children/youth

Today I thought we’d do another round-up of gendered children’s stuff, since we’ve gotten a number of submissions. So here we go.

Missy C. noticed that the manufacturer’s product description listed on Amazon for one of the Fisher Price Imaginext Sky Racers took for granted that the toy was for boys, not, say, “kids”:

Monica C., meanwhile, noticed another example of the association of girls with a diva-ish princess center-of-attention persona when looking at onesies for sale at My Habit. Options included “born fabulous,” “high maintenance,” “born to wear diamonds,” and “it’s all about me,” among others:

Similarly, Melanie J. saw some baby booties for sale at retail chain JR’s in North Carolina that reinforce the idea that boys are mischievous while girls are materialistic:

You can buy them gendered vitamins as well. Nathan, who writes at 1115, sent in this photo he took at Target:

Pete & Emily in Norwich, UK, noticed that you can now allow your hamsters to inhabit gendered worlds too, if you’d like; they sent us this photo they took at a pet store:

But we do have two counter-examples this time! Jackie H. took a photo of a kitchen set she saw for sale at Meijer, which shows both a boy and a girl using it:

And Isabeau P.S., Jesse W., and Anne Sofie B. all sent in images from the catalog for Swedish toy maker Leklust (two of the images were discussed at Mommyish):

Alexandra O’Dell, a student at North Idaho College, does a great job of integrating data, interviews, and images in this 11-minute video about the sexualization of young girls in the media:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Brad’s Blog.

Here are a few commercials for the new MilkBite™ from Kraft. They play on stereotypes about mixed-race individuals.

[youtube]https://youtu.be/ffkDRynWAMw[/youtube]

Here is a transcription:

You didn’t think, did you? You, uh, didn’t think what life was going to be like for me — mom, dad — for your son.

In another commercial, the characters have the following conversation:

I just have a question. Your profile said you were milk.
Uh huh, yep, I am.
You just look like granola.
Granola, yeah, I know. I get that a lot. This was a mistake.
No, wait. Please don’t go. I’m kinda into it.

There are other spots on Kraft’s YouTube page, most playing on these same themes. The problem with a marketing campaign like this is that it trivializes the experience of people with multiple racial/ethnic identities who are still often met with derision and confusion. The first ad above perpetuates the self-fulfilling prophecy about “confused” identities. As a child, I remember family members telling me that they didn’t have a problem with interracial couples but worried about how others might react to their children.

In my classroom earlier this year, a young white woman expressed overt anger when I told the class that the 2010 2000 Census, for the first time, allowed individuals to check more than one racial category. “How can they do that?!!” she demanded to know. Living in a country with a president who had a black father and an white mother complicates all of this. Beyond the standard “post-racial America” narrative, Pres. Obama’s racial identity — even though he identifies only as black — means that people feel entitled to be dismissive of the problems that come with our increasingly complex constructions of race.

Anita Sarkeesian at Feminist Frequency points out that the marketers are likely fully aware of the inappropriate nature of these types of campaigns, and in fact, that is precisely why they launch them. They are seen as ironic, over-the-top, cynical, and tongue-in-cheek. It’s “they know that I know that they know” that it’s racist. It’s a virtual “wink and a nod.” Lisa Wade at SocImages points out that it’s a “no-one-will-ever-believe-we’re-serious” mindset. Sadly, not all people are in on the joke and will find their bigotry and ignorance reinforced, but the rest of us should know better than to perpetuate racism, even under the guise of humor.

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Bradley Koch is a sociologist at Georgia College. He is currently the co-director of the study abroad program based in Athens, Greece.  His research interests include religion, sexuality, higher education, and teaching and learning. In his free time, Brad enjoys making music and riding his road bike around rural Georgia.

Over the last couple of years, we’ve collected a number of awesome examples of kids illustrating socialization into particular types of interaction or performance. We had the toddlers expertly mimicking the cadences of a conversation; we had a 2-year-old rapping; there was the baby worshipper; and finally, the baby preacher, who has the gestures and rhythms of a certain type of preaching down pat.

Thanks to Stephanie V., now we’ve got another example. This 4-year-old has not only figured out how to rap using different cadences and tones, he accompanies himself on a keyboard and drum machine, and has a pretty excellent grasp of song construction. Enjoy!

[youtube]https://www.youtube.com/watch?v=nDtgyGwvUus[/youtube]

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

April 15th was World Art Day.  A museum in Stockholm, the Moderna Museet, celebrated with what appears to be a chocolate and red velvet cake in the likeness of a caricature of member of a generic African tribe.  The cake was designed by an artist, Makode Aj Linde, who wanted to draw attention to the practice of female genital cutting, which occurs in parts of Africa (and elsewhere).  Accordingly, the cake was in the shape of a woman’s shoulders, breasts, belly, and genitals; it was covered in black fondant.  The head was the artist himself, painted black with cartoon-ish eyes and mouth reminiscent of American minstrelsy. Neck coils tied it all together.

The Swedish minister of culture, Adelsohn Liljeroth, was asked to cut the cake.  Playing along with the “art,” she began at the clitoris.  After slicing herself a piece, she fed it to the artist (it’s unclear if that was planned or improvised).  Each reveler carved out more and more of the genitals, revealing brown and then red cake inside.  With each cut, the artist let out a yell and cried.  People attending the exhibit reportedly gawked and generally went along having a good time.

Kitimbwa Sabuni, a spokesperson for the National Afro-Swedish Association, called the cake a “racist caricature of a black woman” and criticized the event, writing:

The “participation [of the minister of culture], as she laughs, drinks, and eats cake, merely adds to the insult against people who suffer from racist taunts and against women affected by circumcision.”

The minister shrugged rhetorically, saying  “Art needs to be provocative.”  On his Facebook page, the artist was nonchalant, writing about the above photo: “This is After getting my vagaga mutilated by the minister of culture…”

I will go on the record saying that this is obviously racist, trivializes genital cutting, is wildly insensitive to women who have experienced cutting, and fails to accord any respect to members of communities that practice genital cutting.  It’s a shameful mockery.

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UPDATE: It occurred to me that it’s possible that the artist intended to trap a mostly white audience into participating in this obviously racist game, all with the intention of revealing that they would.  Sort of like Spike Lee’s Bamboozled, where the fictional African American tv writer, asked by his White boss to write something “Black,” wrote the most racist thing he could think of… only to discover that audiences loved it.  So perhaps the artist meant to provoke the same sort of horror that Bamboozled provokes in its real audience.  And that is provocative indeed.  But I’m guessing that this message will be lost on the vast majority of people at the same time it provides a satisfying opportunity to object to something obviously racist (as I did); meanwhile, more subtle discrimination and institutionalized racism remains un-examined.

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One of my main areas of serious academic research involves trying to understand how Westerners think about female genital cutting, and what motivates them to understand it in the way they do.  I must say, though, that I am at a loss to explain this.  My research on American perceptions of the practice (not Swedish, notably) suggests that we take the practice extremely seriously, framing it as (one of) the worst human rights abuses imaginable.  From this perspective, this approach to raising awareness — from the party-atmosphere symbolized by the cake to the almost comical and obviously fake protestations from the artist/actor — takes the issue far too frivolously for comfort.

Caricaturing Africans, however, and seeing them as lesser humans is also part of what drives American condemnation of genital cutting.  U.S. discourses often frame Africans as either ignorant or cruel.  We routinely dehumanize both women and men in these discourses.  They are seen more as objects of intervention than human beings.  Accordingly, it doesn’t surprise me too much that the (mostly White, Swedish) people viewing the performance felt enough distance from the practice of genital cutting to enjoy their cake.  Nor does it surprise me to hear at least some of them dismiss the concerns of the spokesperson for the National Afro-Swedish Association.

The video, in all its glory:

Thanks to Sharla F., Samira A., and an anonymous reader for sending in the tip to this story!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Wired has posted a set of photos by Richard Ross highlighting the  harsh reality of life in juvenile detention centers  — locations where about 60,000 kids reside each night throughout the U.S. According to the article,

The U.S. locks up children at more than six times the rate of all other developed nations. The over 60,000 average daily juvenile lockups, a figure estimated by the Annie E. Casey Foundation (AECF), are also disproportionately young people of color. With an average cost of $80,000 per year to lock up a child, the U.S. spends more than $5 billion annually on youth detention.

The images are at Wired, and you can read more about the project, Juvenile-in-Justice, including a schedule of shows, at Ross’s website. His photos also appear in the Annie E. Casey Foundation report No Place for Kids.

You might also want to check out our previous posts on treatment of prisoners during Hurricane Katrina and overcrowding in California prisons.

And thanks to Karl for the tip about the article!

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

In a fantastic editorial in the New York Times, sociologist Amy Schalet interprets new data from the CDC that shows that young men and women are now losing their virginity at about the same age.  Never-married males between aged 15-19 have essentially the same probability of being a virgin as females:

Schalet draws on her own research comparing American and Dutch teenagers to explain this trend, citing fear and love.  Regarding fear, she writes:

…I found that American boys often said sex could end their life as they knew it. After a condom broke, one worried: “I could be screwed for the rest of my life.” Another boy said he did not want to have sex yet for fear of becoming a father before his time.

The other reason for the increase in the age of virginity loss among boys is romance.  Even in the face of cultural narratives that tell boys that all they want is sex, they tell personal stories of love and emotional connection (yes, even to grown-up lady sociologists).  This loosening of rigid gender roles can be credited to feminism, Schalet contends, and even if it has “largely flown under the radar of American popular culture,” it is nonetheless given boys the “cultural leeway to choose a first time that feels emotionally right.”

For more about Amy Schalet’s research, see Consequences of U.S. and Dutch Approaches to Teen Sex and Talking Sex, Relationships, and Teen Health with Amy Schalet.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Anderson Cooper 360 posted a video based on a study they sponsored of kids’ perceptions of race and friendships. The results are not surprising: kids pick up on larger social patterns, such as the fact that the adults around them often have few significant friendships across racial lines, and struggle to make sense of what they see. By age 6 they are highly aware of race and have formed clear ideas about how adults feel about people of other races than their own. Moreover, they’ve internalized cultural messages about race. As the clip shows, the race of the children themselves, as well as the race of children in images they are shown, impacts how they interpret the events in the pictures, with White children attributing more negative behaviors to African Americans in the photos:

Also check out Anderson Cooper’s earlier segments on children’s attitudes about skin color.