshua Conrad Jackson, Kai Chi Yam, Pok Man Tang, Chris G. Sibley, and Adam Waytz review the findings from five studies. In one, their analysis of longitudinal data across 68 countries from 2006 to 2019 finds nations with higher stocks of industrial robots also tend to have lower proportions of people who say religion is an important part of their daily lives in surveys.

Figure 1 from Jackson et al. (2023) demonstrating nations with a higher stock of industrial robots also express lower rates of religiosity, on average. You can read the full notes at the open-access article here.

I was most surprised by the results of their fifth study—an experiment teaching people about recent advances in science and AI. Respondents who read about the capabilities of LLMs like ChatGPT showed “greater reductions in religious conviction than learning about scientific advances” (8).

The authors suggest one reason for this pattern is that “people may perceive AI as having capacities that they do not ascribe to traditional sciences and technologies and that are uniquely likely to displace the instrumental roles of religion” (2). This is important for us, whether or not you’re personally religious, because religion is a socially powerful force – people use shared beliefs to accomplish things in the world and solve problems, even to cope with hardships like losing a job.

But these results show that new changes in technology, like the advent of LLMs, might be expanding people’s imaginations about what we can do and achieve, possibly even changing the core beliefs that are central to their lives over the long term.

Evan Stewart is an assistant professor of sociology at University of Massachusetts Boston. You can follow his work at his website, or on BlueSky.

How are borders made? State borders are the product of political conflict, nationalist discourse, unequal economic systems, and, as this essay shows, significant public financial investment. Public policy and political narratives naturalize state borders, often hiding how their origins are arbitrary and violent. State borders often mark space following war and conflict, but they also perform additional social functions like maintaining distinct political systems and differentiating between insiders and outsiders. Borders also construct economic difference by maintaining unequal trade relations, national currencies, and disparate value regimes across states and regional zones.

States create borders by dedicating public funds to construct and uphold them. In the post-9/11 United States, state officials juxtaposed the discourse of anti-terrorism with that of border regulation, contributing to the securitization of the US-Mexico border. President George W. Bush’s administration founded the Department of Homeland Security (DHS) through the Homeland Security Act of 2002. Customs and Border Protection (CBP) and Immigration and Customs Enforcement (ICE) are two key agencies under DHS, responsible for apprehending, detaining, and deporting immigrants. CBP touts itself as “one of the world’s largest law enforcement organizations” (CBP, 2020) and states that its primary mission is “to detect and prevent the illegal entry of individuals into the United States” and “maintain borders that work” (CBP, 2021). ICE states that its “mission is to protect America from the cross-border crime and illegal immigration that threaten national security and public safety” (ICE, 2022).

Data visualization by the Author. Source: U.S. Department of Homeland Security. Budget in Brief Reports, FY2006 to FY2024, inclusive (Reports not adjusted for inflation).

The chart above illustrates trends in federal spending on immigration enforcement and border security in the image of a fenced border wall (these figures are not adjusted for inflation). The brick wall represents the annual budget of CBP. The fence above the brick wall represents the annual budget of ICE. Graffitied sections of the wall represent the six presidential terms since 2002, namely, Bush 1, Bush 2, Obama 1, Obama 2, Trump, and Biden. The red and blue barbed wire represents the sum of annual budgets for CBP and ICE. Red sections of the barbed wire indicate budgets approved by Republican presidents, while blue sections indicate budgets approved by Democratic presidents. Numeric labels above the barbed wire represent the combined budget for CBP and ICE at the beginning and end of each presidential term.

Democratic and Republican presidents have expressed rhetorical differences in immigration policy, with Democrats articulating a more pro-immigrant stance compared to their Republican counterparts. The chart above gives the lie to the political performativity of partisan differences on immigration policy. In practice, Democratic presidents appear no less enthusiastic than their Republican counterparts in funding the border policing. In a period of 21 years, Democratic and Republican governments have spent a staggering total of $409.4 billion of public funds on immigration enforcement. $178.9 billion has been spent by Republican Presidents, averaging to $17.9 billion annually. $230.5 billion has been spent by Democratic Presidents, averaging to $21.0 billion annually. In total, $275 billion has been spent on CBP and $134.4 has been spent on ICE. Overall, federal expenditures on immigration enforcement have nearly tripled from $9.6 billion (FY2004) to $28.7 billion (FY2024) in unadjusted dollars. Adjusting for inflation to 2024 dollars still suggests an increase from about $17.5 billion to $28.7 billion.

When it comes to immigration, Republicans put their money where their mouth is, while Democrats do not. What explains this? The contrast between the partisan difference in immigration rhetoric and partisan consensus on immigration policy is rooted in the fundamental contradictions of bourgeois liberal democracy. While elected representatives are supposed to represent the will of the working people, in actuality they represent the interests of the ruling economic, political, and racial elite. Substantive progress towards de-carcerating the United States and de-securitizing the US-Mexico border might have been possible if progressives exercised greater power in Congress and if, in turn, Congress exercised greater power over the budget and immigration enforcement. In the current context, however, this is unlikely. In October 2023, President Joe Biden’s administration waived no fewer than 26 federal regulations to construct a border wall between the US and Mexico in Texas (Gonzalez, 2023), seemingly mimicking his Republican predecessor Donald Trump in advance of the 2024 presidential election. In the gaping void left by the abandonment of any commitment to a progressive ideological agenda in the Democratic Party, anti-immigrant violence fills the void.

Sources and Additional Reading

  • Ackleson, J. (2005). Constructing security on the US–Mexico border. Political Geography24(2), 165-184.
  • CBP 2020. Customs and Border Protection. 2020. “About CBP.” Washington, DC: Customs and Border Protection. Retrieved November 17, 2021 (https://www.cbp.gov/about)
  • CBP 2021. Customs and Border Protection. 2021. “Border Patrol Overview.” Washington, DC: Customs and Border Protection. Retrieved November 17, 2021. (https://www.cbp.gov/border-security/along-us-borders/overview)
  • Gonzalez, V. (2023, October 6). The Biden Administration says it is using executive power to allow border wall construction in Texas. AP News. https://apnews.com/article/border-wall-biden-immigration-texas-rio-grande-147d7ab497e6991e9ea929242f21ceb2 
  • ICE 2022. Immigration and Customs Enforcement. 2022. “Keeping America Safe.” Washington, DC: Immigration and Customs Enforcement. Retrieved November 17, 2021. (https://www.ice.gov/#)
  • Reinke de Buitrago, S. (2017). The meaning of borders for national identity and state authority. Border politics: defining spaces of governance and forms of transgressions, 143-158.
  • U.S. Department of Homeland Security. Budget in Brief Reports, FY2006 to FY2024, inclusive.

Dr. Ghazah Abbasi is a Postdoctoral Associate in Public Engagement at the Cornell Brooks School of Public Policy

A recent photo from Dina Litovsky showing a model’s inflamed feet in slingback heels went viral, with reposts from National Geographic and a whole host of Instagram influencers. The photo garnered just over 500k likes and comments criticizing the prioritization of beauty over pain. This is not the first time these images have gone viral. In Louis Vuitton’s 2012 show in Paris, photos of runway models’ battered and bruised feet made the rounds.  

Photo by Dina Litovsky – see reflections, and even more images of the modeling industry, on the Substack here

Models can and have refused to wear outrageous shoes, but they risk paying the price by being judged as unprofessional, especially models with low status and prestige within the industry. The industry often praises models for their ability to endure long shoots and poses overtly or subtly contortionist. Yet measuring professionalism by a model’s willingness to endure pain demonstrates the toxicity of professional status at the cost of one’s wellbeing. Phrases like “beauty is pain” and “look good, feel good” link one’s appearance to their inherent value and capabilities. On the catwalk, the consequences of professional norms skew models’ agency, and prices of pain are paid to justify, uphold, and maintain a professional image.

These runway shoes teeter between symbols of empowerment and oppression, as models embody cultural ideals of gender, race, class, and sexual identity. Simultaneously, their personhood is commoditized as “aesthetic laborers.” Empowered by the high fashion industry’s exclusivity and idealism, models experience dogged yet isolating work conditions. These images serve looks, but also serve as reminders of social expectations of beauty that reinforce of cultural standards shaped by power, race, and status. Sociologist Ashley Mears’ ethnography of models, Pricing Beauty, argues these ideals become prescriptive shaping cultural expectation of how people should look and be.

The struggle spreads from the fashion industry to the everyday consumer. In her essay “Always Be Optimizing,” Jia Tolentino connects pain and suffering to self-optimization. Narrating her experience and research on intense Pilates and barre workouts, Tolentino argues that gendered beauty ideals have transformed into a pursuit of optimization that hides oppressive cultural beauty standards. These painful practices are obscured as self-care, sweating it out, and getting a toned and sculpted body. Important here is the illusion of “agency” in doing “self-care” and choosing to “optimize” or improving one’s womanly figure. These lures of “look good feel good” and cultural expectations of beauty and that “beauty is pain,” justify the aches and pains from working out. Shoes are both a vehicle for our feet and for gendered cultural and societal expectations, standards, and ideals worthy of praise.

Rachel Bickelman is a MA and PhD student at University of Massachusetts Boston.

Over the course of the past year, M&M’s have been plastered all over the news, social media, and even Super Bowl commercials. In January 2022, Mars Wrigley gave the brown M&M shorter heels and replaced the green M&M’s boots with sneakers in a push toward more inclusive marketing. 

What resulted was outrage. Tucker Carlson became the face of the backlash, stating, “M&M’s will not be satisfied until every last cartoon character is deeply unappealing and totally androgynous.” Carlson was not the only one speaking out. In a Rolling Stone article titled, “Let the Green M&M Be a Nasty Little Slut,” senior writer EJ Dickson argues, “The green M&M has spent decades building her brand as a horny, sexy bitch, and for what? For her creators to give her Larry David footwear in the name of feminism?”

By September, the purple M&M had made her debut. Carlson soon reignited the war, leading to Mars’ temporary suspension of their spokescandies. On FOX News, he remarked, “The green M&M got her boots back, but apparently is now a lesbian maybe? And now there’s a plus-sized, obese purple M&M.” While all of these comments are nonsensical, they point to the pressure placed on women to conform to gender norms and accommodate men’s sexual desires.

Sexualization of Women in the Media

M&M’s were not the first nor the only gendered commercial food product. In the 1940s, the Chiquita Banana, the world’s first branded fruit, made her debut. The original Miss Chiquita Banana was racialized and sexualized in order to appeal to the American market. Her femininity, specifically, was oversexualized through her flirtatious winking and eye-rolling as well as her frilly dresses and lipstick. 

Smithsonian Magazine, Chiquita Banana’s Recipe Book, 1947
Photo courtesy of Christina Ceisel

M&M’s has long employed the same strategy by sexualizing their female spokescandies. Their hypersexualization not only appears in their dress, but the erotic nature of the commercials in which they have been featured. The green M&M has been pictured pole dancing, stripping, and fondling chocolate, among other overt sexual acts. What’s more, the male M&M’s can be seen ogling her in the background, reinforcing the pervasiveness of the male gaze, in which men actively view women as passive ‘objects’ of their sexual desires.

Emphasized Femininity

Emphasized femininity refers to a range of traditional feminine norms that encourage women to accommodate men’s sexual appetites and desire for control. It legitimizes the gender hierarchy and upholds various forms of oppression. 

As women step away from the “stereotypical cultural notions” of emphasized femininity, men must “negotiate the dilemma of incorporating women’s resistance into their masculine identity projects.” Therefore, when the female M&M’s became less conventionally attractive and “sexy,” those that subscribe to the ideals of hegemonic masculinity felt threatened. They became angry that their sexual desires were not being satisfied, even with regard to a candy mascot.

This outrage reveals that women face the prospect of being labeled “socially undesirable” when they possess masculine characteristics.

In Carlson’s words, “When you’re totally turned off, we’ve achieved equity.” In our patriarchal society, when a woman exhibits defiance or authority, men feel threatened unless they can stigmatize and feminize their behavior.

When this happens, a woman is no longer a “good girl,” but a “bitch,” “lesbian,” or “slut.” Evidently, for women to be valued by men, they need to be subservient to the male gaze.

Impact of Hypersexualization

The hypersexualization of women is incredibly harmful to young people. Adolescents’ exposure to a sexualized media environment leads them to recognize women as sex objects. When women and young girls constantly see their bodies objectified, they begin to internalize the idea that the most valuable thing about them is their body. They become acutely aware that they are seen as “sexual playthings waiting to please men’s sexual desires” and begin to feel unworthy if they do not meet society’s standards. It does not go unnoticed when children see that the very candy they eat is sexualized.

When people become outraged when a female M&M’s shoe is changed, what message does that send? Of course, a so-called “culture war” waged against M&M’s is ludicrous, but there is power behind words, and this controversy’s real-world implications must be addressed. The vicious cycle of sexualizing women, mascots or not, for profit must be brought to an end, and prominent figures need to realize that the oppression of others is not a punchline.

Jillian Nord is a sociology student at Hamilton College.

Television distorts, mocks and marginalizes fat people. Fat characters are reduced to caricatures whose stories and identities aren’t developed and don’t matter. In one study by Tzoutzou et al., all 36 compliments about appearance given to women were for thin women. Not one positive message was included for a woman of an average or overweight body type. For men, the same pattern was found: only one overweight character received a positive message. 

Collage by Victoria Lieberman

These TV shows tell the audience that external beauty only resides in thinness and excludes anyone who deviates from this definition of beauty. Viewers can internalize this thin ideal, which in turn can make it difficult for the audience to feel good about themselves, especially if their body doesn’t fit this body standard. Seeing the treatment of fat people on TV can affect how viewers think about their own bodies, especially if their body type doesn’t fit the thin ideal.

Bigger Bodies, Smaller Roles

Not only is the representation of fat people overwhelmingly negative, but fat bodies are underrepresented on TV shows.

Comparison of female body types: television vs reality 1999-2000 (left)
Comparison of male body types: television vs reality 1999-2000 (right)
(Brownell et al. 2003)

This pattern of dehumanizing fat people continues when they don’t get the chance to develop their characters. They are often represented as a comedy sidekick or as villains.

In comedy, we often don’t laugh with fat women, but at them. Overweight women are about twice as likely to be the reason for a joke than thinner women. They also have smaller roles, less romantic relationships, and are in “fewer positive interactions than thin characters”.

Media often represents fat characters as villains as well. One study by Himes and Thompson “found that obesity was equated with negative traits (evil, unattractive, unfriendly, cruel) in 64% of the most popular children’s videos”. Examples of this can be seen in famous children’s movies with characters such as Ursula from The Little Mermaid or The Queen of Heartsfrom Alice In Wonderland. These villains help to draw the connecting line between fat and negative qualities Fat characters become less human than other characters who have full stories built around them. Makers of TV don’t just ignore fatness, they demonize it.

Effects on the Audience

The negative portrayal of fat people in TV shows can lead audiences to internalize negative portrayals of being overweight. This internalization can happen quickly: a study by Fouts and Burggraf found that only 30 minutes of watching TV can affect how a young woman views her body which can result in various external struggles. 

In the study by Tzoutzou et al., girls agreed that the media influenced their desire to be thin and fit the beauty standard. This can cause frequent dieting because many eating problems are due to unrealistic body standards, an image that mass media often transmits.

Not only can these misrepresentations of fat people lead to low self-esteem, but it can lead viewers to believe that they will be treated in the sexist ways that they see on TV if they don’t fit the body norm to avoid this.

All of these aspects have the potential to make a female viewer feel worse about themselves through their appearance and perceived reactions from other people rooted in fictional and distorted depictions on TV.

TV Should be Fun for Everyone

TV is a space that is meant to be enjoyed. But viewers can’t sit back and relax with TV if they feel like their body is being judged by the shows that they put on. All bodies should feel like they have a space within TV shows. All bodies deserve to be seen by a wide audience.

Tori Lieberman is a rising Sophomore at Hamilton college planning on studying Creative Writing and Sociology. You can find examples of her journalism here.