race/ethnicity: Asians/Pacific Islanders

Breck C. sent us this link to a collection of photographs of Harajuku Girls.  Harajuku is a style for teenagers in a region of Japan (here is the wikipedia entry).  I can’t think of a way to describe them that does them justice, so here are some pictures (found here, here, here and here):

In 2004, Gwen Stefani began touring with four women posing as Japanese Harajuku girls.  Stefani’s Harajuku Girls serve as her entourage and back-up dancers. Here she is with four (Japanese?) women that she hires to be her Harajuku Girls (found here and here):

In the comments, Inky points out that Stefani says this about them in her song, Rich Girl:

I’d get me four Harajuku girls to
Inspire me and they’d come to my rescue
I’d dress them wicked, I’d give them names
Love, Angel, Music, Baby
Hurry up and come and save me

Stefani also has a Harajuku Lovers clothing line and a series of perfumes, one for her, and one for each Harajuku Girl:

I think that Stefani’s use of Asian women as props (they may or may not be Japanese) fetishizes Asian women and reinforces white privilege.  The Harajuku Girls serve as contrast to Stefani’s performance of ideal white femininity.  It makes me think of both this poster on colonial-era travel and this fashion spread.

Yet, Stefani’s been at this for four years and I can’t remember hearing any objections to her Harajuku Girls, even in feminist and anti-racist alternative media.  Further, if her fashion line, perfume, and continued employment of the Harajuku Girls are any indication, people seem to think the whole thing is awesome.  In the meantime, I bet she’s making bank on her clothing line and perfume.  Where’s that money going?

Do you think my reading is fair?

And, if so, why do you think there’s been so little outcry?

For good measure, here she is performing with her “Girls”:

In our comments, SG asks that we include the following clarification:

This article is really misrepresenting a whole fashion scene and I would like to ask that you correct it- It is just perpetuating the idiocy and ignorance surrounding these styles. “Harajuku is a style for teenagers in a region of Japan”. “Harajuku style” Is a term coined by western media because they are too ignorant to actually research the names of these actual styles. Harajuku is not a style. It is a location. The females you have pictured are in Decora (and two in Visual Kei). The only “harajuku style” that exists is the fictional one made up by Gwen Stefani and the western media.

Thanks SG.

See also our post featuring other examples of ads and artists using Asians as props.

Michael T. sent in an observation about the Yes on Proposition 8 website, which (successfully) aimed at amending the California constitution to disallow gay marriage.  Along the top of the screen, the four different images below accompanied the slogan “Restoring Marriage & Protecting California Children.”  These marriages, Michael surmises, must be the ones that need protecting.   In addition to reproducing heteronormativity and childbearing, notice that the images are self-consciously diverse, but represent all marriages as within race.

Thanks Michael!

No longer just for the lovely, Unilever’s “Fair and Lovely” is being marketed to men (see here and here for ads for “Fair and Lovely”).  The marketing is interesting on at least three levels:

(1) The ads exploits men’s insecurity about their appearance, just as they do for women.

(2) However, they masculinize the product with the “Fair and Handsome” name and, in the second commercial, by emphasizing the sporty-fighty-ness of the men using the product (see also our posts on make-up for men,  masculinizing hair product, and selling hair dye to men).

(3) Though I don’t understand the language, the imagery of the arrows representing “Fair and Lovely” bouncing off of men’s skin seems to affirm the idea that men are inherently and biologically different from women… so much so that there would need to be a totally different product (kind of like the old “P.H. balanced for a woman” argument). Do correct me if I’m mistaken.

[youtube]http://www.youtube.com/watch?v=MgBevCTBTJw&feature=related[/youtube]

Via MultiCultClassics.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Andrew Sullivan suggests that this commercial for Pearl Cream that fetishizes (upper class) “Oriental” women is from the 1970s, but a commenter of his makes a good argument that it was on cable television in the ’80s and ’90s. Do you remember this commercial?

[youtube]http://www.youtube.com/watch?v=JaD_fvehAaU[/youtube]

Cross-posted at Love Isn’t Enough.

Ann DuCille, in her book Skin Trade, takes two issues with “ethnic” Barbies. 

First, she takes issue with the fact that “ethnic” Barbies are made from the same mold as “real” Barbies (though sometimes with different paint on their faces).  This reifies a white standard of beauty as THE standard of beauty.  Black women are beautiful only insofar as they look like white women (see also this post).  DuCille writes:

…today Barbie dolls come in a rainbow coalition of colors, races, ethnicities, and nationalities, [but] all of those dolls look remarkably like the stereotypical white Barbie, modified only by a dash of color and a change of clothes.

Consider:

But, second, DuCille also takes takes issue with the idea that Mattell would try to make ethnic Barbies more “authentic.”  Trying to agree on one ideal form for a racial or ethnic group is no more freeing than trying to get everyone to accord to one ideal based in whiteness.  DuCille writes:

…it reifies race.  You can’t make an ‘authentic’ Black, Hispanic, Asian, or white doll.  You just can’t.  It will always be artificially constraining…

And also:

Just what are we saying when we claim that a doll does or does not look… black?  How does black look? …What would make a doll look authentically African American or realistically Nigerian or Jamaican?  What prescriptive ideals of blackness are inscribed in such claims of authenticity?  …The fact that skin color and other ‘ethnic features’ …are used by toymakers to denote blackness raises critical questions about how we manufacture difference.

Indeed, difference is, literally, manufactured through the production of “ethnic” Barbies and this is done, largely, for a white audience. 

To be profitable, racial and cultural diversity… must be reducible to such common, reproducible denominators as color and costume.

The majority of American Barbie buyers are only interested in “ethnicity” so long as it is made into cute and harmless variety.  This reminds us that, when toy makers (and others) manufacture difference, they are doing so for money.  DuCille writes:

…capitalism has appropriated what it sees as certain signifiers of blackness and made them marketable… Mattel… mass market[s] the discursively familiar–by reproducing stereotyped forms and visible signs of racial and ethnic difference.

Consider:

Black Barbie and Hispanic Barbie, 1980

Oriental Barbie, date unknown

A later “Asian” Barbie (Kira)

Diwali Barbie (India)

Hula Honey Barbie

Kwanzaa Barbie

Radiant Rose Ethnic Barbie, 1996

There are many reasons to find this problematic.  DuCille turns to the Jamaican Barbie as an example. 

The back of Jamaican Barbie’s box tells us:

How-you-du (Hello) from the land of Jamaica, a tropical paradise known for its exotic fruit, sugar cane, breath-taking beaches, and reggae beat!  …most Jamaicans have ancestors from Africa, so even though our official language is English, we speak patois, a kind of ‘Jamaica Talk,’ filled with English and African words.  For example, when I’m filled with boonoonoonoos, I’m filled with much happiness!

Notice how Jamaica is reduced to cutesy things like exotic fruit and sugar cane and Jamaican people are characterized as happy-go-lucky and barely literate while the history of colonialism is completely erased.

So DuCille doesn’t like it when Black Barbies, for example, look like White Barbies and she doesn’t like it when Black Barbies look like Black Barbies either.  What’s the solution?  The solution simply may not lie in representation, so much as in actually correcting the injustice in which representation occurs.

(Images found here, here, here, here, here, and here.) 

For a related post on race and friendship, see here.

The following graphs all show how much of American’s wealth is (or, um, was) in the form of home equity. They are all based on 2002 data, several years before housing prices hit their peaks, which means by the time the housing bubble burst, home equity was an even larger proportion of all net worth.

It’s not that I didn’t already know the economy was in trouble. That’s obvious–I live in Vegas, all I have to do is drive around a little and see all the houses sitting empty. But looking at these images I kept thinking, “a good portion of that home equity wealth is just gone.” On paper, we had all this wealth, and people borrowed based on it…and a lot of it is simply gone. Just…poof. Gone!

This one shows what percent of all net worth in the U.S. falls into various categories.

Here we have median net worth in 2002 for different age groups…and then the lighter purple bar, which is median net worth if you took out home equity:

A similar breakdown, except by race, not age this time. Notice how much Blacks and Hispanics lag behind Asians, and how much they lag behind non-Hispanic Whites in terms of net worth:

On the up side, if the stock market keeps going down, then home equity as a percent of our net worth will go up again because we’ll have lost so much in stocks. So, you know, look on the bright side!

All of these graphs came from “Net Worth and the Assets of Households: 2002,” written by Alfred O. Gottschalck and published by the U.S. Census Bureau in April 2008.

Highjive at MulticultClassics writes: “The foreigner is stealing trade secrets. The White man is addicted to porn. And the woman is a shopaholic. Maybe the advertiser’s name should be changed to Stereotypes 360.”

NEW!  Jasmine sent us more banal stereotypes!  These are for eye care (found here).

Because old people NEVER have sex:

And all black people love the blues:

Prompted by Gwen’s recent post on adoption announcement cards, Carmen from the excellent blog Racialicious sent us this link to a post about onesies for transnationally adopted infants by iBastard.  As iBastard says

…when people go out of their way to say something, there’s usually more to it than the literal message. There’s a metamessage (the message behind the message itself) or subtext of some kind.

These first two onesies (found at Racialicious and here respectively) are from children adopted from Guatemala:

And this one, also found at Racialicious, is for babies adopted from China:

The first and last one associate babies with goods (“special delivery” and “imported”) that can be bought.  Those with superior resources (i.e., Americans?) can buy these goods. 

The middle one de-humanizes Guatamalans.  As Resistance notes: What is a Guatling?  “Is it like an earthling? A foundling? An underling? A gosling? A yearling?” 

All advertise for others that these children are adopted transnationally.  And why might an adoptive parent want to advertise such things?  Without trivializing how much such parents love their children, we do seem to have a phenomenon in which a transnational adoption is considered a humanitarian good that proves you are not racist, into multiculturalism, and a card-carrying liberal good person (the discourse around Angelina Jolie’s adopted children is part of this).

What do you think the meta-messages are here?  iBastard offers a translation over at Racialicious. 

Oh and, in the spirit of resistance, check out this parody t-shirt made by iBastard:

Also in dressing your kids and meta-messages: leftish t-shirts for kids, “future M.I.L.F.” t-shirts and the like, “God Hates Fags” t-shirts, sexist t-shirts for kids, trucker girl booties, and more.

Other posts on advertising your politics on your metaphorical sleeve: “I’m Saving The Planet – What Are You Doing?”, “Tough Guys Wear Pink”, “Real Girls Eat Meat”, “True Love Waits”, “I Love My Big Tatas”, and “Use Your Period For Good”.