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This piece was supposed to be about porn star James Deen.

After reading about Deen here and there and everywhere, I had the idea that perhaps there was something worth writing about. Only the problem was, that the more I watched of his work, the less I had a desire to write about it. Perhaps the point is not Deen himself and how he has been lauded via the wheel of favorable ratings by female audiences online. What needs to be written about is what happens when a woman sits down and engages with sex—specifically, her own, as tied to an exploration of her individual sexuality and liberation therein—via the medium of a computer screen. more...

Chris Anderson’s Makers: The New Industrial Revolution reveals its productivist bias in both its title and subtitle. Makers is, of course, a term that is synonymous with producers. The Industrial Revolutions- both the “first” (the factories of the 1850s), and the “second” (the assembly-line of the early 20th century)- form the backdrop for, and inform, Anderson’s analysis. They represented the height of production and to this day are the source of our lingering bias toward seeing the world through the lens of production. As the title makes clear, Anderson foresees, and is a cheerleader for, a new Industrial Revolution, a revolution in (personal) production based on the computer, the Internet, and especially new technologies such as the desktop CAD, the laser cutter and the 3-D printer (which squirts liquids such as plastic rather than ink). These technologies will allow us (in collaboration with others in open-source online communities) to make more things from the bottom up by ourselves, or in shared maker-spaces, than relying on large-scale organizations to produce them for us. I think Anderson is on to something important here and we will see a dramatic shift away from enormous organizations devoted to production and toward small, even one-person, arrangements capable of producing a wide range of things on their own. more...

Mary Chayko’s digitally well-connected class

One of the aspects of techno-social life that I’ll be looking at closely in my forthcoming book Superconnected: The Internet and Techno-Social Life is the reality of the online experience. To explore this issue in the classroom, I invited Nathan Jurgenson of this blog to tweet “live” with my “Mediated Communication in Society” class, billing him as a special guest speaker tweeter! Here I describe what I did, why I did it, how I did it — and what happened, much of it unexpected, as a result. more...

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This is a re-post from George Ritzer’s newly-launched blog. George’s original post was derived from a plenary talk given in 2011 at the first Theorizing the Web conference at the University of Maryland, and he returned to these thoughts in anticipation of the third Theorizing the Web conference scheduled for early 2013 at the City University of New York.

Our understanding of the Internet, social networking, and the role of the prosumer in them is greatly enhanced by analyzing them through the lens of a number of ideas associated with postmodern theory.

There is, for example, the argument that the goal in any conversation, including those that characterize science, is not to find the “truth” but simply to keep the conversation going. The Internet is a site of such conversations. It is a world in which there is rarely, if ever, an answer, a conclusion, a finished product, a truth. Instead, there are lots of ongoing conversations and many new ideas and insights. Prime examples of this on the Internet include wikis in general and Wikipedia in particular, blogs and social networking sites. Google’s index is continually evolving and a complete iteration online content is impossible. All such sites involve open-ended processes that admit of no final conclusion. more...

A week or two ago, Jo Hedwig Teeuwisse’s ‘Ghosts of History’ project made the rounds online. Using Photoshop, Teeuwisse has blended photographs from World War II with modern day photographs taken of the same location. The images have been reproduced at the Atlantic, the Huffington Post, The Daily Mail, and The Sun, to name a few, and similar projects have been popping at regular intervals for awhile now – here are some different examples – so there’s evidently something compelling about this kind of series.

In an email interview, Teeuwisse tells the Atlantic’s Rebecca J. Rosen that she hopes her particular project will encourage people to “stop and think about history, about the hidden and sometimes forgotten stories of where they live.” About one image (in which World War II soldiers dash across the modern-day Avenue de Paris in Cherbourg; one of the soldiers hangs back, semi-transparent, and he appears to be fading, like a shadow growing dull as clouds pass across the sun, or a mirage) she says: “it to me sort of suggests the idea of someone being left behind, history hanging around and staying.”

The reason these kinds of images are compelling is because they present us with an opportunity to see what’s always there but has been made – by time, by forgetfulness – invisible. Here are (some of) the layers of history made visible again; here’s a kind of manifestation of place-memory; a new way of bridging whatever gap exists between then and now. more...

Photo by Whitney Erin Boesel

(This post originally appeared at Peasant Muse on 17 October 2012)

Alexis Madrigal has a very interesting article over at The Atlantic on a topic he calls dark social, or web traffic driven by non-referred sources outside of those generated on traditional social platforms. Even though the dominant narrative places the innovative crown of web-connection on sites like Wikipedia, MySpace, Facebook, and so on, the article provides undeniable proof that so-called ‘dark social’ forces- links shared over gchat, email or personal connection- actually drive the majority of web traffic.

Madrigal interlaces his data-backed revelations with anecdotal tales on his use of 90’s era communicative platforms like ICQ and USENET to share links with his friends, the contrasting effect meant to convey a sense of experiential validation on the larger thesis of the piece. If almost 70% of traffic occurs through means outside of those facilitated by, say, ‘liking’ and ‘sharing’ something on Facebook or retweeting an interesting link shared on Twitter, then what does that say about the narratives telling us how we use the web? On a larger level, what does inclusion of this ‘dark social’ data say about our levels of perception and the limits circumscribed therein?

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There are any number of ways to frame the apocalypse, I suppose. As one who spends a lot of time thinking about technology, mine is a phenomenon known as “technological autonomy.”

I’m convinced that technological autonomy may be the single most important problem ever to face our species and the planet as a whole. A huge statement, obviously, but there’s plenty of recent evidence to back it up.

Briefly stated, technological autonomy describes a condition in which we’re no longer in control of our technologies: they now function autonomously. This isn’t as absurd as it may sound. The idea isn’t that we can’t switch a given machine from “on” to “off.” Rather, technological autonomy acknowledges the fact that we have become so personally, economically, and socially committed to our devices that we couldn’t survive without them. more...

Giorgio Fontana (1981) is an Italian writer, freelance contributor and editor of Web Target (http://www.web-target.com/en/). His personal website is www.giorgiofontana.com. On Twitter: https://twitter.com/giorgiofontana.

In some very stimulating articles – mainly this one – Nathan Jurgenson has convincingly argued against what he calls digital dualism: that is, to think that “the digital world is virtual and the physical world real”:

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Ellen Ullman

I’m an admirer of the writer Ellen Ullman, the software engineer turned novelist. Her 1997 memoir, Close to the Machine: Technophilia and Its Discontents, is a wonderfully perceptive reflection on her years as a professional programmer.

Ullman recently wrote a commentary for the New York Times on the computerized trading debacle triggered last month by the brokerage firm Knight Capital. In it she reaffirmed a crucial point she’d made in Close to the Machine, a point I find myself coming back to repeatedly in this space. To wit: If you think we’re in control of our technologies, think again. more...

The online magazine Slate recently ran an essay that asked the question, “Why Do We Love To Call New Technologies ‘Creepy’?” The article was written by Evan Selinger, an associate professor of philosophy at Rochester Institute of Technology. My initial reaction to that essay, posted on my blog, was critical, but Selinger suggested in a tweet that I’d missed his point, which he said was “‘creepy’ discourse + normative analysis.” He’s right, I’m sure, that I missed his point – to be honest I don’t know what “normative analysis” is. So, with apologies to Selinger, I’ve reworked the essay to ask, simply: What is it about some technologies that makes us feel creepy? more...