Search results for augmented

From an augmented perspective, technologies both reflect and affect social structures and hierarchical relations. It is perhaps no surprise, then, that theorists of science and technology have long recognized how technologies are gendered. This goes beyond probing technologies of female reproduction, or masculine tools of object manipulation. This pervades even those seemingly gender neutral technological objects, and the ways in which we talk about, use, and make sense of them.

Awhile back, I talked about the gendering of Siri. I argued that the female voice, coupled with her designation as a “personal assistant” created an environment ripe for highly sexist/sexualized personification of the iphone application, and iphones themselves.  Far from Haraway’s utopic de-categorization, this melding of mechanical and organic solidified gendered meanings and strengthened interactional gender inequalities.

With this understanding, I still couldn’t contain my exasperated eye-roll when, after hooking up television in my home for the first time in almost a decade, I saw this (video after the jump): more...

what’s a bot and what’s human and where do we draw the line and should we draw that line

Yesterday, we learned that the most infamous Weird Twitter account, @Horse_ebooks, wasn’t a algorithmically-programmed “bot” but instead the product of a person tweeting as if. The revelation was accompanied by a live performance of the account in a Manhattan art gallery. While much is being written about the account, I’d like to share one thought about the live performance and what this all says about what is real and virtual, “bot” and human. In one day, @Horse_ebooks went from bot to human, and as I’ll argue, embodied in an art gallery, right back towards bot. more...

Today, I just want to write a brief post about a cool art project. The Dead Drop project, started by an artist in New York City, embodies much of the theory we talk about here at Cyborgology. And like most forms of art, it accomplishes this theorizing in a far more efficient and interesting way than that which we academics put forth with our many, many words.

The Dead Drop project began in 2010 by a Berlin based artist named Aram Bartholl. During his stay in NYC, he installed 5 Dead Drops in public places. Dead Drops are blank USB ports, cemented into city walls, trees, or other publicly accessible outdoor materials. People can upload and download files onto these ports. Anyone can install a Dead Drop, and Bartholl encourages worldwide participation. Bartholl describes the project as an “anonymous, offline, peer to peer file-sharing network in public space.”  To date, there are 1,231 registered Dead Drops worldwide, comprising about 6,403 GB of storage space. more...

A little more than a year ago, I wrote on Cyborgology about how I refused to join the Social music service Spotify. A little less than a year ago, I wrote an expanded version of that essay for The New Inquiry (TNI). In between those two essays, a funny thing happened:

Yeah, I joined Spotify.

I swear to you though, it wasn’t my fault (“fault”). more...

Genevieve Bell, an anthropologist in the employ of Intel, says that the day is coming when people will form meaningful, emotional relationships with their gadgets. It’s unclear to what degree “relationship” involves reciprocity, but it’s implied that that may at least be a possibility. This in turn introduces the question of whether responsiveness and anticipatory action count as reciprocity, but the claim is still interesting.

more...

The recent flurry of activity around the #DiversityinSFF hashtag has involved discussions about the current state of the science fiction/fantasy genre, where it’s deficient in making space for diverse (non-white, non-straight, non-western, non-male, non-cisgendered, non-ablebodied) voices to be heard, where those voices can be found, and what should be done in the future to make the genre more inclusive and welcoming, and less tolerant of some of the amazing bigotry that’s popped up a number of times recently.

But this is a conversation with a much longer history and with ties to long historical processes of sexism/racism/ableism/classism/heteronormativity. It’s all been a problem for SFF for a long time now. more...

One of these days I’ll find something to cite on the topic of Early Internet Adolescence that isn’t my own experience, but here goes: I like to joke that the Internet and I went through puberty at about the same time. As a result, I spent my teenage years on the cusp of being what we now think of as “connected”—I journaled on paper but wrote poetry on computers (also napkins); I wrote letter-length notes during class but sent email during my free periods; in general, I communicated with friends and family (as well as myself) through an array of both analog and digital media. Though sometimes I hung out talking to strangers in AOL chat rooms (especially before I had friends who, like me, didn’t have a curfew), my digitally mediated interactions were a lot like my telephone-mediated interactions in that they occurred primarily with people I already knew from in-person contexts.

Digitally mediated interaction was new and exciting (especially to a shy kid who already fancied herself a writer), but from the very beginning, it was just another piece of the life I was already living. It didn’t make me a new or different person (in contrast, sometimes I felt more free to be myself via email), and nor did my friends interact with me through chat or email in ways that were incongruous with the ways they interacted with me in person. So what were those interactions like, especially as my friends and I tried to navigate the complicated social- and emotional politics of attraction in the context of a small high school? This was back in the pre-SMS era, mind you, so to hear The Today Show’s Matt Lauer tell it last month, I should have been receiving graceful, articulate, hand-written notes from classmates who fancied me, and perhaps responding with notes of my own if the fledgling twitterpation was mutual.

Oddly enough, this is not what I remember happening.  more...

Sometime during the spring of my seventh grade year, one of my best friends came to school with a book she’d pulled from her parents’ shelves called Please Understand Me: Character & Temperament Types. It had a long questionnaire in it that, after you answered all the A/B multiple-choice questions, sorted you across four different binaries (and thereby into one of 16 possible personality types). I forget whether it was after school or during a class (ooops), but she and I and another good friend eagerly took turns jotting down answers in our notebooks[i] and tabulating our scores.

We were three awkward, shy, 13-year-old girls; we were not, by any stretch of the imagination, “popular.” Surreptitiously read women’s magazines had taught us to seek self-knowledge through multiple-choice questions, while standardized tests had trained us to endure answering many multiple-choice questions in a row. The book’s subject matter promised to help us sort out everything that had perplexed us about interacting with others, and the title alone resonated with particular force. more...

“We invoke one dualism only in order to challenge another. We employ a dualism of models only in order to arrive at a process that challenges all models. Each time, mental correctives are necessary to undo the dualisms we had no wish to construct but through which we pass. Arrive at the magic formula we all seek—PLURALISM = MONISM—via all the dualisms that are the enemy, an entirely necessary enemy, the furniture we are forever rearranging.”

– Gilles Deleuze and Félix Guattari in A Thousand Plateaus

On this blog and elsewhere, Nathan Jurgenson and many others argue against dichotomizing the online and offline (a perspective dubbed “digital dualism”) in favor of the more nuanced position that the interaction of the online and offline rather constitute an “augmented reality,” a new but nonetheless consistent and permeable lifeworld. The argument is interesting and probably accurate. However, for those of us who take dialectical thought seriously, it is unclear that this latter position gains in ontological nuance more than it loses in truth. If digital dualism merely critiques simplistic descriptions of the contemporary relationship between mediated and non-mediated social interaction, then it is fairly low-hanging fruit for those well-acquainted with the pitfalls of binary thinking. But what the augmented-reality perspective refuses to query is how and why the very idea of such new and alternative worlds is made naive, in principle and in advance of their emergence. more...

During the 2013 Annual Meeting of the American Sociological Association (#ASA13) in New York this last week, I was reminded of the post that I wrote last year before #ASA2012 in which I encouraged tweeting academics to reach out to non-tweeting academics to bridge the gap between those who participate on the conference hashtags at ASA and those who don’t. Nathan Jurgenson (@nathanjurgenson) followed up with a post titled, “Twitter isn’t a Backchannel,” in which he made the point that the term “backchannel” perpetuates digital dualist ideas of what does and doesn’t count as “real” participation at a conference:

There is no “backchannel”, there is no more or less “real” way to exist within this atmosphere of information, yet we continue to hear that the Twitter distraction whisks people away from the “real” conference in favor of something separate and “virtual.” Each time we say “real” or “IRL” (“in real life”) to mean offline, we reify the digital dualist myth of a separate digital layer “out there” in some ‘cyber’ space. And when we call Twitter a “backchannel” to mean a separate conversation, running tangent to the offline conference in some space behind precious face-to-face exchanges, we continue to support this digital dualism. The implicit, and incorrect, assumption is that the on and offline are zero-sum, that being offline means being not online, and vice versa.

In the comments, I agreed that Nathan had a point: “backchannel” really isn’t a great term for what we-who-livetweet do when we tweet at a conference. But what, I asked, should we call this activity? more...