violence

Stephanie DeH., Cara McC., and our intern, Lauren McGuire, sent in this CPR certification campaign that embraces the idea that sex sells.  I initially added it to our post on using sex to sell unlikely things (e.g., organ donation and sea monkeys), but I changed my mind and decided it deserved its own discussion.

What was interesting to me about this example is the sexualization of the possibility of dying. The fact that a person might die is apparently not serious enough to make it unsexy.  It actually took me a minute to even notice the weirdness of sexualizing the risk of death.  After I noticed I thought “How crazy!”  But then I thought again: in a society that regularly sexualizes violence and murder, the sexualization of near-death is par for the course (which, of course, is why it didn’t strike me as particularly weird in the first place.

NSFW and possibly triggering, so images are after the jump:

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These Chilean ads for menstrual pain medication, sent in by Mia A., turn women into symbols of violent aggression: fighters, literally, but also men of color.  They simultaneously affirm, then, the association of violence with both masculinity and non-white skin and the de-association of women with those characteristics.  The message is that men of color are appropriately violent, while women are not.

(source)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Tom Megginson blogged about a billboard advertising Gaylea spreadable butter that made fun of brutality… affixed to the back of a women’s shelter in Ottawa:

See also our post featuring dueling advertising and public service announcements.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

This was originally posted at Jezebel by Lindsay Robertson. Thanks to Chloe A. at Feministing for drawing our attention to it as a possible cross-post!

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Last night, ABC used hidden cameras and actors to see what regular people would do if they saw an obviously abused woman being harassed by her boyfriend. A lot of regular people failed the test.

The highly-successful 20/20 spinoff What Would You Do? brings social experiments to television, using variables to test how ordinary people react to situations such as seeing someone steal a bike in a park, or witnessing a deli clerk give a blind man incorrect change. Lately, the show has been raising the stakes, and last night reporter John Quiñones showed us what restaurant diners do when they see a very obviously bruised woman getting picked on by her boyfriend at a nearby table.

As they often do, the producers used different variables to see if they changed the outcome, staging the scene with both white and African American actor “couples” to see if race affected bystanders’ willingness to step in. In both cases, the actresses were helped by fellow diners (though fewer men got involved with the African American couple):

Would You Help A Battered Woman If She Was Dressed "Provocatively"?

But then they tried a different variable: the women’s clothing. When the same actresses dressed “provocatively,” and we’re talking clothing that’s pretty average for a Saturday night, not Julia Roberts’ blue-and-white monokini-thing in Pretty Woman, nobody came to their rescue. Diners complained to the staff that the couple were “upsetting customers” and one man told the abusive boyfriend actor that the two were “embarrassing themselves as a couple,” but nothing like what happened when the women were dressed conservatively occurred in this case, and in fact, two middle-aged female witnesses joked with each other about the beaten-up woman being a prostitute.

While obviously the show is highly unscientific (notice that in the second video, the white actor is inexplicably dressed up in a suit) and meant for entertainment, it can’t be a bad thing to force viewers to think about issues such as racism or domestic violence. Maybe the next time they see someone being abused, they’ll be more likely to step up. (After all, they might be on TV!)

What Would You Do? [ABC]

Send an email to Lindsay Robertson, the author of this post, at lindsay@lindsayism.com.


Yael S. sent along a 10-minute educational video by FilmFixation. In it, she asks viewers to consider the conditions in which historical photographs came to be.  “Why was it created,” she asks, “by whom, and for what purpose?”  It starts off a bit slow, but picks up with voiceover.  Please be alerted that there are images of racialized violence:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Liz C. sent in the video for the song “A Kiss with a Fist (Is Better Than None)” by Florence and the Machine. She analyzes it nicely:

The lyrics seem to condone domestic violence, and the video seems to trivialize it, in the sense that the lead singer prances and jumps around while singing about getting punched in the face, having her leg broken, and having plates broken over her head by her partner, while she, in turn, hits and slaps him, breaks his jaw, and refers to “The Burning Bed” by setting fire to their bed.

The lyrics:

You hit me once
I hit you back
You gave a kick
I gave a slap
You smashed a plate over my head
Then I set fire to our bed

You hit me once
I hit you back
You gave a kick
I gave a slap
You smashed a plate over my head
Then I set fire to our bed

My black eye casts no shadow
Your red eye sees nothing
Your slap don’t stick
Your kicks don’t hit
So we remain the same
Love sticks
Sweat drips
Break the lock if it don’t fit

A kick to the teeth is good for some
A kiss with a fist is better then none

A kiss with a fist is better then none

I broke your jaw once before
I spilled your blood upon the floor
You broke my leg in return
So sit back and watch the bed burn
Love sticks
Sweat drips
Break the lock if it don’t fit

A kick to the teeth is good for some
A kiss with a fist is better then none

A kiss with a fist is better then none

You hit me once
I hit you back
You gave a kick
I gave a slap
You smashed a plate over my head
Then I set fire to our bed

You hit me once
I hit you back
You gave a kick
I gave a slap
You smashed a plate over my head
Then I set fire to our bed

UPDATE: Reader Kyle pointed out another example, Chester French’s video for the song “She Loves Everybody.” He asks whether we can imagine seeing this video if the gender roles were reversed:

And commenter Dave gave us a link to a recent discussion of this topic at Jezebel.
Also see our post on sexualized violence in Lady Gaga’s “Paparazzi” video.

Last night some friends and I were on the Strip here in Vegas and wandered over to look at City Center, the new casino/very high-end shopping center/”walkable city within a city” that was such a big deal when it opened recently that national news outlets, including NPR, talked about it. Anyway, we were wandering around and came upon a lingerie store with this mannequin in the window:

She’s blindfolded, handcuffed, on her knees. Another mannequin was also blindfolded, with ties around her ankles, and a third had a long pearl necklace wrapped around her neck and then tied around each wrist.

Our reaction was, basically, “Agh! Agh! WTF? Why?!?” We all, men and women alike, interpreted it as an icky depiction of sexual domination of women, perhaps even violence.

But of course, there’s another way to interpret it, particularly given that it’s a lingerie store: as consensual participation in S&M/bondage or sexual role-playing.

I still can’t shake off my initial feeling. We often see implied, or obvious, violence toward or sexual harassment of women as marketing or entertainment (see the trailer for the movie Bounty Hunter, vintage Betty Crocker ad, PSA for labeling cleaning products, violence against women in prime time, ad for CSI, t-shirt to show team spirit, ad for shoelaces, Lanvin ads, trailer for Dead Girl, Barney’s window display showing splattered blood and mannequins under attack, is stalking romantic?, trailer for Observe and Report, Rene Russo photo shoot, ha ha! She wasn’t being beaten!, “going in for the kill has never been so satisfying”, oops, I strangled a woman, and…oh, there are many more, but I don’t have time to link to them all). It seems naive to think that people can see mannequins posed like this and completely disconnect them from other portrayals of women bound, gagged, dead, sexually assaulted, etc., that are meant to be funny or sexy.

But it also seems problematic to dismiss the idea that in at some situations, such as this one, the situation could be consensual S&M. Allusions to at least light bondage has become more common in pop culture, particularly handcuffs as a sexy prop (sometimes used for laughs if one partner ends up handcuffing the other to something and then robbing them, stealing their clothes, etc.). Yet those who participate in S&M are also often stigmatized as sexual deviants.

But then, how do we think about S&M/bondage given that the sexual norms common in the U.S. include the idea of female sexual passivity and submission? Is this mannequin problematic in any way even if the store meant to invoke the idea of sexual role-playing?

I am confounded by this. The mannequin creeps me out. I don’t like it. But I’m sure many people can make eloquent arguments against my reaction, or how we approach the various issues involved. So what to make of this mannequin, readers? Help me out.

NEW! (Mar. ’10): SOM sent in this photo of the display in the window of the shoe store Sole Experience in Edmonton, Alberta, that shows a woman in high heels with her feet bound. This image, to me, seems to more clearly imply violence than the one above, possibly because of the use of rope rather than handcuffs, which are associated with sex role-playing:

Photobucket

Tara C. sent in this video about why big blockbuster video games haven’t tended to appeal to women, and what might need to change to make the (non-casual?) gaming world more interesting to women in general:

Apparently the creators of this trailer for Record of Agarest War, sent in by Goku S., hadn’t seen the video (NSFW):

Nor, presumably, did the creator of the Pocket Girlfriend iPhone app, sent in by Suzanne B.:

You’ll be excited to know that she’s real!

Pocket Girlfriend moves, she’s interactive, and most importantly she’s real. YES SHE’S REAL!!!! She’s not some 3D rendered mannequin. Seriously, why would you want to buy an application of a dancing mannequin?

Looks like Yahoo didn’t get the message either when it hired lap dancers to attend an event to recruit developers to build things for Yahoo.com, and then posted images of the dancers on the Yahoo Developer Network blog:

Yahoo later apologized.

[And for the record, yes, I realize these are just some examples and don’t represent the entire gaming community, especially the Yahoo thing. That’s true of anything we post–they’re specific examples that we try to fit into a larger context.]

On a related tech-and-gender note, Brigid told us that Wired magazine recently described a study that suggested the stereotype of computer scientists as “unwashed nerds” may be off-putting to women and discourage them from going into computer programming:

Cheryan and colleagues tested this idea by alternately decorating a computer science classroom with objects that earlier surveys pegged as stereotypically geeky—Star Trek posters, videogames and comic books — or with objects that the surveys found to be neutral— coffee mugs, plants and art posters. Thirty-nine college students spent a few minutes in the room, then filled out a questionnaire on their attitudes toward computer science.

Women who spent time in the geeky room reported less interest in computer science than women who saw the neutral room. For male students, however, the room’s décor made no difference.

UPDATE: Comments closed. Sorry, but it was turning into a big fight that wasn’t constructive.

UPDATE 2: Upon request that I rethink closing comments, I’ve cleaned out some problematic ones and am reopening the comment thread. Please remember–no personal attacks or insult wars. Play relatively nice.