While updating my personal archive of news relating to the Influencer industry, I decided to highlight a few significant developments in Q1-Q2 of 2017 in this short round-up.

With its historical beginnings rooted in bedroom camming culture in the North American late-1990s and the online selling culture in the South East Asian early-2000s, the Influencer industry is its vernacular and institutionalised formats is more than a decade old today.

Yet, for all their progress and advancements across several industry verticals and areas of society, present-day news reports seem to be stuck in a backdated timeloop as they continually express surprise at the fact that Influencers can command sizable earning and brands want to work with them, assert that the Influencer industry is somehow mysterious and a secret weapon, and reiterate that the Influencer industry is simultaneously on the rise and on the decline. That’s quite the obsession over the financial aspect of Influencers. But is there much else?

Yes! In the first half of 2017 alone, the Influencer ecology worldwide has registered several controversial blows and innovative debuts in relation to legality, economics, culture, and social issues.  more...

Inverse has a short thing about the precipitous decline of reported close encounters with extra-terrestrials following the widespread adoption of smartphones. Author Ryan Britt asks, “How come there have been fewer reports of flying saucers and alien abductions in the age of the camera phone?” The answer is, essentially, UFOs and abduction stories don’t work at the high resolutions of our devices. Roswell and abductions are the products of eye witness accounts and fuzzy VHS video, not 4k videos captured on iPhones. The mundane enchantment of suburbia, as I’ve called it before, gets deleted as noise in an attempt to capture life in the photo-realistic. more...

Protestors in Hamburg, Germany. July 7, 2017. Photo: Maya Ganesh

On July 6, 7, and 8 the police established a thick cordon around the Hamburg Messe and Congress where the G20 was taking place. It separated delegates from the thousands of protestors who had converged on the city.

From the distinctive, red Handmaid cloaks worn by Polish feminists, to Greenpeace in boats off the harbour, to radical and Left groups in Europe, the G20 brought together diverse communities of protest from around the world. Protestors were there to tell leaders of the world’s most powerful economies that they were doing a terrible job of running the planet.

Not all of the protests were peaceful. The violence by some protestors and by the police against them has formed a substantial part of the reportage about the G20. In this post, I share some experiences and insights from the protests and their mediation.

The anti-Trump protests, the anti-Caste discrimination movements and activism on Indian university campuses against the Modi government, the ‘Science March’, the Women’s Marches, protests against Michel Temer in Brazil, #FeesMustFall and its sister protests in South Africa, and the post-Brexit marches to name a few, have captured local and national attention.

These protests have generated discussion about the shifting dynamics of political participation, popular resistance, and media, from the documentation of clever signs, the transition of protest memes from the online to the offline and back again, to the inspirational images of Saffiyah Khan and Ieshia Evans confronting violence. more...

ghost modeSnapchat recently released a new feature called Snap Map that lets users see the the location of their friends’ snaps organized on a map. The feature is opt-in only and carefully avoids unintended disclosure of user data. Snapchat even nudges users to actively manage who they share their location with. The Snap Map support page says (only half-jokingly):

Only the people you choose can see your location — so if you’re friends with your boss, you can still keep your location on the down low during a “sick day” 😉

This cautiousness in introducing features—particularly ones that reveal location data—is laudable and also not surprising. Many social media users may not remember the ill-fated rollouts Facebook Beacon and Google Buzz [1, 2], but Silicon Valley designers remain acutely aware of how intense the backlash can be when new features fail to incorporate sufficient privacy protections.

While Snapchat has been careful in their implementation of Snap Maps, the feature has raised serious concerns for cam models, clip producers, phone sex operators, and other online sex workers, many of whom are very active on Snapchat and rely on it as a significant source of income. more...

With the New York State Assembly’s recent budget, and after a long fight among labor organizers, lawyers, business owners, and legislators, ridesharing has come to town here in upstate New York. Ride-sharing advocates are celebrating the victory, claiming that it will spur economic development and reduce drunk driving. I spoke with local Service Employees International Union (SEIU) organizer Sean Collins about the new legislation and what effects it might have on the region, as well as the rhetoric regarding the benefits of services such as Uber and Lyft and the increasing replacement of public transportation improvement with private entities. more...

In this post, I’d like to make an argument about a way to understand how the Democratic party seems to be making messaging and policy decisions. An argument like this can’t be made in a vacuum—or in 1,500 words. Nor can any one or even ten reasons be decided upon for why the leaders of a party do what they do. But I recognize a pattern in how the DNC and leadership has acted over the past decade and I want to work that through here. So please forgive any indication that I am not a policy wonk or political analyst—I do not claim to be, nor do I wish to be either. more...

Exxxotica, a large adult-themed expo that started in 2006, was held in Chicago last weekend. While the event is broad and claims to be a “love and sex” catch-all event (including seminars and presentations related to BDSM, swing lifestyle, sexual health, toys, etc.), it is largely focused on the adult industry. Indeed, since its inception Exxxotica has hosted large name porn stars like Jenna Jameson and Ron Jeremy, and it promises to connect fans with their favorite stars.

In its 11th year, changes in the expo have reflected changes in the industry itself. Most notably, there has been a huge shift away from mainstream studio porn production to that of decentralized sex camming. J. Handy, the director of Exxxotica, recalled that the first year that MyFreeCams (one of the leading webcam sites) was present was in 2012 with a 10×30’ booth and 8-10 cam girls.in contrast, the same site exhibited with a 50×60’ booth and over 200 cam models in Chicago last weekend. In addition to MyFreeCams, other cam sites such as Chaturbate, Cam4, and LiveJasmine were present.   more...

Non-consensual pornography—frequently called “revenge porn”—describes nude or sexually suggestive photos shared in a manner or context that the subject did not consent to, often with the intent to humiliate, intimidate, or extort the victim. In many cases, these pics are distributed by someone who received (or was allowed to take) them on the assumption that they would remain private.

While non-consensual pornography is not unique to social media, these platforms have made it easier to distribute images anonymously/pseudonymously to a wide audience. Nude or sexual pics are non-consensually distributed through dedicated websites; subforms on Reddit, 4chan, and their many offshoots; “dump accounts” on Twitter or Tumblr; torrent sites (particularly for celeb photos); and the Dark Web (for underage or otherwise illegal content). more...

METATOPIA 4.0 – Algoricene (2017) by Jaime Del Val

The 23rd International Symposium on Electronic Art was held in collaboration with the 16th Festival Internacional De La Imagen in Manizales, Colombia in mid-June 2017. The opening ceremony for the conference kicked off with a performance by the artist Jaime Del Val, entitled METATOPIA 4.0 – Algoricene (2017), described by the artist as “a nomadic, interactive and performative environment for outdoors and indoors spaces.” The artist statement goes on (and on) to explain that the piece “merges dynamic physical and digital architectures” in an effort to “def[y] prediction and control in the Big Data Era.” In actuality, Del Val stripped down to his naked body, put himself in a clear mesh tent, projected abstract shapes onto the tent, and danced to what might best be called abstract electronica (think dubstep’s “wubwubwub” without the pop).

What piece of what Del Val presented qualifies as “electronic art”? Was it the music? The projector? The use of the term “Big Data Era”, capitalized (in lieu, perhaps, of scare-quotes) in his entirely glib artist statement? I was similarly confused by Alejandro Brianza’s artist talk, “Underground Soundscapes”, in which he showed a few photos of subway systems around the world, accompanied by sound recordings from each visit. About Brianza’s work and Del Val’s, I wondered: why is this electronic art? In fact, throughout the duration of my visit to the ISEA conference and festival, I found myself asking “why” quite often.

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A mere two minutes and 19 seconds in length, the video Are Black British Youth Obsessed with Light Skin/Curly Hair. Or is it just Preference?” is a compilation of snippets from “person on the street” interviews, conducted in the environs of two shopping centers and a commuter railway station in east London (more on this later).

The interviewer is a roving Internet reporter going by the handle of VanBanter, whose YouTube channel boasts over 85,000 subscribers.  VanBanter is a tall, svelte, black Briton of around 16, himself light skinned, whose voluminous hair in the clips is either styled in cornrows, or pulled back in a low Afro puff, the black version of the “man bun.”

The interviewees are black boys, ostensibly between the ages of 12 and 17, of a wide spectrum of skin colors and hair textures.  The single question VanBanter asks all of them is, “What kind of girls are you into?”  On occasion, he phrases it as, “What type of girls do you slide into?”  Two token girls are asked the same question about boys.  All interviewed say they like “light skins.”  Some add “curly hair,” clearly meant as a qualifier in opposition to “kinky,” not straight, hair texture.  Most of the interviewees are filmed standing in pairs or small groups of friends who support their responses with interjections, gestures, or general glee.

The video was first uploaded on June 1st to the Facebook page of Black British Banter.  Over that weekend, it received a million views, over 6k likes (2.6k neutral thumbs-up expressing interest, 1.2k crying emojis, 1.1k angry ones, 546 laughing ones, 467 wows, and 62 loves), 5k comments, and 8,000 shares.

I myself could not stop viewing it.  The comments far outstretch the bounds of personal preference, to which we all have an undisputable right.  Instead, they defend a centuries-old global regime of negating not only the beauty, but very humanity, of people with dark skin, especially women.  “No black t’ings, like my shoes n’ shit!” says one very more...