age/aging

Nathaniel Rogers of The Film Experience tracked down the age at which all Oscar winners in the Academy’s 82 year history won their awards.  He found that men who won Best Actor and Best Supporting Actor were typically in their 30s and 40s.  In contrast, women who won were typically in their 20s or 30s.

Men:

Women:

Looking at it another way, 55% of the women who have been awarded Oscars were 35 and under, whereas only 14% of men were the same:

Perhaps we’re seeing an age bias in award nomination and granting.  It’s reasonable to expect that older actors would be much more likely to win awards, given all their years of experience acting.  But this is not what we see for women or men.  Alternatively, there is an age bias in casting such that the only men and women available for an award are in these age groups.  Disaggregating the data by decade might also reveal some interesting patterns or trends that are invisible in this data.  There is, then, much room for speculation.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Lynn S. sent us a link to a Carnegie Mellon story about a new robotic “nurse” for the elderly.  Her name is “Pearl.”

It should go without saying that robots do not need to be gendered male or female and that, in this case, gendering the robot female reproduces a wasp’s nest of stereotypes about who is responsible for caring for others.

I say it should go without saying but, in fact, it mostly does, in the most bizarre way.  The article is about trying to maximize Pearl’s effectiveness as a helper by testing various configurations of appearance, mannerisms, expressions, etc.  But they never address why she is female.  From the article:

To that end, a multidisciplinary team of roboticists, social scientists and interaction designers has drawn on theories of emotion from cognitive science and the principles of aesthetics to explore what happens when human characteristics are added—or taken away—from Pearl’s “persona.”
…
Appearance has a strong impact on a person’s expectations. Researchers want to learn whether facial characteristics will factor into the emotional reaction of people who interact with her. Pearl’s configurable head, the size and spacing of her eyes and the shape of her lips are all important elements in projecting a “persona.”

In the caption to this image, they mention the importance of her “configurable head” for her “persona,” but her gender remains conspicuously unexamined.

Only once in the entire article do they mention gender.  They say that they are “…studying people’s responses to a robot’s perceived gender by changing Pearl’s lips and voice.”  But they named her Pearl, so they seem to have rushed to a conclusion there.  It’s as if, despite the incredible range of concerns and experimentation, scientists are not seriously questioning her sex.

And I think they should!  Not only because it’s good science, and not only to avoid sexist assumptions, but because the robot is being designed for senior citizens, who are disproportionately women, most of whom have spent a lifetime caring for children and husbands; I’d bet they’d find a nursebot named Peter to be quite a treat!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

As a white woman between 25 and 44 with a college degree, I am the least likely category of person to be unemployed according to an interactive graphic detailing the joblessness rate for people according to their race, education level, age, and sex (since Jan. ’07).  It is a rather devastating look at social inequality.  I recommend visiting the site to see for yourself, but below are some screen shots with some comparisons.

For comparison, the overall joblessness rate which, as of Sept., was at 8.6 percent:

The joblessness rate for white people (notice it is lower by 1.4 percent):

The joblessness rate for black people is almost twice that of whites:

Let’s add education level.

The joblessness for whites who have not yet graduated from high school is 17.5 percent:

The joblessness for comparative blacks is 10 percentage points higher.  Notice that the scale on the right hand side has changed from 0-20 percent (above) to 0-50 percent:

If we look at young blacks (15-24 years old) who haven’t been able to complete a high school degree, the joblessness rate is 42.7 percent:

If we restrict the numbers to young black men without a diploma, we see a whopping joblessness rate of 48.5 percent.

For comparison, here is the same kid, but white (the joblessness rate is cut in half, but is still huge, even by recession standards):

Ever wonder why young men turn to the underground economy?  Well, this is why.  Somewhere between 25 and 50 percent of them can’t get a job in the “above ground” economy.  What’s a kid to do?  Add in the rational choice of choosing work that pays more than minimum wage, and you’ve got a whole group of young people who participate in illegal activities.

Then, of course, we police black neighborhoods more aggressively than white neighborhoods, convict black people more frequently than white people, and send them to prison more often and with longer sentences (see also this post).

And, too add insult to injury, after all is said and done, a black person without a criminal record is less likely to get a job interview than a white person with one.  A black person with a criminal record: his chance of getting a call back after dropping off a resume (even at a place like McDonalds) is something like five percent.  No I’m not joking.

<sarcasm>Oh, but if they just had a good attitude and learned to talk right, they too could be successful in this life.</sarcasm>

It’s almost too much to bear.

Via Matthew Yglesias.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The figure below, sent in by Muriel M.M. and Josh P., shows the relationship between health care spending (on the left) and life expectancy (on the right). Perhaps the most stunning finding is what appears to be a rather loose correlation between the two. But a second finding is the inefficiency of U.S. spending (see it at the left top of the figure?): it is far above the other states included and is, nonetheless, translating into less-than-stellar results (if you measure by life expectancy).

Via National Geographic.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Michelle D. sent in this cover of The Australian Women’s Weekly featuring Sarah Murdoch, which includes the text “why she wanted an all natural covershoot”:

As Michelle pointed out, the woman has visible wrinkles, but she’s clearly wearing a significant amount of makeup (and teeth that are either bleached or covered with veneers), leading her to wonder what “all natural” means. As it turns out, it means that she wasn’t airbrushed or photoshopped. If you google “Australian Women’s Weekly Sarah Murdoch,” you’ll find a ton of stories about it.

Now, let me be clear: I’m not trying to minimize the courage it took for Sarah Murdoch to insist that her cover be un-touched-up or to speak in interviews about resisting the pressure to hide all signs of aging. Nor am I saying that wearing makeup is evil.

I’m just saying that, as I was reading the many stories in other news outlets about the cover, and looking at that “all natural” on the cover, and then looking at her face, I couldn’t help but think that it says something about the level of inhuman youthful perfection we currently expect of celebrities that this woman’s face, which as far as I can tell is flawless, would ever “require” touching up at all, and that showing herself looking like this is a major act of bravery and resistance because under normal circumstances, her face would be defined as unfit for a cover without technological “fixing”…and that all that makeup, teeth whitening, and eyebrow sculpting don’t undermine the claim to being “all natural” because we just take those things for granted now.

Chris Uggen, fellow sociologist and editor of Contexts magazine, put together a graphic for Public Criminology comparing the current age of death row inmates in the US with their age at arrest (in the title, I assumed they were mostly men, but I don’t know):

So the median age at arrest is 27 and the median current age is 43.  This illustrates the lag time between arrest, conviction, sentencing, and  execution.  It also creates the conditions for what Uggen calls the “graying of prison populations.”   We are executing mostly middle-aged men and older, even as the young are disproportionately convicted for committing violent crimes.

I suppose whether or not we support executing a 50-year-old man for a crime he committed half a lifetime ago depends on what you think the death penalty is for.   Is it to satisfy the family of the victims?  Is it for revenge?  Is it for deterrence?  Is it to make the world outside the prison a safer place?

Executing people in their 40s, 50s, and beyond makes more sense if your goal is something like revenge, less sense if your goal is a safer world with less violent crime.  So, how we frame the death penalty (that is, how we answer the questions “what is it?” and “what is it for?”) shapes whether the graph above looks like social justice or social tragedy.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Alongside a New York Times article about the distribution of food stamps was a set of county-by-county maps showing the percentage of different kinds of citizens on food stamps. What struck me was the difference between the “all recipients” map and the “children” map.

Darker blue = a higher percentage on food stamps:

All recipients:

Children only:

As you can see, the number of children on food stamps greatly outweighs the number of people on food stamps almost everywhere in the country. So, next time you think about the poor, remember how many of them are kids.

Via Gin and Tacos.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In a sweet anecdote, Sociologist Michael Kimmel talks about how he was playing the game of opposites with his son.  “What is the opposite of up?”  “Down.”  “What is the opposite of awake?”  “Asleep.”  “What is the opposite of man?”  He asked.

And his son replied, “Boy.”

Kimmel tells this story as a glimpse into an alternative world in which men do not define themselves in opposition to women, but see manhood in terms of maturity.

We don’t live in that world.  And Dockers thinks it can sell khakis by encouraging men to define themselves as not-women in its new man-ifesto ad campaign (text after the jump):

Of course, what is really interesting about this ad is the way that it defines manhood as in opposition to all kinds of things: womanhood, of course, but also boyhood, and feminine manhood, androgyny, and whatever disco, plastic forks, latte drinking, and salad represent.  What do men get?  Being in charge of women and children… and dirty hands (maybe the dirt is metaphorical).

I’d much rather live in Kimmel Jr.’s world.

(Thanks to Christina W. for encouraging us to write about this ad.)

For a similar ad, see this Ketel One commercial expressing nostalgia for a pre-feminist time.  And, for lots of material documenting the new pop culture version of masculinity, browse our gender: masculinity tag.

Jump for a transcript of the text:

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