For the last week of December, we’re re-posting some of our favorite posts from 2012.

If you pay attention to racist portrayals of African Americans, you will notice the frequent appearance of watermelons.  The trope has its roots in American slavery.

Why watermelons?  According to David Pilgrim, the curator of the Jim Crow Museum, defenders of slavery used the watermelon as a symbol of simplicity.  African Americans, the argument went, were happy as slaves.  They didn’t need the complicated responsibilities of freedom; they just needed some shade and a cool, delicious treat. Abagond has a nice collection of images showing black people delighted to be eating watermelon. Here the copy makes explicit the idea that slaves needed little but a watermelon to make them happy:

I think this is an interesting example of the way in which supposedly random stereotypes have strategic beginnings.  The association of Black people with a love of watermelon isn’t just a neutral stereotype, nor one that emerged because there is a “kernel of truth” (as people love to say about stereotypes).  Instead, it was a deliberate tool with which to misportray African Americans and justify slavery.

For the last week of December, we’re re-posting some of our favorite posts from 2012.

Pierre Bourdieu was an amazingly influential thinker who, among other things, theorized a concept called “the habitus.”  The term refers to our often unconscious bodily knowledges and habits.  According to Bourdieu, our habits reflect where and how we grow up.  The kid of a rancher, in other words, will have a very different habitus than the kid of a New York finance elite.

I thought of the habitus when I saw this quick video of people in New York, exiting a subway platform, tripping — one after the other — on the same step. Brooklyn Filmmaker Dean Peterson, who recorded this for us, remarks that the step in question is just a fraction of an inch taller than all the others. But that’s all it takes.

What is striking is how perfectly calibrated are bodies are. Most stair heights (correct me if I’m wrong) are standardized and, when we grow up in this environment, our habitus becomes tuned to that standard.  We come to learn exactly how high to lift our foot to be able to climb each step, and we learn to lift it no higher.  Our habitus allows us, then, to climb stairs throughout each day with minimal effort and without having to individually gauge each step, but it also makes us easy to “trip up.”

Thanks to Thomas G. for the tip!

Via BoingBoing.  For another stunning example of habitus, see the baby worshipper and babies learn to have a conversation.

Christmas Across Cultures

• Befana, the Christmas Witch
• Christmas Cultures
• Santa’s Evil Side Kick
• Black Pete (NSFW; trigger warning for images of blackface)
• Protestantizing Christmas Gift Giving: The ChristKind
• Politics and the Rockefeller Center Christmas Tree
• The Pagan Roots of Christianity
• Snegurochka: Santa’s Granddaughter
• Global Christmas

The Economics of Christmas

• International Comparison of Christmas Spending
• Christmas has an Economy
• The Christmas Tree Industry

Racializing Christmas

• White Privilege and the Snow White Santa (pictured)
• New York Times Gift Guide for People of Color
• Black Pete (NSFW; trigger warning for images of blackface)
• Holiday in the Hood
• The Hazards of Historical Amnesia

Christmas and Gender

• Mariah Carey’s “All I Want for Christmas is You”: 1994 versus 2011
• 12 “Mums” Makes the Workload Light
• Christmas is Women’s Work
• Tis the Season for Reinforcing Gender Differences

Gift Guides and the Social Construction of Gender

• Gender, Technology, and Toys ‘R Us
• Gender in Toy Catalogs
• Body Messages in Christmas-Themed Ads
• Gift Giving with Gender Stereotypes
• More Gender Gift Giving and Advertising
• Another Gendered Gift Guide
• And more Gendered Gift Guides
• And more Gendered Gift Guides!
• Or, you could just buy her a clothesline

Sexifiying Christmas

• Sexy Women as Toys
• O-O-Oh Santa!

Christmas Marketing

• Support the Troops. Shop Walmart?
• Fun with the 2009 Target Catalog
• Guns for Christmas
• 1930s Ad Touting Razor Technology
• Gap Thinks Girls are Vapid

‘Tis the season where women’s workloads expand because they are held disproportionately responsible for the cleaning, decorating, cooking, card sending, gift buying, and gift wrapping involved with the holidays (e.g., you need 12 mums and 6 arms to make it all happen).

In light of that, this “survival tip” from Ace Hardware encouraging men to buy things for themselves is especially obnoxious.  Thanks to Martha J. for sending it to us!

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

This is one of our favorite Christmas-themed posts from the archive.  We hope you don’t mind the re-post!

Stressing remarkable differences between the two, Rachel and Lucy sent in the music videos for the original Mariah Carey version of “All I Want for Christmas is You” (1994) and the re-make (2011).  They suggested that the comparison reveals two trends: the rising emphasis placed on consumption and the new hyper-sexualization.  I figured, “yeah, I’ll bet they’re onto something there.”  And boy were they.

The first video involves Mariah mostly bounding around in the snow in a snow suit. Often acting pretty darn goofy, with dogs and Santa.

She spends part of the video inside with kids, a Christmas tree, presents, and more animals.  She’s usually wearing a sweater.

She spends less than (I’m guessing) 10 seconds of the video in a sexy Mrs. Claus outfit and, when she’s wearing it, it looks like she’s got long johns on her legs.

The new video, featuring Justin Bieber, is wildly different. Instead of a snowy field or an intimate home, the video takes place in a shopping mall.  It centrally features a Nintendo product.

Likewise, instead of bounding around in the snow like a goof, she spends the entire video up against a wall in super high heels and the sexy Mrs. Claus outfit (except this one doesn’t have sleeves or a midriff).

At one point she runs her hand down her body, touching her breast and moving down to her crotch; at another she just leans against the wall with her back to us and swings her butt back and forth.

So there’s one data point, for what it’s worth, but in line with emerging research on and plenty of anecdotal evidence of the “pornification” of American culture.

“All I Want for Christmas is You” (1994):

“All I Want for Christmas is You” (2011):

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A set of photos, taken by Ian Mansfield, are a neat illustration of how culture can coordinate human action.  They capture London on Christmas morning.  Said Mansfield:

Apart from the emptiness of the city, it is the silence that makes the experience such an addictive one for me.

London is never silent, not even at 3am, but on Xmas morning, it is almost silent. The background drone of aircraft approaching Heathrow has gone, and away from main roads, the streets lack the sound of car tyres rolling over tarmac.

Heading home, also a sound you never really hear now – the pealing of church bells. Not just coming from a single church you are nearby, but from all over the city as the sound carries far further than usual and surrounds you from all sides. Magical.

More at Ian Mansfield’s website (via BoingBoing).

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This is one of our favorite Christmas-themed posts from the archive.  We hope you don’t mind the re-post!

White privilege refers to the many, many benefits of being white in a society dominated, both culturally and materially, by other white people. The notion was popularized by Peggy McIntosh in a 1989 an essay titled White Privilege: Unpacking the Invisible Knapsack.  One benefit is that most fictional characters, unless otherwise specified (and sometimes even so), are assumed to be white.  Growing up non-white in a white-dominated world, then, means that  most of the mythological figures of your childhood do not look like you in one important way.

Santa, of course, is a fictional figure whose appearance is invented.  Theoretically anyone could be Santa.  Yet, while we may see the occasional non-white Santa at the mall or in novelty holiday stories, he is unbearably and overwhelmingly white in our (google-able) imagination:  The first three pages of a google image search for “Santa”:

For more examples, see all of our posts about white privilege.  Thanks for Martha Pitts as Ms. for this post idea.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

We’ve posted before about how women are held disproportionately responsible for making holidays happen.  In our imaginations, and all-too-often in real life, the majority of the cleaning, the decorating, the cooking, the gift buying, and the card sending is done by women.

Last year Jeremiah J. sent in a twist on this theme: a CBS report on the First Ladies’ intimate involvement in the decorating of the White House for the holidays. Accordingly to the guest, they are the “commander of chief of Christmas, and they all really care.” Embedding is disabled (watch the video here).

The segment is also a really great example of how women get associated with trivial things. In addition to that stunning line, “commander of chief of Christmas,” the guest explains: “they all have their signature style… it’s really a lot of fun.” Fun, yes, but not by any means important. At the end of the video, the guest is asked if she wrote the book on First Lady involvement with decorating because she wanted ideas for how to decorate her own home. A good sport, the woman replies yes.

This year the White House highlighted Michelle Obama’s role in managing the decorating of the 54 Christmas trees that currently dot the residence.  The story specifies that Ms. Obama had help — 85 volunteers — but also that they were there to help her, specifically, with her job: “…none of this would be possible if not for the volunteers… and Mrs. Obama thanked them in her remarks this afternoon.”

See also: 12 Mums Make the Workload Light, Christmas is Women’s Work, and Holding Women Responsible for the Holidays.