gender: prejudice/discrimination

Gender job segregation is the practice of filling certain occupations with mostly male or mostly female workers.  Today 40% of women work in jobs that are 3/4ths female or more and 45% of men work in jobs that are more than 3/4ths male (source).  Job segregation is the main cause of the wage gap between men and women because jobs that employ women pay somewhere between 5% and 19% less than ones that employ men (source).

Job segregation decreased during the decades following the women’s movement, but progress towards integration stalled out in the ’90s and hasn’t budged since.  There are lots of reasons why job segregation why gender persists; one of them is recruitment and selection.  That is, employers sometimes have preferences for whether a man or woman is suited for a job.  Usually these preferences match historical trends/stereotypes.

Philip Cohen offered an example of this over at The Atlantic.  It’s a photograph of a recruitment banner for a window replacement company that he came across in the University of Maryland Student Union.  The banner features men as representatives of employees who do sales and installation, but a female in the role of customer support.

Cohen also observed the behavior of the white male job recruiters accompanying the banner.   He writes:

In 20 minutes, as dozens of people walked by, the recruiters approached 18 men and 0 women, asking them, “You guys looking for a job?” (or, in the case of a black man, “Hey man, you looking for a job?”).

This is one way that jobs remain segregated by gender. We have an idea of who is suited for what jobs, we illustrate that supposed “fit” in imagery, and employers actively recruit men into “male jobs” and women into “female jobs.”  Doing so doesn’t just slot men and women into different jobs, but into different and unequal ones.

See also: boys learn to play doctor, girls learn to play nurse, fortune teller tells you your gendered occupational future, and who does what for airlines.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Here and there the media becomes interested in the sexualization of little girls and, when they do, I often get a call from a reporter or two.  I’ve yet to see any of them pick up on what I think is the really interesting story.  They want to talk about child models, little girls in beauty pageants, and the transitional tween years for Disney star prodigies, but I always want to add into the mix the infantilization of adult women.

The sexualization of girls and the infantilization of adult women are two sides of the same coin.  They both tell us that we should find youth, inexperience, and naivete sexy in women, but not in men.  This reinforces a power and status difference between men and women, where vulnerability, weakness, and dependency and their opposites are gendered traits: desirable in one sex but not the other.

Now, thanks to @BonneZ, I know that this has something interesting to do with Mickey Mouse.

The original Mouse, Stephen Jay Gould has observed, was a kind of nasty character.  But, as he has evolved into the “cute and inoffensive host to a magic kingdom,” he has appeared increasingly childlike. This six figures below indicate Mickey’s evolution over time:

Childlike features, Gould argues, inspire a need to nurture: “When we see a living creature with babyish features,” he writes, “we feel an automatic surge of disarming tenderness.”   Allison Guy observes that we see a similar trend in recent toy makeovers — larger eyes, bigger heads, fatter stumpier limbs — but we see this primarily in toys aimed at infants and girls, not boys:

Guy interprets this trend as the “result of a cultural imperative for women to embody both the cute and the sexual.”  So, women don “cute” clothes with colorful patterns associated with children and wear “flippy skirts” and “baby doll” t-shirts. They wear eyeliner to give the illusion of the large eyes of childhood, foundation to hide the marks of aging on the face, and pink on their cheeks to mimic the blush of youth.  They are taught these imperatives from an early age.

What does it mean that feminine beauty is conflated with youthfulness, but masculine beauty is not — that we want women to be both cute and sexual?  It means that we feel comfortable with women who seem helpless and require taking care of, perhaps we even encourage or demand these traits from women.  Perhaps these childlike characteristics are most comforting in women who are, in fact, the least needy; I submit that we are more accepting of powerful women when they perform girlish beauty.  When they don’t, they are often perceived as threatening or unlikable.

So, yes, the sexualization of girls is interesting — and no doubt it’s no good for girls and likely contributes to older men’s sexual interest in young women — but it’s not just about sexualizing kids early.  It’s about infantilizing adult women, too, as a way to remind women of their prescribed social position relative to men.

Cross-posted at Jezebel and Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at the Los Angeles Times, Huffington Post, and BlogHer.

In an Op-Ed article on hookup culture in college, Bob Laird links binge drinking and casual sex to sexually transmitted diseases, unwanted pregnancies, confusion, low self-esteem, unhappiness, vomiting, ethical retardation, low grades and emotional inadequacy. “How nice of The Times to include this leftover piece from 1957 today,” snarked a reader in the online comments.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Speech Events.

Earlier this year President Obama described California attorney general Kamala Harris “the best-looking attorney general in the country.” Even though the crowd reportedly laughed at the comment, Obama was criticized for making sexist remarks and quickly apologized to Harris.

But some people claimed to be confused: why was Obama wrong to compliment a woman on her looks? From the Washington Times:

Please, give us a chance to learn the rules. Give us a minute to catch our breath…

We were taught (most of us were) that girls and women were to be given flowers for their beauty of character and good looks.

Exactly what is wrong with this?

But one morning we were told that it is okay, even required, to tell a woman that she looks marvelous. Next morning, hey, we can go to jail for this!

This is not the first time a president has run into this sort of trouble. This picture of reporter Helen Thomas ran in the Philadelphia Evening Bulletin on August 7, 1973.*

The accompanying story was titled “Nixon Turns Fashion Critic, ‘Turn Around…’”  It included the following:

President Nixon, a gentleman of the old school, teased a newspaper woman yesterday about wearing slacks to the White House and made it clear that he prefers dresses on women.

After a bill-signing ceremony in the Oval Office, the President stood up from his desk and in a teasing voice said to UPI’s Helen Thomas: “Helen, are you still wearing slacks? Do you prefer them actually? Every time I see girls in slacks it reminds me of China.”

Nixon went on, asking Thomas to present her rear:

“This is not said in an uncomplimentary way, but slacks can do something for some people and some it can’t.” He hastened to add, “but I think you do very well. Turn around.”

As Nixon, Attorney General Elliott L. Richardson, FBI Director Clarence Kelley and other high-ranking law enforcement officials smiling [sic], Miss Thomas did a pirouette for the President. She was wearing white pants, a navy blue jersey shirt, long white beads and navy blue patent leather shoes with red trim.

There are several parallels between this incident and the Obama one: they took place at the tail end of an official event, when the president apparently thought he could take some time for harmless jokes. The women involved were highly acclaimed professional women. In both events, we see a powerful man verbally change a woman from a respected professional to an attractive female.

We know how the public responded to Obama’s comment. What about reception in 1973?

First of all, Helen Thomas herself wrote the article about this incident; according to anthropologist Michael Silverstein, “this is what we call ‘payback’ time.” At first glance, it seems like a neutral report of a conversation, but take a closer look. From the very beginning, Nixon is set up as the bad guy – a “gentleman of the old school” who “teased a newspaper woman.”

The mocking, faux fashion report tone continues from the headline into the description of Thomas’s outfit. What seems like a harmless personal interest story tacked onto a news article was actually a protest against this treatment – and it required damage control by the president. Within the next week, Thomas’s fellow reporters went on the record as saying that they were on her side, and wished she had not played along with the president. Even the First Lady weighed in, saying that there was no rule against women wearing pants in the White House.

The rules haven’t changed: there’s nothing new about presidents talking about professional women’s appearance, and even in 1973 it was recognized as inappropriate.

* The image is from here; the article on google is text only.

Miranda Weinberg is a graduate student in Educational Linguistics and Anthropology at the University of Pennsylvania studying multilingualism in schooling.

In a wonderfully provocative article titled “Compulsory Heterosexuality and Lesbian Existence” (full text), writer and poet Adrienne Rich argues, among other things, that the assumption of heterosexuality in the context of patriarchy alternatively erases and stigmatizes woman-to-woman bonds.

Though the title specifies lesbianism, she means intense and meaningful relationships between women more generally.  In other words, an overbearing heterosexuality orients women towards men not just as sexual and romantic partners, but as the arbiters of all that is good and right. Accordingly, women don’t turn to other women to validate their ideas, their value, their beauty, or anything else about them.  This post, analyzing the reality show Battle of the Bods, is a stark example.

If only men can validate women’s worth, then other women exist only as competition for their approval.  This is good for patriarchy; it divides and conquers women, keeping them constantly looking to please the men around them and making them feel invisible and worthless if they can’t get attention from or endorsement from men.

There are various strategies for getting men’s stamp of approval: being the busy and useful mother of a man’s children is one way, while being a childless so-called “trophy wife” is another.  You can imagine, right away, that these two kinds of women might see themselves as in competition.  One may be more harried, with less time to tend to her physical fitness and keep her hair shiny and her make-up and clothes just right.  The other may have plenty of time to keep herself fit and beautiful, but knows that her connection to her husband may feel less permanent without children to tie her to him.  Moreover, the childless wife is often a second wife.  So all sexy, single, childless women are, theoretically, a threat to the wife and mother.  And all husband/dads are, theoretically, a target for wanna-be second wives.

Pop culture constantly re-affirms these narratives.  It frequently naturalizes the idea that women should turn to men, and not women, to reinforce their value. Portraying women as in competition is part of that.  The “trophy wife” vs. the “busy mom” is one of those match-ups. Enter this Volvo ad, sent in by Dolores R.:

The ad encourages us to think mean-spirited thoughts about the married but (presumably) childless woman with the puckered lips.  She clearly sees herself as in competition with the redhead, looking over to check that she is, in fact, more beautiful, and looking satisfied that she is.  The redhead, though, has (supposedly) more important things to do than check herself out in the mirror.  She’s got kids.  How shallow the blond, we’re told to think, how fake.  “Designed for real people,” the narrator explains, “designed around you.”

These battles — between childless women and mothers, one kind of mother and another, old women and young, thin women and fat, ugly women and beautiful, popular and less popular, mother-in-laws and daughter-in-laws, between strangers and between best friends — this is patriarchy in action.  It weakens women as as group and makes it more difficult to fight oppression.

As my good friend Caroline Heldman says, when we see women that excel in some way — whether they be accomplished in their career, impressive fashionistas, incredible parents, truly loved partners, inspired artists, or what-have-you —  we are taught to find something about them to dismiss because they make us feel insecure. Instead, we should think “How fabulous is she! I want to tell her how great she is and be her friend!”

Lisa Wade is a professor of sociology at Occidental College.  She elaborates on these themes in her talk, A Feminist Defense of Friendship. You can follow her on Twitter and Facebook.

Cross-posted at The Ethical Adman.

So it turns out there’s this company that makes “zombie” targets for gun enthusiasts. They have clown zombies, nazi zombies, “terrorist” zombies, dog zombies and even a green zombie named “Rocky” that has Barack Obama’s ears.

And one woman.

Here’s their explanation:

The Zombie virus does not discriminate and neither does Zombie Industries.  We take preparation for the Zombie Apocalypse seriously, which is why we strive to have all groups of undead monsters represented in our product selection.  In addition to the Ex Girlfriend Zombie, we currently sell 15 male zombies, 5 animal zombies & 2 aliens… to discriminate against Women by not having them represented in our product selection would be just plain sexist.

Each of the zombie targets has a story.  Here is the story of “The Ex”:

Be warned, hell hath no fury like a woman scorned but a man scorned is nothing to mess with! A young gent from Louisiana, we’ll call him André to protect his identity, was deeply committed to his one true love and her to him, or so he thought. While partying with her friends during one particular Mardi Gras, she took several suitors over the course of the festivities. André felt something odd indeed, so he paid a visit to his great aunt, Marie, who helped him see the truth. With a few eggs, candles lit and kiss upon his forehead, her voodoo curse was set in motion. Late each night while lying in bed, a smile would appear across his face, for a slight breeze would travel through a cracked window bringing with it, a faint whiff of decay and a unnatural cry of regret.

That’s right. In this narrative, a man kills a woman for cheating on him, and has her turned into a zombie. Which you, bro, are now invited to blow to bits.

Despite the game-like zombie theme, it is notable that the single human female representation has been created specifically as a target of violent male anger towards a woman’s ownership of her own sexuality.  And “The Ex” is portrayed in a highly sexual way, with what seems to be a bare lower torso and busting out chest.

Policymic writes, “Every day, at least three women are killed by an intimate partner in the US alone.  Let’s make sure those numbers go down, not up. Let’s make sure companies like Zombies Industries know that we’re not buying it.”

Some people, however, are buying it. And this is what’s most troubling.

From the product reviews:

This Zombie Bitch is awesome, reminds me of a girl I knew in High School, My LMT LM308MWS should put a stop to the undead bring them on !!! Later Party till you drop Corvette forever !!!!!

And:

I love that this target looks like Britney Spears and it bleeds when I shot it.

And from YouTube:

Tom Megginson is a Creative Director at Acart Communications, a Canadian Social Issues Marketing agency. He is a specialist in social marketing, cause marketing, and corporate social responsibility. You can follow Tom at workthatmatters.blogspot.com.

Cross-posted at PolicyMic.

Let me ask you a question: Do you have a good friend of the opposite sex?

Odds are you do. In fact, the odds are overwhelming.

When I first began teaching, 25 or so years ago, I asked my students how many of them had a good friend of the opposite sex. About 10% said they did. The rest were from what I called the When Harry Met Sally generation. You’ll remember the scene, early in the film, when Harry asserts that women and men can’t be friends because “sex always gets in the way.”  Sally is sure he’s wrong. They fight about it. Then, thinking she has the clincher for her position, she says, confidently, “So that means that you can be friends with them if you’re not attracted to them!”

“Ah,” says Harry, “you pretty much want to nail them too.”

Young people today have utterly and completely repudiated this idea. These days, when I ask my students, I’ve had to revise the question: “Is there anyone here who does not have a friend of the opposite sex?” A few hands perhaps, in the more than 400 students in the class.

But let’s think, for a moment, about the “politics” of friendship. With whom do you make friends? With your peers. Not your supervisor or boss. Not your subordinate. Your equal.  More than romance, and surely more than workplace relationships, friendships are the relationships with the least amount of inequality.

This changes how we can engage men in the efforts to end sexual assault, because there are three elements to sexual assault that can be discussed and disentangled.

First is m en’s sense of entitlement to women’s bodies, to sex. This sense of entitlement dissolves in the face of an encounter with your friends. After all, entitlement is premised on inequality. The more equal women are, the less entitlement men may feel. (Entitlement is not to be confused with resentment; equality often breeds resentment in the privileged group. The privileged rarely support equality because they fear they have something to lose.) Entitlement leads men to think that they can do whatever they want.

Second, the Bro Code tells those guys that they’re right – that they can get away with it because their bros won’t challenge or confront them. The bonds of brotherhood demand men’s silent complicity with predatory and potentially assaultive behavior. One never rats out the brotherhood. But if we see our female friends as our equals, then we might be more likely to act ethically to intervene and resist being a passive bystander. (And, of course, we rescue our male friends from doing something that could land him in jail for a very long time.)

Men’s silence is what perpetuates the culture of sexual assault; many of the excellent programs that work to engage men suggest that men start making some noise. We know the women, or know people who know them. This is personal.

Finally, we’re better than that – and we know it.

Sexual assault is often seen as an abstraction, a “bad” thing that happens to other people: Bad people do bad things to people who weren’t careful, were drunk or compromised. But, as I said, it’s personal. And besides, this framing puts all the responsibility on women to monitor their activities, alcohol consumption, and environments; if they don’t, whose fault is it?

This sets the bar far too low to men. It assumes that unless women monitor and police everything they do, drink, say, wear etc., we men are wild, out of control animals and we cannot be held responsible for our actions.

Surely we can do better than this. Surely we can be the good and decent and ethical men we say we are. Surely we can promise, publicly and loudly, the pledge of the White Ribbon Campaign (the world’s largest effort to engage men to end men’s violence against women): I pledge never to commit, condone, or remain silent about violence against women and girls.

Our friends – both women and men – deserve and expect no less of us.

Michael Kimmel is a professor of sociology at the State University of New York at Stonybrook.  He has written or edited over twenty volumes, including Manhood in America: A Cultural History and Guyland: The Perilous World Where Boys Become Men.  You can visit his website here.

“You just have to be cheerful about it and not get upset when you get insulted,” said rocket scientist Yvonne Brill.

She must be chuckling in heaven, because her obituary at the New York Times made the common mistake of making her femaleness and femininity a central part of their retrospective.  After objections, NYT corrected the obit.  Here are the tracked changes, courtesy of NewsDiffs:

At Feministe, Caperton offers a nice discussion of this phenomenon and draws our attention to the Finkbeiner Test, named after journalist Ann Finkbeiner.  Inspired by the Bechdel Test for movies, the Finkbeiner Test is used to judge whether stories about women focus excessively on the fact that they are women.  To pass the test, the story cannot mention:

• The fact that she’s a woman
• Her husband’s job
• Her child care arrangements
• How she nurtures her underlings
• How she was taken aback by the competitiveness in her field
• How she’s such a role model for other women
• How she’s the “first woman to…”

Awesome.

We’ve documented lots of instances of the men-are-people and women-are-women phenomenon.  It’s no wonder it shows up in obituaries too.  I’m glad that we’re becoming sensitive enough to the issue to notice it and that institutions like the NYT are responsive enough to change the most egregious examples of it.  Next step: prevention.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.