children/youth

For the last week of December, we’re re-posting some of our favorite posts from 2011.

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In this hilarious two minute video, twin toddlers practice having a conversation. They don’t really know words, but they know HOW to do it. They’ve figured out how to sound sure of themselves, how to sound inquisitive, how to gesticulate, how to aim their efforts at a second person, and how to take turns. They’ve learned, in other words, the rules of talking to another person, even before they’ve learned how to talk. A fun example of socialization.

For more really great examples of children learning to act like grown ups, see our posts on the baby worshipper, the baby preacher, the baby rapper, and the baby Beyonce. Via Blame it on the Voices.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Samantha Moore sent in a screenshot of the front page of the website for Aerie, a brand of lingerie marketed to 15-21 year-olds.  I thought it was quite the stunning example of the impossible bodies that young people are offered as the ideal.

Adding more perspective, Samantha writes:

I shopped at American Eagle before I turned 15, and I would say that’s part of the draw — girls like to shop where the older kids do. Though aerie may be officially targeting older teenagers, this bra campaign wipes away the transition from puberty to sex; you know, that time when you bra shop out of necessity and dreadfully weird body change, not sexual enticement.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Time for another round-up of gendered kids’ items!

Will L. noticed something interesting recently at Old Navy. The boys’ section offered two styles of jeans, Skinny and Regular:

But when he looked at the corresponding section in the girls’ clothing, he found not Skinny and Regular, but Skinny and…Super Skinny:

Caro Reusch sent us an example of kids;’ t-shirts with messages about what we value for men and women. She saw the following at a mall in Berlin:

The blue one says “My daddy is stronger than yours,” while the pink announces, “My mommy is prettier than yours.”

Similarly, Lindsey B. saw two themed bibs for sale at Target. The blue bib is a doctor and the pink one is a ballerina:

Shantal Marshall, a postdoc student at UCLA with a Ph.D. in social psych and blogger at Smartie Pops, noticed that Crayola has a new product out, the Crayola Story Studio.  It lets you upload a photo of yourself, have it turned into a cartoon, and then it’s inserted into one of 3 themed templates: Disney Princess, Spiderman, or Cars. You can then print off various versions of coloring books based on those templates. The commercial for the Spiderman version shows a boy excitedly becoming a superhero:

For the Disney Princess version, we see a girl excited to become a princess, then dancing in the background with her very own Prince Charming:

As Shantal said, it’s a bit dispiriting that Crayola’s slogan for these items is “give everything imaginable,” but the pre-existing templates, and their marketing, don’t seem to include an imaginable alternative to the “boys = superheroes” and “girls = princesses” division we see so often in kids’ toys.

Madelyn C. saw a store in Warsaw, Poland, that just goes ahead and makes the gendered division of the toy industry explicit:

Finally, Jessica M. sent in a link to a GOOD post by Christopher Mims about the Toy Industry Association’s 2011 Toy of the Year Awards. There are general categories of toys, such as educational, innovative, and action, but of course also girl and boy categories (also, I personally can’t think of “boy toy of the year” without thinking of Madonna’s outfit in her “Like a Virgin” performance at the first MTV Video Music Awards, but maybe the ’80s are sufficiently behind us that the phrase resonates differently for most people). Anyway, Mims discusses the gendered messages in the commercials for the nominees in the two categories. Among other things, the categorization is rather confusing. Hexbugs are nominated in the boy category, even though commercials for them show girls as well:

Also, Mims points out that the boys’ category “includes a strong undercurrent of Beyond Thunderdome via WWE.” Exhibit A: The commercial for Beyblade Metal Masters, “performance tops” to be used in “strategic battles”:

Playing with tops has gotten super hardcore, I guess. Probably they should look into a sponsorship from an energy drink.

Late Night TV host Jimmy Kimmel encouraged his viewers to film their children getting early Christmas presents that they would surely hate.  The result is a collection of children acting badly: bursting into tears, saying they hate their parents, lecturing them on proper gift giving protocol, etc.  It’s funny and also a great illustration of the gift-giving rules that Theodore Caplow meticulously lists in his article, Rule Enforcement Without Visible Means: Christmas Gift Giving in Middletown (pdf) (btw: this is the very first article I assign in Soc101).

(UPDATE: I was quoted briefly on this phenomenon in a New York Times story on the prank.)

In a number of cases, the gift is considered bad because the recipient is a boy and the gift is for a girl.  One boy, for example, gets a Hello Kitty gift, another gets a pop star-themed coloring book.  The boys’ reaction at being presented with a girls’ gift reveals their internalization of androcentrism, the idea that masculinity is superior to femininity.   They express both disgust and, in some cases I think, fear at being poisoned by contact — especially such personal contact as “I got this for you” — with girlness.

More posts on androcentrism: “woman” as an insult, being a girl is degrading, making it manly: how to sell a car, good god don’t let men have long hair, don’t forget to hug like a dude, saving men from their (feminine) selves, men must eschew femininity, not impressed with Buzz Lightyear commercial, dinosaurs can’t be for girls, and sissy men are so uncool.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Montclair SocioBlog.

Children in American movies are typically superior to adults.  The kids are not only all right, they are wiser, less corrupt, and more competent.  “Home Alone” is a classic example, where the plucky, resourceful kid triumphs over both the vindictiveness of the burglars and the mindlessness of his parents.  (An earlier post on children in films is here.)

“The Descendants,” the recent film with George Clooney (I saw it last night), starts more like a French film, where children are, well, children, and it’s the parents who must endure and learn to cope with the kids’ immaturity and thoughtlessness.

Clooney is Matt King, and the name is a deliberate irony.  Kinglike, he must decide the fate of a huge tract of pristine Kauai land that his family has owned for many generations.  The money from the sale will make him and his many cousins and their families rich.  Which developer will he sell the land to?But as a husband and father he is far being monarch of all he surveys.  His wife has been in an accident and lies in a coma.  His two daughters are unapologetically impudent and insufferable.  As the film starts, Scottie, age ten, has sent a nasty, obscene text to a classmate.  Alex, seventeen, now at an expensive private rehab/therapeutic school, first appears on screen drunk, having  sneaked out of her room at night with another girl.  Then there’s Sid, Alex’s friend, a slightly older boy, all stupidity and insensitivity, a chubby incarnation of Beavis and Butthead.Then the film magically transforms the kids.  Each has been introduced as obtuse, obscene, or obnoxious. But now Alex, it turns out, knows more than her father does, at least in one crucial area – that his wife, now on life support, had been cheating on him.

The kids change from being French, a burden for the grown-up, to becoming almost classically American, not superior but equal.  They are now his partners.  Teens and adult are a team trying to discover the identity and location of the seducer so that King can confront him.  The teenagers are suddenly much less difficult and much more helpful, while King sometimes appears uncertain and even silly, peering over hedges to spy on his wife’s lover.   He asks his daughter for advice.  He even asks Sid what he should do.(You can get some sense of this transformation in the trailers here and here, which also outline the rest of the story.)

Still, the movie doesn’t go pure Hollywood.  It does not present the world as a character contest where good faces evil, where the right action is clear and the only question is how the hero will come to make it.  Instead, it shows a grown-up trying to understand and cope with problems and people he cannot really control.

And nobody blows up a helicopter.

Cross-posted at Family Inequality.

Things that make you say… “peer review”?

This is the time of year when I expect to read inflated or distorted claims about the benefits of marriage and religion from the National Marriage Project. So I was happy to see the new State of Our Unions report put out by W. Bradford Wilcox’s outfit. My first reading led to a few questions.

First: When they do the “Survey of Marital Generosity” — the privately funded, self-described nationally-representative sample of 18-46-year old Americans, which is the source of this and several other reports, none of them published in any peer-reviewed source I can find — do they introduce themselves to the respondents by saying, “Hello, I’m calling from the Survey of Marital Generosity, and I’d like to ask you a few questions about…” If this were the kind of thing subject to peer review, and I were a reviewer, I would wonder if the respondents were told the name of the survey.

Second: When you see oddly repetitive numbers in a figure showing regression results, don’t you just wonder what’s going on?

Here’s what jumped out at me:

If a student came to my office with these results and said, “Wow, look at the big effect of joint religious practice on marital success,” I’d say, “Those numbers are probably wrong.” I can’t swear they didn’t get exactly the same values for everyone except those couples who both attend religious services regularly — 50 50 50, 13 13 13 , 50 50 50, 21 21 21 — in a regression that adjusts for age, education, income, and race/ethnicity, but that’s only because I don’t swear.*

Of course, the results are beside the point in this report, since the conclusions are so far from the data anyway. From this figure, for example, they conclude:

In all likelihood,  the experience of sharing regular religious attendance — that  is, of enjoying shared rituals that endow one’s marriage with transcendent significance and the support of a community  of family and friends who take one’s marriage seriously— is a solidifying force for marriage in a world in which family life is  increasingly fragile.

OK.

Anyway, whatever presumed error led to that figure seems to reoccur in the next one, at least for happiness:

Just to be clear with the grad student example, I wouldn’t assume the grad student was deliberately cooking the data to get a favorable result, because I like to assume the best about people. Also, people who cook data tend to produce a little more random-looking variation. Also, I would expect the student not to just publish the result online before anyone with a little more expertise had a look at it.

Evidence of a pattern of error is also found in this figure, which also shows predicted percentages that are “very happy,” when age, education, income and race/ethnicity are controlled.

Their point here is that people with lots of kids are happy (which they reasonably suggest may result from a selection effect). But my concern is that the predicted percentages are all between 13% and 26%, while the figures above show percentages that are all between 50% and 76%.

So, in addition to the previous figures probably being wrong, I don’t think this one can be right unless they are wrong. (And I would include “mislabeled” under the heading “wrong,” since the thing is already published and trumpeted to the credulous media.)

Publishing apparently-shoddy work like this without peer review is worse when it happens to support your obvious political agenda. One is tempted to believe that if the error-prone research assistant had produced figures that didn’t conform to the script, someone higher up might have sent the tables back for some error checking. I don’t want to believe that, though, because I like to assume the best about people.

* Just kidding. I do swear.

As examples of childhood socialization into cultural patterns of interaction, we’ve previously brought you baby preacher, baby worshipper, and two babies mimicking a conversation. Thanks to Shruti S., we now have another awesome example: a 2-year-old, Khaliyl Iloyi of London, who has learned the cadences of rapping:

You’re welcome.

Cross-posted at Cyborgology.

As part of my research into the popularization of tattooing, I have accumulated quite a few interesting links on tattoo toys for children. I don’t mean those temporary tattoos we all used to get from the vending machines at popular chain restaurants. This toys I am talking about have drawn flack from parents as being “inappropriate” for kids, creating an example of a burgeoning “moral panic”. Some examples include: tattoo inspired toddler wear, tattoo machines for kids, and of course, tattooed Barbie dolls.

Tokidoki Barbie:

Toys like these have been released every few years since the 1990s, when tattooing was ranked as the 6^th fastest growing industry in the country (Vail 1999). But we are now seeing more children’s tattoo toys spring up, dovetailing with the increasing popular interest in the craft. We may very well be observing a second Tattoo Renaissance (Rubin 1988), especially given the expansion of the industry and the artistic flowering that has occurred since the tattoo reality TV shows first emerged in summer 2005. 

I believe we are we observing a cultural paradigm shift (Kuhn 1962) regarding tattooing.  Cultural trends are slowly reshaping popular conceptions of tattooing, turning them from “marks of mischief” (Sanders 1988) into an “ironic fad” (Kosut 2006) of consumer capitalism. Whereas tattooing was once largely reserved for working-class men, sailors, carnival performers, and exotic dancers, we have since seen the practice become widely popular amongst all races, genders, and classes.

G8 Tat2 Maker by Spin Master Toys:

Beginning with the Tattoo Renaissance of the 1960s (Rubin 1988) and more recently with the expansion into reality television (Lodder 2010), we have seen the cultural cache of tattooing shift in favor of middle-class notions of identity work (Atkinson 2003); that is, towards seeing the body as a vehicle for expressing oneself, towards actively controlling and crafting the body as a form of empowerment, and towards the development of “distinctive individualism” through appearance (Muggleton 2002). The highly narrative focus of tattooing contained in popular reality TV shows like “LA Ink” or “NY Ink” only bolster these trends, as new tattoo enthusiasts invest deeply-held meanings into each tattoo.

But these trends do not mean that tattoo toys aimed at children are any less offensive to some. Largely, it appears to be a generational divide: youth are much more supportive (in fact, largely celebratory) towards body art like tattoos and piercings, but the baby boomers continue to view tattoos through the lens of deviance.

For people of my parents generation, tattoos continue to be a symbol of deviant proclivities. Some have even called it a “disease” plaguing the youth of today. I have taken issue with such an interpretation of tattooing, especially by social scientists who continue to conceptualize the practice as an indicator of mental pathology or emotional instability, and have proposed a “pro-social” conception of contemporary body modifications like tattooing and piercing [you can read my work here]. In my opinion it is just a matter of time before prominent and visible tattoos become commonplace in professional and public settings, tattooed Barbie notwithstanding.

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David Paul Strohecker (@dpsFTW) is a PhD student at the University of Maryland, College Park. He studies issues of intersectionality, consumption, and popular culture. In addition to his work on the popularization of tattooing, a project on the revolutionary pedagogy of public sociology, and more theoretical work on zombie films as a vehicle for expressing social and cultural anxieties. He previously wrote for the blog Racism Review and currently blogs at Cyborgology.

For more from Strohecker, see his posts on facial tattoos, the origins of zombies, QR codes and the digital divide, and laughing at disability.

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