class

Cross-posted at Racialicious.

I featured the two-page ad below in one of the first posts I ever wrote for SocImages (it was October of 2007 and we’d written less than 100 posts; today we’re approaching 5,000, but I digress…).  It’s still one of my very favorite images.

I use it in Sociology 101 when I argue that race, class, and gender are, among other things, performances. Activities, items, and behaviors carry class, race, and gender meanings. In order to tell stories about ourselves, we strategically combine these things with the meanings we carry on our bodies (a gendered shape, skin color and hair texture etc., and signs of economic wealth or deprivation).

The ad for PhatFarm deftly balances Blackness (the body), upper-class Whiteness (the sailboat), and femininity (the pink sweater).  In strategically using culturally-resonant signifiers, he challenges popular representations of the Black body.

This happens in real life too.  Journalist Brent Staples powerfully discusses how he adds a signifier of upper-class Whiteness to his large Black body in order to avoid the discomfort of frightening people on the streets of New York.

…I employ what has proved to be an excellent tension-reducing measure: I whistle melodies from Beethoven and Vivaldi and the more popular classical composers. Even steely New Yorkers hunching toward nighttime destinations seem to relax and occasionally they even join in the tune. Virtually everybody seems to sense that a mugger wouldn’t be warbling bright, sunny selections from Vivaldi’s Four Seasons.

“It is my equivalent to the cowbell that hikers wear when they know they are in bear country,” Staples adds, referring to the fact that being perceived as dangerous can itself be dangerous, as we know from the example of Trayvon Martin and Rodrigo Diaz, who was shot in the head in January when he accidentally pulled into the wrong driveway thinking it belonged to a friend.

Thinking of class, race, and gender as performances gives us credit for being agents.  We don’t have control over what the signifiers are, nor how people read our bodies, but we can actively try to manage those meanings.  Of course, some people have to do more “damage control” than others.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Emma K. submitted a sobering illustration of wealth inequality in the U.S.  It compares American ideal distributions of wealth, with what they think it is and what it really is. Suffice to say, Americans wish for more equal distributions, but the reality far outpaces their worst nightmare.

Here’s a snapshot:

A worthwhile 6 minutes:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the two-minute animation below, sociologist Dalton Conley describes how inequality between families can create inequality within families. My favorite of his examples: if a family doesn’t have a lot of resources, it will often pour more of them into the most promising child instead of spreading the goods around equally to everyone.

For more, watch:

More at Norton Sociology’s YouTube page.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at AlterNet, Jezebel, and VitaminW.

I don’t know about you, but whenever I go shopping for shoes, I’m always stunned by the incredible disproportion of high heels.  I’m just gonna guestimate here, but I’ll bet 85% of the shoes at the average store are high heels so impractical that most women only wear them on special occasions that involve a lot of sitting down.  These shoes, moreover, seem to be pushed to the front of the display.  Women’s shoe stores beckon shoppers by putting their most outrageous shoes out front.  You have to go digging for a practical pump. A quick Google image search for “women’s shoes” reveals the same bias in favor of the four-inch or higher, spindly heeled shoe:

How is it that a shoe that gets 1% of feet time takes up 85% of retail space?  I’m gonna take a shot at offering an answer.

In a previous post I reviewed the history of the high heel.  Originally a shoe for high-status men, it was adopted by the lower classes.  Elites responded by heightening the heel.  The higher the heel, the more impractical the shoe.  Eventually the working classes couldn’t keep up with the escalation because they had to, you know, work.  Sociologically, this is an example of what Pierre Bourdieu famously called “distinction.”  The rich work to preserve certain cultural arenas and products for themselves.  This allows them to signify their status; you know, keep them from getting confused with the masses.

I think something similar is going on today among women. Certain class advantages make it easier for upper middle class and wealthy women to don high heels.  High heels can really only be worn routinely by women who don’t work on their feet all day (I’ll grant there are dedicated exceptions).  Valet parking makes it a whole lot easier to wear shoes that hurt to walk in, so does not having to take the bus.* Having money, in itself, means that nothing stands between you and buying things that are impractical. So, high heels function to differentiate women who can afford to be impractical with their footwear — both monetarily and in practice — from women who can’t. This, I think, is why the highest, spikiest heels are are the front of the shoe store.  In a certain way, they signify status.  Wearing those shoes promises to differentiate you from other “lesser” women, women who can’t invest in their appearance and get lots of practice looking elegant on their tip toes.

Women of all classes desire such shoes because of the signals they send and they often buy them aspirationally, hoping to be the type of woman who wears them.  It’s primarily women at the top of the class hierarchy that will be able wear them routinely, though, feeding the supply of barely worn spike heels that populate every thrift store in America. So, that’s my theory.

But let’s complicate it just a bit more.  Since working class people do, ultimately, have access to high-heeled shoes, the upper classes have to go to extra lengths to effectively use high heels as a marker of distinction.  This can be accomplished by sub-dividing high heels into “classy” and “trashy”: I got the ones on the left by Googling “stripper shoes” and the ones on the right are courtesy of Louis Vuitton, $890 and $1,450 respectively. Now I know that you can get “classy” heels for much cheaper, but the point is to identify this as an arms race.  The rich have the power to control the discourse and can always access the high-status objects.  The poor can copy, but they are often playing catch up because the rich are always changing the rules.  So, as soon as the poor are doing it right, the rules change, otherwise the activity doesn’t function to distinguish the rich from the poor.  And so on.

* Men, if you’re reading, high heels really do hurt to walk in.  Yes, pretty much all the time.  Most women are used to it and mild pain may not even register consciously.  Sometimes the pain is quite significant, but women wear them anyway.  You’ve probably seen women in your life kicking off their high heels as soon as they walk in the door, or rubbing their feet and wincing; there’s a reason for that.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Naama Nagar tweeted us an interesting video commentary about hipsters.  In it, Mike Rugnetta uses Pierre Bourdieu’s idea of cultural capital to describe the difference between nerds and hipsters.

This is a topic I’ve enjoyed thinking about myself (on CNN and here at SocImages).  I think Rugnetta makes an interesting argument that resonates with the observations of sociologists: being a hipster is about borrowing other people’s authentic cultural signifiers as their main or only consistent cultural practice.  Check it out:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Policy Mic and The Huffington Post.

The gap between the household wealth of Black and White families is massive.  Today the median wealth held by White households is 20 times that of Black households.  There are lots of reasons for this difference and a new study offers great data on one of them: the need to assist poor relatives.

Kevin Hartnett, at Braniac, writes:

Middle-income blacks are more than twice as likely as middle-income whites to have a poor sibling and more than four times as likely to have parents below the poverty line. And because of these relationships, they’re called upon more often to provide financial assistance.

Sociology graduate student Rourke O’Brien used data on spending and other financial patterns among Americans to test whether this is a significant source of the wealth gap (link).  He found that, at all but the most low income level, Black households are more likely than White households to give money to struggling relatives.  And the wealthier the Black household, the more likely they were to help others.

The graph below illustrates this.  The vertical axis represents the proportion of households offering assistance and the horizontal axis represents increasing income levels (in thousands of dollars).

The lesson is simple, but all too often unnoticed.  Due to hundreds of years of enslavement and discrimination, African Americans are more likely to be poor than Whites. If you grow up poor then most of the people in your family are poor.  Accordingly, even if you “make it out” and arrive in the middle class (income-wise), you will likely be less financially secure than a person that earns the same income but came from a middle class family.  That person can put all of their extra money towards buying a home (and earning equity), retirement, additional degrees, starting a business, and sending their kids to college.

But the poor person who earns a middle-class income might use a significant portion of their income keeping their parents’ heat on, helping their little brother go to college, or buying back-to-school clothes for their nieces and nephews.  This makes it much harder for poor and working class people who become middle class to stay that way.  And the cycle continues.

Via Citings and Sightings.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The current political discourse is so focused on a single form of government revenue, that the word taxes has become essentially synonymous with just one tax in particular; the federal income tax.  In fact, unless there is a foreign policy crisis, the federal income tax usually dominates most political discussion given how the federal budget (or increasingly the federal debt) relates to almost anything and everything the federal government does (or does not do in more and more instances).

For example, during the closing months of 2012 we watched how a fight over a sunset of the Bush Tax Cuts almost shoved the United States over a fiscal cliff.  Just prior to this near crisis, the most discussed difference between 2012 presidential candidates was their disagreement about a 4 point increase in the highest federal income bracket.  Also, Mitt Romney will likely be remembered mostly for his disparagement and disregard of “The 47% of United States Citizens who pay no federal income tax.”

However, limiting discussion about government funding and spending to just the federal income tax and ignoring the other types of payments we make to the treasury is not without consequence, especially given how the federal income tax is actually a very unique kind of tax.  Unlike excise taxes, payroll deductions, sales taxes and most property taxes that are regressive or require the poor to pay a larger proportion of their resources than the wealthy; the federal income tax is one of the few progressive taxes in the United States because at least on paper (I say that because these marginal rates often do not equate the larger effective rates given that the wealthy are afforded more loopholes, deductions, and lower rates on investment income), the rich pay larger marginal rates than the middle-class and poor.   Thus, with our political discussion largely limited to the federal income tax, it should come as no surprise conservatives are so easily able to frame “The State,” especially the federal government, as a perverse Robin Hood who steals from the rich (the makers as they are being called now) to give to the poor (the takers).

The non-profit, non-partisan Institution on Taxation and Economic Policy recently released its research on the taxes families in the United States paid in 2010.  These findings reveal when the focus is taken off the federal income tax and the entire tax system is examined, cumulative household taxes in nearly every state are regressive because the less money a family makes, the larger proportion they pay to the different levels of government.  As the graph below shows, the cumulative tax system is regressive because sales, excise and property taxes offset progressive income taxes at both the state, and federal levels.

The tax system as a whole is largely regressive because the higher one’s class standing, the lower the proportion of total taxes they pay.  While the report provides great details in the variations across each state, the graph below shows that on average, the lowest 20% of earners pays an overall tax rate that is more than twice of what the top 1% of earners pay.

While many citizens perceive the U.S. tax code as inherently unfair because the wealthy have higher marginal rates on their federal income tax (the only one anyone ever seems to talk about); an examination of the entire system reveals the opposite as cumulatively, the poor pay a larger proportion of their income to local, state, and the federal governments.

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Jason Eastman is an Assistant Professor of Sociology at Coastal Carolina University who researches how culture and identity influence social inequalities.

Few people outside of the South know that the first Mardi Gras celebration was held in Mobile, Alabama in 1703, 15 years before New Orleans was a city.  A 2008 documentary, The Order of Myths, chronicles the politics of the town’s Mardi Gras celebration today, which remains almost entirely segregated by race. The black and white communities throw two separate Mardi Gras celebrations. In this clip, starting at 40secs, a woman describes this segregation:

The documentary isn’t heavy-handed about it, but the film does a wonderful job of showing how race is, isn’t, and is sorta talked about in Mobile.  The trailer gives you an idea:

Manohla Dargis, reviewing the movie for the New York Times, tries to capture the uncomfortable co-existence, separation, and choreographed intersections of the black and white communities:

The black queen and king — Stefannie Lucas and Joseph Roberson, both schoolteachers — are cautious yet optimistic about their city and its racial divide. They see change, glimmers of real progress, but they don’t have the luxury of naïveté. Most of the white revelers — including the queen and king, Helen Meaher and Max Bruckmann — all of whom appear significantly wealthier than the black participants, are either vaguely or keenly aware of race. Mr. Bruckmann, a jovial type with the round face of a well-fed baby, and Ms. Meaher, a willowy blonde who’s all but swallowed up by her heavily jeweled costume, are swaddled in privilege, tradition and culture. It’s hard not to notice that every hand that serves them is black.

I highly recommend the film not only for it’s coverage of the role race plays in Mardi Gras, but for it’s portrayal of the unique racial politics of the South more generally.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.