history

The recent Atlantic article by Anne-Marie Slaughter revived an ongoing conversation about women’s efforts to balance work and family in their lives.  Unfortunately, new data from the Pew Research Center suggests that striking a happy balance is increasingly out of reach.  This is because the value women place on both parenting well and having a successful career is growing.  In other words, women’s expectations are rising.

Interestingly, men’s expectations are rising, too, increasing the degree to which their desires might conflict, but to a somewhat lesser degree.

Let’s look at the data.

Young women between 18 and 34 are more likely to say that a successful career is “very” or “one of the most important things” in their life last year, compared to 1997.  The percentage has gone up 10 percentage points for women, while it went up only one point for men.

Young women are also more likely to say that being a good parent is “one of the most important things.”  Up a whopping 17 percentage points since 1997. This desire has risen significantly for men, too; 47% of men now say that parenting is very important, compared to 39% in 1997.

Since 1997, then, men have revised their expectations for parenting up, while their interest in work has remained more or less steady.  Women have raised their expectations for both and, generally, report higher life expectations than men.  That is, men are less likely than women to be interested in either a family or a career.

It will be interesting to see how public policy responds to these raised expectations, if at all. The U.S. is notoriously stingy when it comes to helping families balance these competing pressures, as this post on paid parental leave illustrates.  The time bind, though, is tightening and something will have to give.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Food shortages during World War II required citizens and governments to get creative, changing the gastronomical landscape in surprising ways.   Many ingredients that the British were accustomed to were unavailable.  Enter the carrot.

According to my new favorite museum, the Carrot Museum, carrots were plentiful, but the English weren’t very familiar with the root.  Wrote the New York Times in 1942: “England has a goodly store of carrots. But carrots are not the staple items of the average English diet. The problem…is to sell the carrots to the English public.”

So the British government embarked on a propaganda campaign designed to increase dependence on carrots.  It linked carrot consumption to patriotism, disseminated recipes, and made bold claims about the carrot’s ability to improve your eyesight (useful considering they were often in blackout conditions).

Here’s a recipe for Carrot Fudge:

You will need:

• 4 tablespoons of finely grated carrot
• 1 gelatine leaf
• orange essence or orange squash
• a saucepan and a flat dish

Put the carrots in a pan and cook them gently in just enough water to keep them covered, for ten minutes. Add a little orange essence, or orange squash to flavour the carrot. Melt a leaf of gelatine and add it to the mixture. Cook the mixture again for a few minutes, stirring all the time. Spoon it into a flat dish and leave it to set in a cool place for several hours. When the “fudge” feels firm, cut it into chunks and get eating!

Disney created characters in an effort to help:

The government even used carrots as part of an effort to misinform their enemies:

…Britain’s Air Ministry spread the word that a diet of carrots helped pilots see Nazi bombers attacking at night. That was a lie intended to cover the real matter of what was underpinning the Royal Air Force’s successes: the latest, highly efficient on board,  Airborne Interception Radar, also known as AI.

When the Luftwaffe’s bombing assault switched to night raids after the unsuccessful daylight campaign, British Intelligence didn’t want the Germans to find out about the superior new technology helping protect the nation, so they created a rumour to afford a somewhat plausible-sounding explanation for the sudden increase in bombers being shot down… The Royal Air Force bragged that the great accuracy of British fighter pilots at night was a result of them being fed enormous quantities of carrots and the Germans bought it because their folk wisdom included the same myth.

But here’s the most fascinating part.

It turns out that, exactly because of the rationing, British people of all classes ate healthier.

…many poor people had been too poor to feed themselves properly, but with virtually no unemployment and the introduction of rationing, with its fixed prices, they ate better than in the past.

Meanwhile, among the better off, rationing reduced the intake of unhealthy foods.  There were very few sweets available and people ate more vegetables and fewer fatty foods.  As a result “…infant mortality declined and life expectancy increased.”

I love carrots. I’m eating them right now.

To close, here are some kids eating carrots on a stick:

Via Retronaut.  For more on life during World War II, see our posts on staying off the phones and carpool propaganda (“When You Ride ALONE, You Ride With Hitler!”) and our coverage of life in Japanese Internment Camps, women in high-tech jobs, the demonization of prostitutes, and the German love/hate relationship with jazz.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I’m reposting this piece from 2008 in solidarity with Lisa Wade (no relation), whose (non-white) child was described by his teacher as  “the evolutionary link between orangutans and humans.”  It’s an amateur history of the association of Black people with primates. Please feel free to clarify or correct my broad description of many centuries of thought.

The predominant colonial theory of race was the great chain of being, the idea that human races could be lined up from most superior to most inferior.  That is, God, white people, and then an arrangement of non-white people, with blacks at the bottom.

Consider this drawing that appeared in Charles White’s An Account of the Regular Gradation in Man, and in Different Animals and Vegetables (1799). On the bottom of the image (but the top of the chain) are types of Europeans, Romans, and Greeks.  On the top (but the bottom of the chain) are “Asiatics,” “American Savages,” and “Negros.”  White wrote: “In whatever respect the African differs from the European, the particularity brings him nearer to the ape.”

Nearly 70 years later, in 1868, Ernst Haeckel’s Natürliche Schöpfungsgeschichte was published.  in the book, this image appeared (his perfect person, by the way, was German, not Greek):

In this image, we see a depiction of the great chain of being with Michelangelo’s sculpture of David Apollo Belvedere at the top (the most perfect human), a black person below, and an ape below him.

Notice that there seems to be some confusion over where the chain ends.  Indeed, there was a lot of discussion as to where to draw the line.  Are apes human?  Are blacks?  Carolus Linneaus, that famous guy who developed the classification system for living things, wasn’t sure.  In his book Systema Naturae (1758), he published this picture, puzzling over whether the things that separating apes from humans were significant.

In this picture (also appearing in White 1799) are depictions of apes in human-like positions (walking, using a cane).  Notice also the way in which the central figure is feminized (long hair, passive demeanor, feminized body) so as to make her seem more human.

Here we have a chimpanzee depicted drinking a cup of tea.  This is Madame Chimpanzee.  She was a travelling attraction showing how human chimps could be.

In any case, while they argued about where to draw the line, intellectuals of the day believed that apes and blacks were very similar.  In this picture, from a book by Robert Knox called The Races of Men (1851), the slant of the brow is used to draw connections between the “Negro” and the “Oran Outan” and differences between those two and the “European.”

The practice of depicting the races hierarchically occurred as late as the early 1900s as we showed in a previous post.

NEW! Nov ’09) The image below appeared in the The Evolution of Man (1874 edition) as part of an argument that blacks are evolutionarily close to apes (source):
During this same period, African people were kept in zoos alongside animals.  These pictures below are of Ota Benga, a Congolese Pygmy who spent some time as an attraction in a zoo in the early 1900s (but whose “captivity” was admittedly controversial at the time).  (There’s a book about him that I haven’t read.  So I can’t endorse it, but I will offer a link.)  Ota Benga saw most of his tribe, including his wife and child, murdered before being brought to the Bronx Zoo.  (It was customary for the people of his tribe to sharpen their teeth.)

The theorization of the great chain of being was not just for “science” or “fun.”  It was a central tool in justifying efforts to colonize, enslave, and even exterminate people.  If it could be established that certain kinds of people were indeed less than, even less than human, then it was acceptable to treat them as such.

This is a “generalizable tactic of oppression,” by the way.  During the period of intense anti-Irish sentiment in the U.S. and Britain, the Irish were routinely compared to apes as well.

So, there you have it.  Connections have been drawn between black people and primates for hundreds of years.  Whatever else you want to think about modern instances of this association — the one Wade and her child are suffering now, but also the Obama sock monkey, the Black Lil’ Monkey doll, and a political cartoon targeting Obama — objections are not just paranoia.

(I’m sorry not to provide a full set of links.  I’ve collected them over the years for my Race and Ethnicity class.  But a lot of the images and information came from here.)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Referring to the controversy over Pluto’s demotion, in this quick video C.G.P. Grey does a fun job of explaining why the icy rock is no longer a planet.  He closes with a discussion of why properly categorizing objects in space with words like “planets” may always elude us.  It’s a great example of social construction.

Via Blame it on the Voices.  For lots more examples, see our Pinterest pages on the social construction of everything and the social construction of race.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A report at Planet Money suggests that Americans are getting our wallets lifted at the bar these days.  In 1982, 24% of our liquor budget went to bars and restaurants; today it’s 40%.

This isn’t because we’re eating or drinking out more, it’s because the price of spirits has gone down at the grocery store, but way up at establishments.

On average, $1 out of every $100 earned by Americans goes to liquor, and that hasn’t changed since 1982.  But how much we pay where has shifted quite dramatically.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the first half of the twentieth century, the black press solidified its role as a pillar of the community and an anchor for popular opinion. In the tumultuous period between the Great Depression and the first stirrings of the Civil Rights Movement, World War II forced black Americans to rethink their struggle for equality as well as their position in the international political arena.* Editorial cartoons became a powerful forum for airing views on the war, a lens through which the readership could view domestic race relations in the context of America’s geopolitical stature and the specter of colonialism and fascism.

Two major black newspapers with national readerships, the Chicago Defender and the New York Amsterdam News, were largely supportive of the war. Black Americans broadly supported World War II. The so-called Double-V campaign rallied black community groups and media under a banner of patriotism, with the aim of encouraging racial integration and equality. But despite the overall pro-war sentiment, the black press also featured cartoons that offered a platform for critiquing blacks’ paradoxical position in the war on a domestic and global scale.

One cartoonist, Bill Chase, reflected early isolationist sentiments among blacks. An Amsterdam News cartoon from June 8, 1940 titled “Be Careful Uncle Sam” shows a pensive Uncle Sam staring across the Atlantic at plumes of smoke. He stands upon strewn papers marked “lynching,” “lack of equal educational facilities,” “unemployment” and “no social security menials.” In a pointed reference to past wars and current national priorities, Uncle Sam says, “George Washington once said—’no entangling alliances’”:

In the June 17, 1944 Defender cartoon, Jan Jackson used a feminine metaphor to portray a double-standard in the politics of government intervention. A half-naked black woman chained to a post, arms outstretched in desperation, watches as two soldiers, labeled “liberation forces,” scurry across the Atlantic toward a mirror image of an endangered white woman on the distant shore of “enslaved Europe”; the headline is the soldiers’ empty promise, “We’ll Be Back”:

That the feminized white Europe is depicted ironically as “enslaved,” while the rescuers turn their backs on a refugee of actual slavery, reveals the absurdity of aiding a “just war” while ignoring a  homegrown humanitarian crisis.

A Defender cartoon published on June 16, 1945, just before the armistice, directly aligns the U.S. with the smoldering legacy of Nazi rule. Under the headline “Blind Leading The Blind,” a haggard America  steps forward from the ashes of bombed-out Europe, leading a disheveled, bloodstained Germany by the hand. Both men wear spectacles with blacked-out lenses displaying the words “race hate”:

As the war effort shifted from Europe to Asia, editorial cartoons took on an anti-colonial dimension. The Defender‘s September 8, 1945 cartoon elucidates Japan’s dual identity as both a fascist power and a non-white challenge to the global order. The inspiration for the cartoon is a report on the same page that a battleship from Mississippi docked at Tokyo Bay displaying “the Stars and Bars of the Confederacy while on deck the band played Dixie”:

The paper quips that the commander might as well have added “another bit of ‘Mississippi culture’ to the exhibit—perhaps a lynched Negro hanging from the mast or Senator Bilbo filibustering on the poop deck.”

The cartoon displays a hodgepodge of Americana: a ship, a cowboy, a rambunctious marching band, and the offensive flag.  The details expose the irony of a racist America exporting its warped civilization to a non-white country. The black soldiers walk out of a separate entryway marked “for colored.” Heading a parallel procession of white soldiers is a farcical southern vigilante holding rope and a rifle. A black soldier pats a disheveled Japanese civilian on the shoulder and says, “I know just how you’re going to feel, bub!”:

The Japanese rulers may have been fascists, but the visual satire suggests that blacks were in solidarity with Japanese civilians, who were now being invaded by another colonizer. As the cartoon headline notes, “Asiatics Are Colored Too.” Yet the black soldier’s complicity in this metaphorical lynch mob is underscored by the tool he carries: a shovel in lieu of a gun.

Despite broad support for the war in the black press, these editorial cartoons convey America’s peculiar hypocrisy through powerful imagery of suffering and anger. Yet the subtlety of the messages expresses measured, subsurface criticism—perhaps acknowledging that World War II, for all its ethical contradictions, provided a touchstone for concentrating black solidarity and political capital. In deploying these visual idioms to motivate the struggle against fascism, the images succeeded, even if the Double-V campaign itself fell short of redeeming the struggle for “victory at home.” The fight against fascism and Nazism overseas didn’t translate into enlightenment of the American body politic of race. But by mobilizing around the the Allies, black America, and its media, cast a new light on racism in the global context—a perspective later reflected in the strands of pan-Africanism and anti-colonialism in civil rights campaigns. A “white man’s war” could not serve as a real vehicle for black empowerment, but as it stretched to every corner of the globe, the trauma of modern warfare generated a new race consciousness, and new visions, that redefined blackness on the world stage.

—————

Michelle Chen is a doctoral student in history at the City University of New York Graduate Center. In her plebian life, she is a contributing editor at In These Times, a co-producer with New York’s WBAI, and an editor at CultureStrike, a project focused on the intersection of the arts, immigration and activism. Her work has appeared in The Nation, Colorlines.com, Alternet, Ms. Magazine, Newsday, and her old zine, cain.