gender

Pregnancy wasn’t always something women did in public. In her new book, Pregnant with the Stars, Renée Ann Cramer puts public pregnancies under the sociological microscope, but she notes that it is only recently that being publicly pregnant became socially acceptable. Even as recently as the 1950s, pregnancy was supposed to be a private matter, hidden behind closed doors. That big round belly was, she argues, “an indicator that sex had taken place, [which] was simply considered too risqué for polite company.”

Lucille Ball was the first person on television to acknowledge a pregnancy, real or fictional. It was 1952, but it was considered lewd to actually say the word “pregnant,” so the episode used euphemisms like “blessed event” or simply referred to having a baby or becoming a father.

Almost 20 years later, in 1970, a junior high school teacher was forced out of the classroom in her third trimester on the argument that her visible pregnancy would, as Cramer puts it, “alternately disgust, concern, fascinate, and embarrass her students.” So, when Demi Moore posed naked and pregnant on the cover of Vanity Fair just 21 years after that, it was a truly groundbreaking thing to do.

Today being pregnant is public is unremarkable. Visibly pregnant women are free to run errands, go to restaurants, attend events, even dress up their “baby bump” to try to (make it) look cute. All of this is part of the entrance of women into the public sphere more generally and the pressing of men to accept female bodies in those spaces. The next frontier may be breast feeding, an activity related to female-embodied parenting that many still want to relegate to behind closed doors. We may look back in 20 years and be as surprised by intolerance of breastfeeding as we are today over the idea that pregnant women weren’t supposed to leave the house. Time will tell.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Almost all of the representations of breasts we encounter in the mass media are filtered through the hypothetical heterosexual male gaze. Breasts are objects, things that people desire. Women’s personal, subjective experiences of having breasts is almost never discussed in pop culture. I mean, yes, occasionally two female characters might talk about their breasts, but usually in reference to whether and how they do or fail to attract male attention (e.g., “Is this too much cleavage?” and “I wish I had more cleavage!”). What it feels like to have breasts outside of the context of being a sex object isn’t talked about. There’s a void, a black hole of experience.

The only other common discourse about breasts that comes to mind centers around breastfeeding. In that discourse, the idea that breasts are for men is challenged, but only in favor of the idea that breasts are for babies. In neither discursive context does anyone make the case that breasts are primarily for the people who have them. That the pleasure (and pain) and comfort (and discomfort) that comes with breasts belongs — first and foremost — to female-bodied people.

Last week, I saw something different. Crazy Ex-Girlfriend is an odd little TV show with a couple musical numbers in each episode and one of the numbers last week was called “Heavy Boobs.” It’s safe for work but… maybe not safe for work.

Rachel Bloom‘s song names and describes one subjective experience of breasts. Breasts are “heavy boobs,” she sings, just “sacks of yellow fat” that can weigh on women. In the song, the breast-haver’s experience is centered to the exclusion of what men or babies might want or think or experience. I can’t ever remember seeing that on TV before.

And that’s plenty, but what she and her fellow dancers do with their bodies is even more extraordinary. They defy the rules of sexiness. Their movements are about embodying heavy boobs and that’s it. It’s as if they don’t care one iota about whether a hypothetical heterosexual male will see them. The dance is unapologetically unsexy. No, it’s more than unsexy; it’s asexy. It’s danced neither to repulse or attract men; instead, it’s danced as if sexiness is entirely and completely irrelevant. There’s no male gaze because, in that two minutes, there’s not a man in sight.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Earlier this year Brandy Zadrozny interviewed me for a Daily Beast story about the new CDC guidelines for alcohol consumption by women. It caused an outcry because it advised all women who could potentially become pregnant to completely abstain from alcohol as a way to prevent fetal alcohol spectrum disorders.

Responses across the blogosphere included several objections, including the fact that research shows that alcohol alone is not sufficient to cause fetal harm (enter poverty as a major confounding factor) and paternal drinking prior to conception is believed to contribute to incidence of these disorders, too, despite no advice to men of fertile age to refrain from any alcoholic consumption.

Interesting points, but an argument made by Renée Ann Cramer in Pregnant with the Stars gave what I thought was some interesting historical perspective.

Until feminists fought to make it otherwise, she explains, it was perfectly legal in America to refuse to allow women access to certain jobs because they might get pregnant. If the working conditions were too challenging or involved exposure to dangerous chemicals, women were considered unfit for the work by virtue of their always-potentially-pregnant status. And if they did this work and harm did come to a child, it was considered a failure of the state to adequately protect her.

Feminists fought to make this “protectionism” illegal, demanding that women themselves have the right to decide, alongside men, if they wanted to take occupational risks. And they largely won this fight.

In turn, though, women themselves came under scrutiny. They were no longer excluded from certain jobs, but if they chose to do them, it was reasonable to judge them harshly for doing so. Cramer calls this the “responsibilization” of pregnancy. Now that women had the right to handle their pregnancy (or pre-pregnancy) however they wished, they (and not the state) would be held responsible for doing so in ways that society approved or disapproved.

This is what the CDC guidelines are doing. It’s not legal to “protect” women from harming her not-yet-existing fetus by refusing to serve her alcohol. Women have the same rights as men. But with rights comes responsibilization and if women don’t make the choices endorsed by their communities, the health industry, and even the federal government, they can expect to be surveilled, judged, and possibly bullied into doing so.

Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

On NPR last week, the headline was “Has Bernie Sanders Moved Hillary Clinton to the Left?” The story centered on Sanders’ more radical leftist politics and the many ways in which Clinton’s stated policies have changed to look more like his.

The implication was that Sanders was forcing Clinton to move to the left. But what if it’s also giving her the opportunity to move to the left?

As the frontrunner, and a woman who is being watched carefully for any sign that she is ill-suited for the presidency, Clinton’s best strategy is probably to play it safe. That is, all thing being equal, she should stay well within the contemporary well-worn middle of the Democratic party.

But Sanders is throwing off the “all things being equal” by vociferously and often convincingly arguing that she isn’t left enough. He is, in other words, serving as a “radical flank” of the Democratic party. A radical flank is the segment of a social movement that stakes out the most extreme position.

Famously, the activities and ideology of the radical flank of the Civil Rights Movement (e.g., the Black Panther Party) resulted in increased social and economic support for its more moderate representatives (e.g., the NAACP). One reason is because, through contrast with the radical flank, the demands of Civil Rights leaders like Martin Luther King, Jr. started to seem downright moderate.

Something similar could be going on here. Sanders’ more radical rhetoric and policy may be making Clinton’s previously centrist-seeming positions suddenly seem quite conservative. This might, in fact, be pulling her to the left, “moving” her by necessity, but it might also be giving her the opportunity to do so. It’s possibly that she’s a more progressive candidate than her pre-Sanders policy statements reflected, as she was strategically aiming for the middle. But, now that Sanders’ has shifted the goal posts, she is free to take more radical positions without looking like a radical at all.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Jay Livingston is our regular baby name analyst, but I’m gonna give it a go just this once. Over at Baby Name Wizard, Laura Wattenburg published a chart showing that vowels are on the rise. Both girls and boys names have more vowels in them relative to consonants than they have in the last 150 or so years, and more vowels than the English language overall.

Based on the yellow line alone, it’s clear that people think that names with more vowels are more appropriate for girls than boys. So, how to explain the uptick, especially among boys?

For boys, the uptick begins during the revolutions of the 1960s and ’70s. Feminists at that time wanted women to be able to embrace the masculine in themselves, but they wanted men to embrace their feminine sides, too. They got the first thing but not the latter and, ever since, the personalities of both men and women both began measuring more masculine, with women changing more than men.

But then both men’s and women’s names should be becoming more masculine. So, maybe baby names are a special case. I googled around and found a survey (of uninterrogated quality) that found that dads have substantially less influence over a babies’ names than moms do. Accordingly, perhaps baby-naming resists some of the stronger influences toward masculinization that come from men. Maybe mothers, especially in that warm moment of naming their babies, are holding out for that half of the feminist revolution that has proven thus far elusive: the valuing of the feminine in all of us.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Law professor and critical race scholar Kimberlé Crenshaw developed the term” intersectionality” to draw attention to the way that all of our socially salient identities work together to shape the stereotypes that apply to us. The experience of being black, for example, is shaped by gender, just as the experience of being a man is shaped by race.

Once a person has internalized an intersectional lens, the old model — epitomized by the famous phrase “all the women are white, all the blacks are men” — can be jarring. It has a way of making certain kinds of people and their experience invisible. In the above case, women of color.

At this weekend’s debate, Bernie Sanders made exactly one of these jarring statements in response to an inquiry about “racial blind spots.”

When you’re white, you don’t know what it’s like to be living in a ghetto. You don’t know what it’s like to be poor. You don’t know what it’s like to be hassled when you walk down the street or you get dragged out of a car.

I imagine poor white people, middle class blacks, and women everywhere sat up and were like “What!?”

Author Joy Ann Reid noted on twitter that Sanders was conflating race and class, making poor white and middle and upper class black people invisible. Most African Americans are not poor and most poor people are white. She noted, as well, that white immigrants have lived in what we call the “ghetto” for much of American history.

I’ll add that one doesn’t need to be black to get hassled when walking down the street, as most women of all races can attest. Or, for that matter, how about being a feminine-presenting or gender queer man? And being dragged out of a car is something that happens to black people who are being accosted by the police, but also those who are being victimized by violent boyfriends or husbands.

Ironically, Sanders was saying that his racial blind spot was not being able to fully understand the black experience, but he revealed a different blind spot: intersectionality.

The comment starts at about a minute, twenty seconds:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

At the history of sexuality blog Notches, Rachel Hope Cleves reminds us that this isn’t the first time the size of an American president’s penis has been politicized.

Thomas Jefferson defended the size of American men’s penises, including presumably his own, in Notes on the State of Virginia, published in 1785. He was countering a claim made by naturalist Comte de Buffon, who argued that the American climate shrunk men’s genitals and made them asexual and impotent.

“Poppycock!” wrote Jefferson (I’m paraphrasing), but literally, he said, the Native American, as well as transplants to the continent, was “neither more defective in ardor, nor impotent with his female.”

Jefferson’s penis would later become the subject of political scandal after America learned that a woman he enslaved, Sally Hemings, had given birth to several of his children. A cartoon portrayed him as a cock — and Hemings as a hen — this time suggesting that Jefferson was too virile to be president.

Cartoon from American Antiquarian:

Whether Trump is too virile, or not virile enough, is still up for debate.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In 1970, the day after National Guard troops killed four unarmed protesters at Kent State University, students at Southern Illinois University went to the local McDonald’s and demanded that the flag be lowered to half staff.  The franchise owner complied.

Ray Kroc, the founder of McDonald’s got wind of this and told the franchise owner to raise the flag back up to full staff. When he conplied, the students threatened to burn the place down.

The whipsawed franchise owner phoned McDonald’s CEO Fred Turner asking what to do. If Turner’s response isn’t part of the canon of management courses, it ought to be:  “The next delivery truck that arrives, have him back in to the flag pole and knock it down.”

Lands’ End now finds itself in a similar position but with no flagpole and no trucks.

You may have noticed that the most Lands’ End catalogue looks different from the other 273 they’ve sent you this year. Lots of people in a tableau rather than close ups of one model in merch. And palm trees. Palm trees? From Wisconsin? The paper too is less slick, with more of a matte finish. But what has landed Lands’ End in hot water is the four-page interview with Gloria Steinem wearing Lands’ End gear. (The text in the upper right begins, “Introducing the Legend Series, our ode to individuals who have made a difference . . . .”)

The message of these earlier moves seemed to be that the companies were willing to stake out a position they felt strongly about, even if it meant alienating some customers. Lands’ End, it appears, may have a different mindset.

Is it Lands’ End, or is it the issue? After the Charleston Church Massacre of June 2015, retreating from the Confederate flag became the majority view even in the South.

The trend on gay marriage has also made acceptance a safe bet:

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.