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Last week I went down to Zuccotti Park out of an overwhelming desire to be a part of something intensely important. One of my professors  compared the occupation of Wall Street to People’s Park in Berkley, California. He also sees strong connections to the ongoing hacktivist activities in Spain. OccupyWallst.org draws their tactics explicitly form the Arab Spring. I have waited so long to write something about my own experiences because, frankly, it almost feels too personal. So, if you’ll indulge me, this post is going to be a little different from the ones I’ve written in the past.

While the major news outlets try desperately to shoehorn OWS into existing frames, smaller outlets have provided excellent commentary and insight. Jenny Davis was the first on this blog to write about the movement’s use of social media. Since her insightful post, social media has proven to be an effective tool in revealing police brutality and even possible entrapment by the NYPD. The various Twitter backchannels have been instrumental in organizing and publicizing the organization – as well as the results- of major protests. Nathan has also done an excellent job of discussing the relationship of online and offline action. And yesterday’s post by Sarah Wanenchak describes exactly my feelings on the confluence of various forms of technology. There truly is no easy way to describe the feeling you get when you hear the people’s mic for the first time. It is a little difficult to master, but a truly powerful tool.

Having participated in more...

Mass collective action is in the air, on the ground, on the web; indeed, there exists today an atmosphere conducive for revolutions, flash mobs, protests, uprisings, riots, and any other way humans coalesce physically and digitally to change the normal operation of society. [Photos of protests around the globe from just the past 30 days].

Some gatherings have clear goals (e.g., ousting Mubarak), however. there is also the sense that massive gatherings are increasingly inevitable today even when a reason for them is not explicit (e.g., the ongoing debate over the reasons for the UK Riots or the current #occupy protests). For some this is terrifying and for others it is exhilarating. And still others might think I am greatly overstating the amount of protest actually happening. True, we do not yet know if this second decade of the 21^st Century will come to be known for massive uprisings. But if it is, I think it will have much to do with social media effectively allowing for the merging of atoms and bits, of the on and offline; linking the potential of occupying physical space with the ability of social media to provide the average person with information and an audience.

For example, the current #occupy protests across the United States more...

This brief essay attempts to link two conceptualizations of the important relationship of the on and offline. I will connect (1) my argument that we should abandon the digital dualist assumption that the on and offline are separate in favor of the view that they enmesh into an augmented reality and (2) the problematic view that the Internet transcends social structures to produce something “objective” (or “flat” to use Thomas Friedman’s term).

Instead, recognizing that code has always been embedded in social structures allows persistent inequalities enacted in the name of computational objectivity to be identified (e.g., the hidden hierarchies of Wikipedia, the hidden profit-motive behind open-source, the hidden gendered standpoint of computer code, and so on). I will argue that the fallacy of web objectivity is driven fundamentally by digital dualism, providing further evidence that this dualism is at once conceptually false, and, most importantly, morally problematic. Simply, this specific form of digital dualism perpetuates structural inequalities by masking their very existence. more...

Can an identity have a homepage?

Many have long argued that identity is the result of both  (1) performative work on the part of the individual as well as (2) the influence of society with all of its history, structures, institutions, norms and so on. We do not produce our identities in a vacuum, they are influenced by society. And we do not blindly consume our identities from the options given to us; humans are complex beings who creatively tweak, mix and remix to achieve something always unique. Not just producers or consumers,  it is best to think of ourselves as identity prosumers. Here, we will show how this process is made most explicit when identities are prosumed through social media technologies. more...

Chris Baraniuk, who writes one of my favorite blogs, the Machine Starts, is experiencing the current riots in London first hand (they’ve spread to other cites). His account of both the rioting mobs of destruction as well as those mobs trying to clean up the aftermath imply the ever complex pathways in which what I have called “augmented reality” takes form. [I lay out the idea here, and expand on it here]

We are witnessing both the destructive and the constructive “mobs” taking form as “augmented” entities. The rioters emerged in physical space and likely used digital communications to better organize. The “riot cleanup” response came at augmentation from the reverse path, organizing digitally to come together and clean up physical space. Both “mobs” flow quite naturally back and forth across atoms and bits creating an overall situation where, as what so often occurs, the on and offline merge together into an augmented experience.

The rioting mob first realized itself in physical meat-space more...

Last Tuesday, Slate’s editor David Plotz wrote about a social experiment he performed last July.

I was born on Jan. 31, but I’ve always wanted a summer birthday. I set my Facebook birthday for Monday, July 11. Then, after July 11, I reset it for Monday, July 25. Then I reset it again for Thursday, July 28. Facebook doesn’t verify your birthday, and doesn’t block you from commemorating it over and over again. If you were a true egomaniac, you could celebrate your Facebook birthday every day. (You say it’s your birthday? It’s my birthday too!)

Plotz’s Facebook wall was filled by well-wishers on all three of his “birthdays.” He writes,

My social network was clearly sick of me. I received only 71 birthday wishes on July 28, down from more than 100 on my first two fake birthdays. And even more skeptics caught on to the experiment: 16 doubters, compared with 9 from three days earlier.

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The recent and popular Hipstamatic war photos depict contemporary soldiers, battlefields and civilian turmoil as reminiscent of wars long since passed. War photos move us by depicting human drama taken to its extreme, and these images, shot with a smartphone and “filtered” to look old, create a sense of simulated nostalgia, further tugging at our collective heart strings. And I think that these photos reveal much more.

Hipstamatic war photographs ran on the front page of the New York Times [the full set] last November, and, of course, fake-vintage photos of everyday life are filling our Facebook, Tumblr and Twitter streams. I recently analyzed this trend ina long essay called The Faux-Vintage Photo, which is generating a terrific response. I argue that we like faux-vintage photographs because they provide a “nostalgia for the present”; our lives in the present can be seen as like the past: more important and real in a grasp for authenticity.

If faux-vintage photography is rooted in authenticity, then what is more real than war? If the proliferation of Hipstamatic photographs has anything to do with a reaction to our increasingly plastic, simulated, Disneyfied and McDonaldized worlds, then what is more gritty than Afghanistan in conflict? In a moment where there is a shortage of and a demand for authenticity (the gentrification of inner-cities, “decay porn” and so on), war may serve as the last and perhaps ultimate bastion of authenticity. However, as I will argue below, war itself is in a crisis of authenticity, creating rich potential for its faux-vintage documentation. more...

I have been thinking through ideas on this blog for my dissertation project about how we document ourselves on social media. I recently posted some thoughts on rethinking privacy and publicity and I posted an earlier long essay on the rise of faux-vintage Hipstamatic and Instagram photos. There, I discussed the “camera eye” as a metaphor for how we are being trained to view our present as always its potential documentation in the form of a tweet, photo, status update, etc. (what I call “documentary vision”). The photographer knows well that after taking many pictures one’s eye becomes like the viewfinder: always viewing the world through the logic of the camera mechanism via framing, lighting, depth of field, focus, movement and so on. Even without the camera in hand the world becomes transformed into the status of the potential-photograph. And with social media we have become like the photographer: our brains always looking for moments where the ephemeral blur of lived experience might best be translated into its documented form.

I would like to expand on this point by going back a little further in the history of documentation technologies to the 17^th century Claude glass (pictured above) to provide insight into how we position ourselves to the world around us in the age of social media. more...

PJ Rey and I have been following the 2012 presidential campaign on this blog with social media in mind. We watch as President Obama and the republican contenders try to look social-media-y to garner dollars and votes. However, the social media use has thus far been more astroturfing than grassroots. There have been more social media photo-opts to appear tech-savvy than using the web to fundamentally make politics something that grows from the bottom-up. Presidential politics remain far more like Britannica than Wikipedia.

But this might all change, at least according to Thomas Friedman yesterday in the New York Times. He describes Americans Elect, a non-profit attempting to build an entire presidential campaign from the ground up. This might be our first glimpse of an open and social presidential web-based campaign. From their website,

Americans Elect is the first-ever open nominating process. We’re using the Internet to give every single voter — Democrat, Republican or independent — the power to nominate a presidential ticket in 2012. The people will choose the issues. The people will choose the candidates. And in a secure, online convention next June, the people will make history by putting their choice on the ballot in every state.

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The original work described in this post was done in collaboration with Audrey Bennett and Ron Eglash and funded by the National Science Foundation’s GK-12 grant-funded Triple Helix Program. You can read all of the dispatches from Ghana on the3Helix fellows’ blog.

Alternate universes can be a lot of fun. We can make Superman land in the USSR, put goatees on normally clean-shaven cast members, and revisit moments in history and play the “what if” game. It is the stuff of science fiction and fantasy. But there is much more to be said about the various parallel universes that might exist. At least, that’s what a lot of social theory has us believe.

At the end of the 20^th century social scientists released dozens of books and articles with the words “social construction” in the title. Social constructionism became a very useful tool for the post-modern author who wanted to deconstruct such difficult topics as organic chemistry or high-energy physics.  Their premises were rather straightforward and were unceremoniously summarized and simplified by Ian Hacking in his book “The Social Construction of What?” (2000). Hacking writes:

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