Stephen W. sent us a photograph of a billboard in Rock Valley, IA.  It suggests that keeping your baby, instead of having an abortion, is good for the economy:

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Sociologists talk about how nations are invested in reproduction.  Without babies, nations literally disappear; too many babies and nations collapse under the strain of a population they cannot support.  Because nations need babies (but not too many babies), states adopt pro- and anti-natal policies (e.g., the one child rule or medals for mothers) that encourage or discourage childbearing.  This billboard is an interesting example of a call to women to have children so as to help the nation (though it is sponsored by a pro-life organization, not the state).  Women, in this argument, have a responsibility to the nation (perhaps equivalent to military service?) that transcends their individual reproductive preferences.

(See this related post on making babies for the military.)

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Andrea G. alerted us to a Fisher-Price toy, called My Pretty Learning Purse, for children aged 6 to 36 months. Behold:

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The purse comes with a dollar bill, a bracelet, a mirror, and a set of keys.  It also sings songs about purple and pink.

Andrea writes:

With these props, a one year old can properly play “woman.”  I felt this is an example of how we do gender and teach it to children, as young as a year old.

At least they’re admitting that femininity must be “learn[ed]?”

UPDATE: Jane, in the comments, linked to a Fisher Price product for boys that is very similar:

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Get it!  It’s a tool box and it includes keys, a screwdriver, a hammer, and a saw.

The play involved in each product is essentially identical (e.g., music, putting things in and taking them out), but the theme of the play is gendered.  Do you think this is to please the parents or the kids?

NEW (Dec. ’09)! Monica C. sent along this page from a Target catalog featuring a girl playing with a kitchen and a boy playing with a tool set:

target_cooking_and_tools

Also in teaching young children femininity and masculinity, see our posts here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, and here.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Toban B. sent us a link to a video that condenses 24 hours of air traffic into a minute and 12 seconds. It’s fascinating to see where planes are going to and coming from on a typical day:

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Thanks to Dmitriy T.M. for sending this speech by Joss Whedon (responsible for Buffy the Vampire Slayer) at an Equality Now event. His comments begin at 2:00 (after an introduction by Meryl Streep):

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Because meat is what men eat…

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See also this BEEF! BEEF! BEEF! Campbell’s Soup ad.

From MultiCultClassics.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Matthew Yglesias featured two figures from the Pew Economic Mobility project.  They show how long different types of people tend to take to recover from income loss (within 1 year, 2-4 years, or 5-10 years).

This figure shows that people who are older, have more education, or are poor, working, or middle class have a harder time recovering from tough economic times:

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This figure shows how marital status is related to recovery.  Most dramatically, people who get married before recovering financially (especially men), women who split with a partner, and women who are single have a more difficult time recovering.

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Something to consider: As several commenters noted, I’m not sure how they defined “recovery” from income loss.  If you never made a lot of money to begin with, does recovery simply mean returning to a state of low income?  Then, does the income for an initially high income person need to return to its high state for it be counted as a “recovery”?

(Just FYI: I revised my interpretation of these figures.  Thanks to the early commenters who noticed I’d misinterpreted.  It was really late at night when I wrote this post!)

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Are sounds gendered? Yes. Does the gender of sounds change over time?

From the surprisingly interesting blog of Laura Wattenberg comes these graphs showing that popular masculine endings to names has changed over time.

1906:
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1956:
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No dramatic changes from 1906 to 1956, but then, in 2006, n is triumphant!

2006:
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Laura also offers some data showing how boy and girl name endings have shifted since the 1880s:

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This figure, relatedly, shows trends in the endings of girl babies’ names in France:

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Graphs from here, here, and here. Hat tip to Montclair Socioblog.

UPDATE: In the comment thread, Sator Arepo notes:

Sounds are not equal to letters. The graphs are misleading in that they (with exception of the French language spectrograph-like pictures) they equate the sound of the end of the name with the appearance of the letter in the written word.

Commenter pfctdayelise notes something similar, above. However, it’s even more misleading in the tables, and would depend widely on the origin of a name whether and how certain letters were pronounced.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Oh, man. As if we needed another reminder as to why cartoon art is a medium that can be used for evil as easily as good, comes now the next installment in a series of racist National Review covers trafficking in Asian stereotypical imagery.

You’ll remember, of course, that back in March 1997, the National Review released the infamous “Manchurian Candidates” cover seen here (which, due to the fact that the Internet was just a tot when that slice of tripe hit the newsstands, I was only able to find in embedded in a journal article written by Darrell Hamamoto, w00t!).

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Asian Americans understandably reacted with stunned rage at the depiction of then-President Bill Clinton, First Lady Hillary Clinton, and Vice-President Al Gore in stereotypical Chinese garb, their features warped into exaggerated Asian caricatures (slanted eyes, buck teeth).

The National Review was unrepentant in the face of charges that the cartoon was offensive and inflammatory, responding, in part, that:

Caricatures and cartoons …require exaggerated features and, where a social type is portrayed, a recognizable stereotype. Thus, a cartoonist who wants to depict an Englishman will show him wearing a monocle and bowler hat, a Frenchman in beret and striped jersey, a Russian in fur hat, dancing the gopak, etc.

The first point can’t entirely be disputed: The cartoon medium often uses simplified, exaggerated features for emphasis, for satirical purpose and for ease in depicting broad emotion.

But it’s one thing to exaggerate features — Obama’s protruding ears invariably become giant jug-handles when he’s rendered, for instance. The Mike Ramirez cartoon below actually essentializes Obama’s appearance down to his ears — and still manages to make its point clear.

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It’s another to incorporate racialized features that weren’t there to begin with: For instance, consider these images — a caricature of Obama from an “Obama Waffles” package, as gleefully sold during the right-wing ” Values Voters Summit,” and a close-up of Obama’s official portrait from his days as Senator from Illinois.

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Apart from being overtly racist, the caricature on the box doesn’t remotely resemble Obama — with its pop-eyed expression, darkened skin, enormous, toothy grin and thick lips, it looks a lot more like…well, the picture below can speak for itself, I guess.

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Going back to the National Review “Manchurian Candidates” cover now, what you see is that there’s more going on in the images of the Clintons and Gore than the typical flamboyant exaggeration used in cartooning. In addition to Bill’s bulbous nose and Gore’s pursed, almost sneering lips (both typical of their respective caricatures), you see…hmm…narrowed eyes… oversized, bucked teeth… a Fu Manchu moustache– hey, just about every racist synecdoche in the anti-Asian propaganda library! (At least the stuff that belongs above the waist.)

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Just to be clear here: It’s one thing if they were simply drawn in Chinese clothing or doing quaint folkdances, as suggested by the National Review in its disgenuous response. That would arguably be in-bounds satirically (regardless of whether you find the political point being made to be fair or accurate).

But layering yellowface-propaganda memes into the picture transforms the caricature from an act of humor into an act of war. The images to the right are examples of what I’m talking about.

Even if you’re insensitive enough to racial propriety to want to give white people Asian features in order to prove a political point, that simply isn’t what Asian people look like, and never has been. The squinty, buck-toothed Asian person with bright yellow skin and eyes angled at ten minutes to two does not exist in nature. However much you soften it, those false features are in fact weapons of mass destruction, artifacts of an era where it was used to dehumanize the enemy enough so they could be killed without compunction.

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For that reason, there’s no acceptable way they should be invoked in a casual popular context, any more than minstrel stereotypes or anti-semitic “Elders of Zion” caricatures have a place in everyday culture. Discouragingly, they remain persistent in media today — from entertainment (see left: Rob Schneider in 2007’s “I Now Pronounce You Chuck and Larry“) to news and commentary. Well, actually not most news and commentary — it’s really only the profoundly racist right-wing organs that still blithely fart out the yellowface imagery. Like, for instance…the National Review.

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This cover to the right is the current issue of the magazine, on stands now. As you can see, it depicts Supreme Court nominee Sonia Sotomayor as the Buddha. Despite the fact that Sotomayor is Catholic and a Latina woman. While the historical Buddha, Siddhārtha Gautama, was Hindu (before the whole Bodhi tree thing), and an Asian man.

The caption, “The Wise Latina,” frankly offers no real f*cking explanation for the image. I suppose it’s because the Buddha was wise, although you could just as easily have depicted Sotomayor as King Solomon if you’re looking for a legendary figure of wisdom; maybe it’s because to the raving radical Right, Buddha is seen as a proto-hippie and probably a pansy too, while King Solomon, that guy threatened to cut babies in half — not very pro-life, but not “empathetic” either. Badass!

But seriously: If they wanted a figure of wisdom and empathy, why not caricature Sotomayor as someone who’s of the right gender and a coreligionist, at least: Mother Teresa? That would have preserved the necessary level of corrosive offensiveness, right? Too close to home?

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Whatever. As it is, the cover is just stupid and meaningless, as well as offensive — to women, to Latinas, to Buddhists of all backgrounds (note: The National Review guys are of the same ilk that went ballistic when Rolling Stone depicted Kanye as Jesus)…

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…and yes, to Asians. But it bears mentioning that it registers as EPIC FAIL even in the offending Asians category.

Because, unlike their “Manchurian Candidates” cover, where at least they picked the correct racist stereotypes to parade, the “Wise Latina” cover puts the hideously slanted eyes and bucked teeth of East Asian yellowface stereotype onto an image inspired by a Northern Indian man of Brahmin descent.

In fact…. you can see the original image of Siddhārtha Gautama Buddha that the artist used as a reference (it’s actually quite a popular icon). Notice any differences?

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As usual, National Review has been quick with a completely absurd and totally disingenuous retort to the appalled reactions they’ve been getting from, you know, everyone. From editor-in-chief Rich Lowry:

I take it the theory is that we don’t think Latinas can be wise so we had to make her look somewhat Asian. Or something like that. What these people don’t understand is the entire concept of caricature (or of a joke). Caricature always involves exaggerating someone’s distinctive features, which is all that our artist Roman Genn did with Sotomayor. Oh, well. Keep it humorless, guys, keep it humorless.

No, Rich, the theory is that you took a Latina woman and turned her into a North Indian man with horribly racist East Asian-stereotypical features because you guys are clueless morons. And actually, that’s kind of funny, in that Lowry and the National Review don’t quite get that the joke, ultimately, is on them.

NEW! Kate M. pointed out an image similar to the one of Sotomayor as the “wise Latina.”  This one is of Newt Gingrich as a “guru” and ran in the liberal magazine Mother Jones:

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Is this more or less offensive than the Sotomayor example cover? The thing that I think distinguishes the two is that Gingrich’s features are not exaggerated into a warped stereotype of Asian features, possible the most offensive element of the Sotomayor caricature.

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Jeff Yang is the editor-in-chief at Secret Identities: The Asian American Superhero Blog and the Asian Pop columnist for the San Francisco Chronicle. You can follow him on Twitter and friend him on Facebook.

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