gender: objectification

Cross-posted at Caroline Heldman’s Blog.

Demand #8 from the Occupy Wall Street list of demands is a call for a “gender equal rights amendment,” a good sign that OWS is thinking about inequality in all its various forms.  This sentiment, though, seems to be lost on (supposedly) liberal filmmaker, Steven Greenstreet, whose past work  includes documentaries about the Mormon influence in passing Proposition 8 and the conservative backlash against Michael Moore.  Greenstreet is also the proud creator of the website, Hot Chicks of Occupy Wall Street.  He was watching news coverage of the Occupy movement that inspired him to tell a friend,

Wow, seeing all those super smart hot chicks at the protest makes me want to be there… Hmmm… Yeah, let’s go with that.

We instantly went to Tumblr and made [Hot Chicks of Occupy Wall Street]. Our original ideas were admittedly sophomoric: Pics of hot chicks being all protesty, videos of hot chicks beating drums in slow-mo, etc. But when we arrived at Zuccotti Park in New York City, it evolved into something more.

There was a vibrant energy in the air, a warmth of community and family, and the voices we heard were so hopeful and passionate. Pretty faces were making signs, giving speeches, organizing crowds, handing out food, singing, dancing, debating, hugging and marching.

The evolution from “sophomoric” to “something more,” inspired by “community and family,” is not evident on the website.  Aside from the obvious reduction of activist women to sexual objects, this site is shockingly offensive in its inclusion of young women/girls, one with the caption “She is identified as being 18 years old.” [Hint: If you have to identify “her” as being of age, that’s a sign you probably shouldn’t be posting the photo.]

Greenstreet does not provide information about whether he gained permission from the girls/women featured, but since no names are provided, we can assume he did not systematically seek permission.

It is also unlikely that Greenstreet informed his subjects of his intention to post their photos on the Hot Chicks website.  With his accomplice, Brandon Bloch, Greenstreet shot a video with interviews of women in which it is clear they thought their words, not their bodies, would be the focus:

[vimeo http://vimeo.com/30476100]

Greenstreet has posted criticism on the Hot Chicks website like a badge of honor:

@JaeChick: Nothing like degrading women to get attention. You are a small, sorry excuse for a man.

@MeFunk: Whatsay you take down your sexist video, issue a formal apology to female protesters, and then I pour hot coffee on you?

He responded to critiques of sexism with the following statement:

Apparently a lot of controversy has erupted online from people passionately opining (among many things) that this is sexist, offensive, and dangerously objectifies women. It was not my intent to do that and I think the spirit of the video, and the voices within, are honorable and inspiring.

However, if you disagree with me, I encourage you to use that as an excuse to create constructive discussions about the issues you have. Because, to be honest, any excuse is a good excuse to bring up the topic of women’s rights.

Wow, what a humanitarian.  It appears that this fumbling display of overt sexism was really just a ploy to get us talking about women’s rights.  Thanks, Steven.

Thanks to Katrin, Melanie L., Jessie W., and Nathan Jurgenson of Cyborgology for asking us to write about this topic!

Cross-posted at Ms.

According to a BBC News story sent in by Leiana S. and Kinesiology professor Mary Louise Adams, the International Boxing Association may soon require female boxers to wear skirts.  The President of the Association, Dr. Ching-Kuo Wu, argues that it will allow viewers to tell the difference between the men and the women who currently wear the same uniforms, including headgear.  Right now the skirt is an optional variation on the official uniform but, Dr. Wu says, “After we hear about its comfort and how easy it is to compete in the uniform, it may be compulsory.”

At the European Championships in Rotterdam last week, female boxers from Poland and Romania adopted the new uniform.  A coach of the Poland team said: “By wearing skirts, in my opinion, it gives a good impression, a womanly impression.”

This might be an example of officials assuming that (1) men are the main audience for boxing and that (2) men will watch women’s boxing more if they differentiate/sexualize women.

It might also, however, be an example of an attempt to retrench difference between men and women exactly when those differences start to dissolve.  Discomfort with the lack of actual differences between men and women sometimes leads individuals to encourage or enforce artificial ones.  I would say that this is one of the main functions of clothes today. Yeah, I said it. I think exaggerating what are actually rather weak and strongly overlapping differences between men and women is one of the primary functions of clothes.

In any case, it’s probably a combination of both.

Earlier this year they tried this with Badminton, but it didn’t take.

The idea that female athletes aren’t sufficiently feminine has been around as long as sports have been around.  Today, the feminizing of athletes is ubiquitous.  See our posts on Serena Williams’s ESPN cover, Candace Parker “is pretty, which helps,” press photos of female athletes in dresses, groundbreaking female sailor is also pretty, sexualizing female Olympic athletes, diets of champions, media portrayals of female athletes, and valuing dads in the WNBA.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Today cheerleading can be an incredibly athletic and risky sport. Because it is associated with women, though, and serves a sideline function for football and other male-dominated sports, cheerleading is often not considered a sport at all. Less than half of U.S. high school athletic associations define high school cheerleading as a sport and neither the U.S. Education Department or the National Collegiate Athletic Association categorize it as one.

Instead, cheerleading is frequently labeled an “activity,” akin to the chess club.  Accordingly, cheerleading remains unregulated by organizations responsible for ensuring the safety of athletes, leading to rates of injury among cheerleaders higher than even those among American football players.

A similar logic appears to be at play regarding the Lingerie Football League, 12 teams of women that play live tackle football in underwear.  Here are some highlights from a game:

So, here’s the thing.    Last month 16 of the 26 players on the Triumph, a team in Toronto, resigned over safety concerns. From a story at the Toronto Star sent in by Emily M.:

…four players described the ill-fitting hockey helmets and one-size-fits-all shoulder pads designed for young males that they had to wear.

“We would have headaches during practice… They made a hockey helmet a football helmet, and that’s not what it’s for.”

…

Sprained ankles, concussions and pulled hamstrings were among the injuries sustained by Triumph players in their first game… their team had no medical staff.

One of the players reported that, when they brought their concerns to the coach, he shrugged and said: “You know, it is what it is.”

“You know, it is what it is.”  In other words, “You’re women in underwear. It doesn’t matter what you do, you’re not really playing football.”  Ideology triumphing over reality.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Okay so I did a google search one day and I stumbled across two images that… well, I just have to show them to you:

(Victoria’s Secret models, found here)

(Disney fairies, found here)

I seriously don’t want to make too big of a deal out of this. I really don’t.  I highly doubt that one of these images was modeled after the other or that there was some deliberate attempt to link Victoria’s Secret with Disney or sexy models with little girls.

That said, the two images point to a common visual trope. In this trope, a group of sexy women get lined up (often touching each other).  They look almost identical, with the exception of a tiny bit of variation in skin color and hair.  And they’re costumed in such a way as to make them look both alike and different (e.g., all in underwear of different colors).

The effect is to erase their individuality, but multiply the impact of the image. We don’t see a five or six women, we see Woman with a capital “W” (or Fairies in the second case).  It’s like seeing a buffet from afar, you see Food, but not necessarily macaroni and cheese, little tuna sandwich triangles, fried okra, and fruit salad.

Let’s call it the there’s-no-such-thing-as-too-much-conformity-to-the-male-gaze trope.  Or, I-like-my-women-like-I-like-my-collectibles (lots of ’em, all of a type, and on display).  Or, women-come-in-a-rainbow-of-colors-just-kidding.

Do you have a better name for it?

UPDATE: Here’s another one, sent in by Ann T. (says Ann’s boyfriend, “I know it makes ME think of cancer”):

And here’s one I found on the Ms. blog:

Caroline Heldman counts this as a form of sexual objectification.  In these cases, women are shown as interchangeable, like objects.  And, she writes, “like objects, ‘more is better,’ a market sentiment that erases the worth of individual women.”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Love Isn’t Enough.

This six-minute video, uploaded to youtube by Sanjay Newton, does a wonderful job of explaining and illustrating the portrayal of masculinity in Disney movies.  It’s pretty troubling when laid out so simply.

Via Dr. Danielle Dirk’s blog for her Contemporary Sociological Theory class.

More on Disney: pickaninny slaves in Fantasia? yes, the happiest place on earth?, the working poor at Disney world, how Disney came to Times Square, media consolidation and Tinkerbell, the real Johnny Appleseed, fallen princesses, modernizing the fairy tale, racist Disney characters, infantilizing adult women, advice for young girls from the little mermaid, gendered Disney t-shirts for kids, deconstructing Disney princesses, Disney makes over Minnie Mouse, are the new Disney princesses feminist?, making light of sex slavery at Disneyland, Disney diet food for kids, race and gender in Princess and the Frog, socializing girls into marriage, and…

…did you know that the very first political tv commercial was made by Disney?  I like Ike!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A new submission is a nice addition to this old post.  The newest iteration of this gender-bending game — men in pin-up poses — can be found in the middle of this collection.

Dmitriy T.M. sent in this month’s cover of GQ featuring Sasha Baron Cohen, in Bruno character.  Cohen adopts a pose often used to showcase women’s bodies.  The contrast between the meaning of the pose (sexy and feminine) with the fact that he’s male draws attention to how powerfully gendered the pose is.  His facial expression highlights the ridiculousness of such a powerful gender binary (women look sexy when they pose like this, men look stupid when they do).

Consider:

Commenter MB noted that GQ has some news stands have decided to cover the cover (as if it were porn):

The interesting question might be: When we pose women like men, does it look ridiculous or badass?  And, if it looks badass, what does that say about the way we expect women to look and move?

For a similar project, see Yolanda Dominquez’s photos of “regular” women in “fashion” poses.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

(Via John Barr’s Blog.)

Today, in the “blatant objectification of women to sell crap” category, we have this J.C. Penney commercial, sent in by Rachel O. The ad features ESPN journalist Kenny Mayne assuring men that if they’ll just look at the boring ad for Van Heusen shirts, they’ll also be rewarded with actress Phoebe Cates in a bikini, so “everybody wins”:

I’m not sure that quite everybody wins here. No, not quite everybody.

Nicola R. sent in an image of the ad that is on the back cover of the September 2011 issue of Desktop, an Australian magazine aimed at graphic designers. The ad, for Olympus cameras and their art filters, presents four identical images of a woman with different effects applied. The tagline, in small print under the photos, is “Never get bored of how your girlfriend looks again”:

As Nicola says, the message here is that woman are eternally on display to an objectifying male gaze, “not just in public but often also in our personal lives,” and can never stop manipulating their physical appearance lest they risk losing their male partner’s interest.