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At the end of a press conference in January, Microsoft announced HoloLens, its vision for the future of computing.

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The device, which Microsoft classifies as an augmented reality (AR) headset, incorporates a compilation of sensors, surround speakers, and a transparent visor to project holograms onto the wearer’s environment, a sensory middle ground between Google Glass and virtual reality (VR) headsets like Oculus Rift. Augmented and virtual reality headsets, like most technology saddled with transforming our world, reframe our expectations in order to sell back to us our present as an aspirational, near-future fantasy. According to Microsoft’s teaser site, HoloLens “blends” the digital and “reality” by “pulling it out of a screen” and placing it “in our world” as “real 3D” holograms. Implicit in this narrative is that experience as mediated with digital screens has not already permeated reality, a possibility the tech industry casts perpetually into the future tense: “where our digital lives would seamlessly connect with real life.” more...

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(Image from the People’s Climate March Facebook page: https://www.facebook.com/peoplesclimatemarch)

When it comes to data analysis, sometimes non-findings speak louder than findings. Particularly when non-findings shine a light on questions that aren’t being asked.

 On 21 September 2014, UMd Professor of Sociology Dana R. Fisher took a small army of friends and graduate students to New York City to survey demonstrators at The People’s Climate March (PCM). The PCM survey is part of a longer thread of Dr. Fisher’s research, which surveys protestors to get a better understanding of who protests, how they are mobilized, and how their participation in protests relates to other forms of civic engagement they may partake in. Nate Silver’s data-nerd playground FiveThirtyEight.com sent a film crew to follow us to make a short documentary of our experience. The doc is part of their series The Collectors, a look at how scientists can apply rigorous research methods to a variety of unique settings outside of the laboratory.

The PCM’s greatest appeal—the thing that got us all up before dawn on a Sunday to take a bus from DC to Manhattan—was the sheer volume of potential data it made available to us. While more conservative estimates put the number of demonstrators at around 100,000, PCM organizers themselves suggest that it was closer to four times that. In any case, 350.org, who planned the march in collaboration with a long list of partner organizations, trumpeted the event as the “largest climate march in history.” By all accounts, they were right; the PCM was the brightest star in a constellation of nearly 2,600 simultaneous climate protests happening all over the world that day.

This thing was big, it was global, and it mobilized a lot of people.

Part of 350.org’s plan was to arrange protesters into neat blocks, according to where they fit along a spectrum of participant identities and organizational affiliations. Their hope was to organize participants into city-block-sized sections that would each represent a single unified ideological or social position. The map below details what these blocks were supposed to look like, and who was supposed to fill them during the assembly period before the march began. more...

antigone-july2013There’s a song from the musical Avenue Q that famously proclaims, “The Internet is For Porn”—but really, anyone who’s been paying attention to the post-“Web 2.0” era knows that isn’t true.

These days, the Internet is for cats.

Furthermore, I propose this corollary: Smartphones are for documenting cats. Whether through T. gondii or through their unrivaled documentability, cats actually rule the world. Cat people know this, and anyone who’s ever spent time with cats knows that cats know this. Rewrite the song: The Internet is For Cats.

My cat, however, is not a fan of the Internet. more...

Image under Creative Commons
Image under Creative Commons

I start with a nota bene by saying that I do not self-identify as a “surveillance scholar” but given our current sociotechnical and political climates, the topic is unavoidable. One might even be tempted to say that if you aren’t thinking about state and corporate surveillance, you’re missing a key part of your analysis regardless of your object of study. Last week, Whitney Erin Boesel put out a request for surveillance study scholars to reassess the usefulness of the panopticon as a master metaphor for state surveillance. Nathan Jurgenson commented on the post, noting that Siva Vaidhyanathan (@sivavaid) has used the term “nonopticon” to describe “a state of being watched without knowing it, or at least the extent of it.” I would like to offer up a different term –taken straight from recent NSA revelations—that applies specifically to surveillance that relies on massive power differentials and enacted through the purposeful design of the physical and digital architecture of our augmented society. Nested within the nonopticon, I contend, are billions of “boundless informants.” more...

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I’m trained – in part – as a historical sociologist, focusing especially on periods of political upheaval, but I don’t have a whole lot of occasion to make use of it at the moment. However, when working on the proposal for my dissertation this past month – which will be on Occupy, emotion, and technology – there emerged an argument that isn’t directly related to my primary thesis but which I like. Not least because I think it’s useful, and it touched on an area that we don’t cover enough in our discussions about what augmented reality really means for how we do different kinds of analysis. We usually talk about augmented reality in terms of a conceptual framework to be applied in the present and into the future, but as I’ve argued before, it’s also useful for how we look at the past and what the past suggests about the present and future. It has temporal applications that are actually quite broad. I think there’s a possibility of being a kind of augmented historian.

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enlightenment cave

In the beginning, there was nature. And in spite of the obvious lack of humans to give names to the animals and to categorize the trees, it all basically looked and felt like it does now: Leaves were green and rocks were heavy. Over time, humans (those natural tool makers!) developed a plethora of explanatory concepts and ways of knowing that gave their universe a discernable order. At different times and in different regions of the world, the universe took on vastly different shapes and personalities. There were the four humors, animism, Feng shui and by the mid 1660s some white guys had developed something called experimental philosophy. Today we just call it the scientific method. One of those white guys, Robert Boyle, was particularly vocal about the benefits of the scientific method and objective observation.[1] He believed deeply that if enough men[2] of reputable repute watched something happen, you could call it true. No monarch or bishop required. Thomas Hobbes was skeptical. Not because he believed truth had to come from an authority figure, but because he was, among other concerns, suspicious that by observing effects one could derive the underlying physical causes. While both men had strong and informed opinions about society and the natural world, today we remember Hobbes as a political philosopher and Boyle as one of the first modern scientists. The separation of society and nature didn’t have to look the way it does, but historical and social circumstances encourage us to separate these two realms. more...

Image credit: Audrey Penven, “Dancing with Invisible Light”

Once upon a time in Winchester, VA, a nurse and a psychologist wondered what to name their second child (a newborn boy). This little boy would one day grow up to be a famous politician, so it was important to give him a good name. Eventually they settled on Richard (which means “powerful leader”) for a first name, and John (which means “God is gracious”) for a middle name; they gave him his father’s last name, because that was the custom at the time. Yet today, when someone says “Santorum,” do you first think of the former U.S. Senator? Or do you maybe think of columnist and gay rights activist Dan Savage?

Much to the former Senator’s likely chagrin, “santorum” is an excellent example of how words (and objects) that were not originally intended or designed to be “political” can take on new meanings–as well as new politics–once out in the world. more...

The New Aesthetic and critiques of digital dualism have much in common: they emerged in the same year; the nature of their conclusions are (partly) formed by the method of their construction – that is to say, they originated in the digital and as such are collaborative, speculative, and ongoing; and they both seem to spring from the close attention paid to the enticing bangs, whoops, and crashes issuing from the overlap of our digital and physical worlds. But more than this, I would argue that the two concepts are expressions of one another: it sometimes seems that New Aesthetic artwork is an illustration of digital dualist critiques; and likewise it is possible to read digital dualist critiques as descriptions of New Aesthetic artefacts.

This may appear an undeservedly grand claim, and it is certainly extremely speculative (the concepts involved are too varied and inchoate to ever be proper ‘expressions’ of one another). Nevertheless, as a comparison it does produce some interesting conclusions. Especially when we begin to consider what exactly it is that the New Aesthetic and ‘augmented reality’ theory have in common (I’m using the term  ‘augmented reality’ here as a broad label for thought that runs counter to strict digital dualism). In my own personal analysis the mechanism that links the pair is undoubtedly that of metaphor; that cognitive tool that provides us with mental purchase on abstract, complex concepts and systems. In this case the abstract system is none other than the digital world of the 21 st century. more...

There’s a song on the 1997 Chemical Brothers album Dig Your Own Hole that reminds one of your authors of driving far too fast with a too-close friend through a flat summer nowhere on a teenage afternoon (windows down, volume up). It’s called “Where Do I Begin,” and the lyric that fades out repeating as digital sounds swell asks: Where do I start? Where do I begin?*

Where do we start, or begin–and also, where do we stop? What and where is the dividing line between “you” and “not you,” and how can you tell? This is the first of a series of posts in which we will try to answer these sorts of questions by developing a theory of subjectivity specific to life within augmented reality.

As a thought experiment, consider the following: Your hand is a part of “you,” but what if you had a prosthetic hand? Are your tattoos, piercings, braces, implants, or other modifications part of “you”? What about your Twitter feed, or your Facebook profile? If the words that come from your mouth in face-to-face conversation (or from your hands, if you sign) are “yours,” are the words you put on your Facebook profile equally yours? Does holding a smartphone in your hand change the nature of what you understand to be possible, or the nature of “you” yourself? Theorists such as Donna Haraway, N. Katherine Hayles, Bruno Latour, and others have asked similar questions with regard to a range of different technologies. Here, however, we want to think specifically about what it means to be a subject in an age of mobile computing and increasingly ubiquitous access to digital information. more...

The right to petition the government for redress of grievances is a significant part of the Constitution of the United States. Not only is it yet another way in which citizens can shape the form that governance takes, but it specifies a particular relationship between those citizens and that government, one that – along with several other specified rights – legally establishes a public sphere as an arena within issues of politics can be debated and potentially translated into changes in policy. But petitions didn’t start with the Constitution. Nor are they abstract components of an abstract set of rights. Rather, they’re grounded in the history of technology – specifically communications technology – and are arguably an intrinsic part of the development of what we understand as an augmented society. Moreover, the birth of petitions as an intrinsic part of the construction of the public sphere has implications for how we understand contemporary augmented social movements (Occupy being a particular example).

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