public

In 2011 I was looking for new ways to play with ideas. I had just finished my first semester in graduate school and while class assignments kept me busy and the conversations I had with my fellow graduate students were deeply rewarding I wanted something else. Something a little more public and a lot more focused on writing. I was surprised that, at least in my program, there was very little attention paid to the craft of writing. How to convey a complicated idea in an elegant way, or how to identify your audience, were absent from even the most pragmatic training. (This is not true in all programs and less true for that particular department now, than it was five years ago.) In college I frequently read and shared Sociological Images articles and one day, while procrastinating on my very first round of graduate school finals I noticed that The Society Pages had multiple blogs. Instead of writing my finals I wrote a short thing about drones and video editing suites and before I knew it I was regularly contributing to this blog. In a few short years I was submitting things to bigger publications, and now I’m an editor here with Jenny and wow what a wild ride.

Last month I read Kelly Conaboy’s Blog, You Idiots and it got me thinking about the process, style, and frequency of my own writing. I’ve been editing more and writing less, and I’d like to change that. Jenny and I have been editing guest posts but the editing that has taken up most of my time is editing my own stuff. There’s probably half a dozen would-be essays in my Cyborgology folder that end right about here, in the second paragraph, where the hook or thesis should go. I think this means I need to get back to writing what Conaboy called for: “just a little thing that you read and enjoy.”

I will be writing more, soon, but before I rearrange the pace of my work schedule to accommodate that promise I thought I would put down into words a workshop I have run twice now on helping academics write for more public audiences. The intention here is to identify some of the common problems academics have in writing engaging, thoughtful, and relatively short essays. Much of it comes down to pacing and working with others. more...

How does technology mediate belonging in an era of both rising connectivity and xenophobia? The rhetoric of globalization would have us believe we are entering a new era of integration facilitated by advances in transportation and information technology, while racist populism is finding currency unseen since the Second World War. These perspectives represent very different views of how the world should work, and reflect one’s position and ability to navigate multiple, entangled systems of belonging, and the technologies making such movement possible.

We order our world with technology, in ways so mundane they escape detection without effort to separate representation of the world from the world itself. This is difficult because language itself is a sort of representational technology. Think of language as the software used in “hardware” (like stop signs or birth certificates) designed to order society. more...

Yesterday Apple announced something many of us were expecting: a streaming service to rival Spotify and possibly expand/destroy the services provided by recently acquired Beats Music. At first glance the recently announced service seems to be not much more than an also-ran for streaming: Apple Music lets you stream the iTunes catalog, make playlists, and provide a radio service for a reasonable monthly subscription. Unlike other services however, Apple is claiming to keep some of the human-curated playlists that gave Robin James’ 80 gig iPod classic a run for its money.

At the center of this “we’re not just Spotify” pitch are not only ad-free stations with real DJs playing music available to a global audience, but a kind of global radio brand that is something much more than Spotify’s pre-made playlists. The inaugural station “Beats 1” will be available in 100 countries when the service launches at the end of this month and even though, at time of writing, most of the world has known about this service for all of half an hour there’s still a lot gleam from the introductory demo. Apple is interested in not only shedding its U2 Dad Rock Albatross (someone photoshop a literal visual representation of that please), it wants to do so by establishing itself as the arbiter of global pop. more...

Ever since it and I first became acquainted, I have been the sort of person who goes by strange made-up names on the Internet. That “ever since” is a long one, too: It begins in the fall of 1995, when my classmates and I returned to school to find not only that the dark room full of DOS machines had been swapped out for a bright room full of Windows boxes with Internet access, but also that we now had email accounts—something most of us didn’t have at home.

To our mostly pre-digital teenaged selves, email was clearly the Best. Thing. Ever.

My friends and I spent all of our free periods in the computer lab emailing each other, even though we went to a small school and so all saw each other every single weekday. We passed silly forwards around (like “100 Things to Do in An Elevator”), and had group conversations, and had long one-on-one conversations as well—often conversations that, for a whole range of reasons, would never have happened through in-person interaction. I spent some of the most intense, exciting hours of that school year in the computer lab, engaged with those machines (and through them, my friends) as if they were lifelines. more...

I’ve spent the last span of days trying to figure out what I want to say (first) about Quantified Self Europe 2013 (#qseu13), which took place in Amsterdam on 11 and 12 May. The conference spanned a truly amazing pair of days, both of which I spent furiously live-tweeting and paper-scribbling field notes as my jet-lagged brain threatened simultaneously to implode and to explode (in the best of all possible ways) on both an intellectual and a personal level. The Twitter-length post is easy: “Wow, #qseu13 was so awesome!” A few chapter-length essays would be easy as well, given enough time. A blog post, though…blog-length is hard.

For the sake of continuity, I’ll start this first post by picking up where I left off last week. On the first day of this year’s Quantified Self Europe, I hosted a breakout session [pdf] called, “The Missing Trackers,” in which I posed questions about who might be missing from the Quantified Self community, what we might learn about the Quantified Self community by looking at who’s missing from it, and whether those absences might be a problem. more...

People, I am certain, use Snapchat in myriad ways and for all kinds of reasons. Surely, people use the disappearing-message app to document juicy gossip, send goofy but not save-worthy photos, cheat on an exam, share an inside joke, engage in insider trading, or co-view a sunset in the fleeting moment in which the red-purple sky loses its light. I especially like Nathan Jurgenson’s deeply theoretical and thought provoking analysis of Snapchat in terms of image scarcity and abundance. And yet, when I think about Snapchat, my mind always goes to the same, possibly immaturity-induced, place: sexting.

Sexting, made particularly famous by such figures as Tiger Woods, and Anthony—I can’t believe this is your real name—Weiner, is the act of sending illicit images of oneself and/or erotic messages via SMS. Humans are sexual, and have long engaged the technologies of the time in their erotic practices (if you don’t believe me, read James Joyce’s pen-and-paper love letters to his wife).Despite moral panics surrounding sexting (especially among *gasp* teenagers) the problem with this phenomena has less to do with erotic communication, and more to do with the medium of erotic communication coupled with the affordances and dynamics of networked publics. Snapchat is a technological solution to the problem, but one with unique—possibly problematic in a different way—implications of its own. more...

It’s the kind of story that writes itself. A popular media entity, on one of the oldest forms of electronic mass media, bears the brunt of activists’ Facebook wrath. It combines two old rivalries: liberals and conservatives and new media versus old media. In case you missed it, here’s the brief synopsis of events from ABC news:

Rush Limbaugh remains in big trouble. Advertisers – 11 at last count – are pulling spots off his radio talk show because of the reaction to his calling Georgetown University law student Sandra Fluke a “slut” and a “prostitute.” Opponents are mobilizing on social media for a long campaign to try to convince even more sponsors to drop his program. Ms. Fluke herself has rejected as insufficient Mr. Limbaugh’s attempts at apology

Fluke had testified before congress about the importance of “the pill” for medical uses beyond birth control. Rush concluded that she was having so much sex that she needed the American tax payer to help defer the cost of her contraceptives. (This has led to some speculation that conservatives don’t know how hormonal birth control works.) Thousands of people are organizing to get advertisers to pull their money out of Rush Limbaugh’s show, and many of them are organizing via Twitter and Facebook. Will we be subjected to another round of technologically deterministic news stories about “cyber revolution,” or are we going to have a more nuanced conversation? More precisely, does Rush have a social media problem or has he -all things being equal- just gone too far this time? more...

When Michael Moore came to address the occupiers of Wall Street, he had no access to a mic and speakers to make himself heard. He had no access to a bullhorn. New York City requires a permit for “amplified sound”–they require permission from authority for a particular use of public space. But #occupy is all about reclaiming public space–they demand to be heard, and they won’t ask for permission to speak. But even given that many of the participants of #occupy are in full possession of smartphones, verbal address to the crowd from a singular source is still important. And the restrictions on amplification made that difficult.

So #occupy did what #occupy seems to do: They organized.

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This essay, like the one I posted last month on faux-vintage photography, is me hashing out ideas as part of my larger dissertation project on self-documentation and social media. Part I is found here.A barrage of media stories are professing the “Death of Anonymity,” the “End of Forgetting” and an “Era of Omniscience.” They are screaming a sensationalism that is part of the larger project to drum up fear about how “public” we are when using social media. While there are indeed risks involved with using social media, these articles engage in a risky hyperbole that I will try to counter-balance here.

Part I of this essay rethought claims of hyper-publicity by theoretically reorienting the concept of publicity itself. Using theorists like Bataille and Baudrillard, I argue that being public is not the end of privacy but instead has everything to do with it. Social media is more like a fan dance: a game of reveal and conceal. Today, I will further take to task our collective tendency to overstate publicity in the age of social media. Sensationalizing the risks of “living in public” perpetuates the stigma around an imperfect social media presence, intensifying the very risk we hope to avoid. But first, let’s look at examples of this sensationalism.

I. Media Sensationalism
Pointing out the dangers of living public online is an important task, but sensationalizing this risk is all too common. Indeed, the media has a long history of sensationalizing all sorts of risks, creating fear to drum up ratings, sales, clicks and page-views. From sexting to cyberbullying to the loss of “deep” learning, political activism, and “real” social connections, I’ve written many times about how the media has found social media to be a particularly fertile space to exploit fear for profit. more...

This essay, like the one I posted last month on faux-vintage photography, is me hashing out ideas as part of my larger dissertation project on self-documentation and social media. Part II will argue that the media also overstate how public we have become, sensationalizing the issue to the point that the stigma associated with online imperfections erodes more slowly. It is no stretch to claim that we have become more public with social media. By “public” I mean that we are posting (1) more pieces information about ourselves online in (2) new ways (see the Zuckerberg Law of Information sharing), and are doing so more (3) honestly than ever before. We are connected to the web more often, especially given the rise of smart phones, and new layers of information are being invented, such as “checking in” geographically. And gone are the days when you could be anyone you want to be online; today we know that online activities are augmented by the physical world. People are mostly using their real names on Facebook and nearly everything one does there has everything to do with the offline world.

But we are not as public as this suggests. We need a balance to this so-called triumph of publicity and death of anonymity (as the New York Times and Zygmunt Bauman recently declared). “Publicity” on social media needs to be understood fundamentally as an act rife also with its conceptual opposite: creativity and concealment. And I am not talking just about those who use false identities on blogs (see Amina) and pseudonyms on Facebook, those with super-strict privacy settings or those who only post a selective part of their multiple identities (though, I am talking about these folks, too).  My point applies to even the biggest oversharers who intimately document their lives in granular detail.

I’ll describe below how each instance of sharing online is done so creatively instead of as simple truth-telling, but will start first by discussing how each new piece of information effectively conceals as much as it reveals. more...